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	<updated>2026-08-28T19:36:38Z</updated>
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		<updated>2022-05-29T17:43:36Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:13, 29 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India|Indian]] filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India|Indian]] filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Aditya’s first two novels were called Back Seat and Front Seat respectively. His third novel was titled Tikli and Laxmi Bomb. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[The Asian Age]] says about Back Seat: “After you finish the book, you are bound to feel a vacuum in your heart as you will miss the characters and the city of Bombay.”{{citation needed|date=May 2022}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Dna India]] says about Front Seat “ Kripalani gets into his characters’ mind, speaks with their voice and sees with their eyes. As a result, we experience the world of bar dancing and dark alleys of Mumbai. The thread of realism, to which we were introduced in the first novel with Nikita, runs through this one too.”{{citation needed|date=May 2022}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[The Sunday Guardian]] says about Tikli and Laxmi Bomb “ (Tikli and Laxmi Bomb) is neither wish fulfilment, feel-good literature nor a violence-fuelled revenge story, although it flirts briefly with the notion of being both, at various points in the book. Thankfully, it sticks to what it is at its heart: a gripping, no-holds-barred realist novel. As mentioned earlier in this review, it is rare to see genre fiction of this calibre coming out of India.”{{citation needed|date=May 2022}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kripalani&amp;#039;s third film, titled &amp;#039;&amp;#039;[[Devi Aur Hero]]&amp;#039;&amp;#039; won the prestigious [[NETPAC]] award for Best Film, at the 25th [[Kolkata International Film Festival]] in November 2019. The [[NETPAC]] jury, consisting of members from India, America and Spain, had the following citation for this award - “ an extremely sensitive exploration of mental disturbance and the ravages of addiction”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kripalani&amp;#039;s third film, titled &amp;#039;&amp;#039;[[Devi Aur Hero]]&amp;#039;&amp;#039; won the prestigious [[NETPAC]] award for Best Film, at the 25th [[Kolkata International Film Festival]] in November 2019. The [[NETPAC]] jury, consisting of members from India, America and Spain, had the following citation for this award - “ an extremely sensitive exploration of mental disturbance and the ravages of addiction”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;It released in Singapore for a period of two weeks in theatres in 2020 at The Projector. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Aditya’s fourth feature film titled Not Today won the prestigious [[FIPRESCI]] international film critics award at the [[Bengaluru International Film Festival]] in 2022 and the Best film at the [[Uk Asian film festival]] in 2021 along with an honourable mention at the [[New jersey Film Festival]] in 2022. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has also worked as a writer and Creative Director in advertising with agencies such as Lintas, JWT Singapore, Leo Burnett, Kuala Lumpur and McCann Singapore. His novels, songs, ads and films all have a very clear attempt at shaping the world into a certain kind of place and are rife with an attempt to make sense of and challenge social issues.&amp;lt;ref&amp;gt;{{cite news|url=http://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|first=Srivathsan|last=Nadadhur|newspaper=The Hindu|date=12 August 2017|publisher=|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.thenewsminute.com/article/sex-workers-are-not-martyrs-or-sad-aditya-kripalani-upcoming-film-tikli-and-laxmi-bomb-60472|title=Sex workers are not martyrs or sad: Aditya Kripalani on upcoming film &#039;Tikli and Laxmi Bomb&#039;|date=17 April 2017|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.bollywoodbubble.com/celebrity-interviews/director-aditya-kripalani-talks-prostitution-actors-wants-work-lot/|title=Director Aditya Kripalani talks about prostitution, the actors he wants to work with and a lot more|date=23 May 2017}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Swara-Bhaskar-My-next-role-as-a-sex-worker-will-be-challenging/articleshow/53823991.cms|title=Swara Bhaskar: My next role as a sex worker will be challenging - Times of