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		<title>Wleness: formatting fix</title>
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		<summary type="html">&lt;p&gt;formatting fix&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=Chandas_(poetry)&amp;amp;diff=468543&amp;amp;oldid=111316&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Wleness</name></author>
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		<title>&gt;Yaralasava: /* Telugu Language */</title>
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		<updated>2021-04-20T22:57:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Telugu Language&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Meter}}&lt;br /&gt;
{{Use dmy dates|date=June 2019}}&lt;br /&gt;
{{Use Indian English|date=June 2019}}&lt;br /&gt;
Metrical poetry in Sanskrit is called &amp;#039;&amp;#039;&amp;#039;Chhandas&amp;#039;&amp;#039;&amp;#039; ({{lang-sa|छन्दस्}}) or &amp;#039;&amp;#039;&amp;#039;Chhandas&amp;#039;&amp;#039;&amp;#039; ({{lang-kn|ಛಂದಸ್ಸು}}) and ({{lang-te|ఛందస్సు}}). Prose and poetry follows the rules of Chhandas to design the structural&lt;br /&gt;
features of &amp;#039;poetry&amp;#039;. Chhandas is a definable aspect of many definable and indefinable aspects of poetry. Chhandas generates rhythm to the literature when the rules are properly followed. Rhythm is important to literature as a preliminary attraction.&lt;br /&gt;
&lt;br /&gt;
==Construction of Chandas==&lt;br /&gt;
&lt;br /&gt;
===[[Telugu language|Telugu]] Language ===&lt;br /&gt;
In Telugu language, &amp;#039;Chandas&amp;#039; is constructed based on the number of &amp;#039;aksharaas&amp;#039; (syllables) in each line (also called paadam) of a poem.&lt;br /&gt;
&lt;br /&gt;
As the same lines are repeated (aaVrutta), these are called &amp;#039;Vruttaas&amp;#039;. If all the lines in a poem follow the same &amp;#039;types of aksharaas&amp;#039;, it is called a &amp;#039;sama Vrutta&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
There are separate [[Telugu language|Telugu]] equivalents for English words &amp;#039;letter&amp;#039; and &amp;#039;syllable&amp;#039;. The first one is &amp;#039;varNamu&amp;#039; (letter). This is the basic &amp;#039;letter&amp;#039; of the Telugu in the alphabets, and is called &amp;#039;varNa samaamnaayamu&amp;#039;. There are fifty six &amp;#039;varNa samaamnaayamu&amp;#039;(s) in Telugu.&lt;br /&gt;
&lt;br /&gt;
The equivalent for &amp;#039;syllable&amp;#039; in Telugu is &amp;#039;aksharamu&amp;#039;. &amp;#039;Syllable&amp;#039; is often defined as the &amp;#039;unit of pronunciation at a stretch&amp;#039; with a collection of letters (varNaas) in it.&lt;br /&gt;
&lt;br /&gt;
For example, in a word like &amp;#039;svapnamu&amp;#039;, &amp;#039;sva&amp;#039; is an aksharamu (syllable), but not a varNamu (letter) as it has two &amp;#039;varNaas&amp;#039; (sa and va) in it.&lt;br /&gt;
&lt;br /&gt;
These &amp;#039;aksharaas&amp;#039; (syllables) are divided into &amp;#039;laghuvu&amp;#039; and &amp;#039;guruvu&amp;#039; based on the time period  of pronunciation. These &amp;#039;aksharaas&amp;#039; or syllables are the fundamental aspects in constructing the &amp;#039;chandas&amp;#039; in Telugu.&lt;br /&gt;
&lt;br /&gt;
Meters of the same length are distinguished by the pattern of &amp;#039;&amp;#039;&amp;#039;laghuvu&amp;#039;&amp;#039;&amp;#039; (&amp;quot;light&amp;quot;) and &amp;#039;&amp;#039;&amp;#039;guruvu&amp;#039;&amp;#039;&amp;#039; (&amp;quot;heavy&amp;quot;) syllables in the &amp;#039;&amp;#039;paadam&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Pattern of &amp;#039;&amp;#039;&amp;#039;laghuvu&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;guruvu&amp;#039;&amp;#039;&amp;#039; in a sequence of three is called Gaṇam (Group). The word &amp;#039;&amp;#039;&amp;#039;ya-maa-taa-raa-ja-bhaa-na-sa-la-gam&amp;#039;&amp;#039;&amp;#039; is called &amp;#039;&amp;#039;Gana Suchi&amp;#039;&amp;#039; (Look up for Ganams). The Ganas are same as in [[Sanskrit prosody|Sanskrit Chandas]].  &lt;br /&gt;
