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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Baksho_Rahashya_%28novel%29</id>
	<title>Baksho Rahashya (novel) - Revision history</title>
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	<updated>2026-08-18T20:53:00Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://en.bharatpedia.org/w/index.php?title=Baksho_Rahashya_(novel)&amp;diff=186272&amp;oldid=prev</id>
		<title>&gt;Kaltenmeyer: Adding local short description: &quot;Book by Satyajit Ray&quot;, overriding Wikidata description &quot;book by Satyajit Ray&quot; (Shortdesc helper)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Baksho_Rahashya_(novel)&amp;diff=186272&amp;oldid=prev"/>
		<updated>2021-10-01T17:10:14Z</updated>

		<summary type="html">&lt;p&gt;Adding local &lt;a href=&quot;https://en.bharatpedia.org/wiki/Bharatpedia:Short_description&quot; class=&quot;extiw&quot; title=&quot;wikipedia:Short description&quot;&gt;short description&lt;/a&gt;: &amp;quot;Book by Satyajit Ray&amp;quot;, overriding Wikidata description &amp;quot;book by Satyajit Ray&amp;quot; (&lt;a href=&quot;https://en.bharatpedia.org/wiki/Bharatpedia:Shortdesc_helper&quot; class=&quot;extiw&quot; title=&quot;wikipedia:Shortdesc helper&quot;&gt;Shortdesc helper&lt;/a&gt;)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:40, 1 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Book by Satyajit Ray}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{About||the 1996 film|Baksho Rahashya (film)}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{About||the 1996 film|Baksho Rahashya (film)}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Unreferenced|date=December 2009}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Unreferenced|date=December 2009}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot summary==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Feluda]] is approached by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an established &lt;/del&gt;businessman&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Mr. &lt;/del&gt;Dinanath Lahiri&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, claiming to have mistakenly swapped his suitcase in &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;train with one belonging to one of his co-passengers and asks Feluda to return it. This apparently &lt;/del&gt;simple &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;problem takes &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Feluda&lt;/del&gt;]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Topshe and &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lalmohan Babu&lt;/del&gt;]] to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Shimla]] &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;into &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;realm &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;deceit and mystery involving a long-forgotten diamond and an old priceless manuscript titled &#039;&#039;A Bengalee in Lamaland&#039;&#039;, written by Shambhu Charan Bose. The other major characters in &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story are Dinanath Lahiri, a rich kindhearted businessman, &lt;/del&gt;his &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nephew&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prabeer &lt;/del&gt;Lahiri&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, a struggling actor obsessed with his own voice and Mr. Lahiri&#039;s co-passengers on the train: Mr. Naresh Pakrashi, Mr. Brijmohan Kedia and Mr. G. C. Dhameeja, who is also of some importance&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Private investigator]] Prodosh C. Mitter a.k.a &lt;/ins&gt;[[Feluda]] is approached by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a rich &lt;/ins&gt;businessman &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;named &lt;/ins&gt;Dinanath Lahiri &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who tasks Feluda with &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seemingly &lt;/ins&gt;simple &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;case: while returning from &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Delhi&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;via the Kalka Mail&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lahiri&#039;s &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Briefcase|attaché case&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;inadvertently got exchanged with another passenger&#039;s bag. Lahiri wants Feluda to find the owner of the briefcase which he has right now, give the briefcase &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;him &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bring back his original briefcase. After giving &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;detailed description of the rest &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;passengers of &lt;/ins&gt;his &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;compartment&lt;/ins&gt;, Lahiri &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;leaves&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;enriched &lt;/del&gt;with Feluda&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;extreme detection capability &lt;/del&gt;and another &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;breathtaking adventure&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;On &lt;/del&gt;the way, Feluda and the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gang face many challenges&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but &lt;/del&gt;at the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;end &lt;/del&gt;Feluda &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gets much desired success&lt;/del&gt;, and the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;villain &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;trapped&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Like many other &lt;/del&gt;Feluda &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stories&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jatayu brings &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;exquisite comic relief &lt;/del&gt;in the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story &lt;/del&gt;and the story &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;becomes enjoyable &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;everyone&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;people, who were in Lahiri&#039;s compartment, are Naresh C. Pakrashi, an established businessman like Lahiri, Brijmohan Kedia, a businessman and the owner of his own company, and G. C. Dhameeja. After some careful searching, Feluda finds out that Lahiri&#039;s briefcase got exchanged with Dhameeja&#039;s briefcase. During this time, Feluda meets with Pakrashi and learns about the other two men in the train compartment i.e, Dhameeja and Kedia. That evening, Feluda and his cousin Tapesh Ranjan Mitter a.k.a Topshe go to Lahiri&#039;s house and meet with Lahiri&#039;s cousin Prabeer Lahiri, a struggling [[actor]] who&#039;s obsessed with his own thin voice and who dislikes Lahiri. After telling everything to Lahiri, Lahiri decides that Feluda should go to [[Shimla]], the place where Dhameeja lives, in order to exchange the briefcases. Feluda agrees to it. The duo return home, only to find [[Lalmohan Ganguly]] a.k.a Jatayu waiting for them. After some aimless conversation, Lalmohan Babu hears everything about Feluda&#039;s new case and also about his prospective tour to Shimla. The excited Lalmohan Babu asks to join them; Feluda agrees to it.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;That night, Feluda gets a call from Lahiri who informs him that Dhameeja, before leaving for Shimla, has left Lahiri&#039;s briefcase with his associate Mr. Puri and that Mr. Puri is eager to make the briefcase exchange that same night. After obtaining Mr. Puri&#039;s address, Feluda and Topshe go to the place which is quite lonely. While looking for Mr. Puri&#039;s house, the duo are attacked by two muscular thugs who tackle Feluda and Topshe to the ground, snatch the briefcase and flee from there. Thankfully, the briefcase which Feluda carried with him and which the thugs snatched away was a decoy and the actual briefcase is in his house; Feluda was actually suspicious about the whole deal regarding Mr. Puri. He finally comes to terms with the fact that there&#039;s more to this case than what meets the eye. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The next day, while Feluda &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;out to make some arrangements, Topshe calls a film production house to get some info regarding Lahiri&#039;s cousin Prabeer; he finds out, much to his surprise that Prabeer isn&#039;t acting anymore. Just a few minutes after that, Topshe receives a threat call from an unknown person, who warns him not to go to Shimla. That night, while Feluda and Topshe are planning to go to bed, Pakrashi arrives to meet &lt;/ins&gt;with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;them; he demands that &lt;/ins&gt;Feluda &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;should hand over the manuscript to him which was in Lahiri&#039;s briefcase (there was a valuable manuscript inside Lahiri&lt;/ins&gt;&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;briefcase, titled &#039;&#039;A Bengalee In Lamaland&#039;&#039; written by Bengali [[explorer]] and author Shambhu Charan Bose) and he offers money for it. Feluda declines Pakrashi&#039;s offer and refuses his money and bids him goodnight.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The next day, the trio fly to Delhi where they stay in a hotel for the day, as their train to Shimla is in that evening. While Topshe and Lalmohan Babu go out for a tour around the city, an unknown man arrives in their hotel, meets with Feluda, knocks him unconscious &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;steals the briefcase. In the meantime, &lt;/ins&gt;another &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;unknown man follows Topshe and Lalmohan Babu while they&#039;re roaming outside. They return to the hotel and find the unconscious Feluda on the floor and the briefcase gone. They revive Feluda  and he decides to buy a new briefcase (or steal one, if necessary) and fill it up with all the things which were inside Dhameeja&#039;s briefcase which has now been stolen&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;During all of this, Lalmohan Babu finds a threat letter in his jacket pocket, which is warning &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;trio not to go to Shimla. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;That evening, while on their &lt;/ins&gt;way &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to Shimla by train&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the trio discover a diamond stuck inside a [[Kodak]] film roll container which they had during this entire time. &lt;/ins&gt;Feluda &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;now understands that the thugs are actually trying to steal the Kodak film roll container because of the diamond.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Later that night, Topshe suddenly wakes up from his sleep, only to see an unknown man (the same man who followed him &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lalmohan Babu in Delhi) trying to break in their compartment but he gives up after Lalmohan Babu shouts in his sleep.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After arriving in the snow-covered Shimla, the trio stay in a hotel. While having lunch, Lalmohan Babu shows &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;other two a new weapon that he has brought from his collection: a boomerang. That afternoon&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the trio set out for their mission; they soon arrive &lt;/ins&gt;at &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dhameeja&#039;s house. They give &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;briefcase to him and get Lahiri&#039;s briefcase in return, but they find no manuscript inside. &lt;/ins&gt;Feluda &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is in shock. While returning back to their hotel, an empty car blocks the road. When everyone goes out to inspect&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an unknown man attacks the group &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;starts shooting at everyone. The man, revealed to be Prabeer, asks Feluda to throw &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;diamond to him, while holding him at gunpoint. After a series of clever confrontations, Prabeer &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;finally caught. After the Lahiris discovered Shambhu Charan&#039;s box in their house, Prabeer found the diamond and planned to earn money by selling it. So he secretly hid it in the Kodak film roll container and kept it in the briefcase&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After Lahiri took the briefcase to &lt;/ins&gt;Feluda &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in order to return it to Dhameeja&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prabeer became desperate to retrieve the diamond and employed thugs to retrieve it. When Feluda starts describing the punishment that he&#039;ll face, Prabeer tries to escape, only to be knocked out by Lalmohan Babu when he hurls his boomerang at him.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After getting Prabeer arrested and calling Lahiri to take Prabeer back, the trio return to their hotel, where they come across the unknown man who followed them till Shimla. The man is Pakrashi who reveals that he&#039;s the one who orchestrated &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;accidental&quot; briefcase exchange &lt;/ins&gt;in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kalka Mail. He also reveals that he stole Shambhu Charan&#039;s manuscript from Lahiri&#039;s briefcase in the Kalka Mail and was copying it, intending to publish it and become famous. Pakrashi going to Feluda &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;offering to buy &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;manuscript was actually a [[Deception|ruse]] to pretend that he doesn&#039;t have the manuscript. The &lt;/ins&gt;story &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ends with Pakrashi giving the actual manuscript &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Feluda (now that he has copied it) and Feluda thanking him in return&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Bakso Rahashya&#039;&#039; was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;turned &lt;/del&gt;into a radio play starring [[Soumitra Chatterjee]] as Feluda and broadcast on Indian radio while Ray was still alive, with his supervision and with background music of his composition. Later the play was released in cassettes by HMV.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Bakso Rahashya&#039;&#039; was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;adapted &lt;/ins&gt;into a radio play starring [[Soumitra Chatterjee]] as Feluda and broadcast on Indian radio while Ray was still alive, with his supervision and with background music of his composition. Later the play was released in cassettes by HMV.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 on the 30th anniversary of first Feluda, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;appearance &lt;/del&gt;Sandip Ray (son &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of Satyajit Ray&lt;/del&gt;) have made a [[Baksho Rahashya (film)|telefilm of the same name]] with a new set of actors &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;led by &lt;/del&gt;[[Sabyasachi Chakrabarty]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as &lt;/del&gt;Feluda. It &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;got &lt;/del&gt;a huge success and later the DVD was released by RE Video and a remastered version was released by Big Music.