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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:52, 31 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Chaudhvin Ka Chand&#039;&#039;&#039;&#039;&#039; ({{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;trans&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;Moon of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fourteenth day&quot;&lt;/del&gt;}}) is a 1960 Indian [[Hindi]]-language [[Muslim social]] film directed by Mohammed Sadiq.&amp;lt;ref&amp;gt;{{Citation |last=Sadiq |first=M. |title=Chaudhvin Ka Chand |date=2008-11-09 |url=https://www.imdb.com/title/tt0053706/ |type=Drama, Musical, Romance |others=Waheeda Rehman, Guru Dutt, Rehman, Minoo Mumtaz |publisher=Guru Dutt Films Pvt. Ltd. |access-date=2021-01-15}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |title=Chaudhvin ka Chand {{!}} Indian Cinema – The University of Iowa |url=https://indiancinema.sites.uiowa.edu/chaudhvin-ka-chand |access-date=2021-01-15 |website=indiancinema.sites.uiowa.edu |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Chaudhvin &lt;/del&gt;Ka &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chand” &lt;/del&gt;captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-01-15 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-01-15 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; This film was super-hit at box-office, one of the top-grossing films of 1960.&amp;lt;ref&amp;gt;[https://muvyz.com/boxoffice/byyear/y1/1960 Chaudhvin Ka Chand (1960 film) on Muvyz.com website] Retrieved 13 November 2019&amp;lt;/ref&amp;gt; A production of [[Guru Dutt]], the film centers on a love triangle between [[Guru Dutt]], [[Rehman (actor)|Rehman]] and [[Waheeda Rehman]], and features [[music]] by [[Ravi (music director)|Ravi]]. After the disastrous box office performance of &#039;&#039;[[Kaagaz Ke Phool]]&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Guru Dutt&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;had to stick back to the idea of producing a commercial &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;project &lt;/del&gt;along with an experimental project to protect his studio from ruins. The next commercial venture by the studio was &#039;&#039;Chaudhvin ka Chand&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/del&gt;&#039;&#039; which was a huge commercially successful comeback film for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Guru Dutt&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;, which saved &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;Guru Dutt&#039;s&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;production studio from ruins.&amp;lt;ref&amp;gt;{{Cite web |last=Sukanya |title=Chaudhvin Ka Chand: An ode to Waheeda Rehman’s incandescent beauty |url=http://www.sukanyaverma.com/2013/03/chaudhvin-ka-chand-an-ode-to-waheeda-rehmans-incandescent-beauty/ |access-date=2021-04-13 |website=Sukanya Verma |language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Chaudhvin Ka Chand&#039;&#039;&#039;&#039;&#039; ({{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;translation&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;The &lt;/ins&gt;Moon of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fourteenth Day&#039;&#039;&lt;/ins&gt;}}) is a 1960 Indian [[Hindi]]-language [[Muslim social]] film directed by Mohammed Sadiq.&amp;lt;ref&amp;gt;{{Citation |last=Sadiq |first=M. |title=Chaudhvin Ka Chand |date=2008-11-09 |url=https://www.imdb.com/title/tt0053706/ |type=Drama, Musical, Romance |others=Waheeda Rehman, Guru Dutt, Rehman, Minoo Mumtaz |publisher=Guru Dutt Films Pvt. Ltd. |access-date=2021-01-15}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |title=Chaudhvin ka Chand {{!}} Indian Cinema – The University of Iowa |url=https://indiancinema.sites.uiowa.edu/chaudhvin-ka-chand |access-date=2021-01-15 |website=indiancinema.sites.uiowa.edu |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Chaudhvin &lt;/ins&gt;Ka &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chand&quot; &lt;/ins&gt;captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-01-15 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-01-15 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; This film was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;super-hit at box-office, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and became &lt;/ins&gt;one of the top-grossing films of 1960.