Bharatpedia - User contributions [en]

Sikh music

2022-01-04T04:55:19Z

Srsseehra:

A '''''[[raga]]''''' or '''''raag''''' is a complex structure of musical melody used in [[Indian classical music]]. It is a set of rules of how to build a [[melody]] which can ignite a certain mood in the reciter and listeners.
The [[Sikhism|Sikh]] holy scripture, [[Guru Granth Sahib Ji]], is composed in and divided into a total of 60 ''ragas''. This is a combination of 39 single raags and 21 mixed (or "mishrit") raags (a raag composed by combining two or three raags together). Each ''raga'' is a chapter or section in the Guru Granth Sahib starting with ''[[Raga Asaa|Asaa raag]]'', and all the hymns produced in ''Asaa raag'' are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that ''raga''. All raags in the Guru Granth Sahib Ji are named as "Raag".

''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day.
Following is the list of all sixty Raags (including 39 single raags and 21"mishrit" raags) under which Gurbani is written, in order of appearance with page numbers.

1. Asa ------------------------08

2. Gujari --------------------10

3. Gauri Deepaki -------------12 (Mishrit)

4. Dhanasri ------------------13

5. Gauri Poorabi -------------13 (Mishrit)

6. Sri ----------------------14

7. Majh ----------------------94

8. Gauri Guarairee ----------151 (Mishrit)

9. Gauri --------------------151

10. Gauri Dakhani ------------152

11. Gauri Chaitee ------------154 (Mishrit)

12. Gauri Bairagan -----------156 (Mishrit)

13. Gauri Poorabi Deepaki -----157 (Mishrit)

14. Gauri Majh ----------------172 (Mishrit)

15. Gauri Malva ----------------214 (Mishrit)

16. Gauri Mala ----------------214 (Mishrit)

17. Gauri Sorath --------------330 (Mishrit)

18. Asa Kafi ------------------365 (Mishrit)

19. Asavari -----------------369

20. Asa Asavari - --------------409 (Mishrit)

21. Devgandhari ---------------527

22. Bihagra -------------------537

23. Vadhans -------------------557

24. Vadhans Dakhani ------------580

25. Sorath --------------------595

26. Jaitsri --------------------696

27. Todi ----------------------711

28. Bairarri -------------------719

29. Tilang --------------------721

30. Tilang Kafi ----------------726 (Mishrit)

31. Suhee ----------------------728

32. Suhee Kafi -----------------751 (Mishrit)

33. Suhee Lalit ----------------793 (Mishrit)

34. Bilaval --------------------795

35. Bilaval Dakhani ------------843

36. Gound ----------------------859

37. Bilaval Gound --------------874 (Mishrit)

38. Ramkali --------------------876

39. Ramkali Dakhani ------------907

40. Nut Narayan ----------------975

41. Nut ------------------------975

42. Mali Gaura -----------------984

43. Maru -----------------------989

44. Maru Kafi -----------------1014 (Mishrit)

45. Maru Dakhani --------------1033

46. Tukhari -------------------1107

47. Kedara --------------------1118

48. Bhairo --------------------1125

49. Basant --------------------1168

50. Basant Hindol -------------1170 (Mishrit)

51. Sarang --------------------1197

52. Malar ---------------------1254

53. Kanra ---------------------1294

54. Kaliyan ------------------1319

55. Kaliyan Bhopali -----------1321 (Mishrit)

56. Parbhati Bibhas -----------1327 (Mishrit)

57. Parbhati ------------------1327

58. Parbhati Dakhani-----------1344

59. Bibhas Parbhati -----------1347 (Mishrit)

60. Jaijavanti ---------------1352

The name of ''raags'' ending with the word ''Dakhani'' are not ''mishrit'' ''raags'' because ''Dakhani'' is not a ''raag''; it simply means 'in south Indian style'.