India|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.dnaindia.com/entertainment/report-i-am-not-insecure-about-work-swara-bhaskar-2287752|title=I am not insecure about work: Swara Bhaskar - Latest News &amp;amp; Updates at Daily News &amp;amp; Analysis|date=30 December 2016|publisher=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has also worked as a writer and Creative Director in advertising with agencies such as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[MullenLowe &lt;/ins&gt;Lintas &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Group|Lintas]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[J. Walter Thompson|&lt;/ins&gt;JWT&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;Singapore, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Leo Burnett&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, Kuala Lumpur and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Interpublic Group of Companies[Bearbeiten|&lt;/ins&gt;McCann&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;Singapore. His novels, songs, ads and films all have a very clear attempt at shaping the world into a certain kind of place and are rife with an attempt to make sense of and challenge social issues.&amp;lt;ref&amp;gt;{{cite news|url=http://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|first=Srivathsan|last=Nadadhur|newspaper=The Hindu|date=12 August 2017|publisher=|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.thenewsminute.com/article/sex-workers-are-not-martyrs-or-sad-aditya-kripalani-upcoming-film-tikli-and-laxmi-bomb-60472|title=Sex workers are not martyrs or sad: Aditya Kripalani on upcoming film &#039;Tikli and Laxmi Bomb&#039;|date=17 April 2017|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.bollywoodbubble.com/celebrity-interviews/director-aditya-kripalani-talks-prostitution-actors-wants-work-lot/|title=Director Aditya Kripalani talks about prostitution, the actors he wants to work with and a lot more|date=23 May 2017}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Swara-Bhaskar-My-next-role-as-a-sex-worker-will-be-challenging/articleshow/53823991.cms|title=Swara Bhaskar: My next role as a sex worker will be challenging - Times of India|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.dnaindia.com/entertainment/report-i-am-not-insecure-about-work-swara-bhaskar-2287752|title=I am not insecure about work: Swara Bhaskar - Latest News &amp;amp; Updates at Daily News &amp;amp; Analysis|date=30 December 2016|publisher=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:44, 20 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;n &lt;/del&gt;filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Indian&lt;/ins&gt;]] filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His second film titled &#039;&#039;[[Tottaa Pataaka Item Maal]]&#039;&#039; opened at the [[Garden State Film Festival]] in 2018 followed by the [[Kala Ghoda Film Festival]] and the UK Asian Film Festival.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His second film titled &#039;&#039;[[Tottaa Pataaka Item Maal]]&#039;&#039; opened at the [[Garden State Film Festival]] in 2018 followed by the [[Kala Ghoda Film Festival]] and the UK Asian Film Festival. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[The independent film critic]] called it “the kind of brave filmmaking that improves lives and changes the world.” {{cite web|url=https://www.theindependentcritic.com/tottaa_pataaka_item_maal|title=The Independent Critic - &#039;Tottaa Pataaka Item Maal&#039; (The Incessant Fear of Rape) Available on Netflix}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kripalani&#039;s third film, titled &#039;&#039;[[Devi Aur Hero]]&#039;&#039; won the prestigious [[NETPAC]] award for Best Film, at the 25th [[Kolkata International Film Festival]] in November 2019.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kripalani&#039;s third film, titled &#039;&#039;[[Devi Aur Hero]]&#039;&#039; won the prestigious [[NETPAC]] award for Best Film, at the 25th [[Kolkata International Film Festival]] in November 2019. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The [[NETPAC]] jury, consisting of members from India, America and Spain, had the following citation for this award - “ an extremely sensitive exploration of mental disturbance and the ravages of addiction”&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has also worked as a writer and Creative Director in advertising with agencies such as Lintas, JWT Singapore, Leo Burnett, Kuala Lumpur and McCann Singapore. His novels, songs, ads and films all have a very clear attempt at shaping the world into a certain kind of place and are rife with an attempt to make sense of and challenge social issues.