&amp;lt;ref&amp;gt;[https://muvyz.com/boxoffice/byyear/y1/1960 Chaudhvin Ka Chand (1960 film) on Muvyz.com website] Retrieved 13 November 2019&amp;lt;/ref&amp;gt; A production of [[Guru Dutt]], the film centers on a love triangle between [[Guru Dutt]], [[Rehman (actor)|Rehman]] and [[Waheeda Rehman]], and features [[music]] by [[Ravi (music director)|Ravi]]. After the disastrous box office performance of &#039;&#039;[[Kaagaz Ke Phool]]&#039;&#039;, Guru Dutt had to stick back to the idea of producing a commercial &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;film &lt;/ins&gt;along with an experimental project to protect his studio from ruins. The next commercial venture by the studio was &#039;&#039;Chaudhvin ka Chand&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;which was a huge commercially successful comeback film for Guru Dutt, which saved Guru Dutt&#039;s production studio from ruins.&amp;lt;ref&amp;gt;{{Cite web |last=Sukanya |title=Chaudhvin Ka Chand: An ode to Waheeda Rehman’s incandescent beauty |url=http://www.sukanyaverma.com/2013/03/chaudhvin-ka-chand-an-ode-to-waheeda-rehmans-incandescent-beauty/ |access-date=2021-04-13 |website=Sukanya Verma |language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite being a commercial venture, the film is considered a classic Muslim-social.&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Chaudhvin &lt;/del&gt;Ka &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chand” &lt;/del&gt;captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-04-13 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt; It was ranked &#039;&#039;#&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;30&lt;/del&gt;&#039;&#039; in 2003 [[Outlook (Indian magazine)|Outlook Magazine]] poll of &#039;&#039;25 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;leading &lt;/del&gt;Indian Directors&#039;&#039; for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&#039;&#039;Best &lt;/del&gt;Bollywood Movies of all &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;time”&lt;/del&gt;&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite web |title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Outlook India&lt;/del&gt;&#039;s Best &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bollywood &lt;/del&gt;Films &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– iCheckMovies&lt;/del&gt;.com |url=https://www.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;icheckmovies&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lists&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;outlook+indias+&lt;/del&gt;best&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;+bollywood+&lt;/del&gt;films/ |access-date=2021-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;04&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;13 |website=iCheckMovies&lt;/del&gt;}}&amp;lt;/ref&amp;gt; [[Filmfare]] listed it among &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&#039;&#039;Seven &lt;/del&gt;Muslim &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;social &lt;/del&gt;you must &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;watch”&lt;/del&gt;&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite web |title=Seven Muslim socials you must watch |url=https://www.filmfare.com/features/seven-muslim-socials-you-must-watch-13710.html |access-date=2021-04-13 |website=filmfare.com |language=en}}&amp;lt;/ref&amp;gt; Its album was ranked &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;#30&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&lt;/del&gt;&#039;&#039;Top 100 Bollywood &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albums”&lt;/del&gt;&#039;&#039; by Film Companion.&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-10-10 |title=#30 Chaudhvin Ka Chand: Top 100 Bollywood Albums |url=https://www.filmcompanion.in/features/bollywood-features/30-chaudhvin-ka-chand-top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-11-07 |title=Top 100 Bollywood Albums |url=https://www.filmcompanion.in/music/top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt; &#039;&#039;Chaudhvin ka Chand&#039;&#039; is also noted for pioneering the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&#039;&#039;bro code&#039;&#039;” &lt;/del&gt;in Hindi cinema.