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105th Regiment of Foot (Madras Light Infantry)

2023-07-15T17:08:11Z

MetaBOT: added clean description script (info)

{{for|other units with the same regimental number|105th Regiment of Foot (disambiguation)}}
{{Infobox military unit
| unit_name = 105th Regiment of Foot
| image =
| caption =
| dates = 1766–1799 1824–1830 1839–1881
|country=[[File:Flag of the British East India Company (1801).svg|23px]] [[East India Company]] (1766–1858) {{flag|United Kingdom}} (1858–1881)
|allegiance=
|branch=[[File:Flag of the British East India Company (1801).svg|23px]] [[Madras Army]] (1766–1862) {{army|United Kingdom}} (1862–1881)
| type = [[Infantry]]
| role =
| size = One battalion (two battalions 1774–1799)
| command_structure =
| garrison =[[Pontefract Barracks]], [[West Riding of Yorkshire]]
| garrison_label =
| nickname =
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| battles =[[Second Anglo-Burmese War]] [[Indian Rebellion of 1857|Indian Rebellion]]
| anniversaries =
| decorations =
| battle_honours =
| battle_honours_label =
| disbanded =
| notable_commanders =
}}
The '''105th Regiment of Foot (Madras Light Infantry)''' was an [[infantry]] regiment of the [[British Army]], raised by the [[East India Company|Honourable East India Company]] in 1766. Under the [[Childers Reforms]] it amalgamated with the [[51st (2nd Yorkshire West Riding) Regiment of Foot]] to form the [[King's Own Yorkshire Light Infantry]].

==History==
[[File:George Alexander Malcolm.jpg|thumb|left|General [[George Alexander Malcolm]], colonel of the regiment in the 1870s]]

===Early history===
The regiment as first raised by the [[East India Company|Honourable East India Company]] as the '''2nd Madras Europeans''', when it was formed from the [[102nd Regiment of Foot (Royal Madras Fusiliers)|1st Madras Europeans]] in 1766.<ref name=regiments>{{cite web|url=http://www.regiments.org/regiments/uk/inf/105-862.htm |title=105th Regiment of Foot (Madras Light Infantry) |publisher=regiments.org |access-date=5 September 2016 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060310120023/http://www.regiments.org/regiments/uk/inf/105-862.htm |archive-date=10 March 2006 }}</ref> It served in India until it was disbanded in 1799.<ref name=regiments/> It was re-raised as the '''2nd Battalion, The Madras European Regiment''' in 1822 but disbanded again in 1830.<ref name=regiments/>

===The Victorian era===
The regiment was re-raised as the '''2nd Madras (European) Regiment''' in 1839 and re-designated the '''2nd Madras (European) Light Infantry''' in 1842.<ref name=regiments/> It was deployed to [[Myanmar|Burma]] in 1853 during the [[Second Anglo-Burmese War]] and then saw action in India in 1857 during the [[Indian Rebellion of 1857|Indian Rebellion]].<ref name=locations>{{cite web|url=http://www.regiments.org/deploy/uk/reg-inf/105.htm|archive-url=https://web.archive.org/web/20060310073653/http://www.regiments.org/deploy/uk/reg-inf/105.htm|url-status=dead|archive-date=10 March 2006|title=105th Regiment of Foot (Madras Light Infantry): Locations|access-date=31 March 2017}}</ref> After the Crown took control of the [[Presidency armies]] in the aftermath of the Indian Rebellion, the regiment became the '''2nd Madras Light Infantry''' in November 1859.<ref name=regiments/> It was then renumbered as the '''105th Regiment of Foot (Madras Light Infantry)''' on transfer to the [[British Army]] in September 1862.<ref name=regiments/> It embarked for England in 1874.<ref name=locations/>

As part of the [[Cardwell Reforms]] of the 1870s, where single-battalion regiments were linked together to share a single depot and recruiting district in the United Kingdom, the 105th was linked with the [[51st (2nd Yorkshire West Riding) Regiment of Foot]], and assigned to district no. 8 at [[Pontefract Barracks]] in the [[West Riding of Yorkshire]].<ref name=training>{{cite web|url=http://www.regiments.org/regiments/uk/depot/1873.htm|archive-url=https://web.archive.org/web/20060210172841/http://www.regiments.org/regiments/uk/depot/1873.htm|url-status=dead|archive-date=10 February 2006|title=Training Depots|publisher=Regiments.org|access-date=16 October 2016}}</ref> On 1 July 1881 the [[Childers Reforms]] came into effect and the regiment amalgamated with the [[51st (2nd Yorkshire West Riding) Regiment of Foot]] to form the [[King's Own Yorkshire Light Infantry]].<ref name=regiments/>

==Regimental Colonels==
Colonels of the regiment were:<ref name=regiments/>

;2nd Madras (European) Regiment
*1839: Col. Archibald Brown Dyce

;105th Regiment of Foot (Madras Light Infantry)
*1862–1866: Lt-Gen. Archibald Brown Dyce
*1866–1881: Gen. [[George Alexander Malcolm]], CB

==References==
{{reflist|30em}}

==External links==
*{{cite web|url=http://www.regiments.org/regiments/uk/inf/105-862.htm|title=105th Regiment of Foot (Madras Light Infantry)|access-date=April 15, 2007|last=Mills|first=T.F.|work=regiments.org|archive-url=https://web.archive.org/web/20080107002713/http://regiments.org/regiments/uk/inf/105-862.htm|archive-date=7 January 2008}}

{{The Rifles}}
{{Regiments of Foot}}

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|description=The 105th Regiment of Foot was an infantry regiment of the British Army, raised by the Honourable East India Company in 1766. Under the Childers ...
}}

[[Category:Infantry regiments of the British Army]]
[[Category:Military units and formations established in 1839]]
[[Category:British light infantry]]
[[Category:Military units and formations disestablished in 1881]]
[[Category:Honourable East India Company regiments]]
[[Category:1839 establishments in British India]]

105th Mahratta Light Infantry

2023-07-15T17:07:53Z

MetaBOT: added clean description script (info)

{{Short description|British Indian Army unit}}
{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{infobox military unit
|unit_name = 105th Mahratta Light Infantry
|image = Brits-Indiërs van het 6th Battalion the Mahratta Light Infantry, Bestanddeelnr 100A-1-4.jpg
|caption = 6th battalion of Mahratta Light Infantry
|dates = 1768—1922
|country = {{flag|British India}}
|allegiance =
|branch = Army
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The '''105th Mahratta Light Infantry''' were an infantry regiment of the [[British Indian Army]]. The regiment traces their origins to 1768, when they were raised as the 3rd Battalion, Bombay Sepoys.

The regiment's first action was during the [[Mysore (1789-91)|Mysore Campaign]] in the [[Third Anglo-Mysore War]]. This campaign was followed by the [[Fourth Anglo-Mysore War]], during which the regiment fought in both the major battles the [[Battle of Seedaseer]] and the [[Battle of Seringapatam]]. They were then used in the [[punitive expedition]] in the [[Beni Boo Alli (1821) (Battle honour)|Beni Boo Ali campaign]] in 1821, against the [[pirates]] in Eastern [[Arabia]] and the [[Persian Gulf]]. The regiment was involved in the [[Siege of Kahun]] next during the [[First Afghan War]]. A detachment of 140 men held off the besieging force from May to September, before being forced to surrender. China was the regiments next destination during the [[Second Opium War]]. They were then part of the force used in the annexation of [[Burma]] during the [[Second Burmese War]], this being their final action in the 19th century.

After [[World War I]] the Indian government reformed the army moving from single battalion regiments to multi battalion regiments.<ref>{{cite book|last=Sumner|first=Ian|title=The Indian Army 1914-1947|year=2001|publisher=Osprey Publishing|isbn=1-84176-196-6|page=15}}</ref> In 1922, the 105th Mahratta Light Infantry became the 2nd Battalion [[5th Mahratta Light Infantry]]. After independence they were one of the regiments allocated to the [[Indian Army]].

== Predecessor names ==
*3rd Battalion, Bombay Sepoys - 1768
*1st Battalion, 3rd Bombay Native Infantry - 1796
*5th Bombay Native Infantry - 1824
*5th Bombay Native (Light) Infantry - 1841
*5th Bombay (Light) Infantry - 1885
*5th Bombay Light Infantry - 1901
*105th Mahratta Light Infantry - 1903
*2nd Battalion the Maratha Light Infantry

== References ==
{{reflist}}

==Sources==
*{{cite book|last1=Barthorp|first1=Michael|last2=Burn|first2=Jeffrey|year=1979|title=Indian infantry regiments 1860-1914|publisher=Osprey Publishing|isbn=0-85045-307-0}}
*{{cite book|last=Rinaldi|first=Richard A|year=2008|title=Order of Battle British Army 1914|publisher=Ravi Rikhye|isbn=978-0-9776072-8-0}}
*{{cite book|last=Sharma|first=Gautam|year=1990|title=Valour and sacrifice: famous regiments of the Indian Army|publisher=Allied Publishers|isbn=81-7023-140-X}}
*Moberly, F.J. (1923). ''Official History of the War: Mesopotamia Campaign'', Imperial War Museum. {{ISBN|1-870423-30-5}}

{{#seo:
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|description=The 105th Mahratta Light Infantry were an infantry regiment of the British Indian Army. The regiment traces their origins to 1768, when they were ...
}}

[[Category:British Indian Army infantry regiments]]
[[Category:Military units and formations established in 1788]]
[[Category:Bombay Presidency]]
[[Category:Military units and formations disestablished in 1922]]
[[Category:1788 establishments in British India]]

{{UK-mil-unit-stub}}

104th Wellesley's Rifles

2023-07-15T17:07:42Z

MetaBOT: added clean description script (info)

{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{Infobox military unit
| unit_name = 104th Wellesley's Rifles
| image = Rajputana infantry aclovett.jpg | image_size = 300px
| caption = A depiction of a subadar-major of the 104th Wellesley's Rifles (second from left) amongst other British Indian Army troops
| dates = 1775-1922
| country = {{flag|British India}}
| allegiance =
| branch = Army
| type = Infantry
| role =
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| command_structure = [[Bombay Army]] (to 1895) [[Bombay Command]]
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| colors = Green; faced red.
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*[[Mesopotamia Campaign]]
*[[Battle of Ctesiphon (1915)|Battle of Ctesiphon]]
*[[Siege of Kut]]
| anniversaries =
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The '''104th Wellesley's Rifles''' were an infantry regiment of the [[British Indian Army]]. They could trace their origins to 1775, when they were raised as the 5th Battalion, Bombay Sepoys and presently its designation is 3 Guards (1 Rajputana Rifles) of Indian Army.

The regiments first action was during the [[Mysore (1789-91)|Mysore Campaign]] in the [[Third Anglo-Mysore War]]. This was followed by their participation in the [[Battle of Seringapatam]] in the [[Fourth Anglo-Mysore War]]. They were next called to serve in the [[Beni Boo Alli (1821) (Battle honour)|Beni Boo Ali campaign]] in 1821, against the [[pirates]] in Eastern [[Arabia]] and the [[Persian Gulf]] region. Returning to India they took part in the [[Siege of Multan]] during the [[Second Anglo-Sikh War]]. They were next involved in the [[Anglo-Persian War]] in 1856, followed the next year by the [[Indian Rebellion of 1857]] taking part in the [[Central India Campaign (1858)|Central India Campaign]].

Twenty years were to pass until their next action in the [[Battle of Kandahar (1880)|Battle of Kandahar]] during the [[Second Afghan War]]. They were also in [[East Africa]] during the [[Sudan Campaign]]. During [[World War I]] they were in the [[6th (Poona) Division]] during the [[Mesopotamia Campaign]].
After a string of early successes particularly during the [[Battle of Es Sinn]], the 6th Division was defeated at the [[Battle of Ctesiphon (1915)|Battle of Ctesiphon]] in November 1915. Following this engagement, the division withdrew to [[Kut]] and [[Siege of Kut]] began. After a lengthy siege all they surrendered in April 1916.<ref>See Gardner, Nikolas. 2004 'Sepoys and the Siege of Kut-Al-Amara, December 1915-April 1916', ''War in History'' (journal) 11(3), pp. 307-326</ref>

After World War I the Indian government reformed the army moving from single battalion regiments to multi battalion regiments.<ref>Sumner p. 15</ref> In 1922, the 104th Wellesley's Rifles became the 1st Battalion [[6th Rajputana Rifles]].{{cn|date=November 2011}} After independence they were one of the regiments allocated to the [[Indian Army]].{{cn|date=November 2011}}

==Predecessor names==
*5th Battalion, Bombay Sepoys - 1775
*9th Battalion, Bombay Sepoys - 1778
*2nd Battalion, 2nd Regiment of Bombay Native Infantry - 1796
*4th Bombay Native Infantry - 1824
*4th Bombay Infantry (or Rifle Corps) - 1885
*4th (1st Battalion Rifle Corps) Bombay Infantry - 1889
*4th Bombay Rifles - 1901
*104th Wellesley's Rifles - 1903

==Successor Names==
*1st Battalion 6th Rajputana Rifles-1921
*1st Battalion Rajputana Rifles-1945
*Allocated to India on Partition-1947
*3rd Battalion, Brigade of the Guards(1st Rajputana Rifles)-1949

==References==
;Notes
{{reflist}}
;Bibliography

* https://www.amazon.in/s?i=stripbooks&rh=p_27%3AO+B+E+M+C+Lieut+Colonel+F+H+James

*{{cite book|last1=Barthorp|first1=Michael|last2=Burn|first2=Jeffrey|year=1979|title=Indian infantry regiments 1860-1914|publisher=Osprey Publishing|isbn=0-85045-307-0}}
*{{cite book|last=Rinaldi|first=Richard A|year=2008|title=Order of Battle British Army 1914|publisher=Ravi Rikhye|isbn=978-0-9776072-8-0}}
*{{cite book|last=Sharma|first=Gautam|year=1990|title=Valour and sacrifice: famous regiments of the Indian Army|publisher=Allied Publishers|isbn=81-7023-140-X}}
*{{cite book|last=Sumner|first=Ian|title=The Indian Army 1914-1947|year=2001|publisher=Osprey Publishing|isbn=1-84176-196-6}}
*Moberly, F.J. (1923). ''Official History of the War: Mesopotamia Campaign'', Imperial War Museum. {{ISBN|1-870423-30-5}}

{{#seo:
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|description=The 104th Wellesleys Rifles were an infantry regiment of the British Indian Army. They could trace their origins to 1775, when they were raised as ...
}}

[[Category:British Indian Army infantry regiments]]
[[Category:Bombay Presidency]]
[[Category:Pages with large description]]
[[Category:Military units and formations established in 1775]]

104th Regiment of Foot

2023-07-15T17:07:26Z

MetaBOT: added clean description script (info)

{{for|other units with the same regimental number|104th Regiment of Foot (disambiguation)}}
{{Use dmy dates|date=April 2020}}
{{Use British English|date=October 2014}}
{{Infobox military unit
| unit_name = 104th Regiment of Foot
| image =
| caption =
| dates = 1765–1803 1822–1830 1839–1881
|country=[[File:Flag of the British East India Company (1801).svg|23px]] [[East India Company]] (1765–1858) {{flag|United Kingdom}} (1858–1881)
|allegiance=
|branch=[[File:Flag of the British East India Company (1801).svg|23px]] [[Bengal Army]] (1765–1862) {{army|United Kingdom}} (1862–1881)
| type = [[Infantry]]
| role =
| size = One battalion
| command_structure =
| garrison =[[Ballymullen Barracks]], [[Tralee]]
| garrison_label =
| nickname =
| patron =
| motto =
| colors =
| colors_label =
| march =
| mascot =
| equipment =
| equipment_label =
| battles =[[First Rohilla War]] [[Second Anglo-Sikh War]] [[Second Anglo-Burmese War]] [[Indian Rebellion of 1857|Indian Rebellion]]
| anniversaries =
| decorations =
| battle_honours =
| battle_honours_label =
| disbanded =
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}}
The '''104th Regiment of Foot (Bengal Fusiliers)''' was a [[regiment]] of the [[British Army]], raised by the [[East India Company|Honourable East India Company]] in 1765. Under the [[Childers Reforms]] it amalgamated with the [[101st Regiment of Foot (Royal Bengal Fusiliers)]] to form the [[Royal Munster Fusiliers]].

==History==
[[File:Patrick Grant.jpg|thumb|left|Field Marshal [[Patrick Grant (Indian Army officer)|Sir Patrick Grant]], colonel of the regiment in the 1860s]]

===Early history===
The regiment as first raised by the [[East India Company|Honourable East India Company]] as the '''2nd Bengal European Regiment''' when it was formed from the [[101st Regiment of Foot (Royal Bengal Fusiliers)|1st Bengal European Regiment]] in 1765.<ref name=regt>{{cite web|url=http://www.regiments.org/regiments/uk/inf/104-862.htm |title=104th Regiment of Foot (Bengal Fusiliers) |publisher=regiments.org |access-date=4 September 2016 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060210173357/http://www.regiments.org/regiments/uk/inf/104-862.htm |archive-date=10 February 2006}}</ref> It went to take part in an action at [[Rohilkhand]] in April 1774 during the [[First Rohilla War]]<ref name=locations>{{cite web|url=http://www.regiments.org/deploy/uk/reg-inf/104.htm|archive-url=https://web.archive.org/web/20060310130928/http://www.regiments.org/deploy/uk/reg-inf/104.htm|url-status=dead|archive-date=10 March 2006|title=104th Regiment of Foot (Bengal Fusiliers): Locations|publisher=Regiments.org|access-date=31 March 2017}}</ref> before being absorbed by the Marine Battalion in 1803.<ref name=regt/> It was re-raised as the '''2nd Bengal (European) Regiment''' in 1822 and took part in a deployment to [[Myanmar|Burma]] in 1825 before being disbanded in 1830.<ref name=regt/>

===The Victorian era===
[[File:Monument of the Battle of Chillianwala 3.jpg|thumb|The monument erected in memory of the losses sustained by both armies at the [[Battle of Chillianwala|Battles of Saddalupar and Chillianwala]] in January 1849]]
The regiment was re-raised as the '''2nd Bengal (European) Light Infantry''' from a nucleus of 1st Bengal (European) Regiment in 1839.<ref name=regt/> It saw action at the [[Battle of Chillianwala]] in January 1849 and the [[Battle of Gujrat]] in February 1849 in the [[Punjab Province (British India)|Punjab]] during the [[Second Anglo-Sikh War]].<ref name=locations/> The regiment became the '''2nd Bengal (European) Fusiliers''' in 1850 was deployed to Burma again in 1853 during the [[Second Anglo-Burmese War]] and then served at the [[Siege of Delhi]] in autumn 1857 during the [[Indian Rebellion of 1857|Indian Rebellion]].<ref name=locations/> After the Crown took control of the [[Presidency armies]] in the aftermath of the Indian Rebellion, the regiment became the '''2nd Bengal Fusiliers''' in November 1859 and then the '''1st Royal Bengal Fusiliers''' in May 1861.<ref name=regt/> It was then renumbered as the '''104th Regiment of Foot (Royal Bengal Fusiliers)''' on transfer to the [[British Army]] in September 1862.<ref name=regt/> Although a new commanding officer was appointed on transfer to the British Army, both majors and six of the twelve captains had prior service in the regiment.<ref>{{London Gazette|issue=22667|page=4681|date=30 September 1862}}</ref>

During the [[cholera]] epidemic of 1869, the regiment left its barracks at [[Peshawar]] on the North West Frontier for the countryside, to try to alleviate the impact of the disease. After the regiment had returned to barracks with the end of the epidemic, the commanding officer's wife, [[Elizabeth Webber Harris]], was presented with a gold replica Victoria Cross, by the officers of the regiment, for her tireless endeavours tending the sick men.<ref>{{Cite news|url=https://www.express.co.uk/news/history/564600/Only-woman-win-Victoria-Cross-Elizabeth-Webber-Harris-saved-soldiers-cholera|title=Only woman to win a Victoria Cross: Elizabeth Webber Harris saved soldiers with cholera|last=Ashcroft|first=Lord|date=2015-03-18|work=Express.co.uk|access-date=2018-04-07|language=en}}</ref> The presentation had the approval of [[Queen Victoria]] and was made by General Sir [[Sam Browne]], commander of the Peshawar garrison. The regiment embarked for England in 1871.<ref name=locations/>

As part of the [[Cardwell Reforms]] of the 1870s, where single-battalion regiments were linked together to share a single depot and recruiting district in the United Kingdom, the 104th was linked with the [[101st Regiment of Foot (Royal Bengal Fusiliers)]], and assigned to district no. 70 at [[Ballymullen Barracks]] in [[Tralee]].<ref name=training>{{cite web|url=http://www.regiments.org/regiments/uk/depot/1873.htm|archive-url=https://web.archive.org/web/20060210172841/http://www.regiments.org/regiments/uk/depot/1873.htm|url-status=dead|archive-date=10 February 2006|title=Training Depots|publisher=Regiments.org|access-date=16 October 2016}}</ref> On 1 July 1881 the [[Childers Reforms]] came into effect and the regiment amalgamated with the 101st Regiment of Foot (Royal Bengal Fusiliers) to form the [[Royal Munster Fusiliers]].<ref name=regt/>

==Battle honours==
Battle honours won by the regiment were:<ref name=regt/>

*''Rohilla War'': Rohilcund 1774 (inherited from predecessor regiment)
*''Second Anglo-Sikh War'': [[Battle of Chillianwala|Chillianwallah]], [[Battle of Gujrat|Goojerat]], Punjaub
* ''Indian Mutiny'': [[Siege of Delhi|Delhi 1857]]

==Regimental Colonels==
Colonels of the Regiment were:<ref name= regt/>

;2nd Bengal Fusiliers (HEIC)
*c.1859: Maj-Gen. Robert Blackall

;104th Regiment of Foot (Bengal Fusiliers) (British Army)
*1862–1863: F.M. Sir [[Patrick Grant (Indian Army officer)|Patrick Grant]], GCB, GCMG
*1863–1867: Gen. Sir [[George Bell (British Army officer)|George Bell]], KCB
*1867–1874: Gen. [[George Dixon (British Army officer)|George Dixon]]
*1874–1881: F.M. Sir [[Frederick Haines|Frederick Paul Haines]], GCB, GCSI, CIE

== References ==
{{reflist}}

==Further reading==
*{{cite book|last=Innes|first=Lieutenant-Colonel P. R. |title=History of the Royal European Regiment, now the Royal Munster Fusiliers|url=https://archive.org/details/in.ernet.dli.2015.63168|publisher=London: Simpkin|year=1885}}

==External links==
*{{cite web|url=http://www.regiments.org/regiments/uk/inf/107-862.htm|title=104th Regiment of Foot (Bengal Light Infantry)|access-date=15 October 2007|last=Mills|first=T.F.|work=regiments.org|archive-url=https://web.archive.org/web/20071022111806/http://www.regiments.org/regiments/uk/inf/107-862.htm|archive-date=22 October 2007|url-status=dead}}

{{Regiments of Foot}}

{{DEFAULTSORT:104th Regiment of Foot (Bengal Fusiliers)}}

{{#seo:
|keywords=Honourable East India Company regiments, Infantry regiments of the British Army, Military units and formations established in 1854, Military units and formations disestablished in 1881, 1839 establishments in British India
|description=The 104th Regiment of Foot was a regiment of the British Army, raised by the Honourable East India Company in 1765. Under the Childers Reforms it ...
}}

[[Category:Honourable East India Company regiments]]
[[Category:Infantry regiments of the British Army]]
[[Category:Military units and formations established in 1854]]
[[Category:Military units and formations disestablished in 1881]]
[[Category:1839 establishments in British India]]

103rd Regiment of Foot (Royal Bombay Fusiliers)

2023-07-15T17:07:10Z

MetaBOT: added clean description script (info)

{{for|other units with the same regimental number|103rd Regiment of Foot (disambiguation)}}
{{Use dmy dates|date=December 2013}}
{{Use British English|date=December 2013}}
{{Infobox military unit
|unit_name=103rd Regiment of Foot (Royal Bombay Fusiliers)
|image=103rd Regiment of Foot Cap Badge.jpg
|caption=Cap badge of the 103rd Regiment of Foot (Royal Bombay Fusiliers)
|dates=1662–1881
|country=[[File:Flag of the British East India Company (1801).svg|23px]] [[East India Company]] (1662–1858) {{flag|United Kingdom}} (1858–1881)
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|type=
|role=[[Infantry]]
|size=One battalion
|command_structure=
|garrison=[[Devoy Barracks|Naas Barracks]], [[County Kildare]]
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|colors=white facings, changed to dark blue in 1861.
|colors_label=
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|equipment=
|equipment_label=
|battles=[[Seven Years' War]] [[Third Anglo-Mysore War]] [[Third Anglo-Maratha War]] [[Fourth Anglo-Mysore War]] [[Second Anglo-Sikh War]] [[Indian Rebellion of 1857|Indian Rebellion]]
|anniversaries=
|decorations=
|battle_honours=



|identification_symbol=
|identification_symbol_label=
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|identification_symbol_2_label=
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}}

The '''103rd Regiment of Foot (Royal Bombay Fusiliers)''' was a [[regiment]] raised in 1662. It transferred to the command of the [[East India Company|Honourable East India Company]] in 1668 and to the command of the [[British Army]] in 1862. Under the [[Childers Reforms]] it amalgamated with the [[102nd Regiment of Foot (Royal Madras Fusiliers)]] to form the [[Royal Dublin Fusiliers]] in 1881.

==History==
[[File:General Sir William Wyllie.jpg|thumb|left|General [[William Wyllie (British Army officer)|Sir William Wyllie]], colonel of the regiment in the 1870s]]

===Formation===
[[File:Clive.jpg|thumb|''Lord Clive meeting with Mir Jafar after the Battle of Plassey'', oil on canvas (Francis Hayman, c.1762]]
The regiment was originally raised in England as independent companies of European soldiers to garrison [[Bombay]] in February 1662.<ref name=regiments>{{cite web |url=http://www.regiments.org/regiments/uk/inf/103-862.htm |archive-url=https://web.archive.org/web/20071015184802/http://www.regiments.org/regiments/uk/inf/103-862.htm |archive-date=15 October 2007 |title=103rd Regiment of Foot (Royal Bombay Fusiliers) |access-date=15 April 2007 |last=Mills |first=T.F. |work=regiments.org |url-status=dead |df=dmy-all }}</ref> It embarked for [[India]] later that year and was transferred to the [[East India Company|Honourable East India Company]] as '''The Bombay Regiment''' in March 1668.<ref name=regiments/> In 1688 it was renamed '''The Bombay (European) Regiment''' – "European" indicating it was composed of white soldiers, not Indian [[sepoy]]s.<ref name=regiments/> The regiment saw action at the [[Battle of Plassey]] in June 1757 during the [[Seven Years' War]].<ref name=locations>{{cite web|url=http://www.regiments.org/deploy/uk/reg-inf/103.htm|archive-url=https://web.archive.org/web/20071114202400/http://www.regiments.org/deploy/uk/reg-inf/103.htm|url-status=dead|archive-date=14 November 2007|title= 103rd Regiment of Foot (Royal Bombay Fusiliers): Locations|publisher=Regiments.org|access-date=26 March 2017}}</ref> It also fought at the [[Battle of Buxar]] in October 1764 during the Oude Campaign.<ref name=locations/> It next saw action at the [[Siege of Seringapatam (1792)|siege of Seringapatam]] in February 1792 during the [[Third Anglo-Mysore War]].<ref name=locations/> It fought at the [[Battle of Seedaseer]] in March 1799 and the [[Siege of Seringapatam (1799)|siege of Seringapatam]] in April 1799 during the [[Fourth Anglo-Mysore War]].<ref name=locations/>

===Early nineteenth century===
The regiment fought at the [[Battle of Khadki]] in November 1817 during the [[Third Anglo-Maratha War]].<ref name=sumner>Sumner, p. 5, 26–28</ref> It then embarked for the [[Arabian Peninsula]] in October 1820 and saw action in operations against [[Oman]]i pirates at [[Beni Boo Alli (battle honour)|Jalan Bani Bu Ali]] in March 1821.<ref name=locations/>

===The Victorian era===
The regiment took part in the Conquest of [[Aden]] in 1839 and was then renumbered as the '''1st Bombay (European) Regiment''' later in the year (on the creation of the [[106th Regiment of Foot (Bombay Light Infantry)|2nd Bombay (European) Regiment]]), and designated the '''1st Bombay (European) Fusiliers''' in 1844.<ref name=regiments/> It took part in the [[siege of Multan]] in April 1848 and the [[Battle of Gujrat]] in February 1849 during the [[Second Anglo-Sikh War]].<ref name=locations/> It also fought at various skirmishes during the [[Indian Rebellion of 1857|Indian Rebellion]].<ref name=locations/>

After the Crown took control of the [[Presidency armies]] in the aftermath of the Mutiny, the regiment became the '''1st Bombay Fusiliers''' in November 1859 and then the '''1st Royal Bombay Fusiliers''' in May 1861.<ref name=regiments/> It was then renumbered as the '''103rd Regiment of Foot (Royal Bombay Fusiliers)''' on transfer to the [[British Army]] in September 1862.<ref name=regiments/>{{#tag:ref|"Her Majesty's Government have expressed an anxious desire to preserve the proud recollections of distinguished service which belong especially to the older Regiments of each Presidency, and to incorporate with Her Majesty's Army, Corps which have so greatly contributed to the acquisition and maintenance of Her Majesty's Dominions in the East. Her Majesty having graciously determined to mark Her estimation of the services of Her Indian Armies, by conferring the designation of "Royal" upon three of the European Regiments, and by selecting for this honour one Regiment from each Presidency...has much gratification in announcing that the following Regiments will henceforward bear the honourable designation of "Royal" Regiments...The 1st Bombay Fusiliers. The...older Regiments in the several Presidencies will thus be converted into Regiments of Her Majesty's General Army, and will be numbered and designated as follows...The 103rd Regiment of Foot (Royal Bombay Fusiliers).<ref>{{London Gazette|issue=22514 |date=28 May 1861 |pages=2252–2253 }}</ref>|group=Note}} The regiment arrived in England in February 1871.<ref name=locations/>

As part of the [[Cardwell Reforms]] of the 1870s, where single-battalion regiments were linked together to share a single depot and recruiting district in the United Kingdom, the 103rd was linked with the [[102nd Regiment of Foot (Royal Madras Fusiliers)]], and assigned to district no. 66 at [[Devoy Barracks|Naas Barracks]] in [[County Kildare]].<ref name=training>{{cite web|url=http://www.regiments.org/regiments/uk/depot/1873.htm|archive-url=https://web.archive.org/web/20060210172841/http://www.regiments.org/regiments/uk/depot/1873.htm|url-status=dead|archive-date=10 February 2006|title=Training Depots|publisher=Regiments.org|access-date=16 October 2016}}</ref> On 1 July 1881 the [[Childers Reforms]] came into effect and the regiment amalgamated with the 102nd Regiment of Foot (Royal Madras Fusiliers) to form the [[Royal Dublin Fusiliers]].<ref name=regiments/>

==Battle honours==
The regiment received the following battle honours granted by the Honourable East India Company:<ref name=sumner/>
{{columns-list|colwidth=22em|
*[[Battle of Khadki|Kirkee]]
*[[Beni Boo Alli (battle honour)|Beni Boo Ali]]
*[[Aden Expedition|Aden]]
*[[Siege of Multan|Mooltan]]
*[[Battle of Gujrat|Goojerat]]
*[[Second Anglo-Sikh War|Punjaub]]
}}

==Distinctions==
In 1844 the regiment was granted a number of honorary distinctions recording its past service. The awards were made by the [[Governor-General of India]] on 6 November 1844 in the following terms: "With the approval of the Right Honourable the Governor-General of India in Council, the Honourable the Governor in Council is pleased to direct, that the honorary distinctions specified below be borne upon the Colours and appointments of the 1st Bombay European Regiment, Fusiliers":<ref>Mainwaring (1911), p. 376</ref>
*The '''Royal Tiger''', superscribed ''Plassey'' and ''Buxar'', for services in the Presidency of Bengal, during 1757 and 1764-1765, especially at the battles of [[Battle of Plassey|Plassey]] and [[Battle of Buxar|Buxar]] and the sieges of [[Chandannagar|Chandernagore]], [[Chunar]], and [[Allahabad]].
*The '''Elephant''' superscribed ''Carnatic'' and ''Mysore'', for services on the Coromandel Coast, in the Carnatic and Mysore, during the years 1747-8-9; 1754-5, 1760, 1764 and 1788, especially as having shared in the defence of [[Cuddalore]] (Fort St David), 16 June 1748, the operations under [[Edward Boscawen|Admiral Boscawen]], and the siege of Davi Cottah, the latter part of this and the beginning of the following year; the action with the French Army under Monsieur Maisin, between the Sugar Loaf and French Rocks on 16 August 1754, the sieges of [[Siege of Pondicherry (1760)|Pondicherry]] and Mihie 1760-1; the sieges of Madura and [[Palayamkottai|Palamcottah]] in 1764; the storming of the [[Second Anglo-Mysore War|Bednore Ghauts and Capture of Bednore]] in 1783, and the expedition in the first campaign against [[Siege of Seringapatam (1792)|Seringapatam]] in 1790-1-2.
* '''Guzerat''' for service at several different periods; especially throughout the whole of General Goddard's Campaign, with the Bengal Brigade in 1780, and the storming of [[Ahmedabad]], 15 January 1780.