*  guruvu-laghuvu-laghuvu = &amp;#039;&amp;#039;&amp;#039;bha-ganam&amp;#039;&amp;#039;&amp;#039;                                                           &lt;br /&gt;
*  laghuvu-guruvu-laghuvu = &amp;#039;&amp;#039;&amp;#039;ja-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*  laghuvu-laghuvu-guruvu = &amp;#039;&amp;#039;&amp;#039;sa-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*  laghuvu-guruvu-guruvu = &amp;#039;&amp;#039;&amp;#039;ya-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*  guruvu-laghuvu-guruvu = &amp;#039;&amp;#039;&amp;#039;ra-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*  guruvu-guruvu-laghuvu= &amp;#039;&amp;#039;&amp;#039;ta-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
*  guruvu-guruvu-guruvu = &amp;#039;&amp;#039;&amp;#039;ma-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*  laghuvu-laghuvu-laghuvu = &amp;#039;&amp;#039;&amp;#039;na-ganam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
These {{Not a typo|Ganam(s)}} are divided into three major categories:&lt;br /&gt;
*  &amp;#039;&amp;#039;Surya Ganam&amp;#039;&amp;#039;&lt;br /&gt;
*  &amp;#039;&amp;#039;Indra Ganam&amp;#039;&amp;#039;&lt;br /&gt;
*  &amp;#039;&amp;#039;Chandra Ganam&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
====Types of Chandas====&lt;br /&gt;
Based on categories of {{Not a typo|Ganam(s)}}, Telugu poetry is classified as &lt;br /&gt;
*&amp;#039;&amp;#039;&amp;#039;Jaati&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*&amp;#039;&amp;#039;&amp;#039;Upajaati&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*&amp;#039;&amp;#039;&amp;#039;Vruttam or Vrutta&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Upajaati&amp;#039;&amp;#039; only has yati (caesura) but no praasa (rhythm) where as &amp;#039;&amp;#039;Jaati&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Vruttaas&amp;#039;&amp;#039; contain both yati (caesura) and {{transl|te|prasaa}} (rhythm).&lt;br /&gt;
&lt;br /&gt;
There are 26 types of chandas. Each &amp;#039;chandas&amp;#039; is recognized by the number of &amp;#039;aksharaas&amp;#039; or Syllables present in each line of the poem. As an &amp;#039;akshara&amp;#039; can be either a &amp;#039;laghuvu&amp;#039; or a &amp;#039;guruvu&amp;#039;, the number of variations possible in each type of &amp;#039;chandas&amp;#039; follows a &amp;#039;binary system&amp;#039;. The names /numbers of &amp;#039;chandas&amp;#039; and the numbers of &amp;#039;sama Vruttaas&amp;#039; that can be generated in each variety are as follows.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! # of chandas&lt;br /&gt;
! Name   &lt;br /&gt;
! No. of letters per line&lt;br /&gt;
! # of sama Vruttam(s) possible&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| Ukta&lt;br /&gt;
| 1&lt;br /&gt;
| 2&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| atyukta         &lt;br /&gt;
| 2&lt;br /&gt;
| 4&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| Madhya&lt;br /&gt;
| 3&lt;br /&gt;
| 8&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| pratisTha       &lt;br /&gt;
| 4&lt;br /&gt;
| 16&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| suprstisTha     &lt;br /&gt;
| 5&lt;br /&gt;
| 32&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| gaayatri        &lt;br /&gt;
| 6&lt;br /&gt;
| 64&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| ushTikku        &lt;br /&gt;
| 7&lt;br /&gt;
| 128&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| anusThuppu      &lt;br /&gt;
| 8&lt;br /&gt;