&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-04-13 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; The film&#039;s title track &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&#039;&#039;Chaudhvin ka Chand ho&#039;&#039;” &lt;/del&gt;became especially popular and is noted for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;picturisation &lt;/del&gt;of the song sequence. The song is regarded as one of the most acclaimed romantic ballads in history and one of the most loved [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Filmi|&#039;&#039;&lt;/del&gt;filmi&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;songs of all time.&amp;lt;ref&amp;gt;{{Cite web |title=The Romance and Mystique of Waheeda Rehman in Chaudhvin ka Chand |url=https://thewire.in/film/the-romance-and-mystique-of-waheeda-rehman-in-chaudhvin-ka-chand |access-date=2021-04-13 |website=The Wire}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |date=2013-08-31 |title=Top 32: Most loved Bollywood songs of all time |url=https://www.hindustantimes.com/brunch/top-32-most-loved-bollywood-songs-of-all-time/story-Oy5PxR4xslOx82xB6cmVkI.html |access-date=2021-04-13 |website=Hindustan Times |language=en}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite being a commercial venture, the film is considered a classic Muslim-social.&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Chaudhvin &lt;/ins&gt;Ka &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chand&quot; &lt;/ins&gt;captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-04-13 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt; It was ranked &#039;&#039;#&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;28&lt;/ins&gt;&#039;&#039; in 2003 [[Outlook (Indian magazine)|Outlook Magazine]] poll of &#039;&#039;25 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Leading &lt;/ins&gt;Indian Directors&#039;&#039; for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Best &lt;/ins&gt;Bollywood Movies of all &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;time&#039;&#039;”&lt;/ins&gt;&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite web&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|date=2016-01-08&lt;/ins&gt;|title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bollywood&lt;/ins&gt;&#039;s Best Films &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{!}} May 12, 2003|url=https://www.outlookindia&lt;/ins&gt;.com&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/article/bollywoods-best-films/220089&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive-&lt;/ins&gt;url=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive.org/web/20160108071843/&lt;/ins&gt;https://www.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;outlookindia&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;article&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bollywoods-&lt;/ins&gt;best&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/ins&gt;films/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;220089|url-status=dead|archive-date=2016-01-08&lt;/ins&gt;|access-date=2021-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;07&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26&lt;/ins&gt;}}&amp;lt;/ref&amp;gt; [[Filmfare]] listed it among &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Seven &lt;/ins&gt;Muslim &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;socials &lt;/ins&gt;you must &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;watch&#039;&#039;”&lt;/ins&gt;&#039;&#039;.&amp;lt;ref&amp;gt;{{Cite web |title=Seven Muslim socials you must watch |url=https://www.filmfare.com/features/seven-muslim-socials-you-must-watch-13710.html |access-date=2021-04-13 |website=filmfare.com |language=en}}&amp;lt;/ref&amp;gt; Its album was ranked #30 in &#039;&#039;Top 100 Bollywood &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albums&lt;/ins&gt;&#039;&#039; by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Film Companion&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;.&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-10-10 |title=#30 Chaudhvin Ka Chand: Top 100 Bollywood Albums |url=https://www.filmcompanion.in/features/bollywood-features/30-chaudhvin-ka-chand-top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-11-07 |title=Top 100 Bollywood Albums |url=https://www.filmcompanion.in/music/top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt; &#039;&#039;Chaudhvin ka Chand&#039;&#039; is also noted for pioneering the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Bro-Code” &lt;/ins&gt;in Hindi cinema.