==Regimental colonels==
Colonels of the Regiment were:<ref name=regiments/>

*1862–1873: Lt-Gen. Joseph Hale
*1873–1881: Gen. Sir [[William Wyllie (British Army officer)|William Wyllie]], GCB

==Notes==
{{reflist|group=Note}}

==References==
{{reflist}}

==Sources==
*{{cite book|last=Mainwaring|first=Arthur|title=Crown and Company. The Historical Records of the 2nd Battalion Royal Dublin Fusiliers, formerly the 1st Bombay European Regiment, 1662-1911|year=1911|publisher=Arthur L Humphreys|location=London}}
*{{cite book |last=Sumner |first=Ian |title=British Colours & Standards 1747–1881 (2) Infantry |publisher=Osprey Publishing |location=Oxford |year=2001 |isbn=978-1-84176-201-2}}

==Further reading==
*{{cite book|last=Norman |first=C B |title=Battle Honours of the British Army |url=https://archive.org/details/in.ernet.dli.2015.30712 |location=London |year=1911 |publisher=John Murray}}
*{{Cite book |last=Swinson |first=Arthur|title=A Register of the Regiments and Corps of the British Army |year=1972 |publisher=The Archive Press |location=[[London]] |isbn=0-85591-000-3 |page=205}}

{{Regiments of Foot}}

{{DEFAULTSORT:103rd Regiment Of Foot (Royal Bombay Fusiliers)}}

{{#seo:
|keywords=Infantry regiments of the British Army, Honourable East India Company regiments, 1662 establishments in England, Military units and formations disestablished in 1881, Military units and formations established in the 1660s
|description=The 103rd Regiment of Foot was a regiment raised in 1662. It transferred to the command of the Honourable East India Company in 1668 and to the ...
}}

[[Category:Infantry regiments of the British Army]]
[[Category:Honourable East India Company regiments]]
[[Category:1662 establishments in England]]
[[Category:Military units and formations disestablished in 1881]]
[[Category:Military units and formations established in the 1660s]]

103rd Mahratta Light Infantry

2023-07-15T17:06:52Z

MetaBOT: added clean description script (info)

{{ref improve|date=February 2013}}
{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{Infobox military unit
| unit_name = 103rd Mahratta Light Infantry
| image = Mahratta infantry lovett.png | image_size = 300px
| caption = A subadar of the regiment (far left) with other Mahratta Infantry, painted in 1911.
| dates = 1768–1922
| country = [[British Raj|Indian Empire]]
| allegiance =
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| colors = Red; faced sky-blue, 1888 blue 1895 black
| colors_label = Uniform
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The '''103rd Mahratta Light Infantry''' were an infantry regiment of the [[British Indian Army]]. They could trace their origins to 1768, when they were raised as the 2nd Battalion, '''Bombay Sepoys'''. The regiment was first in action in the [[Mysore (1789-91)|Mysore Campaign]] during the [[Third Anglo-Mysore War]], quickly followed by the [[Battle of Seedaseer]] and the [[Battle of Seringapatam]] in the [[Fourth Anglo-Mysore War]]. Their next action was at [[Beni Boo Alli (1821) (Battle honour)|Beni Boo Ali]] against [[pirates]] in Eastern [[Arabia]] and the [[Persian Gulf]] region led the [[Honourable East India Company|East India Company]] to carry out a [[punitive expedition]] in 1819 to [[Ras al Khaimah]] which destroyed the pirate base and removed the threat from the Persian Gulf.

In 1848, the regiment took part in the [[Siege of Multan]] and the [[Battle of Gujrat]] in the [[Second Anglo-Sikh War]]. The [[1868 Expedition to Abyssinia]] was next for the regiment. This was a [[punitive expedition]] carried out by [[armed forces]] of the [[British Empire]] against the Emperor [[Tewodros II of Ethiopia]], he had imprisoned several missionaries and two representatives of the [[United Kingdom|British]] government.<ref>Harold G. Marcus, ''The Life and Times of Menelik II: Ethiopia 1844–1913'', 1975 (Lawrenceville: Red Sea Press, 1995), p. 32</ref> During [[World War I]] they took part in the [[Mesopotamia Campaign]]. With the [[17th (Ahmednagar) Brigade]] they were at the [[Battle of Es Sinn]]. They were captured by the Turks with the [[6th (Poona) Division]] after the [[Siege of Kut]].

After World War I the Indian government reformed the army moving from single battalion regiments to multi battalion regiments.<ref>Sumner p. 15</ref> In 1922, the 103rd Mahratta Light Infantry became the 1st Battalion [[5th Mahratta Light Infantry]]. After independence they were one of the regiments allocated to the [[Indian Army]].

==Predecessor names==
*2nd Battalion, Bombay Sepoys – 1768.
*1st Battalion, 2nd Regiment of Bombay Native Infantry – 1796.
*3rd Regiment of Bombay Native Infantry – 1824.
*3rd Regiment of Bombay (Light) Infantry – 1871.
*3rd Bombay Light Infantry – 1901.
*103rd Maharatta Light Infantry – 1903.

==Notes==
{{reflist}}

==References==
{{Refbegin}}
*{{cite book|last1=Barthorp|first1=Michael|last2=Burn|first2=Jeffrey|year=1979|title=Indian infantry regiments 1860–1914|publisher=Osprey Publishing|isbn=0-85045-307-0}}
*{{cite book|last=Rinaldi|first=Richard A|year=2008|title=Order of Battle British Army 1914|publisher=Ravi Rikhye|isbn=978-0-9776072-8-0}}
*{{cite book|last=Sharma|first=Gautam|year=1990|title=Valour and sacrifice: famous regiments of the Indian Army|publisher=Allied Publishers|isbn=81-7023-140-X}}
*{{cite book|last=Sumner|first=Ian|title=The Indian Army 1914–1947|year=2001|publisher=Osprey Publishing|isbn=1-84176-196-6}}
*Moberly, F.J. (1923). ''Official History of the War: Mesopotamia Campaign'', Imperial War Museum. {{ISBN|1-870423-30-5}}
{{Refend}}

{{#seo:
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|description=The 103rd Mahratta Light Infantry were an infantry regiment of the British Indian Army. They could trace their origins to 1768, when they were ...
}}

[[Category:British Indian Army infantry regiments]]
[[Category:Military units and formations established in 1768]]
[[Category:Military units and formations disestablished in 1922]]
[[Category:Bombay Presidency]]
[[Category:1768 establishments in the British Empire]]

102nd Regiment of Foot (Royal Madras Fusiliers)

2023-07-15T17:06:41Z

MetaBOT: added clean description script (info)

{{for|other units with the same regimental number|102nd Regiment of Foot (disambiguation)}}
{{Infobox military unit
|unit_name= 102nd Regiment of Foot (Royal Madras Fusiliers)
|image=
|caption=
|dates= 1742–1881
|country=[[File:Flag of the British East India Company (1801).svg|23px]] [[East India Company]] (1742–1858) {{flag|United Kingdom}} (1858–1881)
|allegiance=
|branch=[[File:Flag of the British East India Company (1801).svg|23px]] [[Madras Army]] (1742–1862) {{army|United Kingdom}} (1862–1881)
|type=[[Infantry of the Line|Line Infantry]]
|role=[[Light Infantry]]
|size= One battalion (two battalions 1774–1799 and 1824–1830)
|garrison=[[Devoy Barracks|Naas Barracks]], [[County Kildare]]
|ceremonial_chief=
|ceremonial_chief_label=
|colonel_of_the_regiment=
|nickname=
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|colors= Blue Facings,
|march= '''Quick:''' '''Slow:'''
|mascot=
|battles=[[Carnatic Wars|Second Carnatic War]] [[Seven Years' War]] [[Carnatic Wars|Third Carnatic War]] [[Third Anglo-Mysore War]] [[Third Anglo-Maratha War]] [[First Anglo-Burmese War]] [[Second Anglo-Burmese War]] [[Indian Rebellion of 1857|Indian Rebellion]]
|notable_commanders=
|anniversaries=
}}
The '''102nd Regiment of Foot (Royal Madras Fusiliers''') was a [[regiment]] of the [[British Army]] raised by the [[East India Company|Honourable East India Company]] in 1742. It transferred to the command of the [[British Army]] in 1862. Under the [[Childers Reforms]] it amalgamated with the [[103rd Regiment of Foot (Royal Bombay Fusiliers)|103rd Regiment of Foot]] in 1881 to form the [[Royal Dublin Fusiliers]].

==History==
[[File:General Sir Robert John Hussey Vivian.png|thumb|left|General [[Robert John Hussey Vivian|Sir Robert Vivian]], colonel of the regiment in the 1860s]]

===Formation===
The regiment was raised by the [[East India Company|Honourable East India Company]] as the '''Madras Europeans''' from independent companies in 1742 – "European" indicating it was composed of British soldiers, not Indian [[sepoy]]s.<ref name=regt>{{cite web|url=http://www.regiments.org/regiments/uk/inf/102-862.htm |title=102nd Regiment of Foot (Royal Madras Fusiliers)|publisher= regiments.org |access-date=18 August 2016 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060210173345/http://www.regiments.org/regiments/uk/inf/102-862.htm |archive-date=10 February 2006 }}</ref> It saw action at the [[siege of Arcot]] in autumn 1751 during the [[Carnatic Wars|Second Carnatic War]] and went on to fight at the [[Battle of Plassey]] in June 1757, the [[Battle of Condore]] in December 1758 and the [[Battle of Wandiwash]] in January 1760 during the [[Seven Years' War]].<ref name=locations>{{cite web|url=http://www.regiments.org/deploy/uk/reg-inf/102.htm|archive-url=https://web.archive.org/web/20060222130407/http://www.regiments.org/deploy/uk/reg-inf/102.htm|url-status=dead|archive-date=22 February 2006|title=102nd Regiment of Foot (Royal Madras Fusiliers): Locations|publisher=Regiments.org|access-date=26 March 2017}}</ref> It also fought at the [[Siege of Pondicherry (1760)|siege of Pondicherry]] in September 1760 during the [[Carnatic Wars|Third Carnatic War]].<ref name=locations/> It became the '''1st Madras Europeans''', on formation of the [[105th Regiment of Foot (Madras Light Infantry)|2nd]] and [[108th (Madras Infantry) Regiment of Foot|3rd Madras Europeans]], in 1766.<ref name=regt/> It went on to become the '''1st Madras European Regiment''' in 1774.<ref name=regt/> After that it took part in the [[siege of Nundydroog]] in October 1791 and the [[Siege of Seringapatam (1792)|siege of Seringapatam]] in February 1792 during the [[Third Anglo-Mysore War]].<ref name=locations/>

===Early nineteenth century===
{{further|Invasion of the Spice Islands}}
[[File:Ternate Island.jpg|thumb|A view of [[Ternate]] occupied by the regiment in the early nineteenth century]]
The regiment next took part in expedition to the [[Dutch East Indies]] seeing action at the capture of [[Ambon Island|Amboyna]] in February 1796 and its recapture in February 1810, the capture of [[Ternate]] in April 1801 and its recapture in August 1810 and the capture of [[Banda Islands|Banda]] in March 1796 and its recapture in August 1810.<ref name=locations/>

===The Victorian era===
The regiment returned to India in 1816 and took part in the [[Battle of Mahidpur]] in December 1817 during the [[Third Anglo-Maratha War]].<ref name=locations/> It was deployed to [[Myanmar|Burma]] in 1824 for service in the [[First Anglo-Burmese War]]: it formed part of an army which advanced up the [[Irrawaddy River|River Irrawaddy]] to the [[Kingdom of Ava]].<ref name=locations/> It returned to India arriving in [[Chennai|Madras]] in 1826.<ref name=locations/> It transferred to [[Malacca]] in 1835<ref name=locations/> and became the '''1st Madras (European) Fusiliers''' in 1843.<ref name=regt/> After returning to India in early 1852 it was deployed to the Province of [[Bago, Myanmar|Pegu]] in April 1852 during the [[Second Anglo-Burmese War]].<ref name=locations/>

The regiment fought at the [[Siege of Lucknow|siege and relief of Lucknow]] in November 1857 during the [[Indian Rebellion of 1857|Indian Rebellion]].<ref name=locations/> Three members of the regiment were awarded the [[Victoria Cross]] for their actions during the siege.<ref>{{London Gazette|issue=22154|page=2958|date=18 June 1858}}</ref><ref>{{London Gazette|issue=22212|page=5515|date=24 December 1858}}</ref> After the Crown took control of the [[Presidency armies]] in the aftermath of the Rebellion, the regiment became the '''1st Madras Fusiliers''' in July 1858 and then the '''1st Royal Madras Fusiliers''' in May 1861.<ref name=regt/> It was then renumbered as the '''102nd Regiment of Foot (Royal Madras Fusiliers)''' on transfer to the [[British Army]] in September 1862.<ref name=regt/>{{#tag:ref|"Her Majesty's Government have expressed an anxious desire to preserve the proud recollections of distinguished service which belong especially to the older Regiments of each Presidency, and to incorporate with Her Majesty's Army, Corps which have so greatly contributed to the acquisition and maintenance of Her Majesty's Dominions in the East. Her Majesty having graciously determined to mark Her estimation of the services of Her Indian Armies, by conferring the designation of "Royal" upon three of the European Regiments, and by selecting for this honour one Regiment from each Presidency...has much gratification in announcing that the following Regiments will henceforward bear the honourable designation of "Royal" Regiments...The 1st Madras Fusiliers. The...older Regiments in the several Presidencies will thus be converted into Regiments of Her Majesty's General Army, and will be numbered and designated as follows...The 102nd Regiment of Foot (Royal Madras Fusiliers).<ref>{{London Gazette|issue=22514 |date=28 May 1861 |pages=2252–2253 }}</ref>|group=Note}} The regiment embarked for England in 1870 and was then deployed to [[Gibraltar]] in April 1876 and to [[Sri Lanka|Ceylon]] in 1879.<ref name=locations/>

As part of the [[Cardwell Reforms]] of the 1870s, where single-battalion regiments were linked together to share a single depot and recruiting district in the United Kingdom, the 102nd was linked with the [[103rd Regiment of Foot (Royal Bombay Fusiliers)]], and assigned to district no. 66 at [[Devoy Barracks|Naas Barracks]] in [[County Kildare]].<ref name=training>{{cite web|url=http://www.regiments.org/regiments/uk/depot/1873.htm|archive-url=https://web.archive.org/web/20060210172841/http://www.regiments.org/regiments/uk/depot/1873.htm|url-status=dead|archive-date=10 February 2006|title=Training Depots|publisher=Regiments.org|access-date=16 October 2016}}</ref> On 1 July 1881 the [[Childers Reforms]] came into effect and the regiment amalgamated with the 103rd Regiment of Foot (Royal Bombay Fusiliers) to form the [[Royal Dublin Fusiliers]].<ref name=regt/>

=== Plassey the tiger ===
{{Further|Military mascot}}
The 102nd kept a tiger, named Plassey, during their deployments in India and the regiment's garrison at [[Dover]]. Named after the Battle of Plassey, the [[Bengal tiger]] cub was among a pair captured by Captain Frank Thackwell of the [[5th Royal Irish Lancers]], and later gifted to the 102nd. Plassey was among the other mascots of the 102nd, that being a dog and an antelope. Plassey came to be such a symbol of the regiment that the [[cap badge]] showed him. After the regiment was shipped back to Europe, Plassey stayed with the Dover garrison, where he lived alongside a pair of [[leopards]]. However, after having "alarmed" residents, Plassey was sent to the [[London Zoo]], where he died in 1877.<ref>{{cite web |title='Plassey', the pet tiger of the Royal Madras Fusiliers, 1870 (c) {{!}} Online Collection {{!}} National Army Museum, London |url=https://collection.nam.ac.uk/detail.php?acc=1964-08-341-2 |website=collection.nam.ac.uk |access-date=22 November 2022}}</ref><ref>{{cite web |title=From terriers to tigers: British Army mascots {{!}} The Gazette |url=https://m.thegazette.co.uk/all-notices/content/101144 |website=m.thegazette.co.uk |access-date=22 November 2022}}</ref>

==Battle honours==
Battle honours won by the regiment were:<ref name=regt/>

{{columns-list|colwidth=22em|
* [[Siege of Arcot|Arcot]]
* [[Battle of Plassey|Plassey]]
* [[Battle of Condore|Condore]]
* [[Battle of Wandiwash|Wandiwash]]
* [[Siege of Pondicherry (1760)|Pondicherry]]
* [[Siege of Nundydroog|Nundy Droog]]
* [[Ambon Island|Amboyna]]
* [[Ternate]]
* [[Banda Islands|Banda]]
* [[Battle of Mahidpur|Maheidpoor]]
* [[First Anglo-Burmese War|Ava]]
* [[Second Anglo-Burmese War|Pegu]]
* [[Siege of Lucknow|Lucknow]]
}}

==Victoria Crosses==
*Private [[Thomas Duffy (VC)|Thomas Duffy]], [[Indian Mutiny]] (6 September 1857)
*Private [[John Ryan (VC 1857)|John Ryan]], Indian Mutiny (26 September 1857)
*Private [[John Smith (private)|John Smith]], Indian Mutiny (16 November 1857)

==Colonels of the Regiment==
Colonels of the Regiment included:<ref name= regt/>

;102nd Regiment of Foot (Royal Madras Fusiliers)
*1862–1881: Gen. Sir [[Robert John Hussey Vivian]], GCB

==Notes==
{{reflist|group=Note}}

==References==
{{Reflist|30em}}

==Further reading==
*{{cite book|last=Raikes|first=Thomas|title=102nd Regiment of Foot (Royal Madras Fusiliers) from 1842 to the present time|publisher=Smith, Elder, and Co.|year=1867}}

==External links==
*{{cite web |url=http://www.regiments.org/regiments/uk/inf/102-862.htm |title=102nd Regiment of Foot (Royal Madras Fusiliers) |publisher=regiments.org |archive-url=https://web.archive.org/web/20080113060617/http://www.regiments.org/regiments/uk/inf/102-862.htm |archive-date=13 January 2008}}
{{Regiments of Foot}}

{{DEFAULTSORT:102nd Regiment Of Foot (Royal Madras Fusiliers)}}

{{#seo:
|keywords=Infantry regiments of the British Army, Honourable East India Company regiments, Military units and formations established in 1742, Military units and formations disestablished in 1881, 1742 establishments in British India
|description=The 102nd Regiment of Foot was a regiment of the British Army raised by the Honourable East India Company in 1742. It transferred to the command of ...
}}

[[Category:Infantry regiments of the British Army]]
[[Category:Honourable East India Company regiments]]
[[Category:Military units and formations established in 1742]]
[[Category:Military units and formations disestablished in 1881]]
[[Category:Pages with large description]]
[[Category:1742 establishments in British India]]

102nd Prince of Wales's Own Grenadiers

2023-07-15T17:06:26Z

MetaBOT: added clean description script (info)

{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{Infobox Military Unit
|unit_name=102nd Prince of Wales's Own Grenadiers
|image=
|caption=
|dates=1759–1922
|country={{flagicon|British Raj}} [[British Raj|British India]]
|allegiance={{flag|British Empire}}
|branch=[[File:British Raj Red Ensign.svg|26px]] [[British Indian Army]]
|type=[[Infantry]]
|size=[[Regiment]]
|command_structure=[[Bombay Army]] (to 1895) [[Bombay Command]]
|garrison=
|ceremonial_chief=
|ceremonial_chief_label=
|colonel_of_the_regiment=
|nickname=
|motto=
|colors=Red; faced white
|colors_label=Uniform
|march=
|mascot=
|battles=[[French Revolutionary Wars]] [[Third Anglo-Maratha War]] [[First Afghan War]] [[1868 Expedition to Abyssinia]] [[Second Afghan War]] [[World War I]]
|notable_commanders=
|anniversaries=
}}
The '''102nd Prince of Wales's Own Grenadiers''' was an [[infantry]] [[regiment]] of the [[British Indian Army]]. It could trace its origins to 1796, when it was raised as the 13th Battalion, Bombay Native Infantry.

The Grenadiers were part of the Indian army which was sent to Egypt in 1801, to fight against the [[Napoleonic Campaign in Egypt]] in the [[French Revolutionary Wars]]. In 1818, the regiment's soldiers fought in the Peshwa Wars, distinguishing themselves at the [[Battle of Koregaon]] in the [[Third Anglo-Maratha War]].

In 1824 when it became a regiment in its own right, when it was named the 2nd or Grenadier Regiment of Bombay Native Infantry.

In 1840, it took part in the First Afghan War and then the [[1868 Expedition to Abyssinia]] which was a [[punitive expedition]] carried out by armed forces of the [[British Empire]] against the Ethiopian Emperor [[Tewodros II of Ethiopia]]. In 1880, the unit took part in the [[Battle of Maiwand]] during the [[Second Afghan War]]. The regiment was stationed in [[Mhow]], when in October 1902 it was order to go to [[Berbera]], to fight in the [[Somaliland Campaign]].<ref>{{Cite newspaper The Times |title=Latest intelligence - Reinforcements for Somaliland|date=22 October 1902 |page=3 |issue=36905}}</ref>

[[World War I]] began with it being stationed at [[Muscat, Oman|Muscat]], [[Oman]] and served in the [[Mesopotamia Campaign]] with the [[14th Indian Division]], taking part in the [[Second Battle of Kut]] and the [[Fall of Baghdad (1917)]]. A second battalion was raised in 1917 that served in the [[Sinai and Palestine Campaign]].

After World War I the Indian government reformed the army, moving from single battalion regiments to multi-battalion regiments.<ref>Sumner p.15</ref> In 1922, the 102nd Prince of Wales's Own Grenadiers became the 2nd Battalion, [[4th Bombay Grenadiers]].

[[File:Soldiers of the 2nd Bombay Grenadiers of the Indian Army in Hampton Court Camp.jpg|thumb|right|305x305px|2nd Bombay Grenadiers in Hampton Court Camp on the occasion of the Coronation of King Edward VII, August 1902]]

==Designations==

{| class="wikitable"
|-
! Year
! Designation
|-
| 1796
| 13th Battalion, Bombay Native Infantry
|-
| 1797
| 1st Battalion, 5th Regiment Bombay Native Infantry
|-
| 1798
| 2nd Battalion, 1st Regiment of Bombay Native Infantry
|-
| 1818
| 2nd Battalion, Grenadier Regiment of Bombay Native Infantry
|-
| 1824
| 2nd or Grenadier Regiment of Bombay Native Infantry
|-
| 1876
| 2nd (Prince of Wales's Own) Regiment of Bombay Native Infantry ([[Grenadiers]])
|-
| 1885
| 2nd (Prince of Wales's Own) Regiment of Bombay Infantry (Grenadiers)
|-
| 1901
| 2nd (Prince of Wales's Own) Bombay Grenadiers
|-
| 1903
| 102nd Prince of Wales's Own Grenadiers
|-
| 1922
| 2nd Battalion, 4th Bombay Grenadiers
|-
| 1947
| 2nd Battalion, The Grenadiers
|}

==References==
{{reflist}}
*{{cite book|last1=Barthorp|first1=Michael|last2=Burn|first2=Jeffrey|year=1979|title=Indian infantry regiments 1860-1914|publisher=Osprey Publishing|isbn=0-85045-307-0}}
*{{cite book|last=Rinaldi|first=Richard A|year=2008|title=Order of Battle British Army 1914|publisher=Ravi Rikhye|isbn=978-0-9776072-8-0}}
*{{cite book|last=Sharma|first=Gautam|year=1990|title=Valour and sacrifice: famous regiments of the Indian Army|publisher=Allied Publishers|isbn=81-7023-140-X}}
*{{cite book|last=Sumner|first=Ian|title=The Indian Army 1914-1947|year=2001|publisher=Osprey Publishing|isbn=1-84176-196-6}}
*Moberly, F.J. (1923). ''Official History of the War: Mesopotamia Campaign'', Imperial War Museum. {{ISBN|1-870423-30-5}}

{{#seo:
|keywords=British Indian Army infantry regiments, Bombay Presidency, Grenadier regiments
|description=The 102nd Prince of Waless Own Grenadiers was an infantry regiment of the British Indian Army. It could trace its origins to 1796, when it was ...
}}

[[Category:British Indian Army infantry regiments]]
[[Category:Bombay Presidency]]
[[Category:Grenadier regiments]]

102 Not Out

2023-07-15T17:06:12Z

MetaBOT: added clean description script (info)

{{Short description|2017 film by Umesh Shukla}}
{{Use dmy dates|date=August 2020}}
{{Use Indian English|date=December 2015}}

{{Infobox film
| name = 102 Not Out
| image = 102 not out.jpg
| caption = Theatrical release poster
| director = [[Umesh Shukla]]<ref>{{cite web |url=http://movies.ndtv.com/bollywood/amitabh-bachchan-to-play-centenarian-in-102-not-out-431082 |title=Amitabh Bachchan to play centenarian in 102 Not Out – NDTV Movies |date=11 October 2013 |publisher= |access-date=22 March 2014 |archive-date=27 May 2014 |archive-url=https://web.archive.org/web/20140527015034/http://movies.ndtv.com/bollywood/amitabh-bachchan-to-play-centenarian-in-102-not-out-431082 |url-status=dead }}</ref>
| producer = SPE Films India
| writer = [[Saumya Joshi]]
| starring = [[Amitabh Bachchan]] [[Rishi Kapoor]] [[Jimit Trivedi]]
| narrator = [[Vijay Raaz]]
| music = [[George Joseph (composer)|George Joseph]] '''Songs:''' [[Salim–Sulaiman]] [[Amitabh Bachchan]] Rohan-Vinayak
| cinematography = [[Laxman Utekar]]
| editing = Bodhaditya Banerjee
| studio = [[Sony Pictures|SPE Films India]] Treetop Entertainment Benchmark Pictures
| distributor = [[Sony Pictures Releasing]]
| released = {{Film date|2018|05|04|df=y}} (India)
{{Film date|2018|11|30|df=y}} (China)<ref>{{Cite news |title=After 'Hichki', now Big B-starrer '102 Not Out' to hit the screens in China |work=The Economic Times |url=https://economictimes.indiatimes.com/magazines/panache/after-hichki-now-big-b-starrer-102-not-out-to-hit-the-screens-in-china/articleshow/66666893.cms?from=mdr|access-date=2020-08-29}}</ref>
| runtime = 102 minutes
| country = India
| language = Hindi
| budget = {{INR}}35 crore<ref>{{Cite news |url=https://boxofficeindia.com/movie.php?movieid=3759 |title=102 Not Out (2018) – Movie – Box Office India |publisher=[[Box Office India]] |access-date=12 June 2018}}</ref>
| gross = {{Estimation}} {{INR}}1.15 billion<ref>{{cite web |url=https://www.bollywoodhungama.com/movie/102-not-out/box-office/ |title=102 Not Out Box Office |website=[[Bollywood Hungama]] |access-date=21 November 2018}}</ref><ref name="firstpost">{{cite news |title=102 Not Out enters Rs 100 cr club with box office collection of Rs 22.67 cr during opening weekend in China |url=https://www.firstpost.com/entertainment/102-not-out-enters-rs-100-cr-club-with-box-office-collection-of-rs-22-67-cr-during-opening-weekend-in-china-5666571.html |work=[[Firstpost]] |date=5 December 2018}}</ref>
}}

'''''102 Not Out''''' is a 2018 Indian [[Hindi]]-language [[comedy-drama]] film directed by [[Umesh Shukla]] and starring [[Amitabh Bachchan]] and [[Rishi Kapoor]] in the lead roles.<ref name="indiatimes.com">{{cite web |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/Paresh-Rawal-to-play-Amitabh-Bachchans-son/articleshow/27835398.cms |title=Paresh Rawal to play Amitabh Bachchan's son |publisher=Times of India}}</ref><ref>{{Cite news |url=https://www.deccanchronicle.com/entertainment/bollywood/190517/amitabh-bachchan-and-rishi-kapoor-to-play-father-son-in-102-not-out.html |title=Big B, Rishi Kapoor to reunite after 26 years with 102 Not Out |date=19 May 2017 |work=[[Deccan Chronicle]]|access-date=9 February 2018}}</ref> The film is based on the eponymous Gujarati play written by [[Saumya Joshi]].<ref name="auto">{{cite web |url=http://www.bollywoodhungama.com/news/2356711/Amitabh-Bachchan-in-102-Not-Out |title=Amitabh Bachchan in 102 Not Out – Bollywood Hungama |first=Bollywood |last=Hungama |date=24 December 2013 |publisher=}}</ref> ''102 Not Out'' was released on 4 May 2018.<ref name=":0">{{Cite news |url=https://variety.com/2018/film/asia/amitabh-bachchan-rishi-kapoor-sony-102-not-out-1202691818/ |title=Amitabh Bachchan, Rishi Kapoor to Star in '102 Not Out' for Sony (EXCLUSIVE) |last=Frater |first=Patrick |date=8 February 2018 |work=Variety|access-date=9 February 2018 |language=en-US}}</ref>

== Plot ==
Dattatraya Vakharia is a 102-year-old who enjoys life in jovial and fun ways. His 75-year old son, Babulal Vakharia, is his stark opposite. Babulal believes that he is now too old and fragile to enjoy life, and detests how his father acts. Dhiru is an employee at a nearby medical shop who delivers medicine to the Vakharias. Dhiru likes Dattatraya for his jovial attitude and is scared of Babulal because of his grumpy nature.

