Bharata Muni - Revision history

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-{{short description|Ancient Sanskrit sage}}
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-The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.
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-[[Natya Shastra]] by Bharata Muni and "Abhinaya Darpana" by [[Nandikeshvara]] are considered to be the original sources of [[Bharatanatyam]] (an Indian classical dance form).
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← Older revision		Revision as of 01:27, 21 October 2021
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	{{short description\|~~Classical~~ Sanskrit ~~musicologist and drama theorist~~}}		{{short description\|Ancient Sanskrit sage}}
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	{{Refimprove\|date=April 2015}}		{{Refimprove\|date=April 2015}}
	'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[~~India]]n [[theatrologist]] and [[musicologist~~]] who ~~wrote~~ the [[Natya Shastra]]~~, a [[theoretical]] [[treatise]] on~~ ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref> Lidova, N. (2014). Natyashastra. Oxford University Press. </ref> <ref> Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>		'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[Sage (philosophy)\|sage]] who the musical treatise ''[[Natya Shastra]]'' is traditionally attributed to. The work covers ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref> Lidova, N. (2014). Natyashastra. Oxford University Press. </ref> <ref> Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>

	The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.		The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.
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	{{DEFAULTSORT:Muni, Barata}}		{{DEFAULTSORT:Muni, Barata}}
	~~[[Category:Indian musicologists]]~~
	[[Category:Indian male classical musicians]]		[[Category:Indian male classical musicians]]
	~~[[Category:Theatrologists]]~~
	[[Category:Sanskrit writers]]		[[Category:Sanskrit writers]]
	[[Category:Dance education]]		[[Category:Dance education]]

imported>245CMR: Reverted edits by 117.216.4.85 (talk) to last version by Jacqke

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Reverted edits by 117.216.4.85 (talk) to last version by Jacqke

← Older revision		Revision as of 11:16, 30 June 2021
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	'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[India]]n [[theatrologist]] and [[musicologist]] who wrote the [[Natya Shastra]], a [[theoretical]] [[treatise]] on ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref>Lidova, N. (2014). Natyashastra. Oxford University Press.</ref><ref>Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>		'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[India]]n [[theatrologist]] and [[musicologist]] who wrote the [[Natya Shastra]], a [[theoretical]] [[treatise]] on ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref> Lidova, N. (2014). Natyashastra. Oxford University Press. </ref> <ref> Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>

	The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.		The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.
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	'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[India]]n [[theatrologist]] and [[musicologist]] who wrote the [[Natya Shastra]], a [[theoretical]] [[treatise]] on ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref> Lidova, N. (2014). Natyashastra. Oxford University Press. </ref> <ref> Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>		'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[India]]n [[theatrologist]] and [[musicologist]] who wrote the [[Natya Shastra]], a [[theoretical]] [[treatise]] on ancient [[India]]n [[dramaturgy]] and [[Acting\|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref>Lidova, N. (2014). Natyashastra. Oxford University Press.</ref><ref>Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>

	The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.		The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)\|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.
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New page

{{short description|Classical Sanskrit musicologist and drama theorist}}
{{Use dmy dates|date=August 2019}}
{{Refimprove|date=April 2015}}
'''Bharata Muni''' ('''भरत मुनि''') was an ancient [[India]]n [[theatrologist]] and [[musicologist]] who wrote the [[Natya Shastra]], a [[theoretical]] [[treatise]] on ancient [[India]]n [[dramaturgy]] and [[Acting|histrionics]], especially [[Sanskrit theatre]]. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE,<ref> Lidova, N. (2014). Natyashastra. Oxford University Press. </ref> <ref> Mehta, T. (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass.</ref> but estimates vary between 500 BCE and 500 CE.<ref>Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249.</ref>

The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic [[Rasa (aesthetics)|"Rasa"]] theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness and reflects on spiritual and moral questions.

[[Natya Shastra]] by Bharata Muni and "Abhinaya Darpana" by [[Nandikeshvara]] are considered to be the original sources of [[Bharatanatyam]] (an Indian classical dance form).

==See also==
* [[Nava rasas]]
* [[Nandikeshvara]]
* [[Natya Shastra]]

== References ==

4. Daumal, Rene: RASA. Essays on Indian Aesthetics & Selected Sanskrit Studies. New Directions, NYC 1982. REPR. Shivastan, Woodstock-Kathmandu, 2003 & 2006, forthcoming, Cool Grove Press, NYC.
{{Reflist}}
* "Revealing the Art of Natyasastra" by Narayanan Chittoor Namboodiripad {{ISBN|9788121512183}}

==External links==
* {{cite web |title=Natya Shastra (with English Translations) |author=Bharat Muni|author2=tr. by Manomohan Ghosh |url=https://archive.org/details/NatyaShastra |year=1951 |publisher=Asiatic Society of Bengal, Calcutta}}

{{Authority control}}

{{DEFAULTSORT:Muni, Barata}}
[[Category:Indian musicologists]]
[[Category:Indian male classical musicians]]
[[Category:Theatrologists]]
[[Category:Sanskrit writers]]
[[Category:Dance education]]

{{India-writer-stub}}
{{theat-bio-stub}}