&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-04-13 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; The film&#039;s title track &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Chaudhvin Ka Chand” &lt;/ins&gt;became especially popular and is noted for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;picturization &lt;/ins&gt;of the song sequence. The song is regarded as one of the most acclaimed romantic ballads in history and one of the most loved &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;[[filmi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;&#039; songs of all time.&amp;lt;ref&amp;gt;{{Cite web |title=The Romance and Mystique of Waheeda Rehman in Chaudhvin ka Chand |url=https://thewire.in/film/the-romance-and-mystique-of-waheeda-rehman-in-chaudhvin-ka-chand |access-date=2021-04-13 |website=The Wire}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |date=2013-08-31 |title=Top 32: Most loved Bollywood songs of all time |url=https://www.hindustantimes.com/brunch/top-32-most-loved-bollywood-songs-of-all-time/story-Oy5PxR4xslOx82xB6cmVkI.html |access-date=2021-04-13 |website=Hindustan Times |language=en&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In 2014, the film&#039;s screenplay was published as a book, titled &#039;&#039;[[Chaudhvin Ka Chand: The Original Screenplay]]&#039;&#039;, by the historians [[Dinesh Raheja]] and Jitendra Kothari.&amp;lt;ref&amp;gt;{{Cite news |url=https://indianexpress.com/article/entertainment/screen/classic-re-visited/ |title=Classic re-visited |date=18 April 2014 |work=[[The Indian Express]] |last=Pathak |first=Siddhi |access-date=13 September 2021 |archive-date=17 July 2014 |archive-url=https://web.archive.org/web/20140717124513/http://indianexpress.com/article/entertainment/screen/classic-re-visited/ |url-status=live }}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The film was also entered into the [[2nd Moscow International Film Festival]].&amp;lt;ref name=&quot;Moscow1961&quot;&amp;gt;{{Cite web|title=2nd Moscow International Film Festival (1961)|url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961|url-status=dead|website=MIFF|accessdate=13 November 2019|archiveurl=https://web.archive.org/web/20130116210653/http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961|archivedate=16 January 2013|df=dmy&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The setting is the city of Lucknow in northern India, where Islamic culture flourished. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Two of &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;three &lt;/del&gt;best friends who live in this city &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;have fallen &lt;/del&gt;in love with the same woman named Jameela. Aslam &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Guru Dutt) &lt;/del&gt;and Nawab &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Rehman) are the two friends caught &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this &lt;/del&gt;love &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;triangle &lt;/del&gt;with Jameela &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Waheeda Rehman)&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;An integral part &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;any Guru Dutt film&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;comic relief was provided by Johnny Walker&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who plays Mirza Masaraddik Shaida&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The setting is the city of Lucknow in northern India, where Islamic culture flourished. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Aslam (Guru Dutt) and Nawab (Rehman) are two best friends looking for a wife and end up in an accidental love triangle.