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 on the 30th anniversary of first Feluda&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s appearance&lt;/ins&gt;, Sandip Ray (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Satyajit&#039;s &lt;/ins&gt;son) have made a [[Baksho Rahashya (film)|telefilm of the same name]] with a new set of actors &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;where &lt;/ins&gt;[[Sabyasachi Chakrabarty]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;played &lt;/ins&gt;Feluda&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s role&lt;/ins&gt;. It &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;became &lt;/ins&gt;a huge success and later the DVD was released by RE Video and a remastered version was released by Big Music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>&gt;Kaltenmeyer</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Baksho_Rahashya_(novel)&amp;diff=169511&amp;oldid=prev</id>
		<title>imported&gt;Sudipto Surjo: /* Plot summary */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Baksho_Rahashya_(novel)&amp;diff=169511&amp;oldid=prev"/>
		<updated>2021-02-18T04:38:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Plot summary&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{About||the 1996 film|Baksho Rahashya (film)}}&lt;br /&gt;
{{Unreferenced|date=December 2009}}&lt;br /&gt;
{{Use dmy dates|date=July 2018}}&lt;br /&gt;
{{Use Indian English|date=July 2018}}&lt;br /&gt;
{{Infobox book &amp;lt;!-- See Wikipedia:WikiProject_Novels or Wikipedia:WikiProject_Books --&amp;gt;&lt;br /&gt;
| name         = Baksho Rahasya (Incident on the Kalka Mail)&lt;br /&gt;
| image        = File:Baksha_Rahasya_book_cover.jpg&lt;br /&gt;
| caption      = &amp;#039;&amp;#039;Baksho Rahasya&amp;#039;&amp;#039; book cover.&lt;br /&gt;
| author       = [[Satyajit Ray]]&lt;br /&gt;
| country      = [[India]]&lt;br /&gt;
| language     = [[Bengali language|Bengali]]&lt;br /&gt;
| cover_artist = Satyajit Ray&lt;br /&gt;
| genre        = [[Detective fiction]]&lt;br /&gt;
| publisher    = [[Ananda Publishers]]&lt;br /&gt;
| release_date = 1972&lt;br /&gt;
| media_type   = Print&lt;br /&gt;
| pages        = &lt;br /&gt;
| isbn         = &lt;br /&gt;
| preceded_by  = [[Sonar Kella]]&lt;br /&gt;
| followed_by  = [[Kailashey Kelenkari (novel)|Kailashey Kelenkari]]&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bakso Rahashya&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (English title : Incident on the Kalka Mail) is a Bengali novel by [[Satyajit Ray]] featuring the private detective [[Feluda]]. This novel was first serialized in [[Desh magazine]] in 1972 and then released in book form in 1973, by Ananda publishers.&lt;br /&gt;
&lt;br /&gt;
==Plot summary==&lt;br /&gt;
&lt;br /&gt;
[[Feluda]] is approached by an established businessman, Mr. Dinanath Lahiri, claiming to have mistakenly swapped his suitcase in a train with one belonging to one of his co-passengers and asks Feluda to return it. This apparently simple problem takes [[Feluda]], Topshe and [[Lalmohan Babu]] to [[Shimla]] and into a realm of deceit and mystery involving a long-forgotten diamond and an old priceless manuscript titled &amp;#039;&amp;#039;A Bengalee in Lamaland&amp;#039;&amp;#039;, written by Shambhu Charan Bose. The other major characters in the story are Dinanath Lahiri, a rich kindhearted businessman, his nephew, Prabeer Lahiri, a struggling actor obsessed with his own voice and Mr. Lahiri&amp;#039;s co-passengers on the train: Mr. Naresh Pakrashi, Mr. Brijmohan Kedia and Mr. G. C. Dhameeja, who is also of some importance.&lt;br /&gt;
&lt;br /&gt;
The story is enriched with Feluda&amp;#039;s extreme detection capability and another breathtaking adventure. On the way, Feluda and the gang face many challenges, but at the end Feluda gets much desired success, and the villain is trapped. Like many other Feluda stories, Jatayu brings the exquisite comic relief in the story and the story becomes enjoyable to everyone.&lt;br /&gt;
&lt;br /&gt;
==Adaptations==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Bakso Rahashya&amp;#039;&amp;#039; was turned into a radio play starring [[Soumitra Chatterjee]] as Feluda and broadcast on Indian radio while Ray was still alive, with his supervision and with background music of his composition. Later the play was released in cassettes by HMV.&lt;br /&gt;
&lt;br /&gt;
In 1996 on the 30th anniversary of first Feluda, appearance Sandip Ray (son of Satyajit Ray) have made a [[Baksho Rahashya (film)|telefilm of the same name]] with a new set of actors led by [[Sabyasachi Chakrabarty]] as Feluda. It got a huge success and later the DVD was released by RE Video and a remastered version was released by Big Music.&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Feluda}}&lt;br /&gt;
[[Category:1972 novels]]&lt;br /&gt;
[[Category:Feluda (series)]]&lt;br /&gt;
[[Category:Novels by Satyajit Ray]]&lt;br /&gt;
[[Category:1972 Indian novels]]&lt;br /&gt;
&lt;br /&gt;
{{1970s-crime-novel-stub}}&lt;/div&gt;</summary>
		<author><name>imported&gt;Sudipto Surjo</name></author>
	</entry>
</feed>