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	<title>C. Ramchandra - Revision history</title>
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	<updated>2026-08-18T08:43:09Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
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		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-06-19T06:54:08Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
&lt;a href=&quot;//en.bharatpedia.org/w/index.php?title=C._Ramchandra&amp;amp;diff=318124&amp;amp;oldid=252598&quot;&gt;Show changes&lt;/a&gt;</summary>
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		<title>CleanupBot: clean up</title>
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		<updated>2022-01-04T04:39:39Z</updated>

		<summary type="html">&lt;p&gt;clean up&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:09, 4 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l52&quot;&gt;Line 52:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 52:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following is a short list of some of Ramchandra&amp;#039;s best compositions:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following is a short list of some of Ramchandra&amp;#039;s best compositions:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Qismat Ki Hawa Kabhi Naram&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Qismat Ki Hawa Kabhi Naram&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Yeh Zindagi Usi Ki Hai&#039;&#039; (&#039;&#039;[[Anarkali (1953 film)|Anarkali]]&#039;&#039;)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Yeh Zindagi Usi Ki Hai&#039;&#039; (&#039;&#039;[[Anarkali (1953 film)|Anarkali]]&#039;&#039;)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Ae Mere Watan Ke Logo&amp;#039;&amp;#039;&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Ae Mere Watan Ke Logo&amp;#039;&amp;#039;&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dheere Se Aaja Ri Ankhiyan Mein&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&amp;lt;ref name=cineplot/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dheere Se Aaja Ri Ankhiyan Mein&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&amp;lt;ref name=cineplot/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l85&quot;&gt;Line 85:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 85:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dil ki duniya basa ke sawariyan&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Amardeep&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dil ki duniya basa ke sawariyan&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Amardeep&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039; Ina Meena Dika &amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Aasha (1957 film)|Aasha]]&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039; Ina Meena Dika &amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Aasha (1957 film)|Aasha]]&amp;#039;&amp;#039;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Jab Dil Ko Sataave Gham, Chhed Sakhi Sargam&#039;&#039; Sargam (1950)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Jab Dil Ko Sataave Gham, Chhed Sakhi Sargam&#039;&#039; Sargam (1950)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Shola Jo Bhadke, Dil Mera Dhadke&amp;#039;&amp;#039; Albela (1951)&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Shola Jo Bhadke, Dil Mera Dhadke&amp;#039;&amp;#039; Albela (1951)&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Mohabbat Hi Na Jo Samjhe, Woh Zalim Pyar Kya Jane&#039;&#039; Parchhain (1952)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Mohabbat Hi Na Jo Samjhe, Woh Zalim Pyar Kya Jane&#039;&#039; Parchhain (1952)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DNA&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dekh Tere Sansaar Ki Haalat Kya Ho Gai Bhagwan&amp;#039;&amp;#039; Nastik (1954)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Dekh Tere Sansaar Ki Haalat Kya Ho Gai Bhagwan&amp;#039;&amp;#039; Nastik (1954)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Naa Bole Naa Bole Naa Bole Re&amp;#039;&amp;#039; ([[Azaad (1955 film)|Azad]])&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Naa Bole Naa Bole Naa Bole Re&amp;#039;&amp;#039; ([[Azaad (1955 film)|Azad]])&amp;lt;ref name=DNA/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l101&quot;&gt;Line 101:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 101:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Azaad (1955 film)|Azaad]] (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Azaad (1955 film)|Azaad]] (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ahinsa (1947)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ahinsa (1947)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Albela (1951 film)|Albela]] (1951)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Albela (1951 film)|Albela]] (1951)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Amar Rahe Yeh Pyar]] (1961)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Amar Rahe Yeh Pyar]] (1961)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Amar Deep (1958 film)|Amar Deep]] (1958)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Amar Deep (1958 film)|Amar Deep]] (1958)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l147&quot;&gt;Line 147:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 147:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Mr. Jhatpat (1943)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Mr. Jhatpat (1943)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Muskurahat (1943)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Muskurahat (1943)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Nastik (1954)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Nastik (1954)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Nadiya Ke Paar (1948 film)|Nadiya Ke Paar]] (1948)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Nadiya Ke Paar (1948 film)|Nadiya Ke Paar]] (1948)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Naghma-e-Sehra (1945)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Naghma-e-Sehra (1945)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l157&quot;&gt;Line 157:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 157:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Payal Ki Jhankar (1968)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Payal Ki Jhankar (1968)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Paigham]] (1959)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Paigham]] (1959)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Parchhain]] (1952)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Parchhain]] (1952)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Patanga (1949 film)|Patanga]] (1949)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Patanga (1949 film)|Patanga]] (1949)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pehli Jhalak (1954)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pehli Jhalak (1954)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Raj Tilak (1958 film)|Raj Tilak]] (1958)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Raj Tilak (1958 film)|Raj Tilak]] (1958)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l175&quot;&gt;Line 175:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 175:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sangeeta (1950)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sangeeta (1950)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sangram (1950)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sangram (1950)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Sargam (1950 film)|Sargam]] (1950)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[Sargam (1950 film)|Sargam]] (1950)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sarhad (1960)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sarhad (1960)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Saudagar (1951), with Hanuman Prasad&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Saudagar (1951), with Hanuman Prasad&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l183&quot;&gt;Line 183:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 183:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sharda (1957)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sharda (1957)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shatranj (1956)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shatranj (1956)&amp;lt;ref name=citwf/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shehnai (1947)&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/del&gt;/&amp;gt;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shehnai (1947)&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cineplot&lt;/ins&gt;/&amp;gt;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;citwf&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sher Dil (1965)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Sher Dil (1965)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shin Shinaki Bublaa Boo (1952)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Shin Shinaki Bublaa Boo (1952)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=C._Ramchandra&amp;diff=128830&amp;oldid=prev</id>