==References==
{{Reflist}}

* [http://www.sikher.com/wiki/sikh-scriptures/raag-melodies/ raag-melodies]

[[Category:Ragas in the Guru Granth Sahib| ]]

Sikh music

2022-01-04T04:53:42Z

Srsseehra:

A '''''[[raga]]''''' or '''''raag''''' is a complex structure of musical melody used in [[Indian classical music]]. It is a set of rules of how to build a [[melody]] which can ignite a certain mood in the reciter and listeners. The [[Sikhism|Sikh]] holy scripture, [[Guru Granth Sahib Ji]], is composed in and divided into a total of 60 ''ragas''. This is a combination of 39 single raags and 21 mixed (or "mishrit") raags (a raag composed by combining two or three raags together). Each ''raga'' is a chapter or section in the Guru Granth Sahib starting with ''[[Raga Asaa|Asaa raag]]'', and all the hymns produced in ''Asaa raag'' are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that ''raga''. All raags in the Guru Granth Sahib Ji are named as "Raag".
''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day.
Following is the list of all sixty Raags (including 39 single raags and 21"mishrit" raags) under which Gurbani is written, in order of appearance with page numbers.

1. Asa ------------------------08

2. Gujari --------------------10

3. Gauri Deepaki -------------12 (Mishrit)

4. Dhanasri ------------------13

5. Gauri Poorabi -------------13 (Mishrit)

6. Sri ----------------------14

7. Majh ----------------------94

8. Gauri Guarairee ----------151 (Mishrit)

9. Gauri --------------------151

10. Gauri Dakhani ------------152

11. Gauri Chaitee ------------154 (Mishrit)

12. Gauri Bairagan -----------156 (Mishrit)

13. Gauri Poorabi Deepaki -----157 (Mishrit)

14. Gauri Majh ----------------172 (Mishrit)

15. Gauri Malva ----------------214 (Mishrit)

16. Gauri Mala ----------------214 (Mishrit)

17. Gauri Sorath --------------330 (Mishrit)

18. Asa Kafi ------------------365 (Mishrit)

19. Asavari -----------------369

20. Asa Asavari - --------------409 (Mishrit)

21. Devgandhari ---------------527

22. Bihagra -------------------537

23. Vadhans -------------------557

24. Vadhans Dakhani ------------580

25. Sorath --------------------595

26. Jaitsri --------------------696

27. Todi ----------------------711

28. Bairarri -------------------719

29. Tilang --------------------721

30. Tilang Kafi ----------------726 (Mishrit)

31. Suhee ----------------------728

32. Suhee Kafi -----------------751 (Mishrit)

33. Suhee Lalit ----------------793 (Mishrit)

34. Bilaval --------------------795

35. Bilaval Dakhani ------------843

36. Gound ----------------------859

37. Bilaval Gound --------------874 (Mishrit)

38. Ramkali --------------------876

39. Ramkali Dakhani ------------907

40. Nut Narayan ----------------975

41. Nut ------------------------975

42. Mali Gaura -----------------984

43. Maru -----------------------989

44. Maru Kafi -----------------1014 (Mishrit)

45. Maru Dakhani --------------1033

46. Tukhari -------------------1107

47. Kedara --------------------1118

48. Bhairo --------------------1125

49. Basant --------------------1168

50. Basant Hindol -------------1170 (Mishrit)

51. Sarang --------------------1197

52. Malar ---------------------1254

53. Kanra ---------------------1294

54. Kaliyan ------------------1319

55. Kaliyan Bhopali -----------1321 (Mishrit)

56. Parbhati Bibhas -----------1327 (Mishrit)

57. Parbhati ------------------1327

58. Parbhati Dakhani-----------1344

59. Bibhas Parbhati -----------1347 (Mishrit)

60. Jaijavanti ---------------1352

The name of ''raags'' ending with the word ''Dakhani'' are not ''mishrit'' ''raags'' because ''Dakhani'' is not a ''raag''; it simply means 'in south Indian style'.

''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day. There are a total of 60 ''raags'' or melodies within the [[Guru Granth Sahib]]. Each melody sets a particular mood for the hymn, adding a deeper dimension to it. The Guru Granth Sahib is thought by many to have just 31 ''raags'' or melodies which is correct of single ''raags''. However, combined with ''mishrit'' ''raags'', that total is 60.

