<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=An_Inconvenient_Sequel%3A_Truth_to_Power</id>
	<title>An Inconvenient Sequel: Truth to Power - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=An_Inconvenient_Sequel%3A_Truth_to_Power"/>
	<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;action=history"/>
	<updated>2026-08-24T01:21:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=408697&amp;oldid=prev</id>
		<title>CleanupBot II: Removed empty portal template using script</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=408697&amp;oldid=prev"/>
		<updated>2023-08-14T00:49:32Z</updated>

		<summary type="html">&lt;p&gt;Removed empty portal template using script&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:19, 14 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l72&quot;&gt;Line 72:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 72:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Al Gore}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Al Gore}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Portal bar|Film|Climate change|Environment}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Inconvenient Sequel, An}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Inconvenient Sequel, An}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key bharatpedia-enwiki:diff:1.41:old-402973:rev-408697:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot II</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=402973&amp;oldid=prev</id>
		<title>5.197.222.217: updated terminology</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=402973&amp;oldid=prev"/>
		<updated>2023-05-19T06:30:25Z</updated>

		<summary type="html">&lt;p&gt;updated terminology&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:00, 19 May 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Diane Weyermann]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Diane Weyermann]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albert A. &lt;/del&gt;Gore &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jr.&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| writer         = [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Al &lt;/ins&gt;Gore]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albert A. &lt;/del&gt;Gore &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jr.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Al &lt;/ins&gt;Gore&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Jeff Beal]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| music          = [[Jeff Beal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| cinematography = Jon Shenk&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| cinematography = Jon Shenk&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot;&gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An Inconvenient Sequel: Truth to Power&#039;&#039;&#039;&#039;&#039; is a 2017 American [[concert film]]/[[documentary film]], directed by Bonni Cohen and Jon Shenk, about former [[Vice President of the United States|United States Vice President]] [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albert A. &lt;/del&gt;Gore &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jr.&lt;/del&gt;]]&#039;s continuing mission to battle [[climate change]]. The [[sequel]] to &#039;&#039;[[An Inconvenient Truth]]&#039;&#039; (2006), the film addresses the progress made to tackle the problem and Gore&#039;s global efforts to persuade governmental leaders to invest in renewable energy, culminating in the landmark signing of 2016&#039;s [[Paris Agreement]].&amp;lt;ref&amp;gt;{{cite news |last=Chang |first=Justin |url=http://www.latimes.com/entertainment/movies/la-et-mn-sundance-inconvenient-sequel-opening-night-20170120-story.html |title=Sundance: &#039;An Inconvenient Sequel&#039; marks a welcome return to the spotlight for Al Gore |work=[[Los Angeles Times]] |date=January 20, 2017 |access-date=January 21, 2017 }}&amp;lt;/ref&amp;gt; The film was released on July 28, 2017, by [[Paramount Pictures]], and grossed over $5 million worldwide.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite news |last=McNary |first=Dave |date=January 19, 2017 |title=&#039;Inconvenient Truth&#039; Sequel Release Date Set |url=https://variety.com/2017/film/news/inconvenient-truth-sequel-release-date-1201963887/ |work=[[Variety (magazine)|Variety]] |access-date=February 6, 2017 |publisher=[[Penske Media Corporation]]}}&amp;lt;/ref&amp;gt; &lt;/del&gt;It received a nomination for [[BAFTA Award for Best Documentary|Best Documentary]] at the [[71st British Academy Film Awards]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.bbc.co.uk/news/entertainment-arts-42618187|title=The Shape of Water leads Bafta nominations|work=[[BBC News]]|publisher=[[BBC]]|date=January 9, 2018|access-date=January 9, 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An Inconvenient Sequel: Truth to Power&#039;&#039;&#039;&#039;&#039; is a 2017 American [[concert film]]/[[documentary film]], directed by Bonni Cohen and Jon Shenk, about former [[Vice President of the United States|United States Vice President]] [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Al &lt;/ins&gt;Gore]]&#039;s continuing mission to battle [[climate change]]. The [[sequel]] to &#039;&#039;[[An Inconvenient Truth]]&#039;&#039; (2006), the film addresses the progress made to tackle the problem and Gore&#039;s global efforts to persuade governmental leaders to invest in renewable energy, culminating in the landmark signing of 2016&#039;s [[Paris Agreement]].