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;nowiki&amp;gt;*&amp;lt;/nowiki&amp;gt;Spoiler Alert*&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;At a gathering they attend, the ladies exchange veils for fun. This causes &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;two &lt;/ins&gt;best friends who live in this city &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to accidentally fall &lt;/ins&gt;in love with the same woman named Jameela &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Waheeda Rehman)&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jameela is in love with &lt;/ins&gt;Aslam and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;marries him. After marriage, Aslam figures out that his friend &lt;/ins&gt;Nawab &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;had fallen &lt;/ins&gt;in love with Jameela &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as well&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;However, because the veils had been switched by the girls earlier he was unaware &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this. Aslam wants nothing but his friend Nawab to be happy and  tries to act in a way that would cause Jameela to divorce him, so that Nawab can then marry her. However&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jameela loves Aslam despite this and will not leave him. Eventually Nawab realizes the misunderstanding and is overcome with grief to cause his friend so much sorrow. He is devastated&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and commits suicide knowing this will ensure there are no obstacles in the way now for Aslam to love Jameela&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Guru Dutt]] as Aslam&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Guru Dutt]] as Aslam&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot;&gt;Line 68:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 77:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Sharmake Yeh Kyun Sab Pardanasheen&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Sharmake Yeh Kyun Sab Pardanasheen&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Shamshad Begum]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;[[Asha Bhosle]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Shamshad Begum]], [[Asha Bhosle]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Bedardi Mere Saiyan, Shabnam Hai Kabhi Shole&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Bedardi Mere Saiyan, Shabnam Hai Kabhi Shole&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;[[Asha Bhosle]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Asha Bhosle]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Dil Ki Kahani Rang Layi Hai&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;quot;Dil Ki Kahani Rang Layi Hai&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;[[Asha Bhosle]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| [[Asha Bhosle]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Male Playback Singer]] – [[Mohammed Rafi]] (1961) – for &quot;Chaudhvin Ka Chand&quot; (1960)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Lyricist]] – [[Shakeel Badayuni]] (1961) – for &quot;Chaudhvin Ka Chand&quot; (1960)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Art Direction]] – [[Biren Nag]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The film was also entered into the &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2nd Moscow International Film Festival&lt;/del&gt;]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref name=&lt;/del&gt;&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Moscow1961&lt;/del&gt;&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{Cite web &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title=2nd Moscow International Film Festival &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1961&lt;/del&gt;) |&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961 &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url-status=dead &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;website=MIFF &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;accessdate=13 November 2019 |archiveurl=https://web.archive.org/web/20130116210653/http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961 |archivedate=16 January 2013 |df=dmy}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;8th Filmfare Awards&lt;/ins&gt;]]&amp;lt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nowiki&amp;gt;:&amp;lt;/nowiki&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Won&#039;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Lyricist|Best Lyricist]] – [[Shakeel Badayuni]] for &quot;Chaudhvin Ka Chand&quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Male Playback Singer|Best Male Playback Singer]] – [[Mohammed Rafi]] for &lt;/ins&gt;&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chaudhvin Ka Chand&lt;/ins&gt;&quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Art Direction|Best Art Direction]] – [[Biren