Dattatraya seeks to break the record of the oldest living person. To accomplish his goal, he seeks to get rid of all the negative, unenthusiastic and boring elements surrounding him. Hence, he threatens to send his son to an elderly care facility unless he achieves certain conditions. While Babulal is hesitant, he accepts with Dhiru as a witness. Firstly, Babulal writes a love letter to his deceased wife. Next, he accuses his doctor of being a thief so that he stops going to the clinic daily for a checkup. While rejecting to cut holes in his childhood blanket, Babulal visits a playground and a church that remind him of childhood memories. He becomes sorrowed and distributes cake to young children in the streets with his father.

Babulal begins to appreciate his father's outlook on life. However, Babulal receives a call from his estranged son Amol informing Babulal that he will visit India. While Babulal is ecstatic hearing the news, Dattatraya is certain that Amol's motive is to claim their property as their heir. So he gives Babu his last task: to kick Amol out of the house for all his negligence towards his family. They argue and Babulal stops talking to Dattatraya. Even Dhiru, for the first time, supports Babulal and feels that Amol should be given a chance. Dattatraya reveals that Babu had spent all his savings to educate Amol and send him to the [[United States]]. However, Amol ignored them, telling nothing about his new family life in America. Dattatraya reveals to Babulal and Dhiru that he has cancer and won't remain for long. He further reveals that his goal to break the record of the world's oldest person was merely a ruse; he wanted to make Babulal get rid of his grumpy and unenthusiastic approach on life.

Days later, Amol arrives in India, where Babulal humiliates him in public, demanding him to return home. After later celebrating with Dattatraya and Dhiru, Dattatraya passes away at 102 years of age. A month later, Dhiru presents to Babulal a recording of his Dattaraya predicting that the record of the oldest man on Earth will be broken by Babulal himself.

== Cast ==
* [[Amitabh Bachchan]] as Dattatraya Vakharia
* [[Rishi Kapoor]] as Babulal Vakharia, Dattatraya's son<ref>{{Cite news |url=http://www.bollywoodhungama.com/news/2356711/Amitabh-Bachchan-in-102-Not-Out |title=Amitabh Bachchan in 102 Not Out – Bollywood Hungama |last=Hungama |first=Bollywood |date=24 December 2013 |work=Bollywood Hungama|access-date=12 July 2018 |language=en-US}}</ref>
* [[Jimit Trivedi]] as Dhiru
* Dharmendra Gohil as Amol Vakharia, Babulal's son
* [[Vijay Raaz]] as The Narrator

== Soundtrack ==
{{Infobox album
| name=102 Not Out
| type=soundtrack
| artist= [[Salim–Sulaiman]], [[Amitabh Bachchan]] and Rohan-Vinayak
| released={{Start date|df=yes|2018|April|30}}<ref>{{cite web |url=https://itunes.apple.com/in/album/102-not-out-original-motion-picture-soundtrack-ep/1379834563 |title=102 Not Out (Original Motion Picture Soundtrack) |publisher=[[iTunes]]}}</ref>
| genre=[[Feature film soundtrack]]
| length=27:49
| language=[[Hindi]]
| label=[[Saregama]] Music
| cover=
| alt=
| recorded=2017–2018
| misc = {{External media
| audio1 = {{YouTube|w1v2-OKBjLI|Audio Jukebox}}}}
}}

The music of the film has been composed by [[Salim–Sulaiman]], [[Amitabh Bachchan]] and Rohan-Vinayak while the lyrics were written by Hiral Brahmbhatt, [[Saumya Joshi]], [[Amitabh Bhattacharya]] and [[Kaifi Azmi]]. The songs featured in the film are sung by [[Arijit Singh]], [[Armaan Malik]], [[Sonu Nigam]], [[Amitabh Bachchan]], [[Rishi Kapoor]] and Hiral Brahmabhatt. [[George Joseph (Composer)|George Joseph]] has composed the background music for this film. The first song of the film, ''Bachche Ki Jaan'' which is sung by Singh was released on 10 April 2018. The second song of the film, ''Badumbaaa'' which is sung by Bachchan and Kapoor was released on 18 April 2018. The music album was released on 30 April 2018 by [[Saregama]] Music. Vipin Nair of ''[[The Hindu]]'' gave the soundtrack 3.5/5 stating that Salim-Sulaiman delivered "their best work in a very long time".<ref>{{Cite news |url=http://www.thehindu.com/entertainment/music/score-one-for-the-big-b/article23751590.ece |title=Score one for the Big B |last=Nair |first=Vipin |date=2 May 2018 |work=[[The Hindu]]|access-date=23 May 2018 |language=en-IN |issn=0971-751X}}</ref><ref>{{Cite web |url=http://www.musicaloud.com/2018/05/02/102-not-out-music-review/ |title=102 Not Out – Music Review {{!}} Music Aloud|website=www.musicaloud.com|access-date=23 May 2018}}</ref>

{{Tracklist
| headline=Track listing
| extra_column=Singer(s)
| total_length=27:49
| title1= Bachche Ki Jaan
| length1=4:49
| music1=[[Salim–Sulaiman]]
| extra1=[[Arijit Singh]]
| lyrics1=Hiral Brahmbhatt
| title2= Badumbaaa
| length2=5:46
| extra2=[[Amitabh Bachchan]], [[Rishi Kapoor]]
| lyrics2=[[Amitabh Bhattacharya]]
| music2= [[Amitabh Bachchan]]
| title3=Kulfi
| extra3= [[Sonu Nigam]]
| music3=Salim-Sulaiman
| length3=4:21
| lyrics3=[[Saumya Joshi]]
| title4= Kuch Anokhe Rules
| length4=3:33
| lyrics4=Saumya Joshi
| music4=Salim-Sulaiman
| extra4= [[Armaan Malik]]
| title5= Phir Laut Aayi Zindagi
| length5= 4:23
| lyrics5=Hiral Brahmbhatt
| extra5= Hiral Brahmbhatt
| music5=Salim-Sulaiman
| title6=Waqt Ne Kiya Kya Haseen Sitam
| length6=4:57
| music6= Rohan-Vinayak
| extra6=[[Amitabh Bachchan]]
| lyrics6=[[Kaifi Azmi]]
}}

== Makeup ==
The make-up for [[Amitabh Bachchan]] and [[Rishi Kapoor]] is done by makeup and prosthetic artist Preetisheel Singh. Considering the fact that both the actors have to play their characters that are more than their actual age, a lot of prosthetics and makeup were used to make them look like their respective character's age.<ref>{{Cite web |url=https://www.pinkvilla.com/entertainment/news/102-not-out-how-long-it-took-amitabh-bachchan-and-rishi-kapoor-get-prosthetic-makeup-done-403596 |title=102 Not Out: THIS is how long it took for Amitabh Bachchan and Rishi Kapoor to get prosthetic makeup done |website=PINKVILLA |language=en|access-date=13 June 2019}}</ref> [[Bollywood Hungama]] echoes, "The review would be incomplete without the mention of Preetisheel Singh's makeup, hair and prosthetic. She gives a great look to both the veteran actors which also turns out to be the film's USP."<ref>{{Cite web |url=https://medium.com/@bollywoodfeatures/makeover-whiz-preetisheel-singh-receives-rave-reviews-for-102-not-out-e1e8bfb9d0a5 |title=Makeover whiz Preetisheel Singh receives rave reviews for 102 Not Out |last=Features |first=Bollywood |date=14 May 2018 |website=Medium|access-date=13 June 2019}}</ref>

== Box office ==
In India, the film earned {{INR|520.5 million}} nett and {{INR|667.2 million}} gross.<ref>{{cite web |title=102 Not Out Box Office Collection till Now |url=http://www.bollywoodhungama.com/movie/102-not-out/box-office/ |website=[[Bollywood Hungama]] |access-date=4 December 2018}}</ref> In China, the film grossed {{US$|4.5 million|long=no}} ({{INR|{{#expr:(4.5/10)*(100/{{To USD|100|IND}}) round 2}} crore}}) as of 9 December 2018,<ref>{{cite web |title=102 Not Out |url=http://english.entgroup.cn/677543/ |website=EntGroup |access-date=16 December 2018}}</ref> including {{US$|3.25 million|long=no}} ({{INR|226.7 million}}) during its opening weekend there.<ref name="firstpost" /> In other territories, the film grossed {{INR|193.3 million}} ({{US$|{{To USD|193.3|IND|round=yes}} million|long=no}}) as of 3 December 2018.<ref name="firstpost" /> Combined, the film grossed {{INR|{{#expr:66.72+29.22+19.33 round 1}} crore}} ({{US$|{{To USD|1153|IND|round=yes}} million|long=no}}) worldwide as of 9 December 2018.

== Critical reception ==
{{As of|June 2020}}, ''102 Not Out'' holds a 58% approval rating on [[review aggregator]] website [[Rotten Tomatoes]], based on twelve reviews with an average rating of 5.75 out of 10.<ref>{{cite web |url=https://www.rottentomatoes.com/m/102_not_out |title=102 Not Out (2018) |publisher= |access-date=4 June 2020 |via=www.rottentomatoes.com}}</ref> [[Rajeev Masand]] of [[News18]] gave the film a rating of 3 out of 5 saying that, "Despite its many shortcomings ''102 Not Out'' has its heart in the right place, and a pair of actors clearly enjoying themselves on screen. Their infectious energy alone makes this film worth a watch."<ref>{{cite web |url=http://www.rajeevmasand.com/reviews/our-films/goldien-oldies/ |title=102 Not Out Movie Review – Goldien oldies |publisher=[[Rajeev Masand]]}}</ref> Rachit Gupta of [[The Times of India]] gave the film a rating of 3.5 out of 5 saying that, "The unique and refreshing concept of ''102 Not Out'' is its strength. It's just a happy and healthy entertainer that tells you that living in the moment and making the most of everyday of your life is all that matters."<ref>{{cite web |url=https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/102-not-out/movie-review/64006230.cms |title=102 Not Out Movie Review |work=[[The Times of India]]}}</ref> Shalini Langer of [[The Indian Express]] gave the film a rating of 2 out of 5 saying that, "No doubt it's great to see a film about two old people. But we have seen both Amitabh Bachchan and Rishi Kapoor in that avatar in better films (''[[Piku]]'' especially, and in ''[[Kapoor & Sons]]'') before this."<ref>{{cite web |url=http://indianexpress.com/article/entertainment/movie-review/102-not-out-movie-review-amitabh-bachchan-rishi-kapoor-5162472/ |title=102 Not Out movie review: The Amitabh Bachchan starrer is happy making old age seem all sunshine |publisher=[[The Indian Express]]}}</ref> Rohit Vats of [[Hindustan Times]] gave the film a rating of 3 out of 5 and said that, "''102 Not Out'''s heart is firmly in the right place. The film knows its territory and the emotions it wants to evoke. It's just that a few important characters don't get enough play and they are sacrificed to make space to Amitabh Bachchan and Rishi Kapoor."<ref>{{cite web |url=https://www.hindustantimes.com/movie-reviews/102-not-out-movie-review-amitabh-bachchan-rishi-kapoor-s-sparkling-drama/story-vemMvFVH0VZhk7mPw86OUN.html |title=102 Not Out movie review: You will root for Amitabh Bachchan, Rishi Kapoor and their high spirits |publisher=[[Hindustan Times]]}}</ref> Raja Sen of [[NDTV]] gave the film a rating of 2 out of 5 saying that, "Shukla's film is a sweet but dull enterprise, one that never quite rises above its ultimate ambition: that of having two legendary actors play off each other."<ref>{{cite web |url=https://www.ndtv.com/entertainment/102-not-out-movie-review-amitabh-bachchan-and-rishi-kapoor-cant-bring-alive-a-dull-film-1846916 |title=102 Not Out Movie Review: Amitabh Bachchan And Rishi Kapoor Can't Bring Alive A Dull Film |publisher=[[NDTV]]}}</ref>

Rohit Bhatnagar of [[Deccan Chronicle]] gave the film a rating of 3.5 out of 5 saying that, "The Amitabh Bachchan and Rishi Kapoor starrer film is a heart warming experience of celebrating life as it comes."<ref>{{cite web |url=https://www.deccanchronicle.com/entertainment/movie-reviews/040518/102-not-out-movie-review-amitabh-bachchan-rishi-kapoor.html |title=102 Not Out movie review: A joyride of two utterly amazing oldies |publisher=[[Deccan Chronicle]]}}</ref> [[Namrata Joshi]] of [[The Hindu]] reviewed the film saying that, "Umesh Shukla's film is unable to leave its inherent theatricality behind. It gets unchanging in terms of the give and take between the duo and leaves the viewers static too. It stirs nothing within, leaving you unmoved."<ref>{{cite web |url=http://www.thehindu.com/entertainment/movies/102-not-out-review-too-cool-for-old-school/article23769361.ece |title='102 Not Out' review: Too cool for old school |work=[[The Hindu]]}}</ref> Meena Iyer of [[DNA India]] gave the film a rating of 3.5 out of 5 saying that, "This is a small, sweet film with its heart in the right place."<ref>{{cite web |url=http://www.dnaindia.com/bollywood/report-102-not-out-movie-review-amitabh-bachchan-rishi-kapoor-are-delightful-in-umesh-shukla-s-film-2611155 |title='102 Not Out' movie review: Amitabh Bachchan-Rishi Kapoor are delightful in Umesh Shukla's film |publisher=[[DNA India]]}}</ref> Anupama Chopra of ''Film Companion'' gave the film a rating of 3 out of 5 saying that, "''102 Not Out'' is uneven but heartfelt. Despite the flaws, the emotions connect."<ref>{{cite web |url=https://www.filmcompanion.in/102-not-out-movie-review-anupama-chopra-amitabh-bachchan-rishi-kapoor/ |title=102 Not Out Movie Review – Anupama Chopra |publisher=Film Companion}}</ref> Sonil Dedhia of [[Mid-Day]] gave the film a rating of 3 out of 5 saying that, "Bachchan and Kapoor's effortless performances, coupled with their intoxicating screen presence make this movie worth watching."<ref>{{cite web |url=https://www.mid-day.com/articles/102-not-out-movie-review-never-too-old-for-a-joyride/19385214 |title=102 Not Out Movie Review: Never too old for a joyride |publisher=[[Mid-Day]]}}</ref>

== References ==
{{Reflist}}

== External links ==
{{Portal|India|Film|Bollywood}}
* {{IMDb title|6580564}}
* {{Bollywood Hungama movie|102-not-out}}

{{#seo:
|keywords=Indian films, 2010s Hindi-language films, Indian films based on plays, Indian comedy-drama films, Films directed by Umesh Shukla, 2018 comedy-drama films, Sony Pictures films, Columbia Pictures films
|description=102 Not Out is a 2018 Indian Hindi-language comedy-drama film directed by Umesh Shukla and starring Amitabh Bachchan and Rishi Kapoor in the lead ...
}}

[[Category:Indian films]]
[[Category:2010s Hindi-language films]]
[[Category:Indian films based on plays]]
[[Category:Indian comedy-drama films]]
[[Category:Films directed by Umesh Shukla]]
[[Category:2018 comedy-drama films]]
[[Category:Sony Pictures films]]
[[Category:Columbia Pictures films]]

102 (ambulance service)

2023-07-15T17:00:47Z

MetaBOT: added clean description script (info)

{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=August 2019}}

The '''102 Free Ambulance Service''' is an [[Emergency medical services|emergency medical transport service]] in [[India]]. It is also called National Ambulance Service (NAS). Under this service, all the ambulances are fitted with GPS system (for easy tracking) and other necessary medical equipment.<ref>{{Cite web|url=http://archive.indianexpress.com/news/ambulances-waiting-in-wings-govt-proposes-another-service/975534/0|title=Ambulances waiting in wings, govt proposes another service|last=service|first=Express news|access-date=2016-07-01}}</ref> This emergency transport service facilitates 24x7 free of cost service to pregnant women, newborn babies and their mothers as well under the Janani SurakshaYojana and Janani Shishu Suraksha Karyakram.<ref name=":0">{{Cite web|url=http://timesofindia.indiatimes.com/city/allahabad/Health-minister-flags-off-102-ambulance-service/articleshow/40617594.cms|title=Health minister flags off 102 ambulance service|newspaper=The Times of India|access-date=2016-07-01}}</ref> The ambulance service provides first aid to the patient and transport them to the nearest Community Health Centre or [[Public hospital|Government hospitals]]. There are 10017 ambulances operating as 102 patient transport. In some states, 5484 empanelled vehicles are also used as 102 ambulances to transport pregnant women and children to nearest healthcare facility.<ref name=":1">{{Cite web|url=https://nhm.gov.in/index1.php?lang=1&level=2&sublinkid=1217&lid=189|title=ERS/PATIENT TRANSPORT SERVICE|website=www.nhm.gov.in|access-date=2020-03-18}}{{Dead link|date=February 2021 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>

== History ==
102 National Ambulance Service was started on 17 January 2014 in Uttar Pradesh.<ref>{{cite news|url=http://indianexpress.com/article/cities/lucknow/after-108-cm-flags-off-102-ambulance-service/|title=After 108, CM flags off 102 ambulance service|date=17 July 2014|work=Indian Express|access-date=1 July 2016}}</ref><ref>{{Cite web|url=http://www.dailypioneer.com/state-editions/lucknow/akhilesh-yadav-flagged-off-300-air-conditioned-102-ambulances.html|title=Akhilesh Yadav flagged off 300 air-conditioned 102 Ambulances|website=www.dailypioneer.com|access-date=2016-07-01}}</ref> A fleet of around 2272 [[Ambulance]]s is operational in all the districts of the State, till date. On an average, around 65,000 calls are received and 25,000 trips serviced on any working day in Uttar Pradesh. Around 1 crore women and newborns have benefited from this service, till now.<ref name=":2">{{Cite web|url=http://timesofindia.indiatimes.com/city/lucknow/Over-1-5-cr-benefited-from-free-ambulance-services-in-UP/articleshow/52222940.cms|title='Over 1.5 cr benefited from free ambulance services in UP'|newspaper=The Times of India|access-date=2016-07-01}}</ref>[https://web.archive.org/web/20160920022658/http://upnrhm.gov.in/site-files/102_Service_Delivery_Data-March_2016.pdf] This service is provided through a private service provider Ganapati Venkata Krishnanreddy Emergency Management and Research Institute GVK-EMRI which provides free ambulance services under government-run helplines in 17 states and union territories in [[India]].<ref name=":2" />

After the success of 102 Emergency Medical Ambulance Services (OEMAS) in Uttar Pradesh, many states of [[Government of India]] also launched the 102 ambulance service for free referral transport of pregnant women and sick infants under Janani Sishu Surakhya Karyakram (JSSK) programme. Some of the states to launch 102 service include [[Odisha]], [[Madhya Pradesh]], [[Sikkim]], [[Jharkhand]], [[Himachal Pradesh]], [[West Bengal]] and [[Uttarakhand]].<ref name=":1" /><ref>{{Cite web|url=http://odishachannel.com/index.php/786/102-ambulance-service-launched-in-odisha/|title= 102 ambulance service launched in Odisha|website=www.odishachannel.com|access-date=2014-07-11}}</ref><ref>{{Cite web|url=https://nhm.assam.gov.in/schemes/national-ambulances-services-%E2%80%9C102%E2%80%9D|title=National Ambulances Services-"102"|website=www.nhm.assam.gov.in/|access-date=2020-03-18}}{{Dead link|date=February 2021 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> In Odisha alone, the maternal mortality rate has gone 81 points down from 303 in 2006 to 222 in 2013 after the introduction of 102 ambulance service by the state government in private public partnership with Ziqitza Healthcare under the JSSK programme.<ref name=":3">{{Cite web|url=https://www.zhl.org.in/services/ambulance-services/|title=JANANI SHISHU SURAKSHA|website=www.zhl.org.in|access-date=2020-03-18}}</ref>

== Operation ==
It consists of an Emergency Response Centre (ERC) which is a centralized call centre that receives and handles the emergency phone calls. The call centre is staffed with Emergency Response Officers (ERO) by GVK-JSS in Aashiana, [[Lucknow]]. They take the emergency call, determine the location and send an ambulance to the place.<ref>{{Cite web|url=http://www.igovernment.in/articles/35447/up-rolls-out-ambulance-service-for-villages|title=UP rolls out ambulance service for villages / igovernment.in|website=www.igovernment.in|access-date=2016-07-01}}</ref> That ambulance reaches the patient in 20 minutes in cities and around 30 minutes in rural places.<ref name=":0" />

Similarly, other states of India have their own centralized call centres to receive 102 emergency ambulance service calls and send the ambulances to the emergency spot. Some states use empanelled vehicles as 102 ambulance service namely Janani express in MP & Odisha, Mamta Vahan in Jharkhand, Nishchay Yan Prakalpa in West Bengal, and Khushiyo ki Sawari in Uttarakhand. All the state ambulances supported under [[National Health Mission]] (NHM) abide by the mandatory NAS guidelines.<ref name=":1" />

== Beneficiaries ==
According to the GVK-EMRI's Chief Operating Officer in Uttar Pradesh, Sanjay Khosla, around one crore and fifty seven lakh people have already been benefited from the 102 and 108 services in Uttar Pradesh since 2013. Of these around ninety lakh women have already benefited from the 102 services alone<ref name=":2" />

JSSK programme has helped the National Health Mission (NHM) to substantially reduce the infant and maternal mortality rate across India. Ziqitza Healthcare alone claims to have served 17,54,019 pregnant women and delivered over 10,000 babies.<ref name=":3" />

==References==
{{reflist}}
{{Emergency telephone numbers|state=expanded}}
{{Telecommunications}}
{{Portal bar|India|Telecommunication|Medicine}}

{{#seo:
|keywords=Ambulance services in India, Emergency medical services in India, Government schemes in Uttar Pradesh, Government schemes in Odisha, Three-digit telephone numbers
|description=The 102 Free Ambulance Service is an emergency medical transport service in India. It is also called National Ambulance Service . Under this ...
}}

[[Category:Ambulance services in India| ]]
[[Category:Emergency medical services in India]]
[[Category:Government schemes in Uttar Pradesh]]
[[Category:Government schemes in Odisha]]
[[Category:Three-digit telephone numbers]]

101st Regiment of Foot (Royal Bengal Fusiliers)

2023-07-15T15:49:36Z

MetaBOT: added clean description script (info)

{{for|other units with the same regimental number|101st Regiment of Foot (disambiguation)}}
{{Use dmy dates|date=November 2020}}
{{Use British English|date=November 2013}}
{{Infobox military unit
| unit_name = 101st Regiment of Foot
| image =
| caption =
| dates = 1652–1881
|country=[[File:Flag of the British East India Company (1801).svg|23px]] [[East India Company]] (1652–1858) {{flag|United Kingdom}} (1858–1881)
|allegiance=
|branch=[[File:Flag of the British East India Company (1801).svg|23px]] [[Bengal Army]] (1652–1862) {{army|United Kingdom}} (1862–1881)
| type = [[Infantry]]
| role =
| size = One battalion (two battalions 1786–1803 and 1822–1829; three battalions 1786–1798)
| command_structure =
| garrison =[[Ballymullen Barracks]], [[Tralee]]
| garrison_label =
| nickname =
| patron =
| motto =
| colors =
| colors_label =
| march =
| mascot =
| equipment =
| equipment_label =
| battles =[[Seven Years' War]] [[Mughal Empire|Campaign against the Mughal Empire]] [[First Rohilla War]] [[Second Anglo-Mysore War]] [[First Anglo-Maratha War]] [[Second Rohilla War]] [[Second Anglo-Maratha War]] [[Third Anglo-Maratha War]] [[First Anglo-Afghan War]] [[First Anglo-Sikh War]] [[Second Anglo-Burmese War]] [[Indian Rebellion of 1857|Indian Rebellion]] [[Ambela Campaign]]
| anniversaries =
| decorations =
| battle_honours =
| battle_honours_label =
| disbanded =
| notable_commanders =
}}
The '''101st Regiment of Foot (Royal Bengal Fusiliers)''' was an [[infantry]] [[regiment]] of the [[East India Company]] and [[British Army]] that existed from 1652 to 1881. The regiment was raised in [[British Raj|India]] in 1652 by the East India Company as the company's first non-native infantry regiment. Over the following two centuries, the regiment was involved in nearly all of the East India Company's conflicts which consolidated British rule over India. The Royal Bengal Fusiliers was transferred to the command of the [[British Army]] in 1862 following the [[Indian Mutiny of 1857]] and the end of Company rule in India. Under the [[Childers Reforms]] it amalgamated with the [[104th Regiment of Foot (Bengal Fusiliers)]] to form the [[Royal Munster Fusiliers]] in 1881.

