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	<updated>2026-08-29T04:47:45Z</updated>
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		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:19, 22 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{DISPLAYTITLE:&#039;&#039;An American in Madras&#039;&#039;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An American in Madras&#039;&#039;&#039;&#039;&#039; is a [[feature-length]] [[documentary]] film directed by Karan Bali. The film highlights American-born [[Ellis R Dungan&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Elees R Dunkan&lt;/del&gt;]]&#039;s &amp;lt;ref&amp;gt;http://www.upperstall.com/people/ellis-r-dungan&amp;lt;/ref&amp;gt; pioneering contribution to the then-developing [[Tamil Film Industry]] in South India between 1935 and 1950.&amp;lt;ref&amp;gt;http://www.livemint.com/Leisure/B6VvAhkcW9bgldBjgkRroK/Documentary--An-American-in-Madras.html&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An American in Madras&#039;&#039;&#039;&#039;&#039; is a [[feature-length]] [[documentary]] film directed by Karan Bali. The film highlights American-born [[Ellis R Dungan]]&#039;s &amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://www.upperstall.com/people/ellis-r-dungan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = Ellis R Dungan|date = December 2013}}&lt;/ins&gt;&amp;lt;/ref&amp;gt; pioneering contribution to the then-developing [[Tamil Film Industry]] in South India between 1935 and 1950.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://www.livemint.com/Leisure/B6VvAhkcW9bgldBjgkRroK/Documentary--An-American-in-Madras.html&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = Documentary &amp;amp;#124; an American in Madras|date = 20 July 2013}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films/?_r=0&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films/?_r=0&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = &#039;An American in Madras&#039; Traces Career of Unlikely Pioneer in Tamil-Language Films|date = 6 February 2014}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;https://www.theguardian.com/film/2014/jul/09/india-us-new-wave-collaborative-cinema&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;https://www.theguardian.com/film/2014/jul/09/india-us-new-wave-collaborative-cinema&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = India and the US: A new wave of collaborative cinema|date = 9 July 2014}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;{{Cite web |url=http://m.newindianexpress.com/chennai/351205 |title=Archived copy |access-date=26 November 2014 |archive-url=https://web.archive.org/web/20141222061912/http://m.newindianexpress.com/chennai/351205 |archive-date=22 December 2014 |url-status=dead|df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;{{Cite web |url=http://m.newindianexpress.com/chennai/351205 |title=Archived copy |access-date=26 November 2014 |archive-url=https://web.archive.org/web/20141222061912/http://m.newindianexpress.com/chennai/351205 |archive-date=22 December 2014 |url-status=dead|df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.newindianexpress.com/cities/chennai/Tamil-Box-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Office’s&lt;/del&gt;-American-Hero/2014/08/26/article2397902.ece&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{dead link&lt;/del&gt;|date=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;October 2016 &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bot&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;InternetArchiveBot &lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fix&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attempted&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yes &lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |url=&lt;/ins&gt;http://www.newindianexpress.com/cities/chennai/Tamil-Box-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Office%E2%80%99s&lt;/ins&gt;-American-Hero/2014/08/26/article2397902.ece |&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title=Archived copy |website=www.newindianexpress.com |access-&lt;/ins&gt;date=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;22 May 2022 |archive-url=https://web.archive.org/web/20140915122503/http://www.newindianexpress.com/cities/chennai/Tamil-Box-Office%E2%80%99s-American-Hero/2014/08/26/article2397902.ece &lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive-date&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;15 September 2014 &lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;status&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dead&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.frontline.in/arts-and-culture/dungan-the-director/article5492566.ece&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://www.frontline.in/arts-and-culture/dungan-the-director/article5492566.ece&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = Frontline.in}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.outlookindia.com/printarticle.aspx?289436 |title=Archived copy |accessdate=2014-11-26 |url-status=dead|archiveurl=https://web.archive.org/web/20140211055540/http://www.outlookindia.com/printarticle.aspx?289436 |archivedate=11 February 2014 |df=dmy }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.outlookindia.com/printarticle.aspx?289436 |title=Archived copy |accessdate=2014-11-26 |url-status=dead|archiveurl=https://web.archive.org/web/20140211055540/http://www.outlookindia.com/printarticle.aspx?289436 |archivedate=11 February 2014 |df=dmy }}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://archive.indianexpress.com/news/dungan-checks-in/1207116/&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://archive.indianexpress.com/news/dungan-checks-in/1207116/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=Dungan Checks in - Indian Express}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.dnaindia.com/analysis/column-two-wonderful-films-and-their-unusual-directors-1952254&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;http://www.dnaindia.com/analysis/column-two-wonderful-films-and-their-unusual-directors-1952254&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = Two wonderful films and their unusual directors|date = 17 January 2014}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/flashback-to-the-dungan-era/article5415453.ece&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite news|url=&lt;/ins&gt;http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/flashback-to-the-dungan-era/article5415453.ece&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=Flashback to the Dungan era|newspaper=The Hindu|date=3 December 2013|last1=Kamath|first1=Sudhish}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{DISPLAYTITLE:&#039;&#039;An American in Madras&#039;&#039;}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film primarily traces Barton born American [[Ellis R. Dungan&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Elees R. Dunkan&lt;/del&gt;]]&#039;s years in South India from 1935&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-50&lt;/del&gt;. During this period he made quite a name for himself as a successful director in the Tamil film Industry. The great &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;NTR &lt;/del&gt;was introduced in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan&lt;/del&gt;&#039;s debut film as well, &#039;&#039;Sathi Leelavathi (1936)&#039;&#039;, and among the 13th feature films that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/del&gt;directed, they include famed Carnatic singer MS Subbulakshmi&#039;s &#039;&#039;Sakuntalai (1940)&#039;&#039; and &#039;&#039;Meera (both in Tamil (1945) and Hindi (1947))&#039;&#039;. Besides his feature filmmaking, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/del&gt;also served the Madras Government as their official photographer during World War II and photographed many key moments around the Indian Independence movement. After leaving India in 1950, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/del&gt;returned regularly to the country as an expert on the wildlife films and television serials made in India like &#039;&#039;Harry Black and the Tiger (1958&#039;&#039;) and &#039;&#039;Tarzan Goes to India (1962)&#039;&#039;. The film traces his entire Indian connection till 1994, when on what was to be his last trip to India. the Tamil film industry felicitated him for his pioneering contribution to its early development.&amp;lt;ref&amp;gt;[https://scroll.in/reel/816654/the-making-of-ms-subbulakshmis-meera-her-final-and-finest-film The making of MS Subbulakshmi’s ‘Meera’, her final and finest film]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film primarily traces Barton born American [[Ellis R. Dungan]]&#039;s years in South India from 1935 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to 1950&lt;/ins&gt;. During this period he made quite a name for himself as a successful director in the Tamil film Industry. The great &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;MG Ramachandran (MGR) &lt;/ins&gt;was introduced in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan&lt;/ins&gt;&#039;s debut film as well, &#039;&#039;Sathi Leelavathi (1936)&#039;&#039;, and among the 13th feature films that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/ins&gt;directed, they include famed Carnatic singer MS Subbulakshmi&#039;s &#039;&#039;Sakuntalai (1940)&#039;&#039; and &#039;&#039;Meera (both in Tamil (1945) and Hindi (1947))&#039;&#039;. Besides his feature filmmaking, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/ins&gt;also served the Madras Government as their official photographer during World War II and photographed many key moments around the Indian Independence movement. After leaving India in 1950, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/ins&gt;returned regularly to the country as an expert on the wildlife films and television serials made in India like &#039;&#039;Harry Black and the Tiger (1958&#039;&#039;) and &#039;&#039;Tarzan Goes to India (1962)&#039;&#039;. The film traces his entire Indian connection till 1994, when on what was to be his last trip to India. the Tamil film industry felicitated him for his pioneering contribution to its early development.