&amp;lt;ref&amp;gt;{{cite &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;web&lt;/del&gt;|url=http://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|first=Srivathsan|last=Nadadhur|date=12 August 2017|publisher=|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.thenewsminute.com/article/sex-workers-are-not-martyrs-or-sad-aditya-kripalani-upcoming-film-tikli-and-laxmi-bomb-60472|title=Sex workers are not martyrs or sad: Aditya Kripalani on upcoming film &#039;Tikli and Laxmi Bomb&#039;|date=17 April 2017|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://www.bollywoodbubble.com/celebrity-interviews/director-aditya-kripalani-talks-prostitution-actors-wants-work-lot/&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Swara-Bhaskar-My-next-role-as-a-sex-worker-will-be-challenging/articleshow/53823991.cms|title=Swara Bhaskar: My next role as a sex worker will be challenging - Times of India|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.dnaindia.com/entertainment/report-i-am-not-insecure-about-work-swara-bhaskar-2287752|title=I am not insecure about work: Swara Bhaskar - Latest News &amp;amp; Updates at Daily News &amp;amp; Analysis|date=30 December 2016|publisher=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He has also worked as a writer and Creative Director in advertising with agencies such as Lintas, JWT Singapore, Leo Burnett, Kuala Lumpur and McCann Singapore. His novels, songs, ads and films all have a very clear attempt at shaping the world into a certain kind of place and are rife with an attempt to make sense of and challenge social issues.&amp;lt;ref&amp;gt;{{cite &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;news&lt;/ins&gt;|url=http://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|first=Srivathsan|last=Nadadhur&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|newspaper=The Hindu&lt;/ins&gt;|date=12 August 2017|publisher=|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.thenewsminute.com/article/sex-workers-are-not-martyrs-or-sad-aditya-kripalani-upcoming-film-tikli-and-laxmi-bomb-60472|title=Sex workers are not martyrs or sad: Aditya Kripalani on upcoming film &#039;Tikli and Laxmi Bomb&#039;|date=17 April 2017|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;https://www.bollywoodbubble.com/celebrity-interviews/director-aditya-kripalani-talks-prostitution-actors-wants-work-lot/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=Director Aditya Kripalani talks about prostitution, the actors he wants to work with and a lot more|date=23 May 2017}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Swara-Bhaskar-My-next-role-as-a-sex-worker-will-be-challenging/articleshow/53823991.cms|title=Swara Bhaskar: My next role as a sex worker will be challenging - Times of India|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.dnaindia.com/entertainment/report-i-am-not-insecure-about-work-swara-bhaskar-2287752|title=I am not insecure about work: Swara Bhaskar - Latest News &amp;amp; Updates at Daily News &amp;amp; Analysis|date=30 December 2016|publisher=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Pune]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Pune]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;Citation bot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Aditya_Kripalani&amp;diff=96978&amp;oldid=prev</id>
		<title>CleanupBot: clean up, add source tag</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Aditya_Kripalani&amp;diff=96978&amp;oldid=prev"/>
		<updated>2021-06-03T00:43:42Z</updated>

		<summary type="html">&lt;p&gt;clean up, add source tag&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:13, 3 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Indian&lt;/del&gt;]] filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Aditya Kripalani&#039;&#039;&#039; (born 20 October 1981) is an [[India]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;n &lt;/ins&gt;filmmaker, writer, musician and producer. He is best known for his books &#039;&#039;Backseat, Frontseat&#039;&#039; and &#039;&#039;[[Tikli and Laxmi Bomb]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Pune]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Pune]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Aditya_Kripalani&amp;diff=65121&amp;oldid=prev</id>
		<title>&gt;FrescoBot: Bot: link syntax</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Aditya_Kripalani&amp;diff=65121&amp;oldid=prev"/>