==History==
[[File:Abraham Roberts - Project Gutenberg eText 16528.jpg|thumb|left|Lieutenant-General [[Abraham Roberts|Sir Abraham Roberts]], colonel of the regiment in the 1860s]]

===Formation and consolidation of British rule===
[[File:1stEuropeanBengalFusilierspre1862.jpg|thumb|Soldiers of the 1st Bengal European Fusiliers, c.1850]]
The regiment was raised by the [[East India Company]] as a Guard of Honour in 1652.<ref name=regt>{{cite web|url=http://www.regiments.org/regiments/uk/inf/101-862.htm |title=101st Regiment of Foot (Royal Bengal Fusiliers) |publisher=regiments.org |access-date=17 August 2016 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20060330133039/http://www.regiments.org/regiments/uk/inf/101-862.htm |archive-date=30 March 2006}}</ref> The regiment was initially involved in guarding the East India Company's factories along the [[Hugli River]] in [[Bengal]] which was India's richest province. In December 1756 it was renamed the '''Bengal European Regiment''' – "European" indicating it was composed of white soldiers, not Indian [[sepoy]]s - by [[Robert Clive]] who amalgamated the existing independent companies of non-Indian troops to form the regiment.<ref name=regt/>

The [[Mughal Empire]], which had dominated India for centuries, was near collapse by the mid-18th century and the East India Company were fighting for supremacy with the growing French presence in India and becoming increasingly involved in local Indian politics. With the outbreak of the [[Seven Years' War]], the regiment were soon fighting against the [[Kingdom of France|French]] and Mughals throughout India and saw action at the [[Battle of Plassey]] in June 1757, the [[Battle of Condore]] in December 1758 and the [[Siege of Masulipatam]] in March 1759.<ref name=locations>{{cite web|url=http://www.regiments.org/deploy/uk/reg-inf/101.htm|archive-url=https://web.archive.org/web/20060310073649/http://www.regiments.org/deploy/uk/reg-inf/101.htm|url-status=dead|archive-date=10 March 2006|title=101st Regiment of Foot (Royal Bengal Fusiliers): Locations|access-date=25 March 2017}}</ref> It also fought at the [[Battle of Buxar]] in October 1764 during the [[Bengal War|campaign against the Mughal Empire]].<ref name=locations/> The British victories in these battles confirmed their military supremacy in the region and transformed the East India Company from a trading company with a scattered presence in India to the ruling power of Bengal.<ref>{{cite web|url=https://www.historyextra.com/period/tudor/the-east-india-company-how-a-trading-corporation-became-an-imperial-ruler/|title=The East India Company: How a trading corporation became an imperial ruler|publisher=History Extra|date=21 January 2017|access-date=28 July 2019}}</ref>

The regiment was renamed the '''1st Bengal European Regiment''', on formation of the [[104th Regiment of Foot (Bengal Fusiliers)|2nd]] and [[107th (Bengal Infantry) Regiment of Foot|3rd Bengal European Regiments]], in 1765.<ref name=regt/> With its ruling status in Bengal confirmed, the East India Company began to expand its influence into neighbouring regions and the regiment went to take part in an action at [[Rohilkhand]] in April 1774 during the [[First Rohilla War]].<ref name=locations/> It fought at the [[Battle of Sholinghur]] in September 1781 during the [[Second Anglo-Mysore War]] and at skirmishes around [[Gujarat]] in 1782 during the [[First Anglo-Maratha War]].<ref name=locations/> After that it took part in an action at Rohilkhand in October 1794 during the [[Second Rohilla War]].<ref name=locations/>

===Early nineteenth century===
The regiment went on to fight at the [[Battle of Deeg]] in November 1804 during the [[Second Anglo-Maratha War]].<ref name=locations/> With the outbreak of the [[Napoleonic Wars]] in [[Europe]], the Royal Bengal Fusiliers would find themselves guarding Britain's interests in Asia for much of the early nineteenth century. Two companies were deployed to [[Macau]] in [[China]], which the British had taken over from the [[Portuguese Empire|Portuguese]] following the French occupation of Portugal, in September 1808 but returned to India in December 1808.<ref name=locations/> A detachment went to the [[Dutch East Indies]] in 1810 and other detachments to [[Nepal]] and the [[Maluku Islands]] in 1814.<ref name=locations/> The regiment saw some combat in skirmishes with the [[Pindari]]s in 1817 during the [[Third Anglo-Maratha War]].<ref name=locations/> After that it took part in operations against the [[Jat people]] in December 1825 during the [[Siege of Bharatpur]].<ref name=locations/>

===The Victorian era===
[[File:1stBengalFusiliersMarchFromDagshaiMay1857.jpg|thumb|right|''"The 1st Bengal Fusiliers Marching Down from Dugshai",'' after George F. Atkinson, 1857. Soldiers are depicted wearing campaign dress of grey shirts and white covered forage caps]]
The regiment was deployed to [[Afghanistan]] in 1838 and saw action at the [[Battle of Ghazni]] in July 1839 during the [[First Anglo-Afghan War]].<ref name=locations/> Renamed the '''1st Bengal (European) Light Infantry''' in 1840,<ref name=regt/> it fought at the [[Battle of Ferozeshah]] in December 1845 and the [[Battle of Sobraon]] in February 1846 during the [[First Anglo-Sikh War]].<ref name=locations/> It became the '''1st Bengal European Fusiliers''',<ref name=regt/> also referred to in contemporary official papers, with inverted word ordering, as '''1st European Bengal Fusiliers''', in April 1846.<ref>For example in the correspondence of Lt.Col. George Gladwin Denniss (1821–1862) (ed. P. Chantler, South Molton, 2010) who invariably placed the word "European" before "Bengal"</ref> It was deployed to the Province of [[Bago, Myanmar|Pegu]] in April 1852 during the [[Second Anglo-Burmese War]].<ref name=locations/>

On the outbreak of the [[Indian Rebellion of 1857|Indian Rebellion]] the order to march on [[Delhi]] was issued by Army Command in [[Shimla]], and reached the regiment at [[Dagshai]] through Major George Ogle Jacob on 13 May 1857. After receiving the order, the regiment marched down from its rest station at Dagshai and was due to reach [[Ambala|Umballa]] that evening.<ref>Correspondence of Lt.Col. George Gladwin Denniss II, 13/5/1857, ed. P. Chantler, South Molton, 2010</ref> Jacob was mortally wounded at the [[Siege of Delhi]] on 14 September 1857. His grave at Rajpura Cemetery, Delhi states: "Sacred to the memory of Major George Ogle Jacob, 1st Bengal Fusiliers, who whilst commanding his Regiment fell mortally wounded at the storming of Delhi, on the 14th September 1857, aged 38 years. This monument is erected by his family."<ref>{{cite web|url=http://glosters.tripod.com/IM6.htm|archive-url=https://web.archive.org/web/20070207224008/http://glosters.tripod.com/IM6.htm|url-status=dead|archive-date=7 February 2007|title=List of memorials from Indian Mutiny|access-date=25 March 2017}}</ref> The regiment went on to take part in the [[Capture of Lucknow]] in March 1858.<ref name=locations/> Five members of the regiment were awarded the [[Victoria Cross]] for their actions during the rebellion.<ref>{{London Gazette|issue=22278||page=2420|date=21 June 1859}}</ref><ref>{{London Gazette|issue=22212|page=5519|date=24 December 1858}}</ref><ref>{{London Gazette|issue=22357|page=557|date=17 February 1860}}</ref><ref>{{London Gazette|date=6 May 1859|issue=22260|page=1867}}</ref>

After the Crown took control of the [[Presidency armies]] in the aftermath of the Indian Rebellion, the regiment became the '''1st Bengal Fusiliers''' in November 1859 and then the '''1st Royal Bengal Fusiliers''' in May 1861.<ref name=regt/> It was then renumbered as the '''101st Regiment of Foot (Royal Bengal Fusiliers)''' on transfer to the [[British Army]] in September 1862.<ref name=regt/>{{#tag:ref|"Her Majesty's Government have expressed an anxious desire to preserve the proud recollections of distinguished service which belong especially to the older Regiments of each Presidency, and to incorporate with Her Majesty's Army, Corps which have so greatly contributed to the acquisition and maintenance of Her Majesty's Dominions in the East. Her Majesty having graciously determined to mark Her estimation of the services of Her Indian Armies, by conferring the designation of "Royal" upon three of the European Regiments, and by selecting for this honour one Regiment from each Presidency...has much gratification in announcing that the following Regiments will henceforward bear the honourable designation of "Royal" Regiments...The 1st Bengal Fusiliers. The...older Regiments in the several Presidencies will thus be converted into Regiments of Her Majesty's General Army, and will be numbered and designated as follows...The 101st Regiment of Foot (Royal Bengal Fusiliers).<ref>{{London Gazette|issue=22514 |date=28 May 1861 |pages=2252–2253 }}</ref>|group=Note}} The regiment took part in the [[Ambela Campaign]] in 1863 and then embarked for England in late 1868.<ref name=locations/> It was sent to [[Malta]] in October 1874 and transferred to [[Cyprus]] in July 1878 before setting sail for [[Halifax, Nova Scotia]] in November 1878.<ref name=locations/>

As part of the [[Cardwell Reforms]] of the 1870s, where single-battalion regiments were linked together to share a single depot and recruiting district in the United Kingdom, the 101st was linked with the [[104th Regiment of Foot (Bengal Fusiliers)]], and assigned to district no. 70 at [[Ballymullen Barracks]] in [[Tralee]].<ref name=training>{{cite web|url=http://www.regiments.org/regiments/uk/depot/1873.htm|archive-url=https://web.archive.org/web/20060210172841/http://www.regiments.org/regiments/uk/depot/1873.htm|url-status=dead|archive-date=10 February 2006|title=Training Depots|publisher=Regiments.org|access-date=16 October 2016}}</ref> On 1 July 1881 the [[Childers Reforms]] came into effect and the regiment amalgamated with the 104th Regiment of Foot (Bengal Fusiliers) to form the [[Royal Munster Fusiliers]].<ref name=regt/>

==Battle honours==
Battle honours awarded to the regiment were:<ref name=regt/>
{{columns-list|colwidth=22em|
*[[Battle of Plassey|Plassey]]
*[[Battle of Condore|Condore]]
*[[Battle of Buxar|Buxar]]
*[[First Rohilla War|Rohilcund 1774]]
*[[Battle of Sholinghur|Sholinghur]]
*[[First Anglo-Maratha War|Guzerat]]
*[[Battle of Deeg|Deig]]
*[[Siege of Bharatpur|Bhurtpore]]
*[[Battle of Ghazni|Ghuznee 1838]]
*[[First Anglo-Afghan War|Afghanistan 1839]]
*[[Battle of Ferozeshah|Ferozeshah]]
*[[Battle of Sobraon|Sobraon]]
*[[Second Anglo-Burmese War|Pegu]]
*[[Siege of Delhi|Delhi]], 1857
*[[Capture of Lucknow|Lucknow]]
}}

==Victoria Crosses==
*Lieutenant [[Francis David Millet Brown|Francis Brown]], [[Indian Mutiny]] (16 November 1857)
*Lieutenant [[Thomas Adair Butler]], Indian Mutiny (9 March 1858)
*Private [[John McGovern (VC)|John McGovern]], Indian Mutiny (23 June 1857)
*Sergeant [[James McGuire (VC)|James McGuire]], Indian Mutiny (14 September 1857)
*Drummer [[Miles Ryan]], Indian Mutiny (14 September 1857)

==Colonels of the Regiment==
Colonels of the Regiment included:<ref name= regt/>

;101st Regiment of Foot (Royal Bengal Fusiliers)
*1862–1873: Lt-Gen. Sir [[Abraham Roberts]], GCB
*1873–1881: Gen. Corbet Cotton

==Notes==
{{reflist|group=Note}}

==References==
{{reflist|30em}}

==Further reading==
*{{cite book|last=Innes|first=Lieutenant-Colonel P. R. |title=History of the Royal European Regiment, now the Royal Munster Fusiliers|url=https://archive.org/details/in.ernet.dli.2015.63168|publisher=London: Simpkin|year=1885}}

==External links==
*{{cite web |url=http://regiments.org/regiments/uk/inf/101-862.htm |publisher=regiments.org |title=101st Regiment of Foot (Royal Bengal Fusiliers) |archive-url=https://web.archive.org/web/20080113060607/http://www.regiments.org/regiments/uk/inf/101-862.htm |archive-date=13 January 2008 |url-status=dead|access-date=1 June 2007 }}

{{Regiments of Foot}}

{{#seo:
|keywords=Honourable East India Company regiments, Military units and formations established in 1652, Infantry regiments of the British Army, Military units and formations disestablished in 1881, Bengal Presidency, 1652 establishments in British India
|description=The 101st Regiment of Foot was an infantry regiment of the East India Company and British Army that existed from 1652 to 1881. The regiment was ...
}}

[[Category:Honourable East India Company regiments]]
[[Category:Military units and formations established in 1652]]
[[Category:Infantry regiments of the British Army]]
[[Category:Military units and formations disestablished in 1881]]
[[Category:Bengal Presidency]]
[[Category:1652 establishments in British India]]

101st Grenadiers

2023-07-15T15:23:30Z

MetaBOT: added clean description script (info)

{{refimprove|date=February 2013}}
{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{Infobox military unit
|unit_name=101st Grenadiers
|image=
|caption=
|dates=1778–1922
|country=[[British Raj|Indian Empire]]
|branch=Army
|type=Infantry
|size=
|command_structure=[[Bombay Army]] (to 1895) [[Bombay Command]]
|garrison=
|ceremonial_chief=
|ceremonial_chief_label=
|colonel_of_the_regiment=
|nickname=
|motto=
|colors=Red; faced white
|colors_label=Uniform
|march=
|mascot=
|battles=[[Battle of Mangalore]] [[Third Anglo-Mysore War]] [[Battle of Hyderabad]] [[Second Afghan War]] [[Third Burmese War]]
|notable_commanders=
|anniversaries=
}}
The '''101st Grenadiers''' was a regiment of the [[British Indian Army]].

==1778–1878==
The regiment was formed in 1778 after six grenadier companies (two companies each from the three battalions of the [[Bombay Army]]) were combined to form a composite battalion. During the [[First Anglo-Maratha War|First Mahratta War]], the grenadier companies fought against the [[Mahratta Empire]] and was engaged in the [[Battle of Talegoan]]. In recognition of its conduct, the unit became a permanent unit, titled the '''8th Regiment of Bombay Sepoys'''.

In 1783 the regiment's title was amended to become the '''8th Grenadier Regiment of Bombay Sepoys''', known informally as the '''Bombay Grenadiers'''. The regiment thus gained the claim to be the oldest [[Grenadier (soldier)|grenadier]] regiment in the [[British Empire]]; the [[British Army]]'s [[Grenadier Guards]] did not gain its Grenadier title until after the [[Battle of Waterloo]] in 1815.<ref>Sharma (1990), p.70.</ref>

Meanwhile, the Regiment took part in the numerous [[Mysore Wars]]. In 1783, the regiment formed part of the [[Battle of Mangalore|Mangalore]] garrison, which the [[Tipu Sultan]]'s [[Kingdom of Mysore|Mysore Army]] besieged. The garrison held out for nine months before negotiating a settlement which permitted it safe passage back to British territory. Its actions earned the regiment the [[battle honour]] "Mangalore". The regiment later gained the [[White Horse of Hanover]], emblem of the Royal [[House of Hanover]], as its [[cap badge]]. The regiment's second battle honour, "Mysore" for its involvement in the last of the Mysore wars, between 1789 and 1792.

The regiment raised a 2nd Battalion in 1793 and became the '''1st Grenadier Regiment of Bombay Native Infantry'''. The 2nd Battalion would, in 1824, be separated from the 1st Grenadiers to become the 2nd Grenadier Regiment of Bombay Native Infantry (later the [[102nd King Edward's Own Grenadiers]]). The regiment helped to besiege the [[Siege of Bharatpur|fort of Bharatpur]] from December 1825 to its capture on 18 January 1826. In 1843, the 1st Grenadiers served in the [[Scinde War]], being engaged at [[Battle of Hyderabad|Hyderabad]] in March. The war's conclusion brought about the annexation of [[Scinde]]. The regiment was extensively employed during the [[First Anglo-Sikh War]] and was present at the decisive [[Battle of Sobraon]] in February 1846.

==The Second Afghan War==
After the outbreak of the [[Second Afghan War]], the Bombay Grenadiers found itself initially employed initially in the vicinity of the [[Bolan Pass]]. It was not until March 1880 that the battalion, commanded by Lieutenant-Colonel [[Horace Searle Anderson|Horace Anderson]], entered Afghanistan as an element of a British-Indian column intent on quelling a revolt by [[Ghazi Ayub Khan|Ayub Khan]], the ruler of [[Herat]], who sought to depose the British-backed Amir of Afghanistan, [[Abdur Rahman Khan]]. At the [[Battle of Maiwand]], on 27 July 1880, the Bombay Grenadiers and its column, under Brigadier [[George Burrows (Indian Army officer)|George Burrows]] were attacked by an Afghan force of up to 25,000 men.

The British began the battle with an artillery barrage that the Afghans responded to via their own artillery at about 11:20 am; the Grenadiers were on the left flank of the British-Indian force and were in an exposed position that saw them take the brunt of the Afghan barrage, sustaining significant casualties. Shortly after noon, the Afghan infantry began the attack and the Grenadiers were heavily involved in the attempts to repulse the constant attacks, inflicting heavy casualties on the Afghans. At about 1:00 pm the ''Grenadiers'' confronted a large group of Afghans and at about 2:30 pm two companies of [[130th King George's Own Baluchi Rifles (Jacob's Rifles)|Jacob's Rifles]], who had been positioned to the left of the Grenadiers, were attacked; they eventually wavered in the face of such an overwhelming force, straight into the ranks of the Grenadiers. The battery of the [[Royal Horse Artillery]] subsequently withdrew and the Grenadiers, as well as the rest of the Indian forces, fled towards the [[66th Regiment of Foot|66th Foot]], the sole British infantry regiment present. The column's cavalry attempted to restore some stability to the situation but to no avail. Parts of the Grenadiers and Jacob's Rifles withdrew to [[Mahmudabad, Afghanistan|Mahmudabad]] while the 66th Foot and the rest of the Grenadiers withdrew towards [[Khig]]; there, the 66th made a gallant [[last stand]] in a garden, fighting to the last man.

The battle had been a devastating defeat for the British-Indian forces: over 1,100 casualties had been sustained, but they had inflicted over 7,000 casualties upon the Afghan forces. The Grenadiers commanding officer (CO) was severely wounded during the battle and his life was saved by [[Risaldar]] Dhonkhul Singh of the [[33rd Queen Victoria's Own Light Cavalry|3rd Bombay Light Cavalry]]. The British-Indian survivors eventually made it back to British-held Kandahar. The city was soon besieged by Afghan rebels until a relief force, led by Major-General [[Frederick Sleigh Roberts, 1st Earl Roberts|Roberts]], arrived from the capital city, [[Kabul]], on 31 August.

==Third Burmese War==
In 1885 the Regiment took part in the [[Third Burmese War]] – the last war between the British and [[Burma]]. The war saw Upper Burma annexed and the end of Burmese independence. The Regiment gained its last [[Theatre Honour]] of the 19th Century for its involvement in the war, "Burma 1885–87".

==20th century==
In 1901 the Regiment deployed to the British territory of [[Aden]] (now part of the [[Yemen]]), also having its name changed to the '''1st Grenadier Bombay Infantry'''. In 1903 the Regiment was renumbered to become the '''101st Grenadiers'''. Elements of the Regiment saw service during operations in 1902–05 to quell an uprising by [[Dervish state|Dervishes]], led by their sultan [[Las Anod#Diiriye Guure|Diiriye Guure]].<ref name="scr">{{cite book |last1=Omar |first1=Mohamed |title=The Scramble in the Horn of Africa |date=2001 |page=402 |quote=This letter is sent by all the Dervishes, the Amir, and all the Dolbahanta to the Ruler of Berbera ... We are a Government, we have a Sultan, an Amir, and Chiefs, and subjects ... (reply) In his last letter the Mullah pretends to speak in the name of the Dervishes, their Amir (himself), and the Dolbahanta tribes. This letter shows his object is to establish himself as the Ruler of the Dolbahanta}}</ref> During operations in Somaliland, Captain [[George Murray Rolland]] won the [[Victoria Cross]] (VC) for his actions at [[Daratoleh]] on 22 April 1903. The operations against the 'Mad Mullah' did not conclude until 1905 with the signing of a peace agreement—the Mullah gained some territory in [[Italian Somaliland]]. The Mullah reneged on this agreement when he resumed hostilities against the British in 1907, and would continue to do so until 1920.

==First World War==
The [[First World War]] began in August 1914, a war that pitted the British Empire, [[France]] and their Allies against [[German Empire|Germany]] and its allies. During the conflict, the Regiment saw service in [[Africa]] and the [[Middle East]]. The 101st raised a 2nd Battalion in 1917 which saw service in [[Egypt]]; it was disbanded in 1921.

The Regiment took part in operations in [[German East Africa]] from the beginning of the campaign there in November 1914. There, the British encountered a formidable opponent in the form of [[Paul Erich von Lettow-Vorbeck]]. The 101st took part in the initial landings and the [[Battle of Tanga]], a German victory, that saw the British and Indian forces, including the 101st, sustain significant casualties that compelled them to retreat back to their ships. In January 1915, a company of the 101st took part in the [[Battle of Jassin]] that saw both sides sustain heavy casualties which compelled von Lettow-Vorbeck to avoid pitched battles with the British forces. Due to this defeat, the British garrison in [[Jassin]] surrendered, after no relief force had arrived, with nearly 300 British and Indians troops taken [[prisoner of war|prisoner]], including the company of the 101st, but were subsequently released on [[parole]] with the pledge that they would have no further participation in the war.

One company of the Regiment acted with the [[5th Light Infantry]] in another attempt to capture [[Tanga, Tanzania|Tanga]] in July 1916. The port—which had, for the most part, been abandoned—was, indeed, successfully captured. Some of von Lettow-Vorbeck's forces had remained to snipe at the Indian forces; these [[snipers]] proved to be quite a deadly nuisance that required intense patrolling to remove the threat. For the ''Regiment's'' involvement in the campaign it was awarded the Theatre Honour "East Africa 1914–16".

The 101st later saw service in the Middle East in the [[Sinai and Palestine campaign|Palestine theatre]] – this theatre was the second largest, in terms of troop numbers, after the [[Western Front (World War I)|Western Front]]. Their opposition was the [[Ottoman Empire]] that controlled [[Palestine (region)|Palestine]], and was an ally of Germany. The Regiment took part in the attempts to capture the important port of [[Gaza City|Gaza]] and by the end of December 1917 the Allies were in control of much of Palestine, including the symbolic capture of [[Jerusalem]]. In July 1918 the ''Regiment'' took part in the Ghurabeh raid that saw intense fighting and over 100 Ottomans taken prisoner. The Regiment later took part in the [[Battle of Megiddo (1918)|Megiddo Offensive]] – the World War I equivalent of the German [[Blitzkrieg]] during [[World War II]] – and took part in the attempts to capture [[Nablus]]. The Ottomans signed an [[Armistice]] with the Allies on 30 October. The First World War finally ended on 11 November 1918 with the signing of the Armistice between the Allies and Germany.

==Post-War==
Soon after the war, the regiment deployed to [[British Somaliland]], where operations against Hassan and his followers had resumed. The campaign, which encompassed the army, Royal Navy, and Royal Air Force, succeeded in defeating Hassan in 1920, after two decades of conflict.

In accordance with the Indian Army reforms of 1922, the 101st amalgamated with five other regiments to form six battalions of the '''[[4th Bombay Grenadiers]]'''; the 101st became the 1st Battalion of the new regiment.<ref>Sharma (1990), pp.74–5.</ref> The battalion had the distinction of being allowed to have its own [[cap badge]]. After Indian gained independence in 1947, the 4th Grenadiers were allocated to the [[Indian Army]] and retitled '''The Grenadiers'''. The Battalion which had once been the 101st transferred to the [[Brigade of the Guards]] in 1952, becoming its 2nd Battalion (2 Guards).

==Battle honours==
*[[Battle of Mangalore|Mangalore]], [[Mysore]], [[Battle of Hyderabad|Hyderabad]], [[Siege of Kandahar|Kandahar 1880]], [[Second Afghan War|Afghanistan 1878–80]], [[Third Burmese War|Burma 1885–87]], [[Somaliland|Somaliland 1901–04]]
*''First World War'':
**Africa: [[German East Africa campaign|East Africa 1914–16]]
**''Middle East'': [[Egypt]], [[Third Battle of Gaza|Gaza]], [[Battle of Megiddo (1918)|Megiddo]], [[Nablus]], [[Sinai and Palestine Campaign|Palestine 1917–18]]

==Notes==
{{reflist}}

==References==
* {{Cite book|last1=Barthorp|first1=Michael|last2=Burn|first2=Jeffrey|year=1979|title=Indian infantry regiments 1860–1914|publisher=Osprey Publishing|isbn=0-85045-307-0}}
* {{Cite book|last=Rinaldi|first=Richard A|year=2008|title=Order of Battle British Army 1914|publisher=Ravi Rikhye|isbn=978-0-9776072-8-0}}
* {{Cite book|last=Sharma|first=Gautam|year=1990|title=Valour and sacrifice: famous regiments of the Indian Army|publisher=Allied Publishers|isbn=81-7023-140-X}}
* {{Cite book|last=Sumner|first=Ian|title=The Indian Army 1914–1947|year=2001|publisher=Osprey Publishing|isbn=1-84176-196-6}}
* Moberly, F.J. (1923). ''Official History of the War: Mesopotamia Campaign'', Imperial War Museum. {{ISBN|1-870423-30-5}}

{{#seo:
|keywords=Military units and formations established in 1778, British Indian Army infantry regiments, Military units and formations disestablished in 1922, Bombay Presidency, 1778 establishments in British India, 1922 disestablishments in India, Grenadier regiments
|description=The 101st Grenadiers was a regiment of the British Indian Army. The regiment was formed in 1778 after six grenadier companies were combined to form ...
}}

[[Category:Military units and formations established in 1778]]
[[Category:British Indian Army infantry regiments]]
[[Category:Military units and formations disestablished in 1922]]
[[Category:Bombay Presidency]]
[[Category:1778 establishments in British India]]
[[Category:1922 disestablishments in India]]
[[Category:Pages with large description]]
[[Category:Grenadier regiments]]

101 Weddings

2023-07-15T15:23:17Z

MetaBOT: added clean description script (info)

{{Use Indian English|date=December 2015}}
{{Use dmy dates|date=December 2015}}
{{Infobox film
| name = 101 Weddings
| image = 101 Weddings poster.jpg
| caption = Theatrical poster
| director = [[Shafi (director)|Shafi]]
| producer = {{Plainlist|
* [[Rafi Mecartin|Rafi]]
* Bava Hasainar
* Shaleer
}}
| screenplay = [[Kalavoor Ravikumar]]
| story = Shafi
| starring = {{Plainlist|
* [[Kunchacko Boban]]
* [[Jayasurya]]
* [[Biju Menon]]
* [[Samvrutha Sunil]]
* [[Bhama]]
}}
| music = [[Deepak Dev]]
| cinematography = [[Alagappan N]]
| editing = [[Mahesh Narayanan]]
| studio = Film Folks
| distributor = {{Unbulleted_list|Murali Films|PJ Entertainments Europe}}
| released = {{Film date|df=yes|2012|11|23}}<ref>{{cite web|title=101 wedding and Scene No 1 from tomorrow|url=http://www.indiaglitz.com/101-wedding-and-scene-no-1-from-tomorrow-hollywood-news-88441.html|publisher=indiaglitz.com|date=22 November 2012}}</ref>
| country = [[India]]
| language = [[Malayalam]]
| budget =
| gross =
}}

'''''101 Weddings''''' is a [[List of Malayalam films of 2012|2012]] Indian [[Malayalam cinema|Malayalam]]-language [[romantic comedy]] film directed by [[Shafi (director)|Shafi]] and starring [[Kunchacko Boban]], [[Jayasurya]], [[Biju Menon]], [[Samvrutha Sunil]], and [[Bhama]] in the lead roles. The film is written by Kalavoor Ravikumar based on a story by the director. The film is produced by Shafi's brother [[Rafi Mecartin]], Hasainar, and Shaleer, with [[audiography]] by [[M. R. Rajakrishnan]] under the banner of Film Folks and features music composed by [[Deepak Dev]].<ref>{{cite web|title=101 Weddings Movie Review - '101 weddings' is the regular Shafi flick|url=http://www.indiaglitz.com/101-weddings-malayalam-movie-review-16667.html|publisher=Indiaglitz.com|accessdate=2 October 2015|date=26 November 2012}}</ref>

==Plot==

The movie opens up in the childhood pranks of Krishnankutty ([[Kunchacko Boban]]), the son of famous Gandhian Munshi Shankara Pillai ([[Vijayaraghavan]]) who is repeatedly beaten up by Antappan ([[Biju Menon]]), his big schoolmate. Antappan is taking vengeance for the Gandhian deeds of Munshi who has closed down the toddy shop owned by Antappan's father. And when a chance comes up, Krishankutty retaliates by placing the costly golden church arrow in the bag of Antappan, which makes him a thief and lands him in a juvenile home for young criminals.

As they grow up, Krishnankutty becomes a TV producer in the name Krish but is ready to play fowl games and make money by little frauds. But his father Munshi who has now become a much proclaimed Gandhian finds an able girl in Abhirami ([[Samvrutha Sunil]]), the only daughter of Abkari contractor Bhasi, to reform his son.

Abhirami and Co who is running the ''Kasturba Society'' are on the plans to hold a mass wedding of 101 couples in which she will also find a suitable groom and marry. The mass wedding is arranged in such a way that the interested persons are needed to stay in the picturesque resort-like village for two weeks to get familiar with their probable future partners. Krish is but reluctant to marry another girl with Gandhian principles and brings in Jyothish Kumar a.k.a. Jyothi ([[Jayasurya]]), a dance teacher with all female mannerisms, gets him registered as Krishanankutty to make Abhirami move away from this alliance. Antappan and his gang who has now grown up as famous quotation gangs also register for the marriage in the plans to grab the money and 5 gold coins that are given to each couple. And as the day to the marriage comes up, more and more persons enroll into the mass wedding with their own interesting plans.

== Cast ==
* [[Kunchacko Boban]] as Krishnankutty, son of a strict Gandhian
* [[Jayasurya]] as Jyothish Kumar, a classical dance master
* [[Biju Menon]] as Antappan, a rowdy
* [[Vijeesh]] as Ricky, close friend of Krishnankutty
* [[Samvrutha Sunil]] as Abhirami
* [[Bhama]] as Rukhiya
* [[Srindaa]] as Indira, the mute girl
* [[Vijayaraghavan]] as Munshi Shankara Pillai
* [[Vanitha Krishnachandran]] as Krishnankutty's Mother
* [[Salim Kumar]] as Khader
* [[Suraj Venjaramoodu]] as Sundareshan
* [[Urmila Unni]] as Vijayamma
* [[Raveendran (actor)|Raveendran]] as Inspector
* Saju Kodiyan as Kanakambaran
* Yadu Krishnan as Joseph
* [[Kochu Preman]] as Lawrence
* [[Jayakrishnan]] as Scaria

==Production==

Shooting started on 15 July 2012 at [[Kochi]], the other locations are [[Thodupuzha]], [[Ottappalam]] and [[Hyderabad, India|Hyderabad]].<ref>{{cite news|title=Malayalam Friday: Biju Menon, Kunchacko Boban and Samvrutha Sunil in '101 Weddings'|url=http://www.ibnlive.com/photogallery/movies/malayalam-friday-biju-menon-kunchacko-boban-and-samvrutha-sunil-in-101-weddings-861501.html|accessdate=2 October 2015|agency=[[IBN Live]]|date=22 November 2012}}</ref>

==Soundtrack==
{{Infobox album
| name = 101 Weddings
| type = Soundtrack
| artist = [[Deepak Dev]]
| cover =
| alt =
| released = {{Start date|df=yes|2012|10|28}}
| recorded =
| venue =
| studio =
| genre = [[Film soundtrack]]
| length = {{Duration|m=25|s=32}}
| language = Malayalam
| label = [[Manorama Music]]
| producer = Deepak Dev
| prev_title = [[D Company]]
| prev_year = 2012
| next_title = [[I Love Me (film)|I Love Me]]
| next_year = 2012
}}
The soundtrack was composed by [[Deepak Dev]], with lyrics penned by [[Rafeeq Ahmed]]. The album consists of four songs. The audio rights of the film were acquired by [[Manorama Music]]. The album was launched on 28 October 2012 at [[Kochi]].