Nag]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Nominated&#039;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Supporting Actor&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Best Supporting Actor]] – [[Rehman &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;actor&lt;/ins&gt;)|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rehman]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Music Director&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Best Music Director]] – [[Ravi (composer)&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ravi]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Filmfare Award for Best Story&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Best Story]] – Saghir Usmani &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>139.71.200.18</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Chaudhvin_Ka_Chand&amp;diff=111818&amp;oldid=prev</id>
		<title>2405:204:A52B:A255:0:0:5E:F8A4 at 00:11, 3 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Chaudhvin_Ka_Chand&amp;diff=111818&amp;oldid=prev"/>
		<updated>2021-07-03T00:11:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|1960 film}}&lt;br /&gt;
{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Chaudhvin Ka Chand&lt;br /&gt;
| image          = Chaudhvin ka chand.jpg&lt;br /&gt;
| caption        = Theatrical poster&lt;br /&gt;
| producer       = [[Guru Dutt]]&lt;br /&gt;
| director       = M. Sadiq&lt;br /&gt;
| writer         = Saghir Usmani&lt;br /&gt;
| screenplay     = [[Abrar Alvi]]&lt;br /&gt;
| music          = [[Ravi (music director)|Ravi]]&lt;br /&gt;
| cinematography = [[V. K. Murthy]]&lt;br /&gt;
| editing        = &lt;br /&gt;
| starring       = [[Guru Dutt]]&amp;lt;br /&amp;gt;[[Waheeda Rehman]]&amp;lt;br /&amp;gt;[[Rehman (actor)|Rehman]]&amp;lt;br /&amp;gt;[[Johnny Walker (actor)|Johnny Walker]]&lt;br /&gt;
| studio         = &lt;br /&gt;
| distributor    = &lt;br /&gt;
| released       = {{release date|df=y|1960|07|04}}&lt;br /&gt;
| country        = [[India]]&lt;br /&gt;
| language       = Hindi&lt;br /&gt;
| budget         = &lt;br /&gt;
| gross          = ₹2.5 Crores&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Chaudhvin Ka Chand&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{trans|&amp;quot;Moon of the fourteenth day&amp;quot;}}) is a 1960 Indian [[Hindi]]-language [[Muslim social]] film directed by Mohammed Sadiq.&amp;lt;ref&amp;gt;{{Citation |last=Sadiq |first=M. |title=Chaudhvin Ka Chand |date=2008-11-09 |url=https://www.imdb.com/title/tt0053706/ |type=Drama, Musical, Romance |others=Waheeda Rehman, Guru Dutt, Rehman, Minoo Mumtaz |publisher=Guru Dutt Films Pvt. Ltd. |access-date=2021-01-15}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |title=Chaudhvin ka Chand {{!}} Indian Cinema – The University of Iowa |url=https://indiancinema.sites.uiowa.edu/chaudhvin-ka-chand |access-date=2021-01-15 |website=indiancinema.sites.uiowa.edu |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=“Chaudhvin Ka Chand” captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-01-15 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&amp;#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-01-15 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; This film was super-hit at box-office, one of the top-grossing films of 1960.&amp;lt;ref&amp;gt;[https://muvyz.com/boxoffice/byyear/y1/1960 Chaudhvin Ka Chand (1960 film) on Muvyz.com website] Retrieved 13 November 2019&amp;lt;/ref&amp;gt; A production of [[Guru Dutt]], the film centers on a love triangle between [[Guru Dutt]], [[Rehman (actor)|Rehman]] and [[Waheeda Rehman]], and features [[music]] by [[Ravi (music director)|Ravi]]. After the disastrous box office performance of &amp;#039;&amp;#039;[[Kaagaz Ke Phool]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Guru Dutt&amp;#039;&amp;#039; had to stick back to the idea of producing a commercial project along with an experimental project to protect his studio from ruins. The next commercial venture by the studio was &amp;#039;&amp;#039;Chaudhvin ka Chand,&amp;#039;&amp;#039; which was a huge commercially successful comeback film for &amp;#039;&amp;#039;Guru Dutt&amp;#039;&amp;#039;, which saved &amp;#039;&amp;#039;Guru Dutt&amp;#039;s&amp;#039;&amp;#039; production studio from ruins.