		<title>&gt;FrescoBot: Bot: link syntax and minor changes</title>
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		<updated>2021-07-05T15:17:38Z</updated>

		<summary type="html">&lt;p&gt;Bot: &lt;a href=&quot;/w/index.php?title=User:FrescoBot/Links&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User:FrescoBot/Links (page does not exist)&quot;&gt;link syntax&lt;/a&gt; and minor changes&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Indian music director}}&lt;br /&gt;
{{Use Indian English|date=April 2014}}&lt;br /&gt;
{{Use dmy dates|date=April 2014}}&lt;br /&gt;
{{Infobox musical artist&lt;br /&gt;
| name            = C. Ramchandra&lt;br /&gt;
| image           = Ramchandra Narhar Chitalkar.jpg&lt;br /&gt;
| image_size      =&lt;br /&gt;
| caption         =&lt;br /&gt;
| birth_name      = Ramchandra Narhar Chitalkar&lt;br /&gt;
| alias           =&lt;br /&gt;
| birth_date      = {{Birth date|df=yes|1918|01|12| mf=yes}}&lt;br /&gt;
| birth_place     = [[Puntamba]], [[Ahmednagar district]], [[Maharashtra]], [[India]]&lt;br /&gt;
| death_date      = {{Death date and age|df=yes|1982|01|05|1918|01|12| mf=yes}}&lt;br /&gt;
| death_place     = [[Mumbai]], [[Maharashtra]], [[India]]&lt;br /&gt;
| genre           = [[Film score]]&lt;br /&gt;
| occupation      = [[Film Music|Film music]] composer, Producer&lt;br /&gt;
| instrument      =&lt;br /&gt;
| years_active    =&lt;br /&gt;
| label           =&lt;br /&gt;
| associated_acts =&lt;br /&gt;
| website         = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ramchandra Narhar Chitalkar&amp;#039;&amp;#039;&amp;#039; (12 January 1918 – 5 January 1982) was an Indian [[music director]] and occasional [[playback singer]].&amp;lt;ref name=cineplot/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
As a composer, he mostly used the name C. Ramchandra, though he also used the names Annasaheb (in the movies &amp;#039;&amp;#039;Bahadur Pratap&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Matwale&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;Madadgaar&amp;#039;&amp;#039;), Ram Chitalkar (in the movies &amp;#039;&amp;#039;Sukhi Jeevan&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Badla&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Mr. Jhatpat&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Bahadur&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;Dosti&amp;#039;&amp;#039;), and Shyamoo (in the movie &amp;#039;&amp;#039;Yeh hai duniya&amp;#039;&amp;#039;). Further, he often sang and acted in [[Marathi language|Marathi]] movies under the name R. N. Chitalkar. For his career as an occasional playback singer he used only his surname Chitalkar. Chitalkar sang some renowned and unforgettable duets with [[Lata Mangeshkar]] such as &amp;quot;Kitna Haseen Hai Mausam&amp;quot; in the film &amp;#039;&amp;#039;[[Azaad (1955 film)|Azaad]]&amp;#039;&amp;#039; (1955) and &amp;quot;Shola Jo Bhadke&amp;quot; in &amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039; (1951).&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Biography==&lt;br /&gt;
Ramchandra Chitalkar was born on 12 January 1918 in [[Puntamba]], a small town in [[Ahmednagar district]] in [[Maharashtra]], [[India]]. He studied music under Vinayakbua Patwardhan at &amp;quot;Gandharva Mahavidyalaya&amp;quot; and also under Shankarrao Sapre of Nagpur where he studied music alongside [[Vasantrao Deshpande]]. He joined the movie industry playing the lead role in Y. V. Rao&amp;#039;s movie, &amp;#039;&amp;#039;Naganand&amp;#039;&amp;#039;. He also had some small roles at Minerva Movietone in the movies &amp;#039;&amp;#039;[[Said-e-Havas]]&amp;#039;&amp;#039; (1936) and &amp;#039;&amp;#039;[[Atma Tarang]]&amp;#039;&amp;#039; (1937).&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Ramchandra provided harmonium accompaniment for Minerva composers Bundu Khan and Habib Khan. He debuted as music director in [[Tamil language|Tamil]] movies with Jayakkodi and &amp;#039;&amp;#039;[[Vana Mohini]]&amp;#039;&amp;#039;. He received public notice as a good composer in Bhagwan Dada&amp;#039;s &amp;#039;&amp;#039;Sukhi Jeevan&amp;#039;&amp;#039; (1942), and established a long association that culminated with the musical box office hit &amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039; (1951).&lt;br /&gt;