{{tracklist
| headline = Track list
| extra_column = Singer(s)
| total_length = 25:32
| title1 = Cheruchillayil
| lyrics1 = [[Rafeeq Ahmed]]
| extra1 = [[Vidyasagar (music director)|Vidyasagar]], [[Deepak Dev]]
| length1 = 3:49
| title2 = Muthodu Mutham
| lyrics2 = Rafeeq Ahmed
| extra2 = [[Aalap Raju]]
| length2 = 4:25
| title3 = Sajalamai
| lyrics3 = Rafeeq Ahmed
| extra3 = [[Yazin Nizar]]
| length3 = 4:20
| title4 = Cheruchillayil Remix
| lyrics4 = Rafeeq Ahmed
| extra4 = Vidyasagar, Deepak Dev
| length4 = 4:02
}}

==Box office==
The film collected {{USD|3001}} from the [[United Kingdom|UK]] box office.<ref>{{cite web|url=http://www.boxofficemojo.com/intl/uk/yearly/?yr=2012&sort=gross&order=DESC&pagenum=5&p=.htm|title=United Kingdom and Ireland and Malta Yearly Box Office|work=[[Box Office Mojo]]|date=30 December 2012}}</ref>

==References==
{{Reflist}}

==External links==
* {{IMDb title|2545176}}
{{Shafi}}

{{#seo:
|keywords=Malayalam-language films, Indian films, 2012 films, 2010s Malayalam-language films, Indian romantic comedy films, 2012 romantic comedy films, Films directed by Shafi
|description=101 Weddings is a 2012 Indian Malayalam-language romantic comedy film directed by Shafi and starring Kunchacko Boban, Jayasurya, Biju Menon, ...
}}

[[Category:Malayalam-language films]]
[[Category:Indian films]]
[[Category:2012 films]]
[[Category:2010s Malayalam-language films]]
[[Category:Indian romantic comedy films]]
[[Category:2012 romantic comedy films]]
[[Category:Films directed by Shafi]]

101 Field Regiment (India)

2023-07-15T15:23:06Z

MetaBOT: added clean description script (info)

{{Cleanup|reason=Non-standard section headers.|date=December 2022}}
{{Infobox military unit
|unit_name=101 Field Regiment (Harar Kalan)
|image=
|caption=
|dates= 1963 – present
|country={{flag icon|India}} [[India]]
|allegiance=India
|branch= [[File:Flag of Indian Army.svg|24px]] [[Indian Army]]
|type= [[File:Regiment of Artillery Insignia (India).svg|20px]] [[Artillery]]
|role=
|size= Regiment
|command_structure=
|equipment= [[Indian field gun|105 mm Indian field gun]]

|Past Commanders=
|ceremonial_chief=
|colonel_of_the_regiment=
|notable_commanders=

|identification_symbol=101 Fd Regt
|identification_symbol_label=Abbreviation

|nickname=One-O-One
|patron=
|motto= Sarvatra, Izzat-O-Iqbal (Everywhere with Honour and Glory)
|colors= Red & Navy Blue
|march=
|mascot=
|battles=
|anniversaries=1 October – Raising Day 10 December – Battle Honour Day<ref>{{cite book|last=Sharma|first= Gautam|title= Indian Army, a Reference Manual|date=2000|publisher= Reliance Publishing House|page=62|isbn=978-8175101142}}</ref>
|decorations=
|battle_honours= Harar Kalan<ref>{{cite book|last=Singh|first=Sarbans|title=Battle Honours of the Indian Army, 1757-1971|year=1993|publisher=Vision Books|page=311|isbn=978-8170941156}}</ref>
}}
'''101 Field Regiment''' is part of the [[Regiment of Artillery (India)|Regiment of Artillery]] of the [[Indian Army]].
== Formation and history==
The regiment was raised as '''101 Field Regiment (Self Propelled)''' on 1 October 1963 at [[Babina, Uttar Pradesh]], the first Indian artillery regiment to be raised as a self-propelled regiment. The troops were drawn from other existing medium and field artillery regiments. The first commanding officer was Lieutenant Colonel (later Major General) RCV Apte.<ref name="101MedAPOcover">{{cite web|url=https://samsshopping.com/product/golden-jubilee-celebrations/|title=101 Medium Regiment Golden Jubilee APO postal cover|date=2013-09-29|access-date=2022-12-08}}</ref> The regiment was subsequently converted to a medium regiment and is now back as a field regiment. It has served in Babina, [[Jhansi]], [[Jammu|Ratnuchak]], [[Lake Tsomgo|Chhangu]], [[Jodhpur]], [[Poonch district, India|Poonch]], [[Secunderabad]], [[Udhampur]], [[Faridkot, Punjab|Faridkot]] and at the [[Line of Control| Line of Control (LoC)]].

==Class composition==
The regiment was re-organised as a single class regiment with [[Maratha (caste)|Maratha]] troops in May 1964.<ref name="101MedAPOcover"/>
==Equipment==
The regiment has used the following artillery guns<ref name="101MedAPOcover"/> –
*[[Sexton (artillery)|25 pounder self-propelled, tracked, Sexton]]
*[[FV433 Abbot SPG|FV433, 105 mm, self-propelled Abbot]]
*105 mm [[Indian Field Gun]]
*[[130 mm towed field gun M1954 (M-46)|130 mm M-46 Field Gun]]
==Operations==
The regiment has taken part in the following operations –
;[[Indo-Pakistani War of 1965]]
Within 18 months of its raising, the regiment saw its first major operation. It took part in Operation Nepal - the Indian attack in the [[Sialkot]] sector. It was part of 1 Artillery Brigade under [[1st Armoured Division (India)|1 Armoured Division]].<ref>{{cite web |url=https://shodhganga.inflibnet.ac.in/bitstream/10603/203255/5/chapter%203.pdf|title=Anjan Mukherjee in Evolution of Indian Artillery and its Impact on India's Comprehensive Military Power, chapter II|access-date=2022-12-09}}</ref> In these 18 days of intense action, the regiment equipped with Sextons provided able artillery support to the offensive actions of 43 Lorried Brigade.<ref>{{cite book|last=Bajwa|first=KS|title=India's National Security: Military Challenges and Responses, Volume 1|date=2008|publisher=Har Anand Publications|page=361|isbn=978-8124113899}}</ref> It also provided support to [[62 Cavalry (India)|62 Cavalry]] and [[Garhwal Rifles|8 Garhwal]] during the capture of Kaloi.<ref>{{cite web|url= https://www.tribuneindia.com/news/archive/features/deepest-thrust-into-the-heart-of-enemy-135632|title= Deepest thrust into the heart of enemy|date=2015-09-20|access-date=2022-12-12}}</ref> Major Adarsh Kumar Kocchar was awarded the [[Vir Chakra]] for his gallant actions and an important role in breaking the counterattack by timely destruction of enemy tanks.<ref>{{cite web|url=https://egazette.nic.in/WriteReadData/1966/O-1665-1966-0041-75918.pdf|title=Gazette of India, No 41, page 664|date=1966-10-08|access-date=2022-12-09}}</ref><ref>{{cite web|url=http://twdi.in/node/2744|title=Maj Adarsh Kumar Kochhar, VrC|access-date=2022-12-12}}</ref> In addition, it was awarded two [[Sena Medal]]s, four [[mentioned in despatches]] and two COAS Commendation Cards.<ref name="101MedAPOcover"/>
;[[Indo-Pakistani War of 1971]]
The regiment took part in Operation Cactus Lily in the [[Shakargarh]] sector on the western front of the war. It was equipped with self-propelled Abbots and was part of 39 Artillery Brigade under [[39th Infantry Division (India)|39 Infantry Division]]. The division was tasked to capture Shakargarh in a five phased operation, of which the third phase was the capture of Harar Kalan. The initial attack by [[Dogra Regiment|1 Dogra]] was repulsed by a well-prepared enemy on the night of 7 December 1971. Captain Sheo Ganesh Singh was a [[Artillery observer|Forward Observation Officer (FOO)]] with the Dogras. He was grievously wounded while directing artillery fire in an effort to neutralise the Pakistanis and help 1 Dogra to extricate. He was posthumously awarded the Vir Chakra for gallantry.<ref>{{cite web|url=https://egazette.nic.in/WriteReadData/1972/O-1322-1972-0051-58911.pdf|title=Gazette of India, No 51, page 1251|date=1972-12-16|access-date=2022-12-09}}</ref> On the night of 10 December, a second and better prepared attack by 72 Infantry Brigade took place. Persistent and accurate artillery bombardment prior to the assault by [[Mahar Regiment|1 Mahar]], ensured the capture of Harar Kalan without much opposition. Both 1 Mahar and 101 Field Regiment were awarded the honour title ‘Harar Kalan’. The regiment lost one officer and 10 other ranks during the war. Two officers and 30 other ranks were wounded.<ref>{{cite book|last=Singh|first=Jagjit|title=Indian Gunners at War: The Western Front 1971|date=1994|publisher= Spantech & Lancer|isbn=978-1897829554|pages=127–130}}</ref><ref>{{cite book|last=Gulati|first=YB|title=History of the Regiment of Artillery, Indian Army|publisher=Leo Cooper Ltd|year=1973|pages=257, 282|isbn=978-0850521184}}</ref><ref>{{cite book|last=Das|first= Chand N|title=Hours of Glory: famous battles of the Indian army, 1801-1971|publisher=Vision Books|year=1997|pages=150–151|isbn= 978-8170940692}}</ref><ref name="Salute">{{cite web|url=https://salute.co.in/harhar-kalan-the-little-known-story-of-one-battle-honour/|title= Harhar Kalan, The little known story of One Battle Honour|date=2014-07-12|access-date=2022-12-08}}</ref>
;[[2001–2002 India–Pakistan standoff|Operation Parakram]]
The regiment was in the Poonch sector during the standoff with Pakistan and was involved in artillery fire across the LoC.<ref name="101MedAPOcover"/>

==Motto==
The motto of the regiment is ''One-O-One, The Only One, The Fighting One, The Happy One.''{{cn|date=December 2022}}

==Gallantry awards==
The regiment has won the following gallantry awards<ref name="101MedAPOcover"/><ref name="GJ">{{cite web|url=https://www.tribuneindia.com/2013/20131001/jmtrib.htm#8|title=Artillery Regiment celebrates golden jubilee today|date=2013-10-01|access-date=2022-12-09}}</ref> -
*[[Param Vishisht Seva Medal]] (PVSM) – 4
*[[Uttam Yudh Seva Medal]] (UYSM) – 1
*[[Ati Vishisht Seva Medal]] (AVSM) – 3
*[[Vir Chakra]] (VrC) – 2
*[[Shaurya Chakra]] (SC) – 2
*[[Sena Medal]] (SM) – 4
*[[Mention in Despatches]] – 6
*[[Vishisht Seva Medal]] (VSM) – 3
*Chief of Army Staff Commendation cards – 10
*General Officer Commanding-in-chief Commendation cards – 21

==Notable officers==
*Major General Ramchandra Vinayak Apte, {{small|PVSM, AVSM}} – first commanding officer.
*Lieutenant General Baljit Singh, {{small|AVSM, VSM}} – commanded the regiment, author.<ref name="Salute"/>
*Lieutenant General Parmendra Kumar Singh Singh, {{small|PVSM, AVSM}} – General Officer Commanding-in-Chief of [[South Western Command (India)|South Western Command]] – commissioned into [[2 Medium Regiment (India)|2 Field Regiment]], went on to command the unit.<ref>{{cite book|author=Maj Gen PJS Sandhu (Retd)|title=Strategies for Countering Non State Actors in South Asia|date=2011|publisher=Vij Books India Pvt Ltd|isbn=978-93-82573-44-9|page=128}}</ref><ref>{{cite web|url=https://salute.co.in/2-indian-field-regiment-and-the-battle-of-bir-hachiem-pt-171/|title= 2 Indian Field Regiment and the Battle of Bir Hachiem – PT 171|date=2019-07-24|access-date=2022-12-12}}</ref>
*Lieutenant General AK Sahni, {{small|PVSM, UYSM, SM, VSM}} – ‘sword of honour’ winner and General Officer Commanding-in-Chief of [[South Western Command (India)|South Western Command]].<ref>{{cite web|url= https://www.netindian.in/news/people/lt-gen-arun-kumar-sahni-designated-goc-c-south-western-command|title= Lt Gen Arun Kumar Sahni designated as GOC-in-C, South Western Command|date=2013-12-13|access-date=2022-12-08}}</ref>
*Major General AC Chatterjee – who was also a ‘sword of honour’ winner.<ref name="101MedAPOcover"/>
==Other achievements==
*The regiment had seven ‘silver gunner’ officers and the first test pilot to the [[Army Aviation Corps (India)|Army Aviation Corps]].<ref name="101MedAPOcover"/>
*The regiment has proudly participated thrice in the Republic Day parade.<ref name="GJ"/>
* It has won the General Officer Commanding in Chief's ([[Western Command (India)|Western Command]]) unit citation in 2016.
*Havildar Sarvesh Anil Kushare of the regiment is a renowned [[high jump]]er and won the gold medal in the [[2022 National Games of India|36th National Games]] in 2022.<ref>{{cite web|url=https://scroll.in/field/895983/national-open-athletics-sarvesh-kushare-wins-high-jump-gold-anjali-devi-breaks-400m-meet-record|title=National Open athletics: Sarvesh Kushare wins high jump gold, Anjali Devi breaks 400m meet record|date=2018-09-26|access-date=2022-12-17}}</ref><ref>{{cite web|url=https://www.hindustantimes.com/sports/others/kushare-chases-shankar-s-national-mark-with-sable-s-tips-101664732547695.html|title=Kushare chases Shankar’s national mark, with Sable’s tips|date=2022-10-02|access-date=2022-12-17}}</ref>

==See also==
[[List of regiments of the Indian Army#Artillery|List of artillery regiments of Indian Army]]

==References==
{{Reflist}}

{{#seo:
|keywords=Military units and formations established in 1963, Artillery regiments of the Indian Army after 1947
|description=101 Field Regiment is part of the Regiment of Artillery of the Indian Army. The regiment was raised as 101 Field Regiment on 1 October 1963 at ...
}}

[[Category:Military units and formations established in 1963]]
[[Category:Artillery regiments of the Indian Army after 1947]]

101 Chodyangal

2023-07-15T15:22:53Z

MetaBOT: added clean description script (info)

{{Use Indian English|date=December 2015}}
{{Use dmy dates|date=April 2020}}
{{Infobox film
| name = 101 Chodyangal
| image = 101_Chodyangal.jpg
| caption = Official poster
| director = [[Sidhartha Siva]]<ref>{{Cite web|url=http://www.nowrunning.com/movie/10859/malayalam/101-chodyangal/index.htm|title=101 Chodyangal (2013) | 101 Chodyangal Malayalam Movie | Movie Reviews, Showtimes}}</ref>
| producer = Thomas Kottakkakam
| writer = Sidhartha Siva
| based_on = 
| narrator =
| starring = {{ubl|[[Indrajith Sukumaran]]|[[Lena (actress)|Lena]]|[[Minon]]}}
| music = '''Songs:''' [[M. K. Arjunan]] '''Background Score:''' [[Bijibal]]
| cinematography = Prabhath E K
| editing = Bibin Paul Samuel
| studio = Seventh Paradise
| distributor =
| released = {{Film date|df=yes|2013|04||[[Kerala]]}}
| runtime =
| country = [[India]]
| language = [[Malayalam]]
| budget =
| gross = 
}}
'''''101 Chodyangal''''' (''{{lang-en|101 Questions}}'') is a [[List of Malayalam films of 2013|2013]] Indian [[Malayalam cinema|Malayalam]]-language film written and directed by [[Sidhartha Siva]]. At the [[60th National Film Awards]] the film won the awards for [[Indira Gandhi Award for Best Debut Film of a Director|Best Debut Film of a Director]] and [[National Film Award for Best Child Artist|Best Child Artist]] for [[Minon]].<ref name="60thaward">{{cite press release|title=60th National Film Awards Announced|url=http://pib.nic.in/archieve/others/2013/mar/d2013031801.pdf|publisher=Press Information Bureau (PIB), India|accessdate=18 March 2013}}</ref><ref>{{cite web|url=http://www.hollywoodreporter.com/news/indias-national-film-awards-paan-429355 |title='Paan Singh Tomar' Wins Best Feature Honor at India's National Film Awards |work=[[The Hollywood Reporter]] |location=Mumbai |date=18 March 2013 |accessdate=19 March 2013}}</ref><ref>{{cite web|url=http://articles.timesofindia.indiatimes.com/2013-03-18/news-interviews/37813560_1_dekh-indian-circus-malayalam-vicky-donor|archive-url=https://web.archive.org/web/20130916143818/http://articles.timesofindia.indiatimes.com/2013-03-18/news-interviews/37813560_1_dekh-indian-circus-malayalam-vicky-donor|url-status=dead|archive-date=16 September 2013|title= 60th National Awards winners list |work=[[The Times of India]]|date=18 March 2013 |author=AS, Sashidhar |accessdate=19 March 2013}}</ref> It also won the Silver Crow Pheasant Award for Best Feature Film (Audience Prize) at the 18th [[International Film Festival of Kerala]].

The film is set in [[Kaviyoor]], Tiruvalla, director's hometown in Kerala, which inspired the film. The story revolves around a school assignment given to a class V student to frame 101 questions.<ref>{{cite news |title=My hometown was the inspiration for 101 Chodyangal: Siddharth |url=http://articles.timesofindia.indiatimes.com/2013-03-20/news-and-interviews/37871634_1_national-award-indrajith-film |archive-url=https://web.archive.org/web/20131203053025/http://articles.timesofindia.indiatimes.com/2013-03-20/news-and-interviews/37871634_1_national-award-indrajith-film |url-status=dead |archive-date=3 December 2013 |date=20 March 2013 |work=[[The Times of India]] |accessdate=21 March 2013}}</ref>

The film is slated to release in theatres in April 2013.

==Plot==
A Class V student is given an assignment to frame 101 questions. The film is about the efforts he has to put in to frame those questions. At this point, his father, who is a factory employee, loses his job. The two parallel streams converge at the end.

==Cast==
* [[Indrajith Sukumaran]] as Mukundan
* [[Minon]] as Anilkumar Bokaro
* [[Lena (actress)|Lena]] as Sati
* [[Nishanth Sagar]] as Radhakrishnan
* [[Sudheesh]] as Vijayan
* Baby Diya as Anagha
* [[Rachana Narayanankutty]] as Deepa
* Murugan as Sivanandan
* [[Manikandan Pattambi]]

==References==
{{reflist}}

==External links==

{{National Film Award Best First Film of a Director}}

{{#seo:
|keywords=Indian films, Indian children's films, 2013 films, 2010s Malayalam-language films, Films shot in Kerala, Thiruvalla, Films set in Kerala, Best Debut Feature Film of a Director National Film Award winners, 2013 directorial debut films, 2010s children's films
|description=101 Chodyangal () is a 2013 Indian Malayalam-language film written and directed by Sidhartha Siva. At the 60th National Film Awards the film won ...
}}

[[Category:Indian films]]
[[Category:Indian children's films]]
[[Category:2013 films]]
[[Category:2010s Malayalam-language films]]
[[Category:Films shot in Kerala]]
[[Category:Thiruvalla]]
[[Category:Films set in Kerala]]
[[Category:Best Debut Feature Film of a Director National Film Award winners]]
[[Category:2013 directorial debut films]]
[[Category:2010s children's films]]

{{2010s-Malayalam-film-stub}}

100th Indian Infantry Brigade

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MetaBOT: added clean description script (info)

{{Infobox military unit
|unit_name =100th Indian Infantry Brigade
|native_name =
|image =
|caption =
|dates =April 1920–August 1945
|country ={{flagicon|British Raj}} [[British Raj|British India]]
|allegiance ={{flag|British Empire}}
|branch =[[File:British Raj Red Ensign.svg|26px]] [[British Indian Army]]
|type =[[Infantry]]
|role =
|size =[[Brigade]]
|command_structure =
|garrison =
|garrison_label =
|nickname =
|patron =
|motto =
|colors = 
|colors_label = 
|march =
|mascot =
|anniversaries =
|equipment =
|equipment_label =
|battles =[[World War II]]
*[[Burma Campaign]]
|decorations =
|battle_honours =
|battle_honours_label =
|disbanded =August 1945
|flying_hours =
|website =

|commander1 =
|commander1_label =
|commander2 =
|commander2_label =
|commander3 =
|notable_commanders =F.M. Moore W.A.L. James C.H.B. Rodham

|identification_symbol =
|identification_symbol_label =
|identification_symbol_2 =
|identification_symbol_2_label =
|identification_symbol_3 =
}}
The '''100th Indian Infantry Brigade''' was an [[infantry]] [[brigade]] formation of the [[Indian Army during World War II]]. It was formed in April 1920 at [[Jhansi]]. The brigade was assigned to the [[34th Infantry Division (India)|34th Indian Infantry Division]] until June 1943, when it was transferred to the [[20th Infantry Division (India)|20th Indian Infantry Division]] until the end of the war.<ref name = Orbat>{{cite web|accessdate=2009-10-23|publisher=Order of Battle|title=100 Indian Brigade|url=http://www.ordersofbattle.com/UnitData.aspx?UniX=6174&Tab=Sup}}{{Dead link|date=January 2021 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> It was known for its participation in [[Battle of Imphal]] or known as "Imphal Campaign" where it fought along with other Indian Infantry regiments converged to form the 20th Indian Division and drove back the [[Imperial Japanese Army|Japanese Army]] back to [[Burma Campaign|Burma]] inflicting heavy losses.<ref name="Imphal Campaign">{{cite book | url=http://books.e-pao.net/Heritage_Manipur/epShowChapter.asp?src=ina/operationu | title=OPERATION U' - The Imphal Campaign}}</ref> This was a turning point in the [[Burma Campaign]], part of [[South-East Asian theatre of World War II]].

==Order of battle==
The following units served with the brigade:<ref name = Orbat/><ref>Woodburn Kirby, Vol III, Appendix 19.</ref><ref>Woodburn Kirby, Vol IV, Appendix 18.</ref>
* 9th Battalion, [[12th Frontier Force Regiment]] April 1941 to July 1942 and March to April 1944.
* 9th Battalion, [[14th Punjab Regiment]] April 1941 to June 1943.
* 14th Battalion, [[13th Frontier Force Rifles]] April 1941 to August 1945.
* 2nd Battalion, [[Border Regiment]] July 1942 to April 1945.
* 4th Battalion, [[10th Gurkha Rifles]] June 1943 to November 1944 and December 1944 to July 1945 and August 1945.
* [[2nd Cinque Ports Artillery Volunteers|114th (Sussex) Jungle Field Regiment]], [[Royal Artillery]] January to March 1944 (serving as infantry).<ref>Joslen, p. 505.</ref>
* 4th Battalion, [[2nd Gurkha Rifles]] April to August 1945.
* 1st Battalion, [[1st Gurkha Rifles]] April to August 1945.

== See also ==
{{portal|World War II}}
* [[List of Indian Army Brigades in World War II]]

== Notes ==
{{Reflist}}

==References==
* {{Joslen-OOB}}
* Maj-Gen S. Woodburn Kirby, ''History of the Second World War, United Kingdom Military Series: The War Against Japan'' Vol III, ''The Decisive Battles'', London: HM Stationery Office, 1961.
* Maj-Gen S. Woodburn Kirby, ''History of the Second World War, United Kingdom Military Series: The War Against Japan'' Vol IV, ''The Reconquest of Burma'', London: HM Stationery Office, 1955.

{{#seo:
|keywords=British Indian Army brigades, Military units and formations disestablished in 1945, Military units and formations established in 1920, Military units and formations in Burma in World War II
|description=The 100th Indian Infantry Brigade was an infantry brigade formation of the Indian Army during World War II. It was formed in April 1920 at Jhansi. ...
}}

[[Category:British Indian Army brigades]]
[[Category:Military units and formations disestablished in 1945]]
[[Category:Military units and formations established in 1920]]
[[Category:Pages with large description]]
[[Category:Military units and formations in Burma in World War II]]

100th Battalion (Winnipeg Grenadiers), CEF

2023-07-15T15:05:30Z

MetaBOT: added clean description script (info)

{{Infobox military unit
| unit_name = 100th Battalion (Winnipeg Grenadiers), CEF
| image = Flag of Canada (1868–1921).svg
| dates = 1915-1917
| country = Canada
| branch = [[Canadian Expeditionary Force]]
| role = Infantry
| battles = [[First World War]]
}}

The '''100th Battalion (Winnipeg Grenadiers), CEF''', was an [[infantry]] [[battalion]] of the [[World War I|Great War]] [[Canadian Expeditionary Force]].

== History ==
The 100th Battalion was authorized on 22 December 1915 and embarked for Great Britain on 18 September 1916, where it provided reinforcements to the [[Canadian Corps]] in the field until 20 January 1917, when its personnel were absorbed by the [[11th Reserve Battalion (Manitoba), CEF]]. The battalion disbanded on 1 September 1917.<ref>Canadian Forces Publication A-DH-267-003 Insignia and Lineages of the Canadian Forces. Volume 3: Combat Arms Regiments.</ref>

The 100th Battalion recruited in, and was mobilized at, [[Winnipeg, Manitoba]].<ref>Meek, John F. ''Over the Top! The Canadian Infantry in the First World War.'' Orangeville, Ont.: The Author, 1971. {{ISBN|0906158109}}</ref>

The 100th Battalion was commanded by Lt.-Col. J.B. Mitchell from 18 September 1916 to 4 January 1917.<ref>Meek, John F. ''Over the Top! The Canadian Infantry in the First World War.'' Orangeville, Ont.: The Author, 1971. {{ISBN|0906158109}}</ref>

== Battle Honours ==
The 100th Battalion was awarded the battle honour THE GREAT WAR 1916-17.<ref>Meek, John F. ''Over the Top! The Canadian Infantry in the First World War.'' Orangeville, Ont.: The Author, 1971. {{ISBN|0906158109}}</ref>

== Perpetuation ==
The 100th Battalion, CEF is perpetuated by [[The Winnipeg Grenadiers]].<ref>Canadian Forces Publication A-DH-267-003 Insignia and Lineages of the Canadian Forces. Volume 3: Combat Arms Regiments.</ref>

== See also ==

* [[List of infantry battalions in the Canadian Expeditionary Force]]

==References==
{{reflist}}

==Sources==
* Canadian Expeditionary Force 1914–1919 by Col. G.W.L. Nicholson, CD, Queen's Printer, Ottawa, Ontario, 1962

{{#seo:
|keywords=Battalions of the Canadian Expeditionary Force, Military units and formations of Manitoba, Winnipeg Grenadiers
|description=The 100th Battalion , CEF, was an infantry battalion of the Great War Canadian Expeditionary Force. The 100th Battalion was authorized on 22 ...
}}

[[Category:Battalions of the Canadian Expeditionary Force|100]]
[[Category:Military units and formations of Manitoba]]
{{Canada-mil-stub}}
[[Category:Winnipeg Grenadiers]]

100 Feet Road, Bangalore

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MetaBOT: added clean description script (info)

{{Use dmy dates|date=October 2014}}
{{Use Indian English|date=October 2014}}
{{redirect-distinguish|100 Feet Road|Inner Ring Road, Chennai}}
[[File:Indiranagar Shopping Hundred Feet Road, Indiranagar Bangalore by night.JPG|thumb|Hundred Feet Road by night]]
'''100 Feet Road''', also known as '''Dr S. K. Karim Khan Road''', is a road in the [[India]]n city of [[Bangalore]] that links Old Madras Road with [[Old Airport Road, Bangalore|Old Airport Road]]. It derived the name from a restaurant famously known as 100 ft Boutique Bar & Restaurant, which marked the beginning of the street as 100 ft. In 2014 it was named Dr S. K. Karim Khan Road after the renowned Kannada Poet and folklorist.<ref>[http://www.thehindu.com/news/cities/bangalore/indiranagar-100ft-road-to-be-renamed-as-dr-sk-karim-khan-road/article6357623.ece Indiranagar 100-ft Road to be renamed as Dr. S.K. Karim Khan Road]</ref> 100 Feet Road is a residential and commercial hub with the major Old Airport Road – [[Intermediate Ring Road]] flyover junction at one end.<ref name=maplandia>{{cite web|title=KFC(indira nagar 100 ft road) Map {{!}} Bangalore Satellite Map|url=http://www.maplandia.com/india/karnataka/bangalore-urban/bangalore/streets/kfc-indira-nagar-100-ft-road/|publisher=maplandia.com|access-date=2 September 2013}}</ref>

[[File:Indiranagar Shopping A Store on Hundred Feet Road.JPG|thumb|right|Store located on Hundred Feet Road, by night]]
Once lined with residential houses on either side, 100 Feet Road has, over the last few years, turned into a commercially important high-street in Bangalore with numerous retail stores, book shops, ayurvedic centers, hotels restaurants, cafes, pubs and bars. While Bangalore has always been known as the "Pub City" of India, this was largely due to the number of pubs around M. G. Road. Indiranagar and more specifically 100 Feet Road is slowly wresting this importance away.{{citation needed|date=December 2016}}

Indiranagar 100 Feet Road, over the years has turned into India's top food beverage hub, setting behind, the Park Street in Kolkata and Hauz Khas in Delhi.<ref>[http://timesofindia.indiatimes.com/business/india-business/Bangalores-Indiranagar-100-Feet-Road-12th-Main-Indias-top-food-beverage-hub/articleshow/33650753.cms Indiranagar 100-ft Road India's top Food and Beverage Hub]</ref>

==References==
{{Reflist}}

{{Geographic Location
|title = '''Areas of Bangalore'''
|Northwest = Indiranagar Double Road
|North = Old Madras Road
|Northeast = New Thippasandra Main Road
|West = Indiranagar Double Road
|Centre = Indiranagar 100 Feet Road
|East = [[Jeevan Bima Nagar]], Indiranagar 80 Feet Road
|Southwest = [[Domlur]]
|South = [[Old Airport Road, Bangalore|Old Airport Road]]
|Southeast = Old Airport Road
}}

{{#seo:
|keywords=Roads in Bangalore
|description=100 Feet Road, also known as Dr S. K. Karim Khan Road, is a road in the Indian city of Bangalore that links Old Madras Road with Old Airport Road. ...
}}

[[Category:Pages with large description]]
[[Category:Roads in Bangalore]]

100 Degree Celsius

2023-07-15T15:05:05Z

MetaBOT: added clean description script (info)