| 256&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| bRhati          &lt;br /&gt;
| 9&lt;br /&gt;
| 512&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| paMkti         &lt;br /&gt;
| 10&lt;br /&gt;
| 1,024&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| trishTuppu              &lt;br /&gt;
| 11&lt;br /&gt;
| 2,048&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| jagati                       &lt;br /&gt;
| 12&lt;br /&gt;
| 4,096&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| atijagati&lt;br /&gt;
| 13&lt;br /&gt;
| 8,192&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| Sakvari        &lt;br /&gt;
| 14&lt;br /&gt;
| 16,384&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| atiSakvari&lt;br /&gt;
| 15&lt;br /&gt;
|  32,768&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| ashTi          &lt;br /&gt;
| 16&lt;br /&gt;
| 65,536&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| atyashTi&lt;br /&gt;
| 17&lt;br /&gt;
| 131,072&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| dhRti  &lt;br /&gt;
| 18&lt;br /&gt;
| 262,144&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| atidhRti &lt;br /&gt;
| 19&lt;br /&gt;
| 524,288&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| kRti           &lt;br /&gt;
| 20&lt;br /&gt;
| 1,048,576&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| prakRti&lt;br /&gt;
| 21&lt;br /&gt;
| 2,097,152&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| aakRti         &lt;br /&gt;
| 22&lt;br /&gt;
| 4,194,304&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| vikRti&lt;br /&gt;
| 23&lt;br /&gt;
| 8,388,608&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| sukRti         &lt;br /&gt;
| 24&lt;br /&gt;
| 16,777,216&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| abhikRti &lt;br /&gt;
| 25&lt;br /&gt;
| 33,554,432&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| utkRti         &lt;br /&gt;
| 26&lt;br /&gt;
| 67,108,864&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;ref&amp;gt;{{Cite book|  title = sulakshaNa saaramu | author=lingamagunTa timmakavi }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The total number of sama Vruttaas in 26 chandassus is 134,217,726.&lt;br /&gt;
&lt;br /&gt;
=== In [[Kannada]] Language&amp;lt;ref&amp;gt;{{Cite web|url=http://www.nammakannadanaadu.com/vyakarana/chandassu.php|title=ಛಂದಸ್ಸು, ಕಂದ ಪದ್ಯ, Chandassu, ಷಟ್ಪದಿ|website=www.nammakannadanaadu.com|access-date=2019-04-21}}&amp;lt;/ref&amp;gt; ===&lt;br /&gt;
The poetical works of [[Old Kannada]] and [[Medieval Kannada literature|Middle Kannada]] followed the rules of Chandas given by [[Nagavarma I]] in the book Chandombudhi. Kannada prosody is classified into three parts:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Prāsa&amp;#039;&amp;#039;&amp;#039; (ಪ್ರಾಸ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Yati&amp;#039;&amp;#039;&amp;#039; (ಯತಿ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Gana&amp;#039;&amp;#039;&amp;#039; (ಗಣ)&lt;br /&gt;
&lt;br /&gt;
==== Prāsa ====&lt;br /&gt;
Praasa or the rhyme scheme refers to the same consonant repeating periodically in each line. Again there are two types:&lt;br /&gt;
&lt;br /&gt;
* Ādi  Prāsa : Rhyming of consonants at the beginning of the line &lt;br /&gt;
* Antya Prāsa: Rhyming of consonants at the end of the line.&lt;br /&gt;
&lt;br /&gt;
==== Yati ====&lt;br /&gt;
While reading the poetry, to breathe, we stop/pause at some places without damaging the meanings of the poem. These places were called Yati. There were some rules for this. However, the usage of &amp;#039;Yati&amp;#039; is very less in Kannada literature.&lt;br /&gt;
&lt;br /&gt;
==== Gana ====&lt;br /&gt;
Gana refers to a group. In Kannada prosody, Gana refers to the group of the syllables, letters, or units. There are three types:&lt;br /&gt;
&lt;br /&gt;