&lt;br /&gt;
Influenced by [[Benny Goodman]], Ramchandra introduced in his compositions the alto sax in combination with guitar and harmonica. He also included whistling in one of his famous songs, &amp;#039;&amp;#039;Aana meri jaan Sunday ke Sunday&amp;#039;&amp;#039; in film &amp;#039;&amp;#039;[[Shehnai (1947 film)|Shehnai]]&amp;#039;&amp;#039; (1947). He used a combination of a bongo, an oboe, a trumpet, a clarinet and a sax for the song &amp;#039;&amp;#039;Shola Jo Bhadke&amp;#039;&amp;#039; in film &amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;. He sang the title song &amp;quot;Shin Shinaki Boobla Boo&amp;quot; with [[Lata Mangeshkar]], which included rock rhythms. He provided the musical score for the scat song &amp;quot;Ina mina dika&amp;quot; in &amp;#039;&amp;#039;[[Aasha (1957 film)|Aasha]]&amp;#039;&amp;#039; (1957).&lt;br /&gt;
&lt;br /&gt;
Perhaps C. Ramchandra&amp;#039;s biggest success as a music composer was the 1953 movie &amp;#039;&amp;#039;[[Anarkali]]&amp;#039;&amp;#039; starring Beena Roy in the title role and Pradeep Kumar. The songs that he composed for this movie are today legendary. Songs of this movie like &amp;quot;Yeh Zindagi Usiki Hai&amp;quot;, &amp;quot;Mujhse Mat Poochh Mere Ishq Main Kya Rakha Hai&amp;quot;, &amp;quot;Mohabbat Aisi Dhadkan Hai&amp;quot;, &amp;quot;Jaag Dard-e-Ishq Jaag&amp;quot; etc. went on to become huge hits and were highly acclaimed. &amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039; also perhaps saw the famed composer-singer combination of Ramchandra and [[Lata Mangeshkar]] at their best ever together. A film critic in London who watched the movie is said to have remarked that the heroine sang like an angel without knowing that the angel was actually Lata giving playback for the actress. Similarly, C. Ramchandra&amp;#039;s compositions in V. Shantaram&amp;#039;s &amp;#039;&amp;#039;[[Navrang]]&amp;#039;&amp;#039; (1959) and &amp;#039;&amp;#039;[[Stree (1961 film)|Stree]]&amp;#039;&amp;#039; (1961) were also quite popular and are still remembered.&lt;br /&gt;
&lt;br /&gt;
The highly popular patriotic song &amp;#039;&amp;#039;&amp;quot;[[Aye Mere Watan Ke Logo]]&amp;quot;&amp;#039;&amp;#039;, which was sung by [[Lata Mangeshkar]] and penned by poet [[Pradeep]], was a composition of Ramchandra.&amp;lt;ref name=DNA&amp;gt;{{cite news|url=https://www.dnaindia.com/entertainment/column-bollywood-retrospect-composer-c-ramchandra-s-10-most-memorable-songs-2161441 |newspaper=DNA India website |author=Param Arunachalam |date=2 January 2016 |title=Bollywood Retrospect: Composer C Ramchandra&amp;#039;s 10 most memorable songs |access-date=1 June 2020}}&amp;lt;/ref&amp;gt; It was later performed live, by [[Lata Mangeshkar]], in the presence of [[Jawaharlal Nehru]] at the [[National Stadium]], in [[New Delhi]] on [[Republic Day (India)|Republic Day]] in 1963. It is said [[Jawaharlal Nehru]] became so sentimental that tears rolled down his cheeks.&amp;lt;ref name=cineplot&amp;gt;{{cite web|url=https://cineplot.com/behind-the-screen-music-director-c-ramchandra/ |website=Cineplot.com website|date=20 November 2016|title=Behind the Screen &amp;amp;ndash; Music Director C. Ramchandra |access-date=31 May 2020}}&amp;lt;/ref&amp;gt; On 27 Jan 2014, [[Lata Mangeshkar]] was felicitated by the then chief minister of [[Gujarat]], [[Narendra Modi]] at Mumbai to commemorate the 51st Anniversary of this song.&lt;br /&gt;
&lt;br /&gt;
Ramchandra similarly provided a memorable musical score accompanying a competition between two dancers whose roles were played by [[Padmini (actress)|Padmini]] and [[Vyjayanthimala]] for the song &amp;#039;&amp;#039;[[Kannum Kannum Kalanthu]]&amp;#039;&amp;#039; lyrics penned by [[Kothamangalam Subbu]], sung by [[P. Leela]] and [[Jikki]] in the Tamil movie &amp;#039;&amp;#039;[[Vanjikottai Valiban]]&amp;#039;&amp;#039; (1958). He remade the song in Hindi as &amp;quot;Aaja Tu Aaja&amp;quot; from &amp;#039;&amp;#039;[[Raj Tilak (1958 film)|Raj Tilak]]&amp;#039;&amp;#039; (1958) written by P. L. Santoshi where [[Asha Bhosle]] and [[Sudha Malhotra]] rendered their voice.&lt;br /&gt;
&lt;br /&gt;
Ramchandra provided music compositions for a few [[Marathi language|Marathi]], [[Telugu language|Telugu]], [[Tamil language|Tamil]], and [[Bhojpuri language|Bhojpuri]] movies besides [[Hindi]] movies. He also produced three Hindi movies with New Sai Productions namely &amp;#039;&amp;#039;Jhanjhar&amp;#039;&amp;#039; (1953), &amp;#039;&amp;#039;Lehren&amp;#039;&amp;#039; (1953), &amp;#039;&amp;#039;Duniya Gol Hai&amp;#039;&amp;#039; (1955).&lt;br /&gt;