&amp;lt;ref&amp;gt;{{cite news |last=Chang |first=Justin |url=http://www.latimes.com/entertainment/movies/la-et-mn-sundance-inconvenient-sequel-opening-night-20170120-story.html |title=Sundance: &#039;An Inconvenient Sequel&#039; marks a welcome return to the spotlight for Al Gore |work=[[Los Angeles Times]] |date=January 20, 2017 |access-date=January 21, 2017 }}&amp;lt;/ref&amp;gt; The film was released on July 28, 2017, by [[Paramount Pictures]], and grossed over $5 million worldwide. It received a nomination for [[BAFTA Award for Best Documentary|Best Documentary]] at the [[71st British Academy Film Awards]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.bbc.co.uk/news/entertainment-arts-42618187|title=The Shape of Water leads Bafta nominations|work=[[BBC News]]|publisher=[[BBC]]|date=January 9, 2018|access-date=January 9, 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Synopsis&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Plot&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{More plot|date=January 2023}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film follows the efforts made to tackle climate change and Al Gore&amp;#039;s attempts to persuade governmental leaders to invest in renewable energy, culminating in the signing of the [[Paris Agreement]] in 2016, as well as attempting to de-bunk the de-bunkers of Gore, his film and global warming in general.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film follows the efforts made to tackle climate change and Al Gore&amp;#039;s attempts to persuade governmental leaders to invest in renewable energy, culminating in the signing of the [[Paris Agreement]] in 2016, as well as attempting to de-bunk the de-bunkers of Gore, his film and global warming in general.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When asked during a Reddit &amp;quot;Ask Me Anything&amp;quot; in 2013 whether there were plans for a follow-up film, &amp;#039;&amp;#039;An Inconvenient Truth&amp;#039;&amp;#039; director [[Davis Guggenheim]] said, &amp;quot;I think about it a lot – I think we need one right now.&amp;quot;&amp;lt;ref name=&amp;quot;RedditAMA&amp;quot;&amp;gt;{{cite web| title=I am director and producer Davis Guggenheim (An Inconvenient Truth, Waiting &amp;gt;for Superman, TEACH). AMA!| url=https://www.reddit.com/r/IAmA/comments/1oizpa/i_am_director_and_producer_davis_guggenheim_an/ccsee67| date=October 15, 2013 | publisher=[[Reddit]]| access-date=May 16, 2017 |first=Davis |last=Guggenheim}}&amp;lt;/ref&amp;gt; In 2014, &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; reported that the producers of the first film were in talks over a possible sequel.&amp;lt;ref name=&amp;quot;sequel&amp;quot;&amp;gt;{{cite news |last=Daunt |first=Tina |url=https://www.hollywoodreporter.com/news/an-inconvenient-truth-producers-talking-692705 |title=An Inconvenient Truth&amp;#039; Producers Talking Sequel (Exclusive) |work=[[The Hollywood Reporter]] |date=April 4, 2014 |access-date=May 16, 2017 |publisher=[[Prometheus Global Media]]}}&amp;lt;/ref&amp;gt; &amp;quot;We have had conversations,&amp;quot; co-producer Lawrence Bender said. &amp;quot;We&amp;#039;ve met; we&amp;#039;ve discussed. If we are going to make a movie, we want it to have an impact.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt; Co-producer Laurie David also believed a sequel was needed. &amp;quot;God, do we need one,&amp;quot; David said. &amp;quot;Everything in that movie has come to pass. At the time we did the movie, there was [[Hurricane Katrina]]; now we have [[extreme weather]] events every other week. The update has to be incredible and shocking.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When asked during a Reddit &amp;quot;Ask Me Anything&amp;quot; in 2013 whether there were plans for a follow-up film, &amp;#039;&amp;#039;An Inconvenient Truth&amp;#039;&amp;#039; director [[Davis Guggenheim]] said, &amp;quot;I think about it a lot – I think we need one right now.&amp;quot;&amp;lt;ref name=&amp;quot;RedditAMA&amp;quot;&amp;gt;{{cite web| title=I am director and producer Davis Guggenheim (An Inconvenient Truth, Waiting &amp;gt;for Superman, TEACH). AMA!| url=https://www.reddit.com/r/IAmA/comments/1oizpa/i_am_director_and_producer_davis_guggenheim_an/ccsee67| date=October 15, 2013 | publisher=[[Reddit]]| access-date=May 16, 2017 |first=Davis |last=Guggenheim}}&amp;lt;/ref&amp;gt; In 2014, &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; reported that the producers of the first film were in talks over a possible sequel.