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	<title>Asavari (thaat) - Revision history</title>
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	<updated>2026-11-04T09:16:59Z</updated>
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		<title>73.97.123.210: /* Description */</title>
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		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Description&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{for|the raga of the same name|Asavari}}&lt;br /&gt;
{{Hindustani Classical Music}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Asavari&amp;#039;&amp;#039;&amp;#039; ({{IAST3|Āsāvari}}) is one of the ten basic [[thaat]]s of [[Hindustani music]] from the [[Indian subcontinent]]. It is also the name of a [[raga]] within this [[thaat]].&amp;lt;ref&amp;gt;{{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=3 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Description==&lt;br /&gt;
Adding a Komal Dhaivat to [[Kafi (thaat)|Kafi Thaat]] results in the Asavari thaat. Raga Asavari is full of &amp;#039;&amp;#039;tyag&amp;#039;&amp;#039;, the mood of renunciation and sacrifice as well as pathos. It is best suited for late morning. However important evening/night raga-like Darbari and Adana also use notes of Asavari thaat with different styles, stress points and ornamentation.&lt;br /&gt;
&lt;br /&gt;
Ragas in Asavari Thaat: &lt;br /&gt;
#[[Asavari]]&lt;br /&gt;
#[[Desi (raga)|Desi]]&lt;br /&gt;
#[[Darbari]]&lt;br /&gt;
# Kaunsi Kanada&lt;br /&gt;
#[[Adana (raga)|Adana]] &lt;br /&gt;
#[[Jaunpuri (raga)|Jaunpuri]]&lt;br /&gt;
# Devgandhar&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindustani music theory]]&lt;/div&gt;</summary>
		<author><name>73.97.123.210</name></author>
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