&lt;br /&gt;
In the late 1960s, Ramchandra produced two Marathi movies, &amp;#039;&amp;#039;Dhananjay&amp;#039;&amp;#039; (1966) and &amp;#039;&amp;#039;Gharkul&amp;#039;&amp;#039; (1970). Apart from composing music, he also acted in them. Ramchandra wrote his autobiography &amp;#039;&amp;#039;The Symphony of My Life&amp;#039;&amp;#039; (&amp;#039;&amp;#039;माझ्या जीवनाची सरगम&amp;#039;&amp;#039; in Marathi) in 1977.&lt;br /&gt;
&lt;br /&gt;
C. Ramchandra died on 5 January 1982, a week before his 64th birthday, in Mumbai.&lt;br /&gt;
&lt;br /&gt;
Mumbai based troupe Musicolor, which is promoting vintage music, presented an exclusive tribute programmes featuring the gems of C Ramchandra at Dinanath Mangeshkar auditorium on 22 January 2010.&lt;br /&gt;
&lt;br /&gt;
==Popular songs==&lt;br /&gt;
Though Ramchandra used a number of ragas in his compositions, his favourite remained raga &amp;quot;[[Bageshri]]&amp;quot; ([[Azaad (1955 film)|Radha na bole - Azad, 1955]]). In a 1978 interview at BBC studios with Mahendra Kaul, he ascribed the reason to Bageshri&amp;#039;s simplicity. However, he also composed songs in other ragas including [[Malkauns]] (&amp;#039;&amp;#039;[[Navrang|Aadha hai chandrama- Navrang]]&amp;#039;&amp;#039;).&amp;lt;ref name=&amp;quot;int&amp;quot;&amp;gt;{{cite news |last1=Kaul |first1=Mahendra |title=Interview with C Ramchandra |url=https://genome.ch.bbc.co.uk/schedules/bbcone/london/1979-09-02 |access-date=11 April 2019 |publisher=BBC Studios |date=2 February 1978}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The following is a short list of some of Ramchandra&amp;#039;s best compositions:&lt;br /&gt;
* &amp;#039;&amp;#039;Qismat Ki Hawa Kabhi Naram&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Yeh Zindagi Usi Ki Hai&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Anarkali (1953 film)|Anarkali]]&amp;#039;&amp;#039;)&amp;lt;ref name=DNA/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Ae Mere Watan Ke Logo&amp;#039;&amp;#039;&amp;lt;ref name=DNA/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Dheere Se Aaja Ri Ankhiyan Mein&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Albela (1951 film)|Albela]]&amp;#039;&amp;#039;)&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Katatay hain dukh mein yeh din&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Parchhaain&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Tum kya jaano, tumhari yaad mein&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Shin Shinaki Bubala Boo&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Aankhon mein sama jao is dil mein raha karana&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Yasmin&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Kitna haseen hai mausam&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Azaad&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Koi kisi ka deewaana na bane&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Sargam&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Jaag dard-e-ishq jaag&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Mehfil mein jal uthi shama&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Nirala&amp;#039;&amp;#039;)&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Aye pyar teri duniya se hum&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Jhanjar&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Wafaaon ka majboor daman bichha kar dua kar gume dil khuda se dua kar&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Muhobbat aisi dhadkan hai jo samjhayi nahi jati&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Main jagu sari rain&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Bahu Rani&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Ab woh raate kahan ab woh baate kahan&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Yasmin&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Kannum Kannum Kalanthu]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Vanjikottai Valiban]]&amp;#039;&amp;#039;) (Tamil film)&lt;br /&gt;