&amp;lt;ref name=&amp;quot;sequel&amp;quot;&amp;gt;{{cite news |last=Daunt |first=Tina |url=https://www.hollywoodreporter.com/news/an-inconvenient-truth-producers-talking-692705 |title=An Inconvenient Truth&amp;#039; Producers Talking Sequel (Exclusive) |work=[[The Hollywood Reporter]] |date=April 4, 2014 |access-date=May 16, 2017 |publisher=[[Prometheus Global Media]]}}&amp;lt;/ref&amp;gt; &amp;quot;We have had conversations,&amp;quot; co-producer Lawrence Bender said. &amp;quot;We&amp;#039;ve met; we&amp;#039;ve discussed. If we are going to make a movie, we want it to have an impact.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt; Co-producer Laurie David also believed a sequel was needed. &amp;quot;God, do we need one,&amp;quot; David said. &amp;quot;Everything in that movie has come to pass. At the time we did the movie, there was [[Hurricane Katrina]]; now we have [[extreme weather]] events every other week. The update has to be incredible and shocking.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In December 2016, Al Gore announced that a follow-up to &#039;&#039;An Inconvenient Truth&#039;&#039;, &#039;&#039;An Inconvenient Sequel&#039;&#039;, would open at the 2017 [[Sundance Film Festival]].  The film was screened in the &#039;&#039;Climate&#039;&#039; section, a new division, for films featuring climate and the environment. The film was theatrically released by [[Paramount Pictures]] on July 28, 2017.&amp;lt;ref name=&quot;guardian-2016&quot;&amp;gt;{{cite news | title = Al Gore announces Sundance debut for follow-up to An Inconvenient Truth | date = December 10, 2016 |author=Guardian film | work = [[The Guardian&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] | publisher=[[Guardian Media Group&lt;/del&gt;]] | url = https://www.theguardian.com/film/2016/dec/09/al-gore-inconvenient-truth-sequel-sundance | access-date = May 16, 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In December 2016, Al Gore announced that a follow-up to &#039;&#039;An Inconvenient Truth&#039;&#039;, &#039;&#039;An Inconvenient Sequel&#039;&#039;, would open at the 2017 [[Sundance Film Festival]].  The film was screened in the &#039;&#039;Climate&#039;&#039; section, a new division, for films featuring climate and the environment. The film was theatrically released by [[Paramount Pictures]] on July 28, 2017.&amp;lt;ref name=&quot;guardian-2016&quot;&amp;gt;{{cite news | title = Al Gore announces Sundance debut for follow-up to An Inconvenient Truth | date = December 10, 2016 |author=Guardian film | work = [[The Guardian]] | url = https://www.theguardian.com/film/2016/dec/09/al-gore-inconvenient-truth-sequel-sundance | access-date = May 16, 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In June 2017, the filmmakers told [[TheWrap]] that following [[President of the United States|President]] [[Donald Trump]]&amp;#039;s [[United States withdrawal from the Paris Agreement|withdrawal from the Paris Agreement]], they would re-edit the film to expand Trump&amp;#039;s role as antagonist, before its release.&amp;lt;ref&amp;gt;{{cite news |url=https://www.thewrap.com/al-gores-inconvenient-sequel-final-cut-feature-trump-climate-accord-exit/ |title=Al Gore&amp;#039;s &amp;#039;Inconvenient Sequel&amp;#039; Final Cut to Feature Trump Climate Accord Exit |work=[[TheWrap]] |date=June 1, 2017 |access-date=June 4, 2017 |first=Matt |last=Donnelly }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In June 2017, the filmmakers told [[TheWrap]] that following [[President of the United States|President]] [[Donald Trump]]&amp;#039;s [[United States withdrawal from the Paris Agreement|withdrawal from the Paris Agreement]], they would re-edit the film to expand Trump&amp;#039;s role as antagonist, before its release.&amp;lt;ref&amp;gt;{{cite news |url=https://www.thewrap.com/al-gores-inconvenient-sequel-final-cut-feature-trump-climate-accord-exit/ |title=Al Gore&amp;#039;s &amp;#039;Inconvenient Sequel&amp;#039; Final Cut to Feature Trump Climate Accord Exit |work=[[TheWrap]] |date=June 1, 2017 |access-date=June 4, 2017 |first=Matt |last=Donnelly }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Release==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Release==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;An Inconvenient Sequel: Truth to Power&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;grossed $3.5 million in the United States&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and $1&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;7 million in other territories&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for a worldwide total of $5&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2 million&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;against a production budget of $1 million.&lt;/del&gt;&amp;lt;ref &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name=BOM/&lt;/del&gt;&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;It was home released on [[Digital distribution|Digital HD]] on October 6, 2017, and on [[Blu-ray]] and [[DVD]] on October 24, 2017.