==References==
{{Reflist}}

* [http://www.sikher.com/wiki/sikh-scriptures/raag-melodies/ raag-melodies]

[[Category:Ragas in the Guru Granth Sahib| ]]

Sikh music

2022-01-04T04:53:20Z

Srsseehra:

A '''''[[raga]]''''' or '''''raag''''' is a complex structure of musical melody used in [[Indian classical music]]. It is a set of rules of how to build a [[melody]] which can ignite a certain mood in the reciter and listeners. The [[Sikhism|Sikh]] holy scripture, [[Guru Granth Sahib Ji]], is composed in and divided into a total of 60 ''ragas''. This is a combination of 39 single raags and 21 mixed (or "mishrit") raags (a raag composed by combining two or three raags together). Each ''raga'' is a chapter or section in the Guru Granth Sahib starting with ''[[Raga Asaa|Asaa raag]]'', and all the hymns produced in ''Asaa raag'' are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that ''raga''. All raags in the Guru Granth Sahib Ji are named as "Raag".
''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day.
Following is the list of all sixty Raags (including 39 single raags and 21"mishrit" raags) under which Gurbani is written, in order of appearance with page numbers.

1. Asa ------------------------08

2. Gujari --------------------10

3. Gauri Deepaki -------------12 (Mishrit)

4. Dhanasri ------------------13

5. Gauri Poorabi -------------13 (Mishrit)

6. Sri ----------------------14

7. Majh ----------------------94

8. Gauri Guarairee ----------151 (Mishrit)

9. Gauri --------------------151

10. Gauri Dakhani ------------152

11. Gauri Chaitee ------------154 (Mishrit)

12. Gauri Bairagan -----------156 (Mishrit)
13. Gauri Poorabi Deepaki -----157 (Mishrit)

14. Gauri Majh ----------------172 (Mishrit)

15. Gauri Malva ----------------214 (Mishrit)

16. Gauri Mala ----------------214 (Mishrit)

17. Gauri Sorath --------------330 (Mishrit)

18. Asa Kafi ------------------365 (Mishrit)

19. Asavari -----------------369

20. Asa Asavari - --------------409 (Mishrit)

21. Devgandhari ---------------527

22. Bihagra -------------------537

23. Vadhans -------------------557

24. Vadhans Dakhani ------------580

25. Sorath --------------------595

26. Jaitsri --------------------696

27. Todi ----------------------711

28. Bairarri -------------------719

29. Tilang --------------------721

30. Tilang Kafi ----------------726 (Mishrit)

31. Suhee ----------------------728

32. Suhee Kafi -----------------751 (Mishrit)

33. Suhee Lalit ----------------793 (Mishrit)

34. Bilaval --------------------795

35. Bilaval Dakhani ------------843

36. Gound ----------------------859

37. Bilaval Gound --------------874 (Mishrit)

38. Ramkali --------------------876

39. Ramkali Dakhani ------------907

40. Nut Narayan ----------------975

41. Nut ------------------------975

42. Mali Gaura -----------------984

43. Maru -----------------------989

44. Maru Kafi -----------------1014 (Mishrit)

45. Maru Dakhani --------------1033

46. Tukhari -------------------1107

47. Kedara --------------------1118

48. Bhairo --------------------1125

49. Basant --------------------1168

50. Basant Hindol -------------1170 (Mishrit)

51. Sarang --------------------1197

52. Malar ---------------------1254

53. Kanra ---------------------1294

54. Kaliyan ------------------1319

55. Kaliyan Bhopali -----------1321 (Mishrit)

56. Parbhati Bibhas -----------1327 (Mishrit)

57. Parbhati ------------------1327

58. Parbhati Dakhani-----------1344

59. Bibhas Parbhati -----------1347 (Mishrit)

60. Jaijavanti ---------------1352

The name of ''raags'' ending with the word ''Dakhani'' are not ''mishrit'' ''raags'' because ''Dakhani'' is not a ''raag''; it simply means 'in south Indian style'.

''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day. There are a total of 60 ''raags'' or melodies within the [[Guru Granth Sahib]]. Each melody sets a particular mood for the hymn, adding a deeper dimension to it. The Guru Granth Sahib is thought by many to have just 31 ''raags'' or melodies which is correct of single ''raags''. However, combined with ''mishrit'' ''raags'', that total is 60.

==References==
{{Reflist}}

* [http://www.sikher.com/wiki/sikh-scriptures/raag-melodies/ raag-melodies]

[[Category:Ragas in the Guru Granth Sahib| ]]