&amp;lt;ref&amp;gt;[https://scroll.in/reel/816654/the-making-of-ms-subbulakshmis-meera-her-final-and-finest-film The making of MS Subbulakshmi’s ‘Meera’, her final and finest film]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Screenings and Film Festivals ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Screenings and Film Festivals ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film had its first ever screening on 1 December 2013 on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Elees &lt;/del&gt;R &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan&lt;/del&gt;&#039;s 12th death anniversary at the LV Prasad Film and TV Academy auditorium, Chennai. It has since then had various screenings in Chennai including it being part of Madras Day celebrations in 2014, besides showings in Bangalore and Mumbai as well. On the festival circuit, the film has been shown at...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film had its first ever screening on 1 December 2013 on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ellis &lt;/ins&gt;R &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan&lt;/ins&gt;&#039;s 12th death anniversary at the LV Prasad Film and TV Academy auditorium, Chennai. It has since then had various screenings in Chennai including it being part of Madras Day celebrations in 2014, besides showings in Bangalore and Mumbai as well. On the festival circuit, the film has been shown at...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Chennai International Film Festival, Chennai, December, 2013&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Chennai International Film Festival, Chennai, December, 2013&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<title>&gt;Triviagawd at 13:06, 29 June 2021</title>
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		<updated>2021-06-29T13:06:00Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:36, 29 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=November 2015}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{DISPLAYTITLE:&#039;&#039;An American in Madras&#039;&#039;}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An American in Madras&#039;&#039;&#039;&#039;&#039; is a [[feature-length]] [[documentary]] film directed by Karan Bali. The film highlights American-born [[Ellis R Dungan]]&#039;s &amp;lt;ref&amp;gt;http://www.upperstall.com/people/ellis-r-dungan&amp;lt;/ref&amp;gt; pioneering contribution to the then-developing [[Tamil Film Industry]] in South India between 1935 and 1950.&amp;lt;ref&amp;gt;http://www.livemint.com/Leisure/B6VvAhkcW9bgldBjgkRroK/Documentary--An-American-in-Madras.html&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;An American in Madras&#039;&#039;&#039;&#039;&#039; is a [[feature-length]] [[documentary]] film directed by Karan Bali. The film highlights American-born [[Ellis R Dungan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Elees R Dunkan&lt;/ins&gt;]]&#039;s &amp;lt;ref&amp;gt;http://www.upperstall.com/people/ellis-r-dungan&amp;lt;/ref&amp;gt; pioneering contribution to the then-developing [[Tamil Film Industry]] in South India between 1935 and 1950.&amp;lt;ref&amp;gt;http://www.livemint.com/Leisure/B6VvAhkcW9bgldBjgkRroK/Documentary--An-American-in-Madras.html&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.mumbaimirror.com/columns/columnists/aseem-chhabra/An-American-in-Madras/articleshow/28406934.cms&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.mumbaimirror.com/columns/columnists/aseem-chhabra/An-American-in-Madras/articleshow/28406934.cms&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films/?_r=0&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films/?_r=0&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/flashback-to-the-dungan-era/article5415453.ece&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/flashback-to-the-dungan-era/article5415453.ece&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{DISPLAYTITLE:&#039;&#039;An American in Madras&#039;&#039;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film primarily traces Barton born American [[Ellis R. Dungan]]&#039;s years in South India from 1935-50. During this period he made quite a name for himself as a successful director in the Tamil film Industry. The great &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;MG Ramachandran (MGR) &lt;/del&gt;was introduced in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan&lt;/del&gt;&#039;s debut film as well, &#039;&#039;Sathi Leelavathi (1936)&#039;&#039;, and among the 13th feature films that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/del&gt;directed, they include famed Carnatic singer MS Subbulakshmi&#039;s &#039;&#039;Sakuntalai (1940)&#039;&#039; and &#039;&#039;Meera (both in Tamil (1945) and Hindi (1947))&#039;&#039;. Besides his feature filmmaking, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/del&gt;also served the Madras Government as their official photographer during World War II and photographed many key moments around the Indian Independence movement. After leaving India in 1950, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan &lt;/del&gt;returned regularly to the country as an expert on the wildlife films and television serials made in India like &#039;&#039;Harry Black and the Tiger (1958&#039;&#039;) and &#039;&#039;Tarzan Goes to India (1962)&#039;&#039;. The film traces his entire Indian connection till 1994, when on what was to be his last trip to India. the Tamil film industry felicitated him for his pioneering contribution to its early development.