&amp;lt;ref&amp;gt;{{cite web|title=An Inconvenient Sequel: Truth to Power (2017)|url=https://www.dvdsreleasedates.com/movies/8613/an-inconvenient-sequel-truth-to-power|website=DVDs Release Date|access-date=27 September 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;An Inconvenient Sequel: Truth to Power&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was released on July 28, 2017&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by [[Paramount Pictures]]&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite news |last=McNary |first=Dave |date=January 19&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2017 |title=&#039;Inconvenient Truth&#039; Sequel Release Date Set |work=[[Variety (magazine)|Variety]] |publisher=[[Penske Media Corporation]] |url=https://variety&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com/2017/film/news/inconvenient-truth-sequel-release-date-1201963887/ |access-date=February 6&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2017}}&lt;/ins&gt;&amp;lt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/&lt;/ins&gt;ref&amp;gt; It was home released on [[Digital distribution|Digital HD]] on October 6, 2017, and on [[Blu-ray]] and [[DVD]] on October 24, 2017.&amp;lt;ref&amp;gt;{{cite web|title=An Inconvenient Sequel: Truth to Power (2017)|url=https://www.dvdsreleasedates.com/movies/8613/an-inconvenient-sequel-truth-to-power|website=DVDs Release Date|access-date=27 September 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==Critical response==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Critical response ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Al Gore Back Stage (32740619885).jpg|thumb|Al Gore back stage at the screening of the sequel at the [[Sundance Film Festival]] in 2017.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On [[Review aggregator|review aggregation]] website [[Rotten Tomatoes]], the film has an approval rating of 80%, based on 159 reviews, with an average rating of 6.5/10. The website&amp;#039;s critical consensus reads: &amp;quot;&amp;#039;&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;&amp;#039; makes a plea for environmental responsibility that adds a persuasive – albeit arguably less effective – coda to its acclaimed predecessor.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url=https://www.rottentomatoes.com/m/an_inconvenient_sequel_truth_to_power/ |title=An Inconvenient Sequel: Truth to Power (2017) |publisher=[[Fandango (company)|Fandango]] |work=[[Rotten Tomatoes]] |access-date=July 11, 2018}}&amp;lt;/ref&amp;gt; On [[Metacritic]], which assigns a normalized rating to reviews, the film has a score of 68 out of 100, based on 36 critics, indicating &amp;quot;generally favorable reviews&amp;quot;.&amp;lt;ref&amp;gt;{{cite web |url= http://www.metacritic.com/movie/an-inconvenient-sequel-truth-to-power |title=An Inconvenient Sequel: Truth to Power Reviews |publisher=[[CBS Interactive]] |work=[[Metacritic]] |access-date=August 27, 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On [[Review aggregator|review aggregation]] website [[Rotten Tomatoes]], the film has an approval rating of 80%, based on 159 reviews, with an average rating of 6.5/10. The website&amp;#039;s critical consensus reads: &amp;quot;&amp;#039;&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;&amp;#039; makes a plea for environmental responsibility that adds a persuasive – albeit arguably less effective – coda to its acclaimed predecessor.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url=https://www.rottentomatoes.com/m/an_inconvenient_sequel_truth_to_power/ |title=An Inconvenient Sequel: Truth to Power (2017) |publisher=[[Fandango (company)|Fandango]] |work=[[Rotten Tomatoes]] |access-date=July 11, 2018}}&amp;lt;/ref&amp;gt; On [[Metacritic]], which assigns a normalized rating to reviews, the film has a score of 68 out of 100, based on 36 critics, indicating &amp;quot;generally favorable reviews&amp;quot;.&amp;lt;ref&amp;gt;{{cite web |url= http://www.metacritic.com/movie/an-inconvenient-sequel-truth-to-power |title=An Inconvenient Sequel: Truth to Power Reviews |publisher=[[CBS Interactive]] |work=[[Metacritic]] |access-date=August 27, 2017}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 59:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conversely, conservative magazine &amp;#039;&amp;#039;[[National Review]]&amp;#039;&amp;#039;{{&amp;#039;}}s film critic [[Kyle Smith (critic)|Kyle Smith]] called the film misleading, saying that it gave the false impression that recent storm activity (such as 2012&amp;#039;s [[Hurricane Sandy]]) was more frequent than usual, falsely gave credit to both Gore and the company [[SolarCity]] for convincing India to sign the Paris Agreement, exaggerated the importance of the Paris Agreement, and neglected to mention Gore&amp;#039;s financial ties to SolarCity.