{{Use dmy dates|date=August 2020}}
{{EngvarB|date=August 2020}}
{{Infobox film
|name = 100 Degree Celsius
|image = 100 Degree Celsius poster.jpg
|caption = Film poster
|director = Rakesh Gopan
|producer = Royson Vellara
|writer = Rakesh Gopan
|starring = [[Shwetha Menon]] [[Bhama]] [[Meghana Raj]] [[Ananya (actress)|Ananya]] Haritha Parokod
|music = [[Gopi Sundar]]
|cinematography = [[Sathyan Sooryan]]
|editing = [[Don Max (film editor)|Don Max]]
|studio = RR Entertainments
|distributor =
|released = {{Film date|df=y|2014|10|10}}
|runtime =
|country = India
|language = Malayalam
|budget =
|gross =
}}
'''''100 Degree Celsius''''' is a 2014 Malayalam film written and directed by Rakesh Gopan. A women-centric thriller scripted by Rakesh Gopan, it stars [[Shwetha Menon]], [[Meghna Raj]], [[Bhama]], [[Ananya (actress)|Ananya]] and Haritha Parokod.<ref>{{cite news|author=Saraswathy Nagarajan|url=http://www.thehindu.com/features/cinema/vindication-of-faith/article4784496.ece|title=Vindication of faith|work=[[The Hindu]]|date=5 June 2013|accessdate=18 June 2013}}</ref> Based on a real-life incident, ''100 Degree Celsius'' revolves around the lives of five women – a housewife, banker, IT professional, TV reporter and a college student.<ref name=indiatimes1>{{cite news|url=http://articles.timesofindia.indiatimes.com/2013-05-13/news-and-interviews/39256819_1_actress-ananya-tv-reporter-lakshmi-rai|archive-url=https://web.archive.org/web/20131110021633/http://articles.timesofindia.indiatimes.com/2013-05-13/news-and-interviews/39256819_1_actress-ananya-tv-reporter-lakshmi-rai|url-status=dead|archive-date=10 November 2013|title=Ananya replaces Gauthami Nair in '100 Degree Celsius'|work=[[The Times of India]]|date=1 May 2013|accessdate=18 June 2013}}</ref> The film started shooting in June 2013.<ref>{{cite web|url=http://articles.timesofindia.indiatimes.com/2013-06-08/news-interviews/39833893_1_meghana-raj-raja-huli-new-malayalam-film |archive-url=https://web.archive.org/web/20131205185248/http://articles.timesofindia.indiatimes.com/2013-06-08/news-interviews/39833893_1_meghana-raj-raja-huli-new-malayalam-film |url-status=dead |archive-date=5 December 2013 |title=Meghana starts shooting for 100 Degree Celsius|date=8 June 2013|work=[[The Times of India]] |accessdate=18 June 2013}}</ref> ''100 Degrees Celsius'' will be Malayalam cinema's first two-part film.<ref name=indiatimes2>{{cite web|url=http://articles.timesofindia.indiatimes.com/2013-03-27/news-and-interviews/38041051_1_single-movie-second-film-shwetha-menon |archive-url=https://web.archive.org/web/20130330142559/http://articles.timesofindia.indiatimes.com/2013-03-27/news-and-interviews/38041051_1_single-movie-second-film-shwetha-menon |url-status=dead |archive-date=30 March 2013 |title=Mollywood gears up for its first two-part film|date=2 March 2013|work=[[The Times of India]] |accessdate=18 June 2013}}</ref> It is produced under the banner of R.R. Entertainments. Cinematographer is Satyanarayanan and music director is Gopi Sundar.<ref name=thehindu1>{{cite news|author=Vijay George|url=http://www.thehindu.com/features/cinema/on-location-100c-hot-on-their-heels/article4927479.ece |title=On Location: 100 °C – Hot on their heels|work=The Hindu|date=1 July 2013|accessdate=23 August 2013}}</ref>

==Cast==
*[[Shwetha Menon]] as Nila
*[[Bhama]] as Nancy
*[[Meghana Raj]] as Revathy
*[[Ananya (actress)|Ananya]] as Ganga
*[[Kaviyoor Ponnamma]] as Lovely's mother-in-law
*[[Sethu (actor)|Sethu]] as Aravind
*[[Anil Murali]] as Balu
*Mithun Ramesh as Lovely's husband
*[[Sreejith Ravi]] as Sura
*[[Ganesh Kumar]] as Police Officer
*[[Shivaji Guruvayoor]]
*[[Sanju Sivram]] as Sreekuttan
*Kalabhavan Haneef
*Anjali Aneesh Upasana as Nanda
*[[Sreelatha Namboothiri]] as Nancy's mother-in-law
*T Parvathy as Adv. Rani Varma
*Deepika as Doctoress

==Production==
Debutante director Rakesh Gopan, who had served as associate to VKP and Rajasenan said, "It's based on a true story that happened in Kochi. The main characters are an IT professional, a TV channel reporter, a bank employee, a college student and a housewife", adding that the team will also bring out the real people who inspired the story, during the promotion of the film. "All these characters live in a flat and the story revolves around an incident that happens there. They try to cover this up and ultimately, it leads to their lives turning upside down. A thriller, the film deals with various issues that women in today's society have to go through – for instance, blackmailing" Rakesh said.<ref>{{cite news|url=http://articles.timesofindia.indiatimes.com/2012-12-27/news-and-interviews/36021628_1_womencentric-women-centric-shamna-kasim|archive-url=https://web.archive.org/web/20130911031124/http://articles.timesofindia.indiatimes.com/2012-12-27/news-and-interviews/36021628_1_womencentric-women-centric-shamna-kasim|url-status=dead|archive-date=11 September 2013|title=2013 opens with women-centric multi starrers|author=Sanjith Sidhardhan|agency=TNN|date=2 December 2012|work=[[The Times of India]]|accessdate=18 June 2013}}</ref> Rakesh Gopan after months of scripting, found it was long for a single movie and decided to split it into two parts.<ref name=indiatimes2/>

The film was earlier titled ''Mirror'' and was reported to star [[Shwetha Menon]], [[Bhama]], [[Gauthami Nair]], [[Meghana Raj]] and [[Aparna Nair]].<ref>{{cite web |date=9 January 2013 |accessdate=18 June 2013 |publisher=Indiaglitz |url=http://www.indiaglitz.com/channels/malayalam/article/89887.html |title=A mirror with five heroines |archiveurl=https://web.archive.org/web/20130131053129/http://www.indiaglitz.com/channels/malayalam/article/89887.html |archivedate=31 January 2013 |url-status=live}}</ref> Later Gauthami Nair and Aparna Nair opted out citing date issues. While actress [[Ananya (actress)|Ananya]] replaced Gauthami,<ref name=indiatimes1/> Aparna was replaced by actress Haritha Parokod, who made her debut in Malayalam.<ref>{{cite web|url=http://articles.timesofindia.indiatimes.com/2013-05-21/news-and-interviews/39393323_1_bhamaa-shwetha-menon-ananya|archive-url=https://web.archive.org/web/20131203181054/http://articles.timesofindia.indiatimes.com/2013-05-21/news-and-interviews/39393323_1_bhamaa-shwetha-menon-ananya|url-status=dead|archive-date=3 December 2013|title=Haritha debuts in M-Town|date=2 May 2013|work=[[The Times of India]]|accessdate=18 June 2013}}</ref> Shwetha Menon plays a techie, Bhama, a bank employee, Meghna Raj, a news channel reporter, Ananya, a student, and Haritha a home-maker.<ref name="thehindu1"/> Earlier, it was reported that [[Lakshmi Rai]] was also a part of the project. However, the director refuted the rumours and said, "Lakshmi Rai was never part of it."<ref name="indiatimes1"/> Krish J Sathar was chosen as the male lead.<ref>{{cite web |title=Krish to team up with five heroines |url=http://www.sify.com/movies/krish-to-team-up-with-five-heroines-news-malayalam-nbrj6Udhcah.html |archiveurl=https://web.archive.org/web/20130121111253/http://www.sify.com/movies/krish-to-team-up-with-five-heroines-news-malayalam-nbrj6Udhcah.html |archivedate=21 January 2013 |url-status=dead |accessdate=18 June 2013}}</ref> Later the makers also cast a relative newcomer, Anu Mohan.<ref>{{cite web|url=http://articles.timesofindia.indiatimes.com/2013-02-24/news-and-interviews/37269645_1_women-centric-movies-shwetha-menon-star-power|archive-url=https://web.archive.org/web/20130505061236/http://articles.timesofindia.indiatimes.com/2013-02-24/news-and-interviews/37269645_1_women-centric-movies-shwetha-menon-star-power|url-status=dead|archive-date=5 May 2013|title=Anu Mohan to play the lead in Mirror|date=2 February 2013|work=[[The Times of India]]|accessdate=18 June 2013}}</ref> With the film split into two, the makers also decided to make changes in the cast and cast Tamil and Telugu actor [[Shaam (actor)|Shaam]] and Bollywood actress [[Radhika Apte]], who both will make their Mollywood debut.<ref name=indiatimes2/>

==Critical reception==
[[The Times of India]] gave the film 3 stars out of 5 and wrote, "If what you want is to sit back and relax with a packet of popcorn, ''100 Degree Celsius'' is not the film for you, as you would mostly be on your seat's edge, scene after scene. Rakesh Gopan joins the pack the debutant directors in Malayalam {{sic}}, who tell unprecedented stories in our tinsel town. His effort is laudable, and besides a handful of glitches in execution that sets occasional boredom, the film is involving enough to keep one interested till the end".<ref>{{cite news|url=http://timesofindia.indiatimes.com/entertainment/malayalam/movie-reviews/100-Degree-Celsius/movie-review/44791424.cms|title=100 Degree Celsius Review|author=Deepa Soman|work=The Times of India|agency=TNN|date=1 October 2014|accessdate=30 October 2014}}</ref> Indiaglitz.com gave a rating of 6.5 out of 10 and wrote, "With all other factors appealing, this '100-degree Celsius' can be prescribed for an onetime watch, especially for the lovers of adrenaline raising thriller films..".<ref>{{cite web|accessdate=30 October 2014|url= http://www.indiaglitz.com/100-Degree-Celsius-malayalam-movie-review-17807|title=100 Degree Celsius Review|publisher=IndiaGlitz|date=1 October 2014}}</ref>

[[Sify]] was more critical of the film and wrote, "With an absurd script, this film struggles to keep you engaged right from the start. The story just goes here and there without any logic. All you are surprised about is the serious way all those inane scenes have been presented here", going on to call it a "royal mess, nothing less".<ref>{{cite web|url=http://www.sify.com/movies/100-degree-celsius-review-malayalam-15058426.html|archive-url=https://web.archive.org/web/20141013023039/http://www.sify.com/movies/100-degree-celsius-review-malayalam-15058426.html|url-status=dead|archive-date=13 October 2014|title=100 Degree Celsius|website=[[Sify]]|accessdate=30 October 2014}}</ref>

Upon release, Dr. Manoj Narayanan Namboothiri, a psychologist from Trivandrum, filed a case against the director and the Censor Board, citing that "the film shows women in a poor light and can give out wrong messages to society".<ref>{{cite news|url=http://timesofindia.indiatimes.com/entertainment/malayalam/movies/news/Psychologist-files-case-against-100-Degree-Celsius/articleshow/44825209.cms|title=Psychologist files case against 100 Degree Celsius|work=The Times of India|agency=TNN|author=Deepa Soman|date=1 October 2014|accessdate=30 October 2014}}</ref>

==References==
{{Reflist}}

==External links==
* {{IMDb title|3885676}}

{{#seo:
|keywords=Indian films, Malayalam-language films, 2014 films, 2010s Malayalam-language films
|description=100 Degree Celsius is a 2014 Malayalam film written and directed by Rakesh Gopan. A women-centric thriller scripted by Rakesh Gopan, it stars ...
}}

[[Category:Indian films]]
[[Category:Malayalam-language films]]
[[Category:2014 films]]
[[Category:2010s Malayalam-language films]]

100 Days of Love

2023-07-15T15:04:53Z

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{{distinguish|100 días para enamorarse (disambiguation){{!}}100 días para enamorarse}}
{{Use dmy dates|date=December 2015}}
{{Use Indian English|date=December 2015}}
{{Infobox film
| name = 100 Days of Love
| image = 100 Days of Love.jpg
| caption = Theatrical release poster
| director = Jenuse Mohamed
| producer = K. V. Vijayakumar
| writer = Jenuse Mohamed
| starring = [[Dulquer Salmaan ]] [[Nithya Menen]] [[Sekhar Menon]] [[Aju Varghese]]
| music = '''Songs:''' [[Govind Menon]] '''Background Score:''' [[Bijibal]]
| cinematography = Pratheesh Varma
| editing = Sandeep Kumar
| studio =
| distributor = Aan Mega Media
| released = {{film date|df=y|2015|3|20}}
| runtime =
| country = India
| language = Malayalam
| budget =
| gross =
}}

'''''100 Days of Love''''' is a [[List of Malayalam films of 2015|2015]] Indian [[Malayalam film|Malayalam]]-language [[romantic comedy]] film written and directed by debutant Jenuse Mohamed.<ref>{{cite news|title=Shooting of '100 Days of Love', Starring Dulquer and Nithya, Begins in Bangalore|url=http://www.ibtimes.co.in/shooting-100-days-love-starring-dulquer-nithya-begins-bangalore-photos-606975|newspaper=[[International Business Times]]|date=17 August 2014|access-date=22 March 2015}}</ref> The film stars [[Dulquer Salmaan]] and [[Nithya Menen]] in the lead roles.<ref name="100DOLOVV">{{cite web|title=100 Days Of Love Cast and Crew|url=http://www.nowrunning.com/movie/15390/malayalam/100-days-of-love/index.htm|publisher=Nowrunning.com|access-date=22 March 2015}}</ref> The film released worldwide on 20 March 2015.<ref name="100DOLOVV" /> It received positive reviews from critics.<ref>[http://www.behindwoods.com/tamil-movies-cinema-news-15/mani-ratnams-ok-kanmani-and-100-days-of-love-starring-dulquer-salmaan-and-nithya-menen.html "Will Ok Kanmani create the same magic as 100 Days of love?"]. Behindwoods.com. Retrieved 22 March 2015.</ref><ref>Prakash Upadhyaya (20 March 2015). [http://www.ibtimes.co.in/100-days-love-movie-review-live-audience-response-626766 "'100 Days of Love' Review: Audience Give Thumbs Up to Dulquer Salmaan-Nithya Menen Starrer"]. ''IB Times''. Retrieved 22 March 2015.</ref><ref>{{cite news|title=Content over star power: Story of south cinema in first half of 2015|url=http://www.hindustantimes.com/regional/content-over-star-power-story-of-south-cinema-in-first-half-of-2015/article1-1364817.aspx|newspaper=[[Hindustan Times]]|author=Harichandran Puripeddi|location=Chennai|date=1 July 2015|accessdate=2 July 2015}}</ref> Dialogues by Duo writers [[M R Vibin]] and Suhail Ibrahim Production controller [[Sanjay padiyoor]]

The Telugu dubbing rights were bought by Abshishek Pictures, who released the film across [[Andhra Pradesh]], [[Telangana]], [[Karnataka]] among several other states on 26 August 2016.

==Plot==
Balan K. Nair ([[Dulquer Salmaan]]), who calls himself BKN, is a reporter in a famous daily based in Bangalore. After insulting his ex-girlfriend on Facebook in a drunken state, Balan feels like his life is not in sync. He is the "loser" of his family, since his brother Rocky K. Nair; (also played by Dulquer Salmaan) is a successful doctor. He left his parents' house to become a columnist. He lives with his close aid Ummar ([[Sekhar Menon]]), who is a foodie and an avid computer gamer. One day, Balan meets Sheela ([[Nithya Menen]]) when they both get into a taxi at the same time. Balan sees her and instantly falls in love. As the taxi drives away, Balan sees Sheela's bag lying on the floor. Inside the bag, there is an old camera with photos of certain places and certain people in Bangalore. Balan and Ummer use the pictures as clues to try to find Sheela.

Just as Balan begins to lose hope, he meets Sheela at a hospital by chance, where Sheela reveals that she already knows Balan. Apparently, Balan was her bully back when they were in school, and she was also the reason that the whole school ended up hating him and calling him a Loser. He immediately tries to avoid Sheela in the future. However, she keeps meeting him and poses as his girlfriend in his ex-girlfriend's marriage. Due to this, he is avoided from an embarrassing situation and doesn't lose face in front of his elder brother and his ex-girlfriend. He realizes that she is good-natured and they become very good friends.

After a series of meetings & sights, at one of the meeting Balan invites Sheela to a candle-light dinner, where all the comical & embarrassing situations happen which in turn closens their bondage. Balan cooks food & hosts a date-like dinner party to impress Sheela. They start to enjoy the meal. Eventually they both begin to talk & Balan starts enquiring Sheela about her future endeavours & there he gets to know some interesting things about her, that she is enjoying life after her studies & also learns about her boyfriend Rahul & her thoughts about marriage & love. Then after the dinner, Balan hands over the lost camera to Sheela, she is delighted & ends up warmly hugging Balan & asks him to join the party that she's attending on the eve of new year. Balan overwhelmingly accepts the invitation & says he's been eagerly waiting to join her & both of them leave to the party.

After reaching the pub, Balan parks the car near a tree & both of them get down to enjoy the party. But in the meantime they realise that Ummar hasn't reached yet, then Balan calls Ummar on a phone, while Sheela goes missing & Balan goes in search of her,but doesn't find her. After a while near the other end of the parking space, Balan finds Sheela who is throwing up & he's really shocked to watch her vomit as it surprises him, but gazing at her Balan feels sorry & confirms if she is ok.

After a while when Sheela turns behind, she's shocked to find Balan missing. While she walks further towards the same place where they parked their car, while she listens to a man vomiting & a group of people anxiously watching him, Sheela too looks over & she is surprised to make out that it is Balan. Later they are seen in a hospital where doctor confirms the reason for their vomiting bouts as "Food Poisoning".

Later Balan lying on hospital bed apologizes Sheela, yet she acts reluctant & ignorant. Balan is distraught, suddenly crackers light up outside on the eve of new year, Balan wishes Sheela & waits for her reply. Finally after few moments, Sheela greets him back & Balan's immediate impetus to choke makes them smile, such comical situations indeed help both of them become yet great friends & Balan develops a strong bond towards Sheela.

Balan helps Sheela to take all the photos of places where her parents fell in love. For the last photo they need to find the old scooter. Balan finds the scooter and they take all the photos and Balan drops Sheela and takes the camera from her and tells her he will edit and give. That night Balan sees Rahul ([[Rahul Madhav]]) proposing to Sheela. Balan feels upset and lost as he has started loving her again. In the meantime Balan in drunken state comes to Sheelas' house & somehow Sheela saves Balan from falling in the eyes of her parents, but to their faith, next day morning Balan is seen lying on the floor at their house by Sheelas' parents. Later, he is relieved by Sheelas' father & Balan goes on for a coffee with Sheela & Rahul that evening. There he tries to talk to Rahul, but Rahul ends up being extremely possessive and haughty. Balan tries to win Sheela back, but she says she believes in arranged marriages and does not care about love.

At the same time, Ummer tells Balan that he must go to the U.S to work with his dad. Balan's life spirals out of control. He begins to drink excessively, and Sheela becomes worried for Balan. On Sheela's parents' 25th anniversary, Balan forgets to bring the photos as this is the gift Sheela was planning to give her parents. Balan reaches on time but Sheela still shouts at him. When the presentation is displayed she realizes that she was included in all the photos along with her parents, which comes as a surprise for her. Later she regrets scolding Balan and goes to apologize a drunken Balan. He tells that it is easy for him to become like Rahul, however he plans to stay "original'. He also tells Sheela that he will come the next morning with the scooter if she was ready to come with him. Next day, Balan plans to go and tells Ummar to give the scooter back but he forgets about what he told the previous night. An excited Sheela comes running out hearing the sound of the scooter expecting Balan but she is disappointed to see only Ummar. They both have a conversation and they head to the railway station where Sheela confesses her love for Balan, and they both live happily ever after.

==Cast==
* [[Dulquer Salmaan]] as Balan K. Nair and Rocky K. Nair (Balans Brother)
* [[Nithya Menen]] as Sheela
* [[Sekhar Menon]] as Ummer
* [[Aju Varghese]] as Romanch Ramakrishnan
* [[Vineeth]] as S. P. Pillai, Sheela's father
* [[Praveena]] as Sheela's mother
* [[Rahul Madhav]] as Rahul
* [[V. K. Prakash]] as Chief Editor
* Abhirami Suresh as Pia George
* [[Jacob Gregory]] as Bahadur/Njaramban
* Nebish Benson

==Release and reception==
The film's trailer released on 17 March 2015. The film released on 20 March 2015 over 80 theatres in Kerala alone and close to 175 screens in India.<ref name="Prakash Upadhyaya">{{cite web|url=https://www.ibtimes.co.in/100-days-love-first-day-box-office-collection-dulquer-salmaan-starrer-off-good-opening-626869|title=100 Days of Love' Box Office Collection: Dulquer Salmaan Starrer Earns ₹2.10 in Two Days|work=[[International Business Times]]|author=Prakash Upadhyaya|date=21 March 2015}}</ref>

===Box office===
The film received positive reviews and it was commercial success.<ref>{{cite web|url=https://m.republicworld.com/entertainment-news/regional-indian-cinema/dulquer-salmaan-worked-with-these-directors-in-their-debut-films.html|title=Dulquer Salmaan worked with these directors in their debut films|work=[[Republic TV]]|author=Shakir Khan|date=21 February 2021}}</ref><ref>{{cite web|url=https://indianexpress.com/article/entertainment/regional/southern-cinema-in-2015-content-ruled-over-star-power-in-first-half/|title=Southern cinema in 2015: Content ruled over star power in first half|work=[[The New Indian Express]]|date=30 June 2015}}</ref>

The film collected ₹ 2.1 crores from first 2 days of its release.<ref name="Prakash Upadhyaya"/>

==Soundtrack==

{{Infobox album
| name = 100 Days of Love
| type = soundtrack
| artist = Govind Menon
| cover =
| alt =
| released = {{Start date|df=yes|2015|March|20}}<ref>{{cite web|url=https://itunes.apple.com/cv/album/100-days-of-love-original-motion-picture-soundtrack-ep/1076248662 |title=100 Days of Love (Original Motion Picture Soundtrack) |publisher=[[iTunes]]}}</ref>
| recorded =
| venue =
| studio =
| genre = [[Feature film soundtrack]]
| length = 17:05
| language = Malayalam
| label = Satyam Audios
| producer =
| prev_title = [[Nagara Varidhi Naduvil Njan]]
| prev_year = 2014
| next_title = [[Oru Pakka Kathai]]
| next_year = 2015
| misc = {{External media
| audio1 = {{YouTube|Re6sbD-lS-c|Audio Jukebox}}}}
}}

The soundtrack of 100 Days of Love consists of 4 songs composed by Govind Menon the lyrics of which were written by Rafeeq Ahamed, Santhosh Varma and M.R. Vibin.

{{Track listing
| headline = Tracklist
| extra_column = Singer(s)
| total_length ={{Duration|m=17|s=05}}
| title1 = Arike Pozhiyum
| extra1 = Goving Menon
| length1 = 04:38

| title2 = Hridayathin
| extra2 = [[Vijay Yesudas]], Mridula Warrier
| length2 = 04:38

| title3 = Manjiloode
| extra3 = Christine Jose, [[Divya S. Menon]]
| length3 = 03:28

| title4 = Ninnekaanan
| extra4 = [[Benny Dayal]]
| length4 = 04:10
}}

===Critical response===
Nicy V.P. of ''[[IB Times]]'' called the film "one of the cutest romantic comedy flicks ever made in Malayalam." She rated the film three and half stars out of five and concluded her review saying, "''100 Days of Love'' is a movie which will make you feel good and assure that life is not as complicated as it appears to be."<ref>Nicy VP (20 March 2015). [http://www.ibtimes.co.in/100-days-love-movie-review-breezy-romantic-comedy-flick-featuring-dulquer-salmaan-nithya-menen-626817 "'100 Days of Love' Movie Review: A Breezy Romantic Comedy Flick Featuring Dulquer Salmaan, Nithya Menen"]. ''[[IB Times]]''. Retrieved 20 March 2015.</ref> Sreelakshmi Manghat of [[HT Media|Desimartini.com]] rated the film 4 out of 5 and said that the film is "sickly sweet and a different approach to rom-com from Mollywood". She called the film "one of the best releases of 2015" and stated that director Jenuse Mohamed is "definitely a talent to watch out for."<ref>Sreelakshmi Manghat (22 March 2015). [http://www.desimartini.com/reviews/sreelakshmi-manghat-100-days-love/rd29112md3713.htm "100 Days Of Love- 100 days of love movie review"]. Desimartini.com. Retrieved 22 March 2015.</ref> Arathy Kanan of ''[[Malayala Manorama]]'' said, "''100 Days of Love'' is breezy and great to sit through." She also stated that the director packs up "frames replete with references from all genres of movies and music."<ref>Arathy Kanan (20 March 2015). [http://english.manoramaonline.com/entertainment/movie-reviews/100-days-of-love-movie-review-dulquer-salmaan-nithya-menen.html " 100 days of love: Dear diary moments"]. ''[[Malayala Manorama]]''. Retrieved 20 March 2015.</ref> Veeyen of Nowrunning.com rated the film two out of five and said, "It takes the wine drenched words of Balan, a rain and a whole lot of thinking for Sheela to decide once and for all, as to what she truly wants from life. It takes infinitely lesser time for us to decipher what '100 Days of Love' is all about - a swoonless romance bereft of smiles or sighs."<ref>Veeyen (22 March 2015). [http://www.nowrunning.com/movie/15390/malayalam/100-days-of-love/5026/review/ "100 Days of Love Review"]. Nowrunning.com. Retrieved 22 March 2015.</ref> Deepa Soman of ''[[The Times of India]]'' rated the film 3 out of 5 and wrote: "100 Days of Love is a stylish film that is nothing out of the ordinary. What is different is the treatment - humour and novelties - the director brings to table that is clever enough to keep us engaged till the last frame."<ref>Deepa Soman (21 March 2015). [http://www.timesofindia.com/movie-review/46650900.cms/ "100 Days of Love Movie Review"] {{Webarchive|url=https://archive.is/20150404111356/http://www.timesofindia.com/movie-review/46650900.cms/# |date=4 April 2015 }}. ''The Times of India''. Retrieved 22 March 2015.</ref> Pramod Thomas of ''[[The New Indian Express]]'' said, "It [the film] is an old wine which tastes a tad different, and thus watchable."<ref>Pramod Thomas (22 March 2015). [http://www.newindianexpress.com/entertainment/malayalam/Old-Wine-With-a-Varied-Flavour/2015/03/22/article2724512.ece/ "Old Wine With a Varied Flavour"]. ''The New Indian Express''. Retrieved 22 March 2015.</ref> Akhila Menon of [[Oneindia.in|Filmibeat.com]] rated the film two and a half stars and described it as "a very fresh version of so-called clichéd love stories."<ref>Akhila Menon (20 March 2015). [http://www.filmibeat.com/malayalam/reviews/2015/100-days-of-love-audience-critics-review-177346.html/ "100 Days Of Love Movie Review: Romance Redefined"] {{Webarchive|url=https://web.archive.org/web/20150322115301/http://www.filmibeat.com/malayalam/reviews/2015/100-days-of-love-audience-critics-review-177346.html# |date=22 March 2015 }}. [[Oneindia.in|Filmibeat.com]]. Retrieved 22 March 2015.</ref> ''Behindwoods'' rated the film 3 out of 5 stars and said, "100 Days of Love is a heartwarming tale that is gentle and natural."<ref>[http://www.behindwoods.com/malayalam-movies/100-days-of-love/100-days-of-love-review.html/ "100 Days Of Love Movie Review"] {{Webarchive|url=https://web.archive.org/web/20150324005247/http://behindwoods.com/malayalam-movies/100-days-of-love/100-days-of-love-review.html# |date=24 March 2015 }}. Behindwoods. 20 March 2015. Retrieved 22 March 2015.</ref>

==References==
{{reflist}}

== External links ==
* [https://www.facebook.com/100DaysOfLoveOfficial Official Facebook Page]
* {{IMDb title|3995348}}

{{#seo:
|keywords=2010s Malayalam-language films, Indian films, Indian romantic comedy films, 2015 directorial debut films, Films scored by Bijibal, Films scored by Govind Menon
|description=100 Days of Love is a 2015 Indian Malayalam-language romantic comedy film written and directed by debutant Jenuse Mohamed. The film stars Dulquer ...
}}

[[Category:2010s Malayalam-language films]]
[[Category:Indian films]]
[[Category:Indian romantic comedy films]]
[[Category:2015 directorial debut films]]
[[Category:Films scored by Bijibal]]
[[Category:Films scored by Govind Menon]]

100 Days (2016 TV series)

2023-07-15T15:04:39Z

MetaBOT: added clean description script (info)

{{Short description|Indian Marathi-language TV show}}
{{Infobox television
| name = 100 Days
| image = 100 Days series.jpg
| writer = Santosh Ayachit '''Dialogues''': Pralhad Kudtarkar
| director = Vighnesh Kambali
| starring = [[Tejaswini Pandit]], [[Adinath Kothare]]
| composer = Pankaj Padghan
| voices = [[Harshdeep Kaur]]
| num_episodes = 101
| editor =
| camera = [[Multi-camera]]
| network = [[Zee Marathi]]
| country = [[India]]
| first_aired = {{start date|2016|10|24|df=y}}
| last_aired = {{end date|2017|02|17|df=y}}
| producer = Santosh Ayachit Sunil Bhosale
| company = Creative Vision
| website =
| runtime = 22 minutes
}}
'''''100 Days''''' is a [[Marathi-language television]] crime series that aired on [[Zee Marathi]] from 24 October 2016 to 17 February 2017.<ref>{{Cite web|url=https://megamarathi.com/marathi-serials/100-days-zee-marathis-next-serial/|title=100 Days Zee Marathi's Next Serial With Big Starcast|website=Mega Marathi|language=en|access-date=2021-02-25}}</ref> The show starred [[Tejaswini Pandit]], [[Adinath Kothare]] and [[Ramesh Bhatkar]] in lead roles.<ref>{{Cite web|title=Fans praise Adinath Kothare for 100 Days - Times of India|url=https://timesofindia.indiatimes.com/tv/news/marathi/adinath-kothares-100-days-are-over/articleshow/57286814.cms|access-date=2021-03-08|website=The Times of India|language=en}}</ref><ref>{{Cite web|title=‘100 Days’ of suspense|url=https://www.mumbailive.com/en/entertainment/100-days-of-suspense-2330|access-date=2021-03-08|website=Mumbai Live|language=en}}</ref>

==Plot==
The story revolves Rani ([[Tejaswini Pandit]]) and PSI Ajay Thakur ([[Adinath Kothare]]). It's a murder mystery where Rani's husband Dhananjay ([[Ramesh Bhatkar]]) gets murdered. PSI Ajay Thakur is a investigating officer who takes the charge of investigation for this murder.
== Cast ==
* [[Tejaswini Pandit]]<ref>{{Cite web|url=https://divyamarathi.bhaskar.com/amp/news/BOL-MB-adinath-kothare-and-tejswini-pandits-new-tv-serial-100-days-on-zee-marathi-5444142-PHO.html|title=हॅण्डसम आदिनाथ आणि ग्लॅमरस तेजस्विनीची नवी मालिका '100 DAYS', वाचा काय आहे स्टोरी|website=Divya Marathi|access-date=2021-02-25|language=mr}}</ref> as Rani Sardesai
* [[Adinath Kothare]] as PSI Ajay Thakur
* [[Ramesh Bhatkar]] as Dhananjay Sardesai
* Seema Chandekar as Ajay's mother
* Ashwini Mukadam as Rani's maid
* Archana Nipankar as Neha, Ajay's girlfriend
* Siddheshwar Zadbuke as Sharad
* Milind Safai as Sardesai's friend
* Abhishek Chavan as Rani's boyfriend

== Reception ==
The series premiered from Monday to Saturday at 10.30 pm by replacing ''[[Ratris Khel Chale]]''.<ref>{{Cite web|url=https://m.timesofindia.com/tv/news/marathi/adinath-kothares-100-days-are-over/amp_articleshow/57286814.cms|title=Fans praise Adinath Kothare for 100 Days|website=[[The Times of India]]|language=en|access-date=2021-02-25}}</ref>
This series was a 101 episodes finite series.