&amp;lt;ref&amp;gt;{{Cite web |last=Sukanya |title=Chaudhvin Ka Chand: An ode to Waheeda Rehman’s incandescent beauty |url=http://www.sukanyaverma.com/2013/03/chaudhvin-ka-chand-an-ode-to-waheeda-rehmans-incandescent-beauty/ |access-date=2021-04-13 |website=Sukanya Verma |language=en-US}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Despite being a commercial venture, the film is considered a classic Muslim-social.&amp;lt;ref&amp;gt;{{Cite web |last=Luo |first=Ray |title=“Chaudhvin Ka Chand” captures the heartbreaking choice of love or friendship |url=https://pacificties.org/chaudhvin-ka-chand-captures-the-heartbreaking-choice-of-love-or-friendship/ |access-date=2021-04-13 |website=Pacific Ties |language=en-US}}&amp;lt;/ref&amp;gt; It was ranked &amp;#039;&amp;#039;#30&amp;#039;&amp;#039; in 2003 [[Outlook (Indian magazine)|Outlook Magazine]] poll of &amp;#039;&amp;#039;25 leading Indian Directors&amp;#039;&amp;#039; for “&amp;#039;&amp;#039;Best Bollywood Movies of all time”&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{Cite web |title=Outlook India&amp;#039;s Best Bollywood Films – iCheckMovies.com |url=https://www.icheckmovies.com/lists/outlook+indias+best+bollywood+films/ |access-date=2021-04-13 |website=iCheckMovies}}&amp;lt;/ref&amp;gt; [[Filmfare]] listed it among “&amp;#039;&amp;#039;Seven Muslim social you must watch”&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{Cite web |title=Seven Muslim socials you must watch |url=https://www.filmfare.com/features/seven-muslim-socials-you-must-watch-13710.html |access-date=2021-04-13 |website=filmfare.com |language=en}}&amp;lt;/ref&amp;gt; Its album was ranked &amp;#039;&amp;#039;#30&amp;#039;&amp;#039; in “&amp;#039;&amp;#039;Top 100 Bollywood Albums”&amp;#039;&amp;#039; by Film Companion.&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-10-10 |title=#30 Chaudhvin Ka Chand: Top 100 Bollywood Albums |url=https://www.filmcompanion.in/features/bollywood-features/30-chaudhvin-ka-chand-top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Nair |first=Vipin |date=2017-11-07 |title=Top 100 Bollywood Albums |url=https://www.filmcompanion.in/music/top-100-bollywood-albums/ |access-date=2021-04-13 |website=Film Companion |language=en-US}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Chaudhvin ka Chand&amp;#039;&amp;#039; is also noted for pioneering the “&amp;#039;&amp;#039;bro code&amp;#039;&amp;#039;” in Hindi cinema.&amp;lt;ref&amp;gt;{{Cite web |last=Sood |first=Samira |date=2020-07-11 |title=Chaudhvin Ka Chand, Guru Dutt&amp;#039;s Muslim social that pioneered the bro code in Hindi films |url=https://theprint.in/features/chaudhvin-ka-chand-guru-dutts-muslim-social-that-pioneered-the-bro-code-in-hindi-films/458084/ |access-date=2021-04-13 |website=ThePrint |language=en-US}}&amp;lt;/ref&amp;gt; The film&amp;#039;s title track “&amp;#039;&amp;#039;Chaudhvin ka Chand ho&amp;#039;&amp;#039;” became especially popular and is noted for picturisation of the song sequence. The song is regarded as one of the most acclaimed romantic ballads in history and one of the most loved [[Filmi|&amp;#039;&amp;#039;filmi&amp;#039;&amp;#039;]] songs of all time.&amp;lt;ref&amp;gt;{{Cite web |title=The Romance and Mystique of Waheeda Rehman in Chaudhvin ka Chand |url=https://thewire.in/film/the-romance-and-mystique-of-waheeda-rehman-in-chaudhvin-ka-chand |access-date=2021-04-13 |website=The Wire}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |date=2013-08-31 |title=Top 32: Most loved Bollywood songs of all time |url=https://www.hindustantimes.com/brunch/top-32-most-loved-bollywood-songs-of-all-time/story-Oy5PxR4xslOx82xB6cmVkI.html |access-date=2021-04-13 |website=Hindustan Times |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Plot ==&lt;br /&gt;
The setting is the city of Lucknow in northern India, where Islamic culture flourished. Two of the three best friends who live in this city have fallen in love with the same woman named Jameela. Aslam (Guru Dutt) and Nawab (Rehman) are the two friends caught in this love triangle with Jameela (Waheeda Rehman). An integral part of any Guru Dutt film, comic relief was provided by Johnny Walker, who plays Mirza Masaraddik Shaida.&lt;br /&gt;
== Cast ==&lt;br /&gt;
*[[Guru Dutt]] as Aslam&lt;br /&gt;
*[[Waheeda Rehman]] as Jameela&lt;br /&gt;
*[[Rehman (actor)|Rehman]] as Nawab&lt;br /&gt;
*[[Johnny Walker (actor)|Johnny Walker]] as Mirza Masaraddik Shaida&lt;br /&gt;
*[[Minoo Mumtaz]] as Tameezan&lt;br /&gt;
*[[Mumtaz Begum (actress)|Mumtaz Begum]] as Nawab&amp;#039;s Mother&lt;br /&gt;