&amp;lt;ref&amp;gt;{{cite web |title=An Incoherent Sequel |url= https://www.nationalreview.com/2017/07/al-gore-inconvenient-sequel-self-serving/ |first=Kyle |last=Smith |date=July 27, 2017 |work=[[National Review]] |access-date= July 11, 2018}}&amp;lt;/ref&amp;gt; Writing for [[RogerEbert.com]], Nick Allen also gave the film a negative review, specifying: &amp;quot;The documentary follow-up proves to be less about global warming than propping up a hero awkwardly desperate to captivate audiences again like he did eleven years ago. It&amp;#039;s like the &amp;#039;&amp;#039;[[Zoolander 2]]&amp;#039;&amp;#039; of global warming documentaries.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url= https://www.rogerebert.com/sundance/sundance-2017-an-inconvenient-sequel-truth-to-power |title=Sundance 2017: &amp;quot;An Inconvenient Sequel: Truth to Power&amp;quot; |date=January 27, 2017 |publisher=Ebert Digital LLC |work=RogerEbert.com |access-date=July 18, 2017 |first=Nick |last=Allen}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conversely, conservative magazine &amp;#039;&amp;#039;[[National Review]]&amp;#039;&amp;#039;{{&amp;#039;}}s film critic [[Kyle Smith (critic)|Kyle Smith]] called the film misleading, saying that it gave the false impression that recent storm activity (such as 2012&amp;#039;s [[Hurricane Sandy]]) was more frequent than usual, falsely gave credit to both Gore and the company [[SolarCity]] for convincing India to sign the Paris Agreement, exaggerated the importance of the Paris Agreement, and neglected to mention Gore&amp;#039;s financial ties to SolarCity.&amp;lt;ref&amp;gt;{{cite web |title=An Incoherent Sequel |url= https://www.nationalreview.com/2017/07/al-gore-inconvenient-sequel-self-serving/ |first=Kyle |last=Smith |date=July 27, 2017 |work=[[National Review]] |access-date= July 11, 2018}}&amp;lt;/ref&amp;gt; Writing for [[RogerEbert.com]], Nick Allen also gave the film a negative review, specifying: &amp;quot;The documentary follow-up proves to be less about global warming than propping up a hero awkwardly desperate to captivate audiences again like he did eleven years ago. It&amp;#039;s like the &amp;#039;&amp;#039;[[Zoolander 2]]&amp;#039;&amp;#039; of global warming documentaries.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url= https://www.rogerebert.com/sundance/sundance-2017-an-inconvenient-sequel-truth-to-power |title=Sundance 2017: &amp;quot;An Inconvenient Sequel: Truth to Power&amp;quot; |date=January 27, 2017 |publisher=Ebert Digital LLC |work=RogerEbert.com |access-date=July 18, 2017 |first=Nick |last=Allen}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Box office ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;An Inconvenient Sequel: Truth to Power&#039;&#039; grossed $3.5 million in the United States, and $1.7 million in other territories, for a worldwide total of $5.2 million, against a production budget of $1 million.&amp;lt;ref name=&quot;BOM&quot; /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot;&gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 72:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Al Gore}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Al Gore}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Portal bar|Film|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Global warming&lt;/del&gt;|Environment}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Portal bar|Film|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Climate change&lt;/ins&gt;|Environment}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Inconvenient Sequel, An}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Inconvenient Sequel, An}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot;&gt;Line 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 78:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 in the environment]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 in the environment]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:American films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 documentary films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2017 documentary films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:American documentary films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:American documentary films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l79&quot;&gt;Line 79:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Cultural depictions of Narendra Modi]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Cultural depictions of Narendra Modi]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Jeff Beal]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Jeff Beal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:2010s English-language films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:2010s American films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>5.197.222.217</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=280856&amp;oldid=prev</id>