* Mātra Gana: Gana classified on the basis of the syllables.&lt;br /&gt;
* Akshara Gana: Classified on the basis of letters.&lt;br /&gt;
* Ansha Gana: Classified on the basis of units or parts of the poem. Brahma, Vishnu and Rudra are the three types of Ansha Gana.&lt;br /&gt;
&lt;br /&gt;
===&amp;#039;&amp;#039;Maatra&amp;#039;&amp;#039; Gana (ಮಾತ್ರಾ ಗಣ) ===&lt;br /&gt;
One &amp;#039;&amp;#039;&amp;#039;{{transl|kn|italic=no|maatra}}&amp;#039;&amp;#039;&amp;#039; means the time taken to pronounce a letter. Thus the gana classified on this basis is called &amp;#039;&amp;#039;&amp;#039;Maatra Gana.&amp;#039;&amp;#039;&amp;#039; While classifying, the ganas are made of 3, 4 or 5 syllables.&lt;br /&gt;
&lt;br /&gt;
There are two types of syllables in Sanskrit {{transl|sa|prasody}}:&lt;br /&gt;
&lt;br /&gt;
* Laghu : It is a short syllable ( based on time duration to pronounce). It is denoted by the symbol &amp;#039;U&amp;#039;.&lt;br /&gt;
* Guru : It is a long syllable. ( based on time duration to pronounce). It is denoted by the symbol &amp;#039;-&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==== A letter becomes Guru when it has following features ====&lt;br /&gt;
&lt;br /&gt;
* Long vowels (deergha swara)&lt;br /&gt;
* A letter preceding the combined letter ([[Digraph (orthography)|digraphs]])&lt;br /&gt;
* Letter combined with [[anusvara]] or [[visarga]]&lt;br /&gt;
* Consonantal letter&lt;br /&gt;
* Diphthongs&lt;br /&gt;
* Last letter of third and sixth line of Shatpadi.&lt;br /&gt;
&lt;br /&gt;
A letter is considered as &amp;#039;&amp;#039;&amp;#039;Laghu&amp;#039;&amp;#039;&amp;#039; when it does not have the above features.&lt;br /&gt;
&lt;br /&gt;
=== &amp;lt;small&amp;gt;Types of Kannada Chandassu (Based on &amp;#039;&amp;#039;Mātra&amp;#039;&amp;#039; Gana)&amp;lt;/small&amp;gt; ===&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Kanda (ಕಂದ ಪದ್ಯ)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Shatpadi (ಷಟ್ಪದಿ)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;RagaỊe (ರಗಳೆ)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==== Kanda Poem ====&lt;br /&gt;
It is special type of Kannada prosody. The poem has four lines, where 1st &amp;amp; 3rd lines and 2nd &amp;amp; 4th lines have same number of {{transl|kn|maatras}}. Each Gana used in kanda poem has four {{transl|kn|maatras}}.&lt;br /&gt;
&lt;br /&gt;
==== Shatpadi ====&lt;br /&gt;
It is a poem having six lines. The first, second, fourth and fifth lines have equal numbers of {{transl|kn|maatras}} and third and sixth lines have same number of {{transl|kn|maatras}}. Each Gana used in Shatpadi may have 3, 4, or 5 {{transl|kn|maatras}}.&lt;br /&gt;
&lt;br /&gt;
There are six types of Shatpadi. Each type has different rules, features and characteristics. The types are:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Shara&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಶರ), &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kusuma&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಕುಸುಮ), &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bhoga&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಭೋಗ), &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bhaamini&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಭಾಮಿನಿ), &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Parivardhini&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಪರಿವರ್ಧಿನಿ), and &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Vaardhaka&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ವಾರ್ಧಕ).&lt;br /&gt;
&lt;br /&gt;
==== RagaỊe ====&lt;br /&gt;