&amp;lt;ref&amp;gt;[https://scroll.in/reel/816654/the-making-of-ms-subbulakshmis-meera-her-final-and-finest-film The making of MS Subbulakshmi’s ‘Meera’, her final and finest film]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film primarily traces Barton born American [[Ellis R. Dungan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Elees R. Dunkan&lt;/ins&gt;]]&#039;s years in South India from 1935-50. During this period he made quite a name for himself as a successful director in the Tamil film Industry. The great &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;NTR &lt;/ins&gt;was introduced in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan&lt;/ins&gt;&#039;s debut film as well, &#039;&#039;Sathi Leelavathi (1936)&#039;&#039;, and among the 13th feature films that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/ins&gt;directed, they include famed Carnatic singer MS Subbulakshmi&#039;s &#039;&#039;Sakuntalai (1940)&#039;&#039; and &#039;&#039;Meera (both in Tamil (1945) and Hindi (1947))&#039;&#039;. Besides his feature filmmaking, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/ins&gt;also served the Madras Government as their official photographer during World War II and photographed many key moments around the Indian Independence movement. After leaving India in 1950, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan &lt;/ins&gt;returned regularly to the country as an expert on the wildlife films and television serials made in India like &#039;&#039;Harry Black and the Tiger (1958&#039;&#039;) and &#039;&#039;Tarzan Goes to India (1962)&#039;&#039;. The film traces his entire Indian connection till 1994, when on what was to be his last trip to India. the Tamil film industry felicitated him for his pioneering contribution to its early development.&amp;lt;ref&amp;gt;[https://scroll.in/reel/816654/the-making-of-ms-subbulakshmis-meera-her-final-and-finest-film The making of MS Subbulakshmi’s ‘Meera’, her final and finest film]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Screenings and Film Festivals ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Screenings and Film Festivals ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film had its first ever screening on 1 December 2013 on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ellis &lt;/del&gt;R &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dungan&lt;/del&gt;&#039;s 12th death anniversary at the LV Prasad Film and TV Academy auditorium, Chennai. It has since then had various screenings in Chennai including it being part of Madras Day celebrations in 2014, besides showings in Bangalore and Mumbai as well. On the festival circuit, the film has been shown at...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The film had its first ever screening on 1 December 2013 on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Elees &lt;/ins&gt;R &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dunkan&lt;/ins&gt;&#039;s 12th death anniversary at the LV Prasad Film and TV Academy auditorium, Chennai. It has since then had various screenings in Chennai including it being part of Madras Day celebrations in 2014, besides showings in Bangalore and Mumbai as well. On the festival circuit, the film has been shown at...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Chennai International Film Festival, Chennai, December, 2013&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Chennai International Film Festival, Chennai, December, 2013&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>&gt;Triviagawd</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=An_American_in_Madras&amp;diff=85898&amp;oldid=prev</id>
		<title>&gt;Bovineboy2008: no crew lists /* Main crew */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=An_American_in_Madras&amp;diff=85898&amp;oldid=prev"/>
		<updated>2020-05-25T16:44:36Z</updated>

		<summary type="html">&lt;p&gt;no crew lists &lt;span class=&quot;autocomment&quot;&gt;Main crew&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{DISPLAYTITLE:&amp;#039;&amp;#039;An American in Madras&amp;#039;&amp;#039;}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;An American in Madras&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a [[feature-length]] [[documentary]] film directed by Karan Bali. The film highlights American-born [[Ellis R Dungan]]&amp;#039;s &amp;lt;ref&amp;gt;http://www.upperstall.com/people/ellis-r-dungan&amp;lt;/ref&amp;gt; pioneering contribution to the then-developing [[Tamil Film Industry]] in South India between 1935 and 1950.&amp;lt;ref&amp;gt;http://www.livemint.com/Leisure/B6VvAhkcW9bgldBjgkRroK/Documentary--An-American-in-Madras.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.mumbaimirror.com/columns/columnists/aseem-chhabra/An-American-in-Madras/articleshow/28406934.cms&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films/?