		<title>2603:9001:5107:F57A:54BE:3504:D90:A451: /* Critical response */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=An_Inconvenient_Sequel:_Truth_to_Power&amp;diff=280856&amp;oldid=prev"/>
		<updated>2022-01-11T08:52:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical response&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|2017 American documentary film directed by Bonni Cohen and Jon Shenk about Al Gore}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = An Inconvenient Sequel:&amp;lt;br /&amp;gt;Truth to Power&lt;br /&gt;
| image          = An Inconvenient Sequel Truth to Power Movie Poster.png&lt;br /&gt;
| caption        = Theatrical release poster&lt;br /&gt;
| director       = {{plainlist|&lt;br /&gt;
* [[Bonni Cohen]]&lt;br /&gt;
* Jon Shenk&lt;br /&gt;
}}&lt;br /&gt;
| producer       = {{plainlist|&lt;br /&gt;
* [[Jeffrey Skoll|Jeff Skoll]]&lt;br /&gt;
* Richard Berge&lt;br /&gt;
* [[Diane Weyermann]]&lt;br /&gt;
}}&lt;br /&gt;
| writer         = [[Albert A. Gore Jr.]]&lt;br /&gt;
| starring       = Albert A. Gore Jr.&lt;br /&gt;
| music          = [[Jeff Beal]]&lt;br /&gt;
| cinematography = Jon Shenk&lt;br /&gt;
| editing        = {{plainlist|&lt;br /&gt;
* Don Bernier&lt;br /&gt;
* Colin Nusbaum&lt;br /&gt;
}}&lt;br /&gt;
| studio         = {{plainlist|&lt;br /&gt;
* [[Participant Media]]&lt;br /&gt;
* Actual Films&lt;br /&gt;
}}&lt;br /&gt;
| distributor    = [[Paramount Pictures]]&lt;br /&gt;
| released       = {{Film date|2017|1|19|[[2017 Sundance Film Festival|Sundance Film Festival]]|2017|7|28|United States}}&lt;br /&gt;
| runtime        = 99 minutes&amp;lt;ref&amp;gt;{{cite news |last=DeFore |first=John |url=https://www.hollywoodreporter.com/review/an-inconvenient-sequel-truth-power-966392 |title=&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;: Film Review / Sundance 2017 |work=[[The Hollywood Reporter]] |date=January 20, 2017 |access-date=January 21, 2017 |publisher=[[Prometheus Global Media]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| country        = United States&lt;br /&gt;
| language       = English&lt;br /&gt;
| budget         = $1 million&amp;lt;ref name=BOM/&amp;gt;&lt;br /&gt;
| gross          = $5.4 million&amp;lt;ref name=BOM&amp;gt;{{cite web|url=https://www.boxofficemojo.com/movies/?id=aninconvenientsequel.htm|title=An Inconvenient Sequel: Truth to Power|publisher=[[Box Office Mojo]]|access-date=November 6, 2017}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a 2017 American [[concert film]]/[[documentary film]], directed by Bonni Cohen and Jon Shenk, about former [[Vice President of the United States|United States Vice President]] [[Albert A. Gore Jr.]]&amp;#039;s continuing mission to battle [[climate change]]. The [[sequel]] to &amp;#039;&amp;#039;[[An Inconvenient Truth]]&amp;#039;&amp;#039; (2006), the film addresses the progress made to tackle the problem and Gore&amp;#039;s global efforts to persuade governmental leaders to invest in renewable energy, culminating in the landmark signing of 2016&amp;#039;s [[Paris Agreement]].&amp;lt;ref&amp;gt;{{cite news |last=Chang |first=Justin |url=http://www.latimes.com/entertainment/movies/la-et-mn-sundance-inconvenient-sequel-opening-night-20170120-story.html |title=Sundance: &amp;#039;An Inconvenient Sequel&amp;#039; marks a welcome return to the spotlight for Al Gore |work=[[Los Angeles Times]] |date=January 20, 2017 |access-date=January 21, 2017 }}&amp;lt;/ref&amp;gt; The film was released on July 28, 2017, by [[Paramount Pictures]], and grossed over $5 million worldwide.&amp;lt;ref&amp;gt;{{cite news |last=McNary |first=Dave |date=January 19, 2017 |title=&amp;#039;Inconvenient Truth&amp;#039; Sequel Release Date Set |url=https://variety.com/2017/film/news/inconvenient-truth-sequel-release-date-1201963887/ |work=[[Variety (magazine)|Variety]] |access-date=February 6, 2017 |publisher=[[Penske Media Corporation]]}}&amp;lt;/ref&amp;gt; It received a nomination for [[BAFTA Award for Best Documentary|Best Documentary]] at the [[71st British Academy Film Awards]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.bbc.co.uk/news/entertainment-arts-42618187|title=The Shape of Water leads Bafta nominations|work=[[BBC News]]|publisher=[[BBC]]|date=January 9, 2018|access-date=January 9, 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
The film follows the efforts made to tackle climate change and Al Gore&amp;#039;s attempts to persuade governmental leaders to invest in renewable energy, culminating in the signing of the [[Paris Agreement]] in 2016, as well as attempting to de-bunk the de-bunkers of Gore, his film and global warming in general.&lt;br /&gt;
&lt;br /&gt;
==Production==&lt;br /&gt;