It is a poem having many lines. All lines have equal number of {{transl|kn|maatras}}. There are three types of ragale:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Utsaaha&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(&amp;#039;&amp;#039;ಉತ್ಸಾಹ&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&amp;#039;, Mandanila&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;ಮಂದಾನಿಲ&amp;#039;&amp;#039;) &amp;#039;&amp;#039;&amp;#039;and Lalita&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಲಲಿತ)&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;.&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;Akshara&amp;#039;&amp;#039; Gana (ಅಕ್ಷರ ಗಣ) ===&lt;br /&gt;
Gana classified on the basis of letters or characters is known as Akshara Gana. The Akshara ganas are made of three letters or characters. A formula-sentence is used for this:   &amp;#039;&amp;#039;&amp;#039;ya-maa-taa-raa-ja-bhaa-na-sa-la-gam ( ಯಮಾತಾರಾಜಭಾನಸಲಗಂ)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Thus we get eight akshara ganas by this. The ganas are same as in Sanskrit Chandas. The ganas are&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;ya-gaṇa&amp;#039;&amp;#039;&amp;#039;: ya-mā-tā = U – –&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;ma-gaṇa&amp;#039;&amp;#039;&amp;#039;: mā-tā-rā = – – –&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;ta-gaṇa&amp;#039;&amp;#039;&amp;#039;: tā-rā-ja     = – – U&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;ra-gaṇa&amp;#039;&amp;#039;&amp;#039;: rā-ja-bhā  = – U –&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;ja-gaṇa&amp;#039;&amp;#039;&amp;#039;: ja-bhā-na  = U – U&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;bha-gaṇa&amp;#039;&amp;#039;&amp;#039;: bhā-na-sa = – U U&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;na-gaṇa&amp;#039;&amp;#039;&amp;#039;: na-sa-la   = U U U&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;sa-gaṇa&amp;#039;&amp;#039;&amp;#039;: sa-la-gā   = U U –&lt;br /&gt;
&lt;br /&gt;
==== Vruttas (ವೃತ್ತಗಳು) ====&lt;br /&gt;
The poems written on the basis of Akshara gana are known as &amp;#039;&amp;#039;&amp;#039;Vruttas&amp;#039;&amp;#039;&amp;#039;. In Kannada Chandassu, there are six types of vruttas:&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Utpala Mālā&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;  (ಉತ್ಪಲಮಾಲಾ ವೃತ್ತ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Champaka Mālā&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಚಂಪಕಮಾಲಾ ವೃತ್ತ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Shārdūla Vikrīdita&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಶಾರ್ದೂಲ ವಿಕ್ರೀಡಿತ ವೃತ್ತ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Mattebha Vikrīdita&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಮತ್ತೇಭ ವಿಕ್ರೀಡಿತ ವೃತ್ತ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Sragdharā&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಸ್ರಗ್ಧರಾ ವೃತ್ತ)&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Mahā Sragdharā&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (ಮಹಾ ಸ್ರಗ್ಧರಾ ವೃತ್ತ)&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Kannada language|Kannada Language]]&lt;br /&gt;
*[[Telugu language]]&lt;br /&gt;
*[[Kannada literature]]&lt;br /&gt;
*[[Telugu literature]]&lt;br /&gt;
*[[Kannada people|Kannada]] and [[Telugu people|Telugu]] people&lt;br /&gt;
* [[Satavahana Dynasty]]&lt;br /&gt;
* [[Sanskrit grammar]]&lt;br /&gt;
* [[Sanskrit pronouns and determiners]]&lt;br /&gt;
* [http://chandam.apphb.com Chandam - A Complete Software for Telugu Chandassu.]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [https://www.wisdomlib.org/hinduism/book/the-natyashastra/d/doc210084.html Metrical Patterns (chandas)], Chapter XVI of the Nāṭyaśāstra&lt;br /&gt;
&lt;br /&gt;
[[Category:Kannada language]]&lt;br /&gt;
[[Category:Telugu language]]&lt;br /&gt;
[[Category:Genres of poetry]]&lt;/div&gt;</summary>
		<author><name>&gt;Yaralasava</name></author>
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