*[[Tun Tun]] as Naseeban&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
Guru Dutt&amp;#039;s music composer of earlier films [[S. D. Burman]] had warned him not to make &amp;#039;&amp;#039;Kaagaz Ke Phool&amp;#039;&amp;#039; (1959 film), which resembled his own life. When Guru Dutt insisted on making the film, [[S. D. Burman]] said that would be his last film with Guru Dutt. Hence, the music composing of this film was offered to composer [[Ravi (music director)|Ravi]] and was critically acclaimed, and the lyrics by his all-time favourite [[Shakeel Badayuni]]. It was a creative choice of Guru Dutt&amp;#039;s to have the title track in color while the rest of the film was in black and white.&amp;lt;ref&amp;gt;http://www.hindigeetmala.net/movie/chaudhvin_ka_chand.htm Chaudhvin Ka Chand (1960 film) on Hindigeetmala.net website&amp;lt;/ref&amp;gt;  The title song, sung by [[Mohammed Rafi]], became an evergreen hit, and is still popular among masses. The other hit songs from this film are &amp;quot;Mera Yaar Bana Hai Dulha&amp;quot;, sung by [[Mohammed Rafi]], often played in wedding ceremony and mujra song &amp;quot;Dil Ki Kahani Rang Layi Hai&amp;quot;, sung by [[Asha Bhosle]].&lt;br /&gt;
&lt;br /&gt;
=== Track listing ===&lt;br /&gt;
[[Ravi (music director)|Ravi]] has composed the music of the film &amp;amp; [[Shakeel Badayuni]] wrote the lyrics.&lt;br /&gt;
{|class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Song !! Singer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Chaudhvin Ka Chand Ho&amp;quot;&lt;br /&gt;
| [[Mohammed Rafi]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Mili Khaak Mein Mohabbat&amp;quot;&lt;br /&gt;
| [[Mohammed Rafi]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Mera Yaar Bana Hai Dulha&amp;quot;&lt;br /&gt;
| [[Mohammed Rafi]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Yeh Duniya Gol Hai&amp;quot;&lt;br /&gt;
| [[Mohammed Rafi]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Yeh Lakhnau Ki Sar-Zameen&amp;quot;&lt;br /&gt;
| [[Mohammed Rafi]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Balam Se Milan Hoga&amp;quot;&lt;br /&gt;
| [[Geeta Dutt]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Badle Badle Mere Sarkar&amp;quot;&lt;br /&gt;
| [[Lata Mangeshkar]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Sharmake Yeh Kyun Sab Pardanasheen&amp;quot;&lt;br /&gt;
| [[Shamshad Begum]], &amp;#039;&amp;#039;&amp;#039;[[Asha Bhosle]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Bedardi Mere Saiyan, Shabnam Hai Kabhi Shole&amp;quot;&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;[[Asha Bhosle]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Dil Ki Kahani Rang Layi Hai&amp;quot;&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;[[Asha Bhosle]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Awards ==&lt;br /&gt;
* [[Filmfare Award for Best Male Playback Singer]] – [[Mohammed Rafi]] (1961) – for &amp;quot;Chaudhvin Ka Chand&amp;quot; (1960)&lt;br /&gt;
* [[Filmfare Award for Best Lyricist]] – [[Shakeel Badayuni]] (1961) – for &amp;quot;Chaudhvin Ka Chand&amp;quot; (1960)&lt;br /&gt;
* [[Filmfare Award for Best Art Direction]] – [[Biren Nag]]&lt;br /&gt;
&lt;br /&gt;
The film was also entered into the [[2nd Moscow International Film Festival]].&amp;lt;ref name=&amp;quot;Moscow1961&amp;quot;&amp;gt;{{Cite web |title=2nd Moscow International Film Festival (1961) |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961 |url-status=dead |website=MIFF |accessdate=13 November 2019 |archiveurl=https://web.archive.org/web/20130116210653/http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1961 |archivedate=16 January 2013 |df=dmy}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
*{{IMDb title|id=0053706|title=Chaudhvin Ka Chand}}&lt;br /&gt;
{{FilmfareAwardBestLyricist}}&lt;br /&gt;
{{FilmfareAwardBestMaleSinger}}&lt;br /&gt;
&lt;br /&gt;
[[Category:1960 films]]&lt;br /&gt;
[[Category:1960 musical films]]&lt;br /&gt;
[[Category:1960s Hindi-language films]]&lt;br /&gt;
[[Category:Films scored by Ravi]]&lt;br /&gt;
[[Category:Films set in Lucknow]]&lt;br /&gt;
[[Category:Films set in Uttar Pradesh]]&lt;br /&gt;
[[Category:Films shot in Lucknow]]&lt;br /&gt;
[[Category:Films with screenplays by Abrar Alvi]]&lt;br /&gt;
[[Category:Hindi-language films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Indian musical films]]&lt;/div&gt;</summary>
		<author><name>2405:204:A52B:A255:0:0:5E:F8A4</name></author>
	</entry>
</feed>