=== Ratings ===
{| class="wikitable" style="text-align:center"
|- align=center
! rowspan="2" | Week
! rowspan="2" | Year
! colspan="2" | [[Broadcast Audience Research Council|BARC]] Viewership
|-
! [[Target Rating Point|TRP]]
! Rank
|-
|Week 44
|2016
|1.9
|5
|-
|Week 7
|2017
|2.0
|5
|}

== References ==
{{Reflist}}

== External links ==
* {{IMDb title|tt6183418}}
* [https://www.zee5.com/tvshows/details/100-days/0-6-280 100 Days] at [[ZEE5]]

{{#seo:
|keywords=Marathi-language television shows, Zee Marathi original programming, Indian crime television series, 2016 Indian television series debuts, 2017 Indian television series endings
|description=100 Days is a Marathi-language television crime series that aired on Zee Marathi from 24 October 2016 to 17 February 2017. The show starred ...
}}

[[Category:Marathi-language television shows]]
[[Category:Zee Marathi original programming]]
[[Category:Indian crime television series]]
[[Category:2016 Indian television series debuts]]
[[Category:2017 Indian television series endings]]

{{India-tv-prog-stub}}

100 Days (1991 film)

2023-07-15T15:04:14Z

MetaBOT: added clean description script (info)

{{Other uses|One Hundred Days (disambiguation){{!}}One Hundred Days}}
{{Use dmy dates|date=December 2015}}
{{Use Indian English|date=December 2015}}
{{Infobox film
| name = 100 Days
| image = 100 Days Hindi poster.jpg
| image_size =
| caption = Poster
| director = [[Partho Ghosh]]
| producer = [[Jay Mehta (actor)|Jay Mehta]]
| writer = Bhushan Banmali (dialogue) Devjyoti Roy (screenplay)
|based_on = [[Nooravathu Naal]] by [[Manivannan]]
| narrator =
| starring = [[Jackie Shroff]] [[Madhuri Dixit]] [[Laxmikant Berde]] [[Moon Moon Sen]] [[Javed Jaffrey]]
| music = [[Vijay Patil|Raam Laxman]]
| cinematography = Arvind Laad
| editing = R. Rajendran
| studio = Prathima Films
| distributor = Jayvijay Enterprises
| released = {{Film date|df=yes|1991|05|31}}
| runtime = 157 min.
| country = India
| language = Hindi
| budget ={{INRConvert|0.95|c|year=1991}}
| gross ={{INRConvert|8.9|c|year=1991}}

}}
'''''100 Days''''' is a [[Bollywood films of 1991|1991]] Indian [[Bollywood|Hindi]] [[psychological thriller]] film, starring [[Jackie Shroff]], [[Madhuri Dixit]], [[Moon Moon Sen]] and [[Javed Jaffrey]]. The film is a mystery thriller that follows the events in the life of a woman with [[Extrasensory perception]].<ref>{{cite web |title= 100 Days review, story, songs, photos, videos |url= http://www.gomolo.com/100-days-movie/6655 |website= www.gomolo.com |accessdate= October 5, 2017 |archive-url= https://web.archive.org/web/20180729171437/http://www.gomolo.com/100-days-movie/6655 |archive-date= 29 July 2018 |url-status= dead |df= dmy-all }}</ref> The film was a blockbuster hit. It was a remake of the [[Tamil cinema|Tamil]] film 1984 ''[[Nooravathu Naal]]'' which itself was an unofficial adaptation of the 1977 Italian [[giallo]] film ''[[Sette note in nero]]'' (English Title: ''The Psychic'' or ''Seven Notes in Black'').

==Plot==
The film opens with a young woman, Devi ([[Madhuri Dixit]]), who gets sudden visions (usually accompanied with a mild panic attack) of incidents and accidents that are yet to happen.<ref>{{cite web|url=http://www.mouthshut.com/review/Hundred-Days-Movie-review-psropqsuum|title=Madhuri Dixit Having Extra-Sensory Perception|author=mouthshut}}</ref> Devi has a vision of her sister Rama ([[Moon Moon Sen]]) being murdered. Her college friends Sudha Mathur ([[Sabeeha]]) and Sunil ([[Javed Jaffrey]]) try to help her sort through her visions, but to little avail. Devi is relieved after she talks to her sister and finds that she is alive. However, just some time later, Rama is murdered in the same way as Devi had pictured. The murderer hides Rama's body in a mansion's wall. Rama is reported missing. Devi firmly believes Rama is dead. Five years later, Devi moves to her uncle ([[Ajit Vachani]])'s home, where she eventually meets and is courted by millionaire businessman Ram Kumar ([[Jackie Shroff]]). Sunil, who was secretly in love with Devi, is deeply disappointed. Devi and Ram marry and enter his family mansion, which he has re-earned after a legal battle. Little known to anybody, this is the same mansion where Rama was buried. When Devi starts having the visions again, Rama's skeleton is not the only thing that will come tumbling out.

Devi sees a wall in the mansion and tears it down, only to find a skeleton tumbling out of it. Devi knows whose skeleton it is: as Rama had a necklace similar to Devi's. Also, the dead woman's skeleton is roughly same height as that of Rama. The Inspector ([[Shivaji Satam]]) quickly points out that since the mansion was closed when Rama disappeared, anyone could have hidden a dead body in there and nobody would know the truth. However, he doubts that the dead woman is Rama: several such necklaces are available.

Devi gets premonition of another woman getting murdered. She also pinpoints two details: a magazine named ''Priya'' with a horse on its cover and a video cassette labelled ''100 Days''. Sunil and Devi visit the weekly magazine office. The editor ([[Shashi Kiran]]) politely informs them that the next six months' covers do not feature any equestrian theme whatsoever. The video cassette clue, too, is a dead end: no video store in Bombay carries any such title as '100 days'. Devi begins delving into Rama's life. She learns that Rama was a research scholar and was working on a thesis about ancient sculptures and temples in India. A quick investigation by Devi during a visit to the Bombay Museum reveals that many artifacts listed by Rama either had mysteriously disappeared, got stolen or were replaced by fakes. She also learns that two people working in the museum, Security Officer Jagmohan ([[Jai Kalgutkar]]) and Record Keeper Parvati ([[Neelam Mehra]]), were fired on suspicion. Parvati is revealed to be the new victim of Devi's visions.

Jagmohan is a hot-headed man. Parvati knows Rama's killer and had videotaped the murder. She tries to blackmail the murderer, but the murderer tries to kill her. She sneaks into a video library, sticks a label '100 days' on the cassette and tries to escape. But Jagmohan succeeds in killing her, just as Devi had seen. Later, due to some last minute developments, the weekly magazine 'Priya' prints an issue with a horse on its cover. Devi soon realizes that Parvati has been murdered. She goes to the video library and retrieves the video cassette. Jagmohan tries to kill her, but her luck prevails and she escapes. She comes back into the mansion, where she gets a vision of herself in an injured state and a broken mirror in the mansion. She tells Ram about the developments and sits with him to watch the video cassette. Ram has no idea about the cassette's contents are.

However, as the video cassette is being played, Devi gets another shock: she sees her sister Rama confronting Ram. Based on the evidence in the video cassette, it becomes clear that Ram is the murderer. Devi tells him that she is pregnant with his child. Ram offers to explain. Ram tells that he was from an affluent family, but his father lost all his wealth due to gambling and eventually died. When Ram sought financial help from his relatives, they spurned his requests, leaving him helplessly alone. Consequently, he took to illegal ways of earning money. He ran into Jagmohan and Parvati. Later, the trio became partners and started smuggling the artifacts from museums and replaced them with fakes. Rama suspected it and decided to expose them. That night, Ram went to talk to Rama. But Jagmohan, who was also there, lost his temper and shot her dead. Parvati was secretly taping the incident, but due to her camera's angle, it looked as if Ram was the killer. Ram offers to surrender to police and calls them. He confesses his crime and asks them to arrest him.

No sooner has he stopped talking, than Jagmohan stabs him in his back. Ram loses consciousness, while Devi fights with Jagmohan. In this unequal fight, Devi is overpowered and rendered unconscious after being hit on her forehead by a conch hurled at her by Jagmohan. Then, Jagmohan buries her alive in the same wall where he had buried Rama. Just as he is about to escape, he sees Sunil coming in. Jagmohan hides while Sunil is surprised to see the mansion open with nobody in it. Just then, Devi's wrist watch alarm chimes. Sunil is surprised to hear the sound coming from behind the wall and puts two and two together. He starts removing the bricks of freshly constructed wall, when Jagmohan suddenly attacks him. However, Sunil puts up a good fight with the enemy with an unfair advantage. Ram wakes up too and goes towards the wall to remove the bricks and manages to remove the unconscious Devi from the wall. Sunil soon overpowers Jagmohan and dumps him into the swimming pool.

The police arrive at the scene. Sunil is surprised to see Ram being arrested as well. Devi looks wearily as the police van leaves with Jagmohan and Ram in custody.

==Cast==
* [[Madhuri Dixit]] as Devi Ram Kumar
* [[Jackie Shroff]] as Ram Kumar
* [[Javed Jaffrey]] as Sunil, Devi's Close Friend
* [[Moon Moon Sen]] as Rama, sister of Devi
* [[Ajit Vachani]] as Devi's uncle
* [[Jai Kalgutkar]] as Jagmohan
* [[Vijay Arora]] as Doctor in a guest appearance
* [[Neelam Mehra]] as Parvati
* Sabeeha in a special appearance as Sudha Mathur
* [[Laxmikant Berde]] as Baalam
* [[Shivaji Satam]] as Police Inspector
* Shashi Kiran as Editor of weekly magazine 'Priya'
* [[Mahavir Shah]] as Mr Mathur, Sudha's husband
* [[Sabeeha]]
* Kanti Karan Dharni as Kanti Karan
* Raja Duggal as Mahadev
* Ramakant Burman
* Anthony Andrade

==Soundtrack==
{|class="wikitable"
|-
! Song !! Singer
|-
| "Sun Beliya, Shukriya Meharbaani"
| [[Lata Mangeshkar]], [[S. P. Balasubrahmanyam]]
|-
| "Sun Sun Sun Dilruba"
| [[Lata Mangeshkar]], [[S. P. Balasubrahmanyam]]
|-
| "Tana Dere Na Tana Na De"
| [[Lata Mangeshkar]], [[S. P. Balasubrahmanyam]]
|-
| "Pyar Tera Pyar"
| [[Lata Mangeshkar]]
|-
| "Le Le Dil, De De Dil"
| [[Lata Mangeshkar]], [[Amit Kumar (singer)|Amit Kumar]]
|-
| "Gabbar Singh Yeh Kehkar Gaya, Jo Dar Gaya, Woh Mar Gaya"
| [[Amit Kumar (singer)|Amit Kumar]], [[Alka Yagnik]]
|-
|}

==Awards and nominations==
* [[Laxmikant Berde]] was nominated for Filmfare Best Performance in comic role.

==References==
{{reflist}}

==External links==
* {{IMDb title|id=0101244|title=100 days}}

{{#seo:
|keywords=Indian mystery thriller films, 1990s psychological thriller films, Indian films, 1991 films, 1990s mystery thriller films, 1990s Hindi-language films, Films scored by Raamlaxman, Hindi remakes of Tamil films, Indian remakes of Italian films, Indian psychological thriller films, Films directed by Partho Ghosh, Hindi-language thriller films
|description=100 Days is a 1991 Indian Hindi psychological thriller film, starring Jackie Shroff, Madhuri Dixit, Moon Moon Sen and Javed Jaffrey. The film is a ...
}}

[[Category:Indian mystery thriller films]]
[[Category:1990s psychological thriller films]]
[[Category:Indian films]]
[[Category:1991 films]]
[[Category:1990s mystery thriller films]]
[[Category:1990s Hindi-language films]]
[[Category:Films scored by Raamlaxman]]
[[Category:Hindi remakes of Tamil films]]
[[Category:Indian remakes of Italian films]]
[[Category:Indian psychological thriller films]]
[[Category:Films directed by Partho Ghosh]]
[[Category:Pages with large description]]
[[Category:Hindi-language thriller films]]

100 Crore Club

2023-07-15T14:59:36Z

MetaBOT: added clean description script (info)

{{Short description|Wikimedia list article}}
{{Use dmy dates|date=May 2020}}
{{Use Indian English|date=February 2016}}

'''100 Crore Club''' is an unofficial designation by the [[Indian cinema|Indian film trade]] and the media, related to [[Languages of India|Indian-language]] films that have [[Net income|net]] {{INR|100 [[crore]]}} (1{{nbsp}}billion [[Indian rupee]]s) or more in [[India]] after deducting the [[entertainment tax]].<ref name=Overview>{{cite news |url=http://www.hindustantimes.com/brunch/bollywood-s-100-crore-club/story-QfLp7zFAqDgXNKaJKo1KNP.html |title=Bollywood's 100 crore club |last=Nahta |first=Komal |date=31 May 2012 |work=[[Hindustan Times]] |access-date=1 June 2016 |archive-url=https://web.archive.org/web/20120603054117/http://www.hindustantimes.com/Brunch/Brunch-Stories/Bollywood-s-100-crore-club/Article1-864033.aspx |archive-date=3 June 2012 |url-status=live}}</ref> By 2012, the {{INR|100 crore}} ({{US$|13.3 million|long=yes}}) box office target had become "a new benchmark for a film to be declared a hit",<ref name="Fad">{{Cite news |url=http://www.hindustantimes.com/bollywood/100-crore-club-is-just-a-fad-shahid-kapoor/story-0PcKJAKa3jAiaiezagvOWJ.html |title=100 crore club is just a fad: Shahid Kapoor |date=18 June 2012 |work=[[Hindustan Times]] |access-date=29 December 2013 |agency=PTI}}</ref> and those affiliated with the 100 Crore Club were considered part of the "elite strata" within the [[Bollywood]] film community.<ref name=Ganti>{{cite book |last=Ganti |first=Tejaswini |title=Bollywood: A Guidebook to Popular Hindi Cinema |url=https://books.google.com/books?id=2GAdCp1VAf0C&pg=PA66 |year=2013 |publisher=Routledge |isbn=9781136849299 |page=66}}</ref> It was succeeded by the [[1000 Crore Club]] in 2017.<ref>{{Cite web |url=https://www.boxofficeindia.com/report-details.php?articleid=2961 |title=Bahubali 2 - 1000 Cr NETT In 30 Days - Box Office India |website=www.boxofficeindia.com}}</ref> [[Salman Khan]] (15) and [[Akshay Kumar]] (15) are currently the highest holders.<ref>{{Cite web |url=https://www.bollywoodhungama.com/box-office-collections/crore-club/ |title=Bollywood Crore Club Movies | Bollywood Crore Clubs - Bollywood Hungama |first=Bollywood |last=Hungama}}</ref>

== Overview ==

The first Indian film to cross {{INR|100 crore}} worldwide was the 1982 [[Bollywood]] film ''[[Disco Dancer]]'', directed by Babbar Subhash, written by [[Rahi Masoom Raza]], and starring [[Mithun Chakraborty]], with over {{INR}}90 crore [[Gross revenue|grossed]] at the [[List of Soviet films of the year by ticket sales|Soviet box office]].<ref group="n" name="Disco"></ref><ref>{{cite news |last=Cain |first=Rob |title=For Indian Movies, 1,000 Crore Rupees Is The New 100 |url=https://www.forbes.com/sites/robcain/2017/10/02/for-indian-movies-the-%E2%82%B91000-crore-club-is-the-new-100/ |work=[[Forbes]] |date=2 October 2017 |language=en}}</ref> The first Indian film to gross over {{INR}}100 crore domestically in India was the [[Salman Khan]] - [[Madhuri Dixit]] starrer ''[[Hum Aapke Hain Kaun]]'' (1994),<ref name="boxofficeindia">{{cite web |url=http://boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=3826&nCat= |archive-url=https://web.archive.org/web/20120425231804/http://boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=3826&nCat= |archive-date=25 April 2012 |title=The 100 Crore Worldwide Grossers: 34 Films Since 1994 |website=Box Office India |access-date=19 December 2011 |url-status=dead}}</ref><ref>{{cite web |url=http://www.boxofficeindia.com/showProd.php?itemCat=126&catName=MTk5MC0xOTk5 |archive-url=https://web.archive.org/web/20131014072959/http://www.boxofficeindia.com/showProd.php?itemCat=126&catName=MTk5MC0xOTk5 |url-status=dead |archive-date=14 October 2013 |title=Boxofficeindia.com |date=14 October 2013}}</ref> which was also the first to reach {{INR|200 crore}} worldwide.<ref name="HAHK" /> The next film to cross {{INR|100 crore}} worldwide was the [[Kajol]]- [[Shah Rukh Khan|Shahrukh khan]] starrer ''[[Dilwale Dulhania Le Jayenge]]'' (1995).<ref>{{cite news |title=String of big flops trigger Bombay's dream merchants to struggle with changing audience |url=https://www.indiatoday.in/magazine/society-the-arts/story/19960430-string-of-big-flops-trigger-bombay-dream-merchants-to-struggle-with-changing-audience-833507-1996-04-30 |work=[[India Today]] |date=30 April 1996}}</ref>

The 100 Crore Club emerged more than a decade later, when the [[Aamir Khan]] starrer ''[[Ghajini (2008 film)|Ghajini]]'' (2008) became the first Indian film to [[Net income|net]] over {{INR}}100 crore domestically in India,<ref name="rediff">{{Cite web|url=https://www.rediff.com/movies/report/aamir-khans-10-biggest-hits/20141222.htm|title=Aamir Khan's 10 BIGGEST Hits|website=Rediff}}</ref> soon after which the term "100 Crore Club" was coined.<ref>{{cite news|title=The 100-crore Club|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/The-100-crore-Club/articleshow/3993923.cms|work=[[The Times of India]]|date=18 January 2009}}</ref> The later Aamir Khan films ''[[3 Idiots]]'' (2009), ''[[Dhoom 3]]'' (2013), ''[[PK (film)|PK]]'' (2014) and ''[[Dangal (film)|Dangal]]'' (2016) expanded the club to 200, 300, 400, 500, 600 and 700 crore. Overseas, the first Indian film to gross {{INR}}100 crore in international markets was the Shah Rukh Khan-Kajol-starrer ''[[My Name is Khan]]'' (2010),<ref name="ibtimes">{{cite news |last=Hooli |first=Shekhar |title=Baahubali 2 overseas box office collection: Rajamouli's film beats Chennai Express, Kabali's lifetime record in 1st weekend |url=http://www.ibtimes.co.in/baahubali-2-overseas-box-office-collection-rajamoulis-film-beats-chennai-express-kabalis-725036 |work=[[International Business Times]] |date=1 May 2017 |language=en}}</ref> followed by ''3 Idiots'' in 2011.<ref name="3idiots2011">{{cite news |last=Chumbhale |first=Ameya |title=3 Idiots wins over Chinese, collects Rs 11 crore in two weeks |url=https://economictimes.indiatimes.com/industry/media/entertainment/3-idiots-wins-over-chinese-collects-rs-11-crore-in-two-weeks/articleshow/11286751.cms |work=[[The Economic Times]] |date=29 December 2011}}</ref><ref name="china3idiots">{{cite web |title=Three Idiots Creates History in China |url=http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=3866&nCat= |archive-url=https://web.archive.org/web/20120107201817/http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=3866&nCat= |url-status=dead |archive-date=7 January 2012 |work=30 December 2011 |publisher=BoxOfficeIndia.Com |access-date=30 December 2011}}</ref>

Beyond Bollywood, the first [[Cinema of South India|South Indian film]] to gross over {{INR}}100 crore worldwide was 2007 [[Rajinikanth]] starring [[Tamil film]] ''[[Sivaji (film)|Sivaji]]''.<ref>{{cite news|url=http://articles.economictimes.indiatimes.com/2010-10-23/news/27594754_1_theatres-ticket-rates-rajinikanth|title=Rajinikanth's overseas market doubles from Sivaji|newspaper=Economic Times|date=23 October 2010|accessdate=14 January 2015}}</ref> The first [[Telugu film]] to enter the "100 Crore club" was 2009 film by [[S.S. Rajamouli]], ''[[Magadheera]]''.<ref name="100CC">{{cite news|url=http://www.apherald.com/Movies/ViewArticle/125430/7-Telugu-movies-which-entered-100-Crore-club-/|title=100 crores club: Telugu film collections|date=28 April 2016|work=Apherald}}</ref> In May 2016, ''[[Sairat]]'' become the first [[Marathi language|Marathi]] film to gross over {{INRConvert|100|c}} worldwide.<ref>{{cite web|url=http://www.dnaindia.com/entertainment/report-success-ka-effect-sairat-to-now-be-remade-in-4-different-languages-2222912|title=Success ka effect: Sairat to now be remade in 4 different languages! {{!}} Latest News & Updates at Daily News & Analysis|date=12 June 2016|website=dna|language=en-US|access-date=12 June 2016}}</ref> In 2016, [[Mohanlal]] starring ''[[Pulimurugan]]'' became the first [[Malayalam]] film to enter the club.<ref>{{cite web | url=http://english.manoramaonline.com/entertainment/entertainment-news/mohanlal-pulimurugan-enters-100-crore-club.html| title=It's official: Mohanlal's 'Pulimurugan' enters 100-crore club}}</ref> First [[Kannada]] movie to enter 100 Crore club was ''[[KGF (film)|KGF]]'' directed by [[Prashanth Neel]], released in 2018, starring [[Yash (actor)|Yash]] and [[Srinidhi Shetty]] crossing 153 crores in 11 days.

When adjusted for inflation, the first Indian film to gross an adjusted {{INR}}100 crore was the 1940 film ''[[Zindagi (1940 film)|Zindagi]]'', directed by [[P.C. Barua]] and written by Javed Hussain.{{#tag:ref|{{INR}}55 lakh<ref>{{cite web |title=Top Earners 1940 |url=http://www.boxofficeindia.com/showProd.php?itemCat=145&catName=MTk0MA== |website=[[Box Office India]] |access-date=26 September 2011 |archive-url=https://web.archive.org/web/20110121000555/http://boxofficeindia.com/showProd.php?itemCat=145&catName=MTk0MA== |archive-date=21 January 2011 |url-status=dead}}</ref> (US$1.58 million){{#tag:ref|3.4804 [[Indian rupee]]s per [[US dollar]] in 1940: {{INR}}13.33 per [[Pound sterling|pound]],<ref name="somanath">V. S. Somanath, [https://books.google.com/books?id=alysnLedf5oC&pg=PA53 ''International Financial Management'', page 53], [[International Association of Scientific, Technical, and Medical Publishers|I. K. International]], 2011</ref> $3.83 per pound<ref name="worth">[https://www.measuringworth.com/exchange/ Computing 'Real Value' Over Time with a Conversion between U.K. Pounds and U.S. Dollars, 1774 to Present], MeasuringWorth</ref>|group=n}} in 1940 (US${{Inflation|US|1.58|1940}} million or {{INR}}181 crore<ref name="exchange16">{{cite web |url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |title=Yearly Average Rates – OFX |access-date=17 June 2017 |archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |archive-date=13 July 2017 |url-status=dead}}</ref> in 2016)|group=n|name=Zindagi}} The first Indian film to gross an adjusted {{INR}}100 crore overseas was the 1951 film ''[[Awaara]]'', directed by [[Raj Kapoor]], written by [[Khwaja Ahmad Abbas]], and starring Raj Kapoor and [[Nargis]], becoming a blockbuster in the [[Soviet Union]].{{#tag:ref|''Awaara'': {{INR}}{{#expr:2.3+3.45}} crore (US${{#expr:4.83+7.25}} million) in 1954 ({{INR}}{{#expr:302+437}} crore (US${{#expr:45+65}} million) in 2016)
*India: {{INR}}2.3 crore<ref name="boi51">{{cite web |url=http://boxofficeindia.com/showProd.php?itemCat=156&catName=MTk1MQ== |title=Archived copy |access-date=22 September 2012 |archive-url=https://web.archive.org/web/20120922022110/http://boxofficeindia.com/showProd.php?itemCat=156&catName=MTk1MQ== |archive-date=22 September 2012 |url-status=dead}}</ref> (US$4.83 million){{#tag:ref|4.7619 Indian rupees per US dollar from 1951 to 1965<ref name="sauder">{{cite web |title=Pacific Exchange Rate Service |url=http://fx.sauder.ubc.ca/etc/USDpages.pdf#page=3 |website=[[UBC Sauder School of Business]] |publisher=[[University of British Columbia]] |page=3 |year=2016 |access-date=21 November 2017 |archive-url=https://web.archive.org/web/20150512095429/http://fx.sauder.ubc.ca/etc/USDpages.pdf#page=3 |archive-date=12 May 2015 |url-status=live}}</ref>|group=n|name=RupeeUSD}} in 1951 (US${{Inflation|US|4.83|1951}} million ({{INR}}302 crore)<ref name="exchange16"/> in 2016)
*[[List of Soviet films of the year by ticket sales|Soviet Union]]: 29 million [[Soviet ruble|SUR]]<ref name="soviet211">[https://books.google.com/books?id=cpoLAQAAMAAJ ''Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin''], page 211, [[Indiana University Press]], 2005</ref> (US$7.25 million,{{#tag:ref|4 [[Soviet ruble]]s per US dollar from 1950 to 1960<ref name="russia"/>|group=n|name=RubleUSD}} {{INR}}3.45 crore)<ref group="n" name="RupeeUSD"/> in 1954 (US${{Inflation|US|7.25|1954}} million ({{INR}}437 crore)<ref name="exchange16"/> in 2016)
|group=n|name=Awaara}}

The ''Hindustan Times'' claims that their magazine ''Brunch'' coined the term.<ref name="Origin">{{Cite news |url=http://www.hindustantimes.com/brunch/the-brave-new-world-of-indie-films/story-WCxWo5GFhiEbedltqs61eM.html |title=The brave new world of Indie films |last=Khanna |first=Parul |date=6 December 2013 |work=[[Hindustan Times]] |access-date=29 December 2013}}</ref> Initially the term applied only to the lead male actor.<ref name=Overview/> Komal Nahta stated that "excluding women from the group is characteristic of an industry which exercises gender discrimination more than other industries."<ref name=Overview/> By 2013, the usage had expanded to variously include the film itself, the director,<ref name=Award/> and the lead female actor.<ref name="women">{{cite news |url=http://www.rediff.com/movies/slide-show/slide-show-1-kareena-asin-deepika-bollywoods-rs-100-crore-club-gals/20130903.htm |title=Kareena, Asin, Deepika: Bollywood's Rs 100 crore club gals |last=Joginder Tuteja |date=3 September 2013 |work=Rediff.com |access-date=30 December 2013}}</ref> The [[2013 Zee Cine Awards|Zee Cine Awards]] added a category "The Power Club Box Office" to recognise directors whose films had reached the 100 crore mark.<ref name="Award">{{cite news |url=http://www.dnaindia.com/entertainment/report-directors-worth-rs100-crore-1790618 |title=Directors worth Rs 100 crore! |last=DNA |date=20 January 2013 |work=[[Daily News and Analysis]] |access-date=30 December 2013}}</ref> The 100 Crore Club designation has replaced previous Bollywood indications of success which had included great music, the "Silver Jubilee"<ref name="EconTimes">{{cite news |url=http://articles.economictimes.indiatimes.com/2012-02-11/news/31050052_1_box-office-collection-khans-entertainment-tax |title=Business of Bollywood: Why Rs 100 crore is the Biggest Star in Bollywood – Economic Times |last=Nandini Raghavendra |date=11 February 2012 |work=[[Indiatimes]] |access-date=30 December 2013}}</ref> or the "Diamond Jubilee" (films that ran for 75 weeks in theatres).<ref name="EconTimes2">{{cite news |url=http://articles.economictimes.indiatimes.com/2012-08-26/news/33386102_1_box-office-movie-rotten-tomatoes |title=Business of Rs 100-cr films: Who gets what and why |last=Binoy Prabhakar |date=28 August 2012 |work=[[Indiatimes]] |access-date=30 December 2013}}</ref>

However, ''DNA'' reported that "Filmmakers and distributors are known to leave no stone unturned in their attempt to cross over to the right side" of the 100 crore mark."<ref name=Award/><ref name="ETAug">{{cite news |url=http://articles.economictimes.indiatimes.com/2012-08-26/news/33386102_1_box-office-movie-rotten-tomatoes |title=Business of Rs 100-cr films: Who gets what and why |last=Binoy Prabhakar |date=26 August 2012 |work=[[Indiatimes]] Economic Times |access-date=30 December 2013}}</ref> ''The Times of India'' cancelled its "Box Office" column in November 2013 because "The stakes of filmmakers have increased so much that they are willing to go any distance to manipulate and jack up their numbers to beat each other's records." and the Times felt they were no longer able to provide accurate enough figures because "Films that have not reached the '100 crore mark but are close will insist that they have reached the '100 crore figure as they can't resist being in the '100 crore club.'"<ref name="NoBO">{{cite news |url=http://articles.timesofindia.indiatimes.com/2013-11-23/news-interviews/44388852_1_weekend-numbers-box-office-numbers-small-films |archive-url=https://web.archive.org/web/20131126160700/http://articles.timesofindia.indiatimes.com/2013-11-23/news-interviews/44388852_1_weekend-numbers-box-office-numbers-small-films |url-status=dead |archive-date=26 November 2013 |title=Box Office column discontinued |last=Priya Gupta |date=23 November 2013 |work=[[The Times of India]] |access-date=30 December 2013}}</ref>

The concentration on reaching the club has been criticised, with actor and producer [[Arshad Warsi]] stating, "I find this whole Rs. 100 crore club very stupid. How can every film releasing lately do a business of Rs. 100 crores all of a sudden? Instead of this, we need to concentrate on making good films."<ref name="Stupid">{{cite news |url=http://www.hindustantimes.com/entertainment/bollywood/rs-100-crore-club-is-stupid-arshad-warsi/article1-1017742.aspx |archive-url=https://web.archive.org/web/20130227044428/http://www.hindustantimes.com/Entertainment/Bollywood/Rs-100-crore-club-is-stupid-Arshad-Warsi/Article1-1017742.aspx |url-status=dead |archive-date=27 February 2013 |title=Rs 100 crore club is stupid: Arshad Warsi |last=Navdeep Kaur Marwah |date=26 February 2013 |work=[[Hindustan Times]] |access-date=3 January 2014}}</ref> [[Shahid Kapoor]] called the designation a "fad" which was leading to "massy films which are very basic in their understanding and high on entertainment. But if we run only to achieve those figures then we will restrict ourselves as actors"<ref name=Fad/> On the other hand, [[Dibakar Banerjee]], while agreeing with Kapoor about the impact on content stated, "I hope the club stays and grows to many more crores. Films as they do more business boost the confidence of audience and investors alike and everybody benefits."<ref name="Aditi Pant">{{cite news |url=http://www.hindustantimes.com/entertainment/tabloid/i-miss-delhi-winter-dibakar-banerjee/article1-981495.aspx |archive-url=https://web.archive.org/web/20121229112005/http://www.hindustantimes.com/Entertainment/Tabloid/I-miss-delhi-winter-Dibakar-Banerjee/Article1-981495.aspx |url-status=dead |archive-date=29 December 2012 |title=I miss Delhi winter: Dibakar Banerjee |last=Aditi Pant |date=27 December 2012 |work=[[Hindustan Times]] |access-date=29 December 2013}}</ref> [[Priyanka Chopra]] said that being part of films in the 100 Crore Club allowed her to also do less commercial "women-oriented films", and lamented that as of December 2013, no woman oriented films had achieved the 100 Crore Club designation.<ref>{{cite news |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/Films-cannot-change-society-Priyanka/articleshow/26914624.cms? |title=Films cannot change society: Priyanka |last=PTI |date=6 December 2013 |work=[[Indiatimes]] |access-date=29 December 2013}}</ref>

Variations of the "Bollywood 100 Crore Club" came into use, such as the "Bollywood 400 Crore Club" when the [[Shah Rukh Khan]]-[[Deepika Padukone]]-starrer ''[[Chennai Express]]'' reported box office receipts of 400 crore in 2013,<ref name="400CC">{{cite news |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/Rohit-Shetty-dreams-of-a-film-city-in-Goa/articleshow/26658726.cms? |title=Rohit Shetty dreams of a film city in Goa |last=Anisha Francis |date=1 December 2013 |work=[[Indiatimes]] |access-date=29 December 2013}}</ref> and the "Tollywood 600 Crore Club", which relates to [[Telugu cinema|Telugu]] films that have earned over {{INRConvert|600|c}} in 2015, such as film ''[[Baahubali: The Beginning]]'' which earned {{INRConvert|650|c}}.<ref name="600CC">{{cite news |url=http://www.desiretrees.com/baahubali-bahubali-total-worldwide-box-office-collections/ |title=Telugu Movie 6500 Crores Bhahubali Box Office Collections |work=Desiretrees |access-date=25 October 2016 |archive-url=https://web.archive.org/web/20171107015037/http://www.desiretrees.com/baahubali-bahubali-total-worldwide-box-office-collections/ |archive-date=7 November 2017 |url-status=dead}}</ref> They were eventually succeeded by the [[1000 Crore Club]], when ''[[Baahubali 2: The Conclusion]]'' crossed the {{INR|1000 crore}} mark ({{US$|{{To USD|10000|IND|round=yes}} million|long=no}}) in 2017.