		<updated>2021-05-04T18:13:07Z</updated>

		<summary type="html">&lt;p&gt;Bot: &lt;a href=&quot;/w/index.php?title=User:FrescoBot/Links&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User:FrescoBot/Links (page does not exist)&quot;&gt;link syntax&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=September 2018}}&lt;br /&gt;
{{Use Indian English|date=September 2018}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
|name        = Aditya Kripalani&lt;br /&gt;
|birth_date  = {{Birth date and age|1981|10|20|df=yes}}&lt;br /&gt;
|birth_place = [[Pune]], [[Maharashtra]], India&lt;br /&gt;
|nationality = Indian &lt;br /&gt;
| alma_mater = [[Film and Television Institute of India]]&lt;br /&gt;
|occupation  = film director, writer, producer&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Aditya Kripalani&amp;#039;&amp;#039;&amp;#039; (born 20 October 1981) is an [[India|Indian]] filmmaker, writer, musician and producer. He is best known for his books &amp;#039;&amp;#039;Backseat, Frontseat&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Tikli and Laxmi Bomb]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|author=Srivathsan Nadadhur|work=The Hindu|date=12 August 2017|accessdate=1 August 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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He made his directorial debut in 2017 with the film &amp;#039;&amp;#039;Tikli and Laxmi Bomb&amp;#039;&amp;#039; which won the Best Feature Film at the 10th [[Berlin Independent Film Festival]] and the Best Film on Gender Equality at the 20th [[London Asian Film Festival|UK Asian Film Festival]] in London, both in 2018. The film also won Best Actress and Festival&amp;#039;s choice Best Film award at the [[New Jersey Film Festival]] 2018 and Best Supporting Actor and Best Film at the Out of the Can Film Festival in Derby in 2018. The film is based on his third novel of the same title.&lt;br /&gt;
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His second film titled &amp;#039;&amp;#039;[[Tottaa Pataaka Item Maal]]&amp;#039;&amp;#039; opened at the [[Garden State Film Festival]] in 2018 followed by the [[Kala Ghoda Film Festival]] and the UK Asian Film Festival.&lt;br /&gt;
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Kripalani&amp;#039;s third film, titled &amp;#039;&amp;#039;[[Devi Aur Hero]]&amp;#039;&amp;#039; won the prestigious [[NETPAC]] award for Best Film, at the 25th [[Kolkata International Film Festival]] in November 2019. &lt;br /&gt;
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He has also worked as a writer and Creative Director in advertising with agencies such as Lintas, JWT Singapore, Leo Burnett, Kuala Lumpur and McCann Singapore. His novels, songs, ads and films all have a very clear attempt at shaping the world into a certain kind of place and are rife with an attempt to make sense of and challenge social issues.&amp;lt;ref&amp;gt;{{cite web|url=http://www.thehindu.com/entertainment/movies/aditya-kripalani-interview-a-natural-storyteller/article19480337.ece|title=Aditya Kripalani: A natural storyteller|first=Srivathsan|last=Nadadhur|date=12 August 2017|publisher=|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.thenewsminute.com/article/sex-workers-are-not-martyrs-or-sad-aditya-kripalani-upcoming-film-tikli-and-laxmi-bomb-60472|title=Sex workers are not martyrs or sad: Aditya Kripalani on upcoming film &amp;#039;Tikli and Laxmi Bomb&amp;#039;|date=17 April 2017|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://www.bollywoodbubble.com/celebrity-interviews/director-aditya-kripalani-talks-prostitution-actors-wants-work-lot/&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Swara-Bhaskar-My-next-role-as-a-sex-worker-will-be-challenging/articleshow/53823991.cms|title=Swara Bhaskar: My next role as a sex worker will be challenging - Times of India|publisher=}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://www.dnaindia.com/entertainment/report-i-am-not-insecure-about-work-swara-bhaskar-2287752|title=I am not insecure about work: Swara Bhaskar - Latest News &amp;amp; Updates at Daily News &amp;amp; Analysis|date=30 December 2016|publisher=}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== References ==&lt;br /&gt;
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==External links==&lt;br /&gt;
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[[Category:1981 births]]&lt;br /&gt;
[[Category:Living people]]&lt;br /&gt;
[[Category:Writers from Pune]]&lt;/div&gt;</summary>
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