When asked during a Reddit &amp;quot;Ask Me Anything&amp;quot; in 2013 whether there were plans for a follow-up film, &amp;#039;&amp;#039;An Inconvenient Truth&amp;#039;&amp;#039; director [[Davis Guggenheim]] said, &amp;quot;I think about it a lot – I think we need one right now.&amp;quot;&amp;lt;ref name=&amp;quot;RedditAMA&amp;quot;&amp;gt;{{cite web| title=I am director and producer Davis Guggenheim (An Inconvenient Truth, Waiting &amp;gt;for Superman, TEACH). AMA!| url=https://www.reddit.com/r/IAmA/comments/1oizpa/i_am_director_and_producer_davis_guggenheim_an/ccsee67| date=October 15, 2013 | publisher=[[Reddit]]| access-date=May 16, 2017 |first=Davis |last=Guggenheim}}&amp;lt;/ref&amp;gt; In 2014, &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; reported that the producers of the first film were in talks over a possible sequel.&amp;lt;ref name=&amp;quot;sequel&amp;quot;&amp;gt;{{cite news |last=Daunt |first=Tina |url=https://www.hollywoodreporter.com/news/an-inconvenient-truth-producers-talking-692705 |title=An Inconvenient Truth&amp;#039; Producers Talking Sequel (Exclusive) |work=[[The Hollywood Reporter]] |date=April 4, 2014 |access-date=May 16, 2017 |publisher=[[Prometheus Global Media]]}}&amp;lt;/ref&amp;gt; &amp;quot;We have had conversations,&amp;quot; co-producer Lawrence Bender said. &amp;quot;We&amp;#039;ve met; we&amp;#039;ve discussed. If we are going to make a movie, we want it to have an impact.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt; Co-producer Laurie David also believed a sequel was needed. &amp;quot;God, do we need one,&amp;quot; David said. &amp;quot;Everything in that movie has come to pass. At the time we did the movie, there was [[Hurricane Katrina]]; now we have [[extreme weather]] events every other week. The update has to be incredible and shocking.&amp;quot;&amp;lt;ref name=&amp;quot;sequel&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In December 2016, Al Gore announced that a follow-up to &amp;#039;&amp;#039;An Inconvenient Truth&amp;#039;&amp;#039;, &amp;#039;&amp;#039;An Inconvenient Sequel&amp;#039;&amp;#039;, would open at the 2017 [[Sundance Film Festival]].  The film was screened in the &amp;#039;&amp;#039;Climate&amp;#039;&amp;#039; section, a new division, for films featuring climate and the environment. The film was theatrically released by [[Paramount Pictures]] on July 28, 2017.&amp;lt;ref name=&amp;quot;guardian-2016&amp;quot;&amp;gt;{{cite news | title = Al Gore announces Sundance debut for follow-up to An Inconvenient Truth | date = December 10, 2016 |author=Guardian film | work = [[The Guardian]] | publisher=[[Guardian Media Group]] | url = https://www.theguardian.com/film/2016/dec/09/al-gore-inconvenient-truth-sequel-sundance | access-date = May 16, 2017}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In June 2017, the filmmakers told [[TheWrap]] that following [[President of the United States|President]] [[Donald Trump]]&amp;#039;s [[United States withdrawal from the Paris Agreement|withdrawal from the Paris Agreement]], they would re-edit the film to expand Trump&amp;#039;s role as antagonist, before its release.&amp;lt;ref&amp;gt;{{cite news |url=https://www.thewrap.com/al-gores-inconvenient-sequel-final-cut-feature-trump-climate-accord-exit/ |title=Al Gore&amp;#039;s &amp;#039;Inconvenient Sequel&amp;#039; Final Cut to Feature Trump Climate Accord Exit |work=[[TheWrap]] |date=June 1, 2017 |access-date=June 4, 2017 |first=Matt |last=Donnelly }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Release==&lt;br /&gt;
&amp;#039;&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;&amp;#039; grossed $3.5 million in the United States, and $1.7 million in other territories, for a worldwide total of $5.2 million, against a production budget of $1 million.&amp;lt;ref name=BOM/&amp;gt;  It was home released on [[Digital distribution|Digital HD]] on October 6, 2017, and on [[Blu-ray]] and [[DVD]] on October 24, 2017.&amp;lt;ref&amp;gt;{{cite web|title=An Inconvenient Sequel: Truth to Power (2017)|url=https://www.dvdsreleasedates.com/movies/8613/an-inconvenient-sequel-truth-to-power|website=DVDs Release Date|access-date=27 September 2017}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Critical response===&lt;br /&gt;
On [[Review aggregator|review aggregation]] website [[Rotten Tomatoes]], the film has an approval rating of 80%, based on 159 reviews, with an average rating of 6.5/10. The website&amp;#039;s critical consensus reads: &amp;quot;&amp;#039;&amp;#039;An Inconvenient Sequel: Truth to Power&amp;#039;&amp;#039; makes a plea for environmental responsibility that adds a persuasive – albeit arguably less effective – coda to its acclaimed predecessor.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url=https://www.rottentomatoes.com/m/an_inconvenient_sequel_truth_to_power/ |title=An Inconvenient Sequel: Truth to Power (2017) |publisher=[[Fandango (company)|Fandango]] |work=[[Rotten Tomatoes]] |access-date=July 11, 2018}}&amp;lt;/ref&amp;gt; On [[Metacritic]], which assigns a normalized rating to reviews, the film has a score of 68 out of 100, based on 36 critics, indicating &amp;quot;generally favorable reviews&amp;quot;.&amp;lt;ref&amp;gt;{{cite web |url= http://www.metacritic.com/movie/an-inconvenient-sequel-truth-to-power |title=An Inconvenient Sequel: Truth to Power Reviews |publisher=[[CBS Interactive]] |work=[[Metacritic]] |access-date=August 27, 2017}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