* &amp;#039;&amp;#039;Jo mujhe bhula ke chale gaye&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Sangeeta&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Mujh se mat poochh mere ishq mein kya rakha hai&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Dekho ji bahar aayi&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Azad&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Jo dil ko jalaye sataye dukhaye aisi muhobbat se hum baaz aaye&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Nirala&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Mujh pe ilzaam-e-bewafaai hai&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Yasmin&amp;#039;&amp;#039;)&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Aye chand pyar mera tujh se ye kah raha hai&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Khazana&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Muhobbat mein aise zamane bhi aaye&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Sagaai&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Aa ja ab to aa ja&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Anarkali&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Tere dar se khushi mangi magar gum de diya tu ne&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Hungama&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Tere phoolon se bhi pyar&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Nastik&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Kali kali ratiyan yaad sataye&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Ghungaroo&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;O nirdayi pritam&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Stree&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Balma bada nadan&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Albela&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Dil se bhula do tum humen&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Patanga&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Kaghaz ki thi woh nao jis main ham jarahe the&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Zaban&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Dil ki duniya basa ke sawariyan&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Amardeep&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039; Ina Meena Dika &amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Aasha (1957 film)|Aasha]]&amp;#039;&amp;#039;)&lt;br /&gt;
* &amp;#039;&amp;#039;Jab Dil Ko Sataave Gham, Chhed Sakhi Sargam&amp;#039;&amp;#039; Sargam (1950)&amp;lt;ref name=DNA/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Shola Jo Bhadke, Dil Mera Dhadke&amp;#039;&amp;#039; Albela (1951)&amp;lt;ref name=DNA/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Mohabbat Hi Na Jo Samjhe, Woh Zalim Pyar Kya Jane&amp;#039;&amp;#039; Parchhain (1952)&amp;lt;ref name=DNA/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;Dekh Tere Sansaar Ki Haalat Kya Ho Gai Bhagwan&amp;#039;&amp;#039; Nastik (1954)&lt;br /&gt;
* &amp;#039;&amp;#039;Naa Bole Naa Bole Naa Bole Re&amp;#039;&amp;#039; ([[Azaad (1955 film)|Azad]])&amp;lt;ref name=DNA/&amp;gt;&lt;br /&gt;
*&amp;#039;&amp;#039;aplam chaplam chaplai re&amp;#039;&amp;#039;([[Azaad(1955)ref Hindi geet mala&lt;br /&gt;
*&amp;#039;&amp;#039; mere man ka banera panchi kyon baar bar dole&amp;#039;&amp;#039;([[Amardeep(1958)ref Hindi geet mala .com&lt;br /&gt;
*&amp;#039;&amp;#039;dekh hame awaaz na dena&amp;#039;&amp;#039;([[Amardeep1958]])&lt;br /&gt;
ref Hindi geet mala.com&lt;br /&gt;
&lt;br /&gt;
==Filmography==&lt;br /&gt;
Movies for which Ramchandra provided musical scores are listed below in alphabetical order:&lt;br /&gt;
{{div col|colwidth=22em}}&lt;br /&gt;
# [[Aanchal (1960 film)|Aanchal]] (1960)&lt;br /&gt;
# [[Azaad (1955 film)|Azaad]] (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Ahinsa (1947)&lt;br /&gt;
# [[Albela (1951 film)|Albela]] (1951)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# [[Amar Rahe Yeh Pyar]] (1961)&lt;br /&gt;
# [[Amar Deep (1958 film)|Amar Deep]] (1958)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# [[Anarkali (1953 film)|Anarkali]] (1953)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# [[Aasha (1957 film)|Aasha]] (1957)&lt;br /&gt;
# Baarish (1957)&lt;br /&gt;
# [[Bachchon Ka Khel]] (1946)&lt;br /&gt;
# [[Badla (1943 film)|Badla]] (1943)&lt;br /&gt;
# Bahadur (1944 film)&lt;br /&gt;
# Bahadur Pratap (1947)&lt;br /&gt;
# [[Bahurani (1963 film)|Bahurani]] (1963)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Balram Shri Krishna (1968)&lt;br /&gt;
# Bhakt Raj (1943)&lt;br /&gt;
# Chhatrapati Shivaji (1952)&lt;br /&gt;
# Daal Me Kaala (1964)&lt;br /&gt;
# [[Devta (1956 film)|Devta]] (1956)&lt;br /&gt;
# Dil Ki Baat (1944)&lt;br /&gt;
# Dosti (1946)&lt;br /&gt;
# Duniya (1949)&lt;br /&gt;
# Duniya Gol Hai (1955)&lt;br /&gt;
# Ghungroo (1952)&lt;br /&gt;
# Girls School (1949), with [[Anil Biswas (composer)|Anil Biswas]]&lt;br /&gt;
# Hanso Hanso Ae Duniya Walo (1942)&lt;br /&gt;
# Hum Diwane [as Annasahib] (1965)&lt;br /&gt;
# Hungama (1952)&lt;br /&gt;
# [[Insaniyat (1955 film)|Insaniyat]] (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Jhaanjhar (1953)&lt;br /&gt;
# [[Jhamela]] (1953)&lt;br /&gt;
# Jitne Door Utne Paas (1960) (Unreleased)&lt;br /&gt;
# Kaarigar (1965)&lt;br /&gt;
# Kavi (1954)&lt;br /&gt;
# Khazana (1951)&lt;br /&gt;
# Khidki (1948)&lt;br /&gt;
# Labelaa (1966)&lt;br /&gt;
# Lahren (1953)&lt;br /&gt;
# Lalkar (1944)&lt;br /&gt;
# Leela (1947)&lt;br /&gt;
# Lutera (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Madadgaar (1947)&lt;br /&gt;
# Madam Zapata (1962)&lt;br /&gt;
# Manorama (1944)&lt;br /&gt;
# Matwale (1947)&lt;br /&gt;
# Meenar (1954)&lt;br /&gt;
# Mera Munna (1948)&lt;br /&gt;
# Mr. Jhatpat (1943)&lt;br /&gt;
# Muskurahat (1943)&lt;br /&gt;
# Nastik (1954)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# [[Nadiya Ke Paar (1948 film)|Nadiya Ke Paar]] (1948)&lt;br /&gt;
# Naghma-e-Sehra (1945)&lt;br /&gt;
# Namoona (1949)&lt;br /&gt;
# [[Nausherwan-E-Adil]] (1957)&lt;br /&gt;
# [[Navrang]] (1959)&lt;br /&gt;
# Nazrana (1948) (Unreleased)&lt;br /&gt;
# Nirala (1950)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Payal Ki Jhankar (1968)&lt;br /&gt;
# [[Paigham]] (1959)&lt;br /&gt;
# [[Parchhain]] (1952)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# [[Patanga (1949 film)|Patanga]] (1949)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# Pehli Jhalak (1954)&lt;br /&gt;
# [[Raj Tilak (1958 film)|Raj Tilak]] (1958)&lt;br /&gt;
# [[Raunaq]] 1944&lt;br /&gt;
# [[Rootha Na Karo]] (1970)&lt;br /&gt;
# Roshni (1949)&lt;br /&gt;
# Sajan (1947)&lt;br /&gt;
# Sanwaria (1949)&lt;br /&gt;
# Saqi (1952)&amp;lt;ref name=citwf&amp;gt;[https://www.citwf.com/person350534.htm Filmography of C. Ramchandra on Complete Index To World Film (CITWF) website] Retrieved 1 June 2020&amp;lt;/ref&amp;gt;&lt;br /&gt;
# Savdhan (1954)&lt;br /&gt;
# Sawan (1945)&lt;br /&gt;
# Safar (1946)&lt;br /&gt;
# Sagaai (1951)&lt;br /&gt;
# [[Samadhi (1950 film)|Samadhi]] (1950)&lt;br /&gt;
# Samrat Chandragupt (1945)&lt;br /&gt;
# Sangeeta (1950)&lt;br /&gt;
# Sangram (1950)&lt;br /&gt;
# [[Sargam (1950 film)|Sargam]] (1950)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# Sarhad (1960)&lt;br /&gt;
# Saudagar (1951), with Hanuman Prasad&lt;br /&gt;
# Shabistan (1951)&lt;br /&gt;
# Shadi Se Pehle (1947)&lt;br /&gt;
# Shagoofa (1953)&lt;br /&gt;
# Sharda (1957)&lt;br /&gt;
# Shatranj (1956)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Shehnai (1947)&amp;lt;ref name=citwf/&amp;gt;&amp;lt;ref name=cineplot/&amp;gt;&lt;br /&gt;
# Sher Dil (1965)&lt;br /&gt;
# Shin Shinaki Bublaa Boo (1952)&lt;br /&gt;
# Siphaiya (1949)&lt;br /&gt;
# [[Stree (1961 film)|Stree]] (1961)&lt;br /&gt;
# [[Subah Ka Tara]] (1954)&lt;br /&gt;
# Sukhi Jivan (1942)&lt;br /&gt;
# [[Talaq (1958 film)|Talaq]] (1958)&lt;br /&gt;
# Talash (1957)&lt;br /&gt;
# Tasveer (1966)&lt;br /&gt;
# Teerandaaz (1955)&lt;br /&gt;
# Toofani Takkar (1978)&lt;br /&gt;
# Tulsi Vivah (1971)&lt;br /&gt;
# Ustad Pedro (1951)&lt;br /&gt;
# [[Vana Mohini]] (1941)&lt;br /&gt;
# Veer Bhimsen (1964)&lt;br /&gt;
# Wahan Ke Log (1967)&lt;br /&gt;
# Yasmin (1955)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
# Zaban (1943)&lt;br /&gt;
# Zindagi Aur Maut (1965)&amp;lt;ref name=citwf/&amp;gt;&lt;br /&gt;
{{div col end}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{iMDb name|0708128}}&lt;br /&gt;
* [https://www.youtube.com/watch?v=Rotxefs5s9U A Tribute To C. Ramchandra, Biography, The Greatest Music Composer Of Indian Cinema on YouTube]&lt;br /&gt;
* [https://www.youtube.com/watch?v=-HfPjevUjAM Commentary And Interview of C. Ramchandra with Ameen Sayani on YouTube]&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Ramchandra, C}}&lt;br /&gt;
[[Category:1918 births]]&lt;br /&gt;
[[Category:1982 deaths]]&lt;br /&gt;
[[Category:People from Maharashtra]]&lt;br /&gt;
[[Category:Indian film score composers]]&lt;br /&gt;
[[Category:Marathi people]]&lt;br /&gt;
[[Category:People from Ahmednagar district]]&lt;br /&gt;
[[Category:20th-century composers]]&lt;br /&gt;
[[Category:20th-century Indian musicians]]&lt;/div&gt;</summary>
		<author><name>&gt;FrescoBot</name></author>
	</entry>
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