==Milestones==
:''See [[1000 Crore Club]] for milestones beyond ₹1,000 crore.''

===Worldwide===
{{Further|List of highest-grossing Indian films}}

{| class="wikitable" style="margin:auto; margin:auto;"
|+Worldwide milestones
! colspan="4" | Nominal gross
|-
! Film
! Year
! Milestone
! Ref
|-
| ''[[Disco Dancer]]'' (1982)
| 1984
| [[Indian rupee|{{INR}}]]100 [[crore]]
| {{#tag:ref|''Disco Dancer'':
*India: {{INR}}6.4 crore<ref name="boi82">{{cite web |url=http://www.boxofficeindia.com/showProd.php?itemCat=188&catName=MTk4Mg== |archive-url=https://web.archive.org/web/20131005013955/http://www.boxofficeindia.com/showProd.php?itemCat=188&catName=MTk4Mg== |url-status=dead |archive-date=5 October 2013 |title=Boxofficeindia.com |date=5 October 2013}}</ref> ([[US$]]6.54 million){{#tag:ref|9.79 [[Indian rupee]]s per [[US dollar]] in 1982<ref>[https://books.google.co.uk/books?id=2nHtAAAAMAAJ ''Monthly Commentary on Indian Economic Conditions'', Volume 28], page xv, Indian Institute of Public Opinion, 1986</ref>|group=n}} in 1982 ({{INRConvert|{{Inflation|IN|6.54|1982}}|c}} in 2016)
*Soviet Union: US$75.9 million{{#tag:ref|''Disco Dancer'': 60 million Soviet rubles in 1984,<ref name="rbth">[https://www.rbth.com/amp/495697 Bollywood returns to Russian screens] {{dead link|date=September 2018|bot=medic}}{{cbignore|bot=medic}}, ''[[Russia Beyond the Headlines]]'', September 2009</ref> 0.791 rubles per US dollar in 1984<ref name="russia">Archive of Bank of Russia http://cbr.ru/currency_base/OldDataFiles/USD.xls</ref>|group=n|name=RubleUSD84}} ({{INR}}94.34 crore){{#tag:ref|12.43 Indian rupees per US dollar in 1984<ref name="rbi15268">{{Cite web |url=https://www.rbi.org.in/scripts/PublicationsView.aspx |title=Reserve Bank of India - Publications |website=www.rbi.org.in}}</ref>|group=n|name=RupeeUSD84}} in 1984 (US${{Inflation|US|75.9|1984}} million ({{INR}}1176 crore)<ref name="exchange16"/> in 2016)
|group=n|name=Disco}}
|-
| ''[[Hum Aapke Hain Koun..!]]'' (1994)
| 1994
| {{INR|200 crore}}
| <ref name="HAHK">{{Cite news |url=https://www.indiatoday.in/magazine/indiascope/story/19961215-the-great-gamblers-753776-1996-12-15 |title=The Great Gamblers |last=Chopra |first=Anupama |date=15 December 1996 |work=[[India Today]] |author-link=Anupama Chopra}}</ref>
|-
| rowspan="2" |''[[3 Idiots]]'' (2009)
|2009
| {{INR|300 crore}}
| rowspan="2" |{{#tag:ref|''3 Idiots'' worldwide gross: {{INR}}{{#expr:273.82+180}} crore (US${{#expr:57.05+30.5}} million)
*Domestic: {{INR}}273.82 crore<ref>{{cite web |title=Top India Grossers All Time |url=https://www.boxofficeindia.com/india-total-gross.php |website=[[Box Office India]] |access-date=12 November 2017}}</ref> (US$57.05 million)<ref>{{cite web |title=Yearly Average Rates (48 INR per USD) |url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |website=[[OFX (company)|OFX]] |year=2009 |access-date=17 June 2017 |archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |archive-date=13 July 2017 |url-status=dead}}</ref>
*Overseas: US$30.5 million<ref name="ibtimes"/> ({{INR}}180 crore)<ref>{{cite web |title=Yearly Average Rates (59 INR per USD) |url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |website=[[OFX (company)|OFX]] |year=2013 |access-date=17 June 2017 |archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |archive-date=13 July 2017 |url-status=dead}}</ref>
|group=n|name=3Idiots}}
|-
| 2013
| {{INR}}400 crore
|-
| ''[[Chennai Express]]'' (2013)
| 2013
| {{INR|400 crore}}
| <ref>{{cite news |last=Cain |first=Rob |title=Shah Rukh Khan's 'Fan' Aims To Continue Movie Megastar's Global Hit Streak |url=https://www.forbes.com/sites/robcain/2016/03/20/shah-rukh-khans-fan-aims-to-continue-movie-megastars-global-hit-streak/ |work=[[Forbes]] |date=20 March 2016 |language=en |url-status=live |archive-url=https://web.archive.org/web/20171113165918/https://www.forbes.com/sites/robcain/2016/03/20/shah-rukh-khans-fan-aims-to-continue-movie-megastars-global-hit-streak/ |archive-date=13 November 2017}}</ref>
|-
| rowspan="2" | ''[[Dhoom 3]]'' (2013)
| 2013
| {{INR}}500 crore
| rowspan="2" | <ref name="dhoom3">{{cite web |url=http://www.bollywoodhungama.com/news/box-office-special-features/box-office-aamir-khans-dangal-eclipses-dhoom-3-becomes-3th-highest-worldwide-grosser/ |title=Box Office: Aamir Khan’s Dangal eclipses Dhoom 3; becomes 3rd Highest worldwide grosser – Bollywood Hungama |first=Bollywood |last=Hungama |date=7 January 2017}}</ref>
|-
| 2014
| {{INR}}550 crore
|-
| rowspan="3" | ''[[PK (film)|PK]]'' (2014)
| 2014
| {{INR}}600 crore
| <ref name=BHGross>Mobhani, Suleman. (13 January 2015) [http://www.bollywoodhungama.com/box-office/special-features/id/420 Box Office: Comparison of the Top Grossers of 2014]. Bollywood Hungama. Retrieved on 1 January 2017.</ref>
|-
| rowspan="2" | 2015
| {{INR}}700 crore
| rowspan="2" | <ref name="asianet">[http://newsable.asianetnews.com/entertainment/10-highest-worldwide-grossing-bollywood-movies 10 highest worldwide grossing Bollywood movies], [[Asianet News]], 8 June 2017</ref>
|-
| {{INR}}800 crore
|-
| rowspan="2" | ''[[Baahubali 2: The Conclusion]]'' (2017)
| rowspan="2" | 2017
| {{INR}}1700 crore
| rowspan="2" | <ref name="times"/>
|-
| {{INR|1,000}} crore
|-
| ''[[Dangal (film)|Dangal]]'' (2016)
| 2017
| {{INR}}2,000 crore
| <ref name="times-dangal">{{cite web |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/box-office/dangal-worldwide-box-office-collection-aamir-khan-starrer-crosses-1000-crore-mark-post-release-in-china/articleshow/58680172.cms |title=‘Dangal’ worldwide box-office collection: Aamir Khan-starrer crosses 1000-crore mark post release in China |newspaper=The Times of India}}</ref>
|-
| ''[[RRR (film)|RRR]]''
| 2022
| {{INR}}1,200 crore
|
|-
|[[K.G.F: Chapter 2]]
|2022
|{{INR|1250 crore}}
|<ref>{{Cite web |last=Hungama |first=Bollywood |date=2022-04-29 |title=KGF – Chapter 2 Box Office: Yash starrer becomes the 4th film to enter the Rs. 1000 crore club :Bollywood Box Office - Bollywood Hungama |url=https://www.bollywoodhungama.com/news/box-office-special-features/kgf-chapter-2-box-office-yash-starrer-becomes-4th-film-enter-rs-1000-crore-club/ |access-date=2022-05-08 |language=en}}</ref>
|}

===Domestic===
{{Further|List of highest-grossing films in India}}

{| class="wikitable" style="margin:auto; margin:auto;"
|+Domestic milestones
! colspan="5" | Nominal
|-
! Film
! Year
! Nett milestone
! Gross milestone
! Ref
|-
| rowspan="2" | ''[[Hum Aapke Hain Kaun]]''
| 1994
| {{INR|7000000 crore}}
| {{INR|100 crore}}
| <ref name="boi94">{{cite web |url=http://boxofficeindia.com/showProd.php?itemCat=200&catName=MTk5NA== |archive-url=https://web.archive.org/web/20120922015950/http://boxofficeindia.com/showProd.php?itemCat=200&catName=MTk5NA== |url-status=dead |archive-date=22 September 2012 |title=Boxofficeindia.com |date=22 September 2012}}</ref>
|-
| 1995
|
|{{INR|150 crore}}
|<ref>{{Cite news |last=Chopra |first=Anupama |author-link=Anupama Chopra |date=15 September 1995 |title=Sholay emerges as Bollywood's most successful re-run product even after 20 years |work=[[India Today]] |url=https://www.indiatoday.in/magazine/society-the-arts/films/story/19950915-sholay-emerges-as-bollywoods-most-successful-re-run-product-even-after-20-years-807750-1995-09-15 |access-date=26 June 2013}}</ref>
|-
| ''[[Ghajini (2008 film)|Ghajini]]''
| 2008
| {{INR|100 crore}}
| {{INR|150 crore}}
| <ref name="ghajini">[https://www.boxofficeindia.com/movie.php?movieid=309 Ghajini], [[Box Office India]], accessed 8 June 2017</ref>
|-
| rowspan="2" | ''[[3 Idiots]]''
| rowspan="2" | 2009
| {{INR|150 crore}}
| {{INR|200 crore}}
| rowspan="2" | <ref name="3idiots">[https://www.boxofficeindia.com/movie.php?movieid=136 3 Idiots], [[Box Office India]], accessed 8 June 2017</ref>
|-
| {{INR|200 crore}}
| {{INR|250 crore}}
|-
| ''[[Chennai Express]]''
| 2013
| {{INR|200 crore}}
| {{INR|300 crore}}
| <ref name="chennai">{{cite news |last=Cain |first=Rob |title=Shah Rukh Khan's 'Fan' Aims To Continue Movie Megastar's Global Hit Streak |url=https://www.forbes.com/sites/robcain/2016/03/20/shah-rukh-khans-fan-aims-to-continue-movie-megastars-global-hit-streak/ |work=[[Forbes]] |date=20 March 2016}}</ref>
|-
| ''[[Dhoom 3]]''
| 2013
| {{INR|250 crore}}
| {{INR|350 crore}}
| <ref name="india-net">{{cite web |url=http://www.boxofficeindia.com/india-total-nett-gross.php |title=Top India Nett Grossers All Time |website=boxofficeindia.com}}</ref><ref name="bollywoodmoviereview">{{cite web |title=Bollywood 200 Crore Club Movies: Hindi Films |url=https://bollywoodmoviereview.in/bollywood-200-crores-movies-list/ |website=Bollywood Movie Review |access-date=1 October 2017 |date=3 April 2017 |archive-url=https://web.archive.org/web/20170325184717/http://bollywoodmoviereview.in/bollywood-200-crores-movies-list/ |archive-date=25 March 2017 |url-status=dead}}</ref>
|-
| ''[[PK (film)|PK]]''
| 2014
| {{INR|300 crore}}
| {{INR|450 crore}}
| <ref name="bollywoodmoviereview"/>
|-
| ''[[Baahubali: The Beginning]]''
| 2015
| {{INR|400 crore}}
| {{INR|500 crore}}
| <ref>{{cite web |title=Why Business Of Dubbed Tamil Telugu Not Included |url=http://www.boxofficeindia.com/art_detail.php?articalid=2877 |website=[[Box Office India]] |date=25 April 2017}}</ref><ref name="baahubali">{{cite news |last=Hooli |first=Shekhar |title='Baahubali' (Bahubali) lifetime box office collection: Prabhas starrer earns Rs 302 crore for its distributors |url=http://www.ibtimes.co.in/baahubali-bahubali-lifetime-box-office-collection-prabhas-starrer-earns-rs-302-crore-its-649645 |work=[[International Business Times]] |date=16 April 2017}}</ref>
|-
| ''[[Dangal (film)|Dangal]]''
| 2016
| {{INR|400 crore}}
| {{INR|550 crore}}
| <ref name="forbes">{{cite news |last=Cain |first=Rob |title=Aamir Khan's 'Secret Superstar' Winds Down Its Domestic Run With ₹83 Cr./$12.8M Gross |url=https://www.forbes.com/sites/robcain/2017/11/13/aamir-khans-secret-superstar-winds-down-its-domestic-run-with-%E2%82%B983-cr-12-8m-gross/ |work=[[Forbes]] |date=13 November 2017}}</ref>
|-
| rowspan="2" | ''[[Baahubali 2: The Conclusion]]''
| rowspan="2" | 2017
| {{INR|500 crore}}
| {{INR|600 crore}}
| <ref name="times">[http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/box-office/baahubali-2-the-conclusion-box-office-collection-film-collects-rs-1000-crore-nett-in-30-days/articleshow/58891683.cms 'Baahubali 2: The Conclusion' box-office collection: Film collects Rs 1000 crore nett in 30 days], ''[[The Times of India]]'', 29 May 2017</ref><ref>{{cite web |url=http://www.boxofficeindia.com/movie.php?movieid=3517 |title=Bahubali 2 – The Conclusion – Movie – Box Office India |website=boxofficeindia.com}}</ref><ref name="bahubali2dangal">[https://boxofficeindia.com/report-details.php?articleid=2971 Dangal v Bahubali 2 Worldwide Update], [[Box Office India]], 1 June 2017</ref>
|-
| {{INR|1,000 crore}}
| {{INR|1,000 crore}}
| <ref name="times"/>
|}

===Overseas===
{{Further|List of highest-grossing Indian films in overseas markets}}

{| class="wikitable" style="margin:auto; margin:auto;"
|+ Overseas milestones
! colspan="4" | Nominal gross
|-
! Film
! Year
! Milestone
! Ref
|-
| ''[[My Name is Khan]]'' (2010)
| 2010
| {{INR}}100 crore
| <ref name="ibtimes"/>
|-
| rowspan="2" | ''[[3 Idiots]]'' (2009)
| 2011
| {{INR}}120 crore
| <ref name="3idiots2011"/>
|-
| 2013
| {{INR}}150 crore
| <ref group="n" name="3Idiots"/>
|-
| ''[[Dhoom 3]]'' (2013)
| 2014
| {{INR}}200 crore
| {{#tag:ref|''Dhoom 3'' overseas gross: US$35.6 million,<ref name="ibtimes"/> {{INRConvert|2.172|b|year=2013}}<ref name="exchange14">{{cite web |title=Yearly Average Rates (61.01 INR per USD) |url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |website=[[OFX (company)|OFX]] |year=2014 |access-date=17 June 2017 |archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/ |archive-date=13 July 2017 |url-status=dead}}</ref>|group=n}}
|-
| rowspan="2" | ''[[PK (film)|PK]]'' (2014)
| rowspan="2" | 2015
| {{INR}}250 crore
| rowspan="2" | <ref name="asianet"/>
|-
| {{INR}}300 crore
|-
| rowspan="4" | ''[[Dangal (film)|Dangal]]'' (2016)
| rowspan="4" | 2017
| {{INR}}400 crore
| rowspan="4" | <ref name="koimoi23">{{cite web |url=http://www.koimoi.com/box-office/latest-update-on-dangals-worldwide-box-office-collections/ |title=Latest Update On Dangal’s Worldwide Box Office Collections |publisher=[[Koimoi]] |date=23 June 2017}}</ref>
|-
| {{INR}}500 crore
|-
| {{INR}}600 crore
|-
| {{INR}}1,000 crore
|-
! colspan="4" | Inflation adjusted gross
|-
! Film
! Year
! Milestone
! Ref
|-
| rowspan="4" | ''[[Awaara]]'' (1951)
| rowspan="4" | 1954
| {{INRConvert|100|c}}
| rowspan="4" | <ref group="n" name="Awaara"/>
|-
| {{INRConvert|200|c}}
|-
| {{INRConvert|300|c}}
|-
| {{INRConvert|400|c}}
|-
| rowspan="2" | ''[[Char Dil Char Rahen]]'' (1959)
| rowspan="2" | 1962
| {{INRConvert|500|c}}
| rowspan="2" | {{#tag:ref|''Char Dil Char Rahen'' in Soviet Union: 9.95 million [[Soviet ruble|SUR]]{{#tag:ref|39.8 million tickets sold,<ref name="soviet">{{cite web |url=http://kinanet.livejournal.com/1469857.html |title=Зарубежные популярные фильмы в советском кинопрокате (Индия) |author=Sergey Kudryavtsev |author-link=Sergey Kudryavtsev (film critic)}}</ref> average ticket price of 25 [[Soviet ruble|kopecks]]<ref name="moscow7">[https://is.muni.cz/el/1421/podzim2015/FAV291/um/Roth-Ey-Moscow_Prime_Time.pdf#page=7 ''Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War'', page 48], [[Cornell University Press]], 2011</ref>|group=n}} (US$11.06 million,{{#tag:ref|0.9 [[Soviet ruble]]s per US dollar from 1961 to 1971<ref name="russia"/>|group=n|name=RubleUSD6171}} {{INR}}52.7 million)<ref group="n" name="RupeeUSD"/> in 1962<ref name="soviet"/> (US${{Inflation|US|11.06|1962}} million or {{INR}}5.91 billion<ref name="exchange16"/> in 2016)|group=n}}
|-
| {{INRConvert|550|c}}
|-
| ''[[Mamta (1966 film)|Mamta]]'' (1966)
| 1969
| {{INRConvert|600|c}}
| {{#tag:ref|''Mamta'' in Soviet Union: 13.025 million [[Soviet ruble|SUR]]{{#tag:ref|52.1 million tickets sold,<ref name="soviet"/> average ticket price of 25 [[Soviet ruble|kopecks]]<ref name="moscow7"/>|group=n}} (US$14.47 million,<ref group="n" name="RubleUSD6171"/> {{INR}}108.5 million){{#tag:ref|7.5 Indian rupees per US dollar from 1967 to 1970<ref name="sauder"/>|group=n|name=RupeeUSD6770}} in 1969<ref name="soviet"/> (US${{Inflation|US|14.47|1969}} million or {{INR}}6.38 billion<ref name="exchange16"/> in 2016)|group=n|name=Mamta}}
|-
| ''[[Bobby (1973 film)|Bobby]]'' (1973)
| 1975
| {{INRConvert|600|c}}
| {{#tag:ref|''Bobby'' in Soviet Union: 15.65 million [[Soviet ruble|SUR]]{{#tag:ref|62.6 million tickets sold,<ref name="soviet"/> average ticket price of 25 [[Soviet ruble|kopecks]]<ref name="moscow7"/>|group=n}} (US$21.44 million,{{#tag:ref|0.73 [[Soviet ruble]]s per US dollar in 1975<ref name="russia"/>|group=n}} {{INR}}192.4 million){{#tag:ref|8.973 Indian rupees per US dollar in 1975<ref>{{cite web |url=https://www.rbi.org.in/scripts/PublicationsView.aspx?id=15268 |title=Reserve Bank of India – Publications |website=rbi.org.in}}</ref>|group=n}} in 1975 (US${{Inflation|US|21.44|1975}} million ({{INR}}6.38 billion)<ref name="exchange16"/> in 2016)
|group=n|name=Bobby}}
|-
| rowspan="4" | ''[[Disco Dancer]]'' (1982)
| 1984
| {{INRConvert|700|c}}
| rowspan="4" | <ref group="n" name="Disco"/>
|-
|1985
| {{INRConvert|800|c}}
|-
|1986
| {{INRConvert|900|c}}
|-
|1987
| {{INRConvert|1000|c}}
|}

==See also==

* [[1000 Crore Club]]
* [[List of highest-grossing Indian films]]
** [[List of highest-grossing films in India]]
* [[List of highest-grossing Indian films in overseas markets]]
** [[List of highest-grossing films in China]]
** [[List of Soviet films of the year by ticket sales]]
* [[List of most expensive Indian films]]

==Notes==
{{Reflist|group=n}}

{{notelist}}

==References==
{{Reflist}}

{{Film box office}}

{{Indian film list}}

{{#seo:
|keywords=Hindi cinema, Neologisms, Film and video terminology, Film box office, Telugu cinema, Kannada cinema
|description=100 Crore Club is an unofficial designation by the Indian film trade and the media, related to Indian-language films that have net or more in India ...
}}

[[Category:Hindi cinema]]
[[Category:Neologisms]]
[[Category:Film and video terminology]]
[[Category:Film box office]]
[[Category:Telugu cinema]]
[[Category:Pages with large description]]
[[Category:Kannada cinema]]

100 (2019 film)

2023-07-15T13:10:34Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=March 2019}}
{{Use Indian English|date=March 2019}}
{{Short description|2019 Indian Tamil-language action film written and directed by Sam Anton}}
{{Infobox film
| name = 100
| image = Poster of 100.jpg
| caption =
| native_name =
| director = [[Sam Anton]]
| producer = Kaviya Mahesh
| writer = Sam Anton
| based_on =
| starring = [[Atharvaa]] [[Hansika Motwani]] [[Radha Ravi]]
| music = [[Sam C. S.]]
| cinematography = Krishnan Vasant
| editing = [[Ruben (film editor)|Ruben]]
| studio = Auraa Cinemas
| released = {{film date|df=y|2019|5|9}}
| runtime = 141 mins
| country = India
| language = Tamil
| budget =
}}
'''''100''''' is a 2019 Indian [[Tamil language|Tamil]]-language [[action thriller film]] written and directed by [[Sam Anton]] and produced by Kaviya Mahesh. The film features [[Atharvaa]] and [[Hansika Motwani]] in the lead roles, while [[Radha Ravi]] and [[Yogi Babu]] play supporting roles. The music was composed by [[Sam C. S.]], with editing done by [[Ruben (film editor)|Ruben]] and cinematography by Krishnan Vasant. The film began production during December 2017 and completed its shoot by August 2018.<ref>{{cite web|url=http://www.sify.com/movies/atharvaa-hansika-romantic-comedy-starts-rolling-imagegallery-kollywood-rmpo6Hhfabgbe.html|title=Atharvaa-Hansika romantic comedy starts rolling!|website=Sify.com|accessdate=26 January 2019}}</ref> It was released on 9 May 2019 to mixed to positive reviews from the audience as well as critics and become an above average success.<ref>https://www.sify.com/movies/100-review-a-watchable-cop-action-entertainer-review-tamil-tfkjpCebjehdb.html</ref>

== Plot ==
{{Long plot|section|date=August 2020}}
Sathya ([[Atharvaa]]) wants to be an upright cop, hoping that his life will become adventurous by chasing criminals and solving mysteries like his childhood best friend Anwar (Mahesh). However, he gets posted in a control room as an emergency call operator, where he is mentored by 'Pistol' Perumal ([[Radha Ravi]]). His requests to have his department changed to fall on deaf ears. Sathya's girlfriend Nisha ([[Hansika Motwani]]) has a brother Vicky (Raaj Aiyyappa), who is shown to be in a relationship with Ayesha (Harija), Anwar's sister.

Initially, Sathya thinks that his job is just as mundane as Nisha's, who works at a call center. One day, disturbed due to a misunderstanding with Anwar involving Ayesha and Vicky, Sathya misses a call, which turns out to be from the mother of a boy who was kidnapped. Sathya deduces that the boy is being kept hostage in a train, and with Perumal's help, he manages to nab the kidnappers and get the boy home safely.

Perumal believes that the 100th phone call changes the operator's lives, which Sathya refuses to believe until his 100th phone call turns out to be from Sandhya, a girl who was earlier presumed dead. Using his wits, Sathya manages to save Sandhya from the clutches of the kidnappers and hands both the girl and the kidnappers to Anwar to preserve his anonymity. However, the next day, he does not find any news pertaining to the girl's return to her home. Disturbed, he reaches out to Anwar, who refuses to acknowledge that Sathya handed over Sandhya to him. Deducing that Anwar is involved in something wrong, Sathya convinces Perumal, who has only two days of service remaining before he retires, to help him crack the case. Sathya brings the rogue who had confessed earlier that he killed Sandhya into questioning. The rogue was released within a year of Sandhya's supposed murder since he was a minor. Sathya gets him beaten by Sandhya's boyfriend Harish, and the rogue confesses that he is under the payroll of Daas ([[Mime Gopi]]), who runs a huge drug cartel business in the city. One of Daas's men asks the rogue to take the blame for the murder promising him 1.5 million rupees.

Sathya sneaks into Daas's hideout, where he finds out that the actual mastermind is Daas's associate David ([[Cheenu Mohan]]). David runs a business of supplying girls to rich perverts. To avoid investigation, they make it look like the girls have been murdered, whereas, in reality, they would be sold for a huge sum of money. Sathya arrests David, who is later shot dead by a helmeted assailant. Sathya asks Perumal to nab the assailant with the help of the traffic cameras, and the assailant is revealed to be Anwar. Upon questioning, Anwar confesses that he had no knowledge of the girl trafficking business and had shot David, since the real mastermind behind the crime had kidnapped Ayesha, who had run away from home with Vicky, fearing that Anwar would not accept their relationship. Anwar was also instructed to kill Sathya, but he could not bring himself to shoot his best friend. Feeling guilty, Anwar requests Sathya to save Ayesha and commits suicide.

Distraught at his best friend's death, Sathya is informed that Vicky has returned and is in the hospital, having been badly beaten up. When he goes to the hospital to meet Vicky, he gets a call from the kidnappers asking him to come to a secluded location to save Ayesha. Upon reaching there, he finds out that the kidnappers have left Sandhya there instead of Ayesha. Perumal traces the kidnappers' phone to the hospital where Vicky is admitted and launches a police team to surround the hospital immediately.

In a twist, Sandhya reveals that it is Vicky himself who is the mastermind of the girl trafficking business. He had got together with David and kidnapped 12 girls in total. Vicky escapes from the hospital after creating a ruckus and tells Sathya that if he wanted Ayesha alive, he would have to deliver Sandhya to a particular location. Vicky forces Sathya to stay on the call to prevent him from contacting the police, but Sathya writes the word "help" on his car's windshield, through which Perumal managed to dispatch help to him. Realizing that Sandhya is bugged, Sathya asks the team to proceed with Sandhya to the location, while Perumal relayed Vicky's location to Sathya through another police officer's phone. Sathya manages to catch up to Vicky, trashes him and his rogues, and rescues Ayesha. Sathya asks Perumal to shoot down Vicky to instill fear in the hearts of criminals who commit such crimes with girls. Perumal, who had never used a pistol before and had only five minutes of service remaining, does so, thrilled.

Due to his success, Sathya is transferred to the crime branch, but having realized that he could make a bigger difference by being a call operator, he decides to stick to his current job. The film ends with Sathya receiving a call and then walking away to solve the crime.

== Cast ==
{{colbegin}}
*[[Atharvaa]] as Sub-Inspector Sathya, working in the control room
*[[Hansika Motwani]] as Nisha
*[[Radha Ravi]] as Pistol Perumal
*Raaj Aiyyappa as Vignesh (Vicky), Nisha's brother
*[[Yogi Babu]] as Sub-Inspector Jackson, working in the control room
*[[Saravanan (actor)|Saravanan]] as Ganesh, Sathya's father
*[