John DeFore of &amp;#039;&amp;#039;[[The Hollywood Reporter]]&amp;#039;&amp;#039; gave the documentary a positive review, while writing that it is not as effective as the original, saying: &amp;quot;it finds plenty to add, both in cementing the urgency of Gore&amp;#039;s message and in finding cause for hope&amp;quot;.&amp;lt;ref&amp;gt;{{cite web |title=An Inconvenient Sequel: Truth to Power&amp;#039;: Film Review &amp;amp;#124; Sundance 2017 |url= https://www.hollywoodreporter.com/review/an-inconvenient-sequel-truth-power-review-966392 |work=[[The Hollywood Reporter]] |date=January 19, 2017 |access-date=July 20, 2017 |publisher=[[Prometheus Global Media]] |first=John |last=DeFore}}&amp;lt;/ref&amp;gt; In &amp;#039;&amp;#039;[[Nature (journal)|Nature]]&amp;#039;&amp;#039;, [[Michael E. Mann|Michael Mann]] wrote that &amp;quot;[Al Gore]&amp;#039;s up against arguably the most entrenched, wealthy and powerful industry the world has ever known: [[fossil fuels]]. [...] This sequel is deliciously inconvenient, and for several reasons. It is inconvenient to the vested interests who had hoped that Gore would just give up. [...] Knowing that Al Gore is still optimistic is a shot in the arm at a time of uncertainty.&amp;quot;&amp;lt;ref&amp;gt;{{cite journal |author-link=Michael E. Mann |first=Michael E. |last=Mann |title=Climate change: Al Gore gets inconvenient again |journal=[[Nature (journal)|Nature]] |volume=547 |issue=7664 |pages=400–401 |date=July 27, 2017 |doi= 10.1038/547400a |doi-access=free }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[Skeptical Inquirer]]&amp;#039;&amp;#039; editor [[Kendrick Frazier]] writes that &amp;#039;&amp;#039;Truth to Power&amp;#039;&amp;#039; spends little time explaining what climate change is, though there are some good summaries, but more time on the effects. Gore goes to a lot of trouble not to allow the movie to be a &amp;quot;downer&amp;quot; and shows what nations and U.S. states have done to fight climate change. Frazier states that a &amp;quot;skilled politician can get things done in ways that scientists can only imagine&amp;quot;, and though he would have liked to have seen less Gore talking and more scientists on camera, Frazier writes that the movie is effective.&amp;lt;ref&amp;gt;{{cite journal |last1=Frazier |first1=Kendrick |author-link=Kendrick Frazier|title=Truth to Power on Climate |journal=Skeptical Inquirer |date=2017 |volume=41 |issue=6 |pages=56–57 |publisher=Committee for Skeptical Inquiry}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Conversely, conservative magazine &amp;#039;&amp;#039;[[National Review]]&amp;#039;&amp;#039;{{&amp;#039;}}s film critic [[Kyle Smith (critic)|Kyle Smith]] called the film misleading, saying that it gave the false impression that recent storm activity (such as 2012&amp;#039;s [[Hurricane Sandy]]) was more frequent than usual, falsely gave credit to both Gore and the company [[SolarCity]] for convincing India to sign the Paris Agreement, exaggerated the importance of the Paris Agreement, and neglected to mention Gore&amp;#039;s financial ties to SolarCity.&amp;lt;ref&amp;gt;{{cite web |title=An Incoherent Sequel |url= https://www.nationalreview.com/2017/07/al-gore-inconvenient-sequel-self-serving/ |first=Kyle |last=Smith |date=July 27, 2017 |work=[[National Review]] |access-date= July 11, 2018}}&amp;lt;/ref&amp;gt; Writing for [[RogerEbert.com]], Nick Allen also gave the film a negative review, specifying: &amp;quot;The documentary follow-up proves to be less about global warming than propping up a hero awkwardly desperate to captivate audiences again like he did eleven years ago. It&amp;#039;s like the &amp;#039;&amp;#039;[[Zoolander 2]]&amp;#039;&amp;#039; of global warming documentaries.&amp;quot;&amp;lt;ref&amp;gt;{{cite web |url= https://www.rogerebert.com/sundance/sundance-2017-an-inconvenient-sequel-truth-to-power |title=Sundance 2017: &amp;quot;An Inconvenient Sequel: Truth to Power&amp;quot; |date=January 27, 2017 |publisher=Ebert Digital LLC |work=RogerEbert.com |access-date=July 18, 2017 |first=Nick |last=Allen}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*{{Tumblr|inconvenientsequel|Official page}}&lt;br /&gt;
*{{IMDb title|6322922}}&lt;br /&gt;
*{{Rotten Tomatoes|an_inconvenient_sequel_truth_to_power}}&lt;br /&gt;
&lt;br /&gt;
{{Al Gore}}&lt;br /&gt;
{{Portal bar|Film|Global warming|Environment}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Inconvenient Sequel, An}}&lt;br /&gt;
[[Category:Documentary films about global warming]]&lt;br /&gt;
[[Category:2017 films]]&lt;br /&gt;
[[Category:2017 in the environment]]&lt;br /&gt;
[[Category:American films]]&lt;br /&gt;
[[Category:2017 documentary films]]&lt;br /&gt;
[[Category:American documentary films]]&lt;br /&gt;
[[Category:Al Gore]]&lt;br /&gt;
[[Category:Cultural depictions of Narendra Modi]]&lt;br /&gt;
[[Category:Films scored by Jeff Beal]]&lt;/div&gt;</summary>
		<author><name>2603:9001:5107:F57A:54BE:3504:D90:A451</name></author>
	</entry>
</feed>