_r=0&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;https://www.theguardian.com/film/2014/jul/09/india-us-new-wave-collaborative-cinema&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.thehindu.com/features/cinema/american-who-made-meera/article5558385.ece&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.tribuneindia.com/2014/20140126/spectrum/entertainment1.htm&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://scroll.in/article/677763/The-little-known-American-who-directed-Tamil-film/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;https://www.imdb.com/title/tt3279468/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;{{Cite web |url=http://m.newindianexpress.com/chennai/351205 |title=Archived copy |access-date=26 November 2014 |archive-url=https://web.archive.org/web/20141222061912/http://m.newindianexpress.com/chennai/351205 |archive-date=22 December 2014 |url-status=dead|df=dmy-all }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.newindianexpress.com/cities/chennai/Tamil-Box-Office’s-American-Hero/2014/08/26/article2397902.ece{{dead link|date=October 2016 |bot=InternetArchiveBot |fix-attempted=yes }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.frontline.in/arts-and-culture/dungan-the-director/article5492566.ece&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;{{cite web|url=http://www.outlookindia.com/printarticle.aspx?289436 |title=Archived copy |accessdate=2014-11-26 |url-status=dead|archiveurl=https://web.archive.org/web/20140211055540/http://www.outlookindia.com/printarticle.aspx?289436 |archivedate=11 February 2014 |df=dmy }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://archive.indianexpress.com/news/dungan-checks-in/1207116/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.dnaindia.com/analysis/column-two-wonderful-films-and-their-unusual-directors-1952254&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/flashback-to-the-dungan-era/article5415453.ece&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Synopsis ==&lt;br /&gt;
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The film primarily traces Barton born American [[Ellis R. Dungan]]&amp;#039;s years in South India from 1935-50. During this period he made quite a name for himself as a successful director in the Tamil film Industry. The great MG Ramachandran (MGR) was introduced in Dungan&amp;#039;s debut film as well, &amp;#039;&amp;#039;Sathi Leelavathi (1936)&amp;#039;&amp;#039;, and among the 13th feature films that Dungan directed, they include famed Carnatic singer MS Subbulakshmi&amp;#039;s &amp;#039;&amp;#039;Sakuntalai (1940)&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Meera (both in Tamil (1945) and Hindi (1947))&amp;#039;&amp;#039;. Besides his feature filmmaking, Dungan also served the Madras Government as their official photographer during World War II and photographed many key moments around the Indian Independence movement. After leaving India in 1950, Dungan returned regularly to the country as an expert on the wildlife films and television serials made in India like &amp;#039;&amp;#039;Harry Black and the Tiger (1958&amp;#039;&amp;#039;) and &amp;#039;&amp;#039;Tarzan Goes to India (1962)&amp;#039;&amp;#039;. The film traces his entire Indian connection till 1994, when on what was to be his last trip to India. the Tamil film industry felicitated him for his pioneering contribution to its early development.&amp;lt;ref&amp;gt;[https://scroll.in/reel/816654/the-making-of-ms-subbulakshmis-meera-her-final-and-finest-film The making of MS Subbulakshmi’s ‘Meera’, her final and finest film]&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Screenings and Film Festivals ==&lt;br /&gt;
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The film had its first ever screening on 1 December 2013 on Ellis R Dungan&amp;#039;s 12th death anniversary at the LV Prasad Film and TV Academy auditorium, Chennai. It has since then had various screenings in Chennai including it being part of Madras Day celebrations in 2014, besides showings in Bangalore and Mumbai as well. On the festival circuit, the film has been shown at...&lt;br /&gt;
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* The Chennai International Film Festival, Chennai, December, 2013&lt;br /&gt;
* Mumbai International film Festival for Documentary, Short and Animation Films (MIFF), Mumbai, February 2014&lt;br /&gt;
* New York Indian Film Festival (NYIFF), New York, May 2014 (Best Documentary Nominee)&lt;br /&gt;
* South Asian International Documentary Festival (SAID), Seattle, June 2014&lt;br /&gt;
* London Indian Film Festival, London, July 2014&lt;br /&gt;
* International Documentary and Short Film Festival of Kerala (IDSFFK), Trivandrum, July 2014&lt;br /&gt;
* Prague Indian Film Festival, Prague, October 2014&lt;br /&gt;
* [http://ssaff.tasveer.org/2014/ Seattle  South Asian Film Festival] (SSAFF) Seattle, November 2014&lt;br /&gt;
* International Film Festival of India (IFFI), Goa, November 2014&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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{{DEFAULTSORT:American in Madras}}&lt;br /&gt;
[[Category:2013 films]]&lt;br /&gt;
[[Category:Indian documentary films]]&lt;br /&gt;
[[Category:Indian films]]&lt;/div&gt;</summary>
		<author><name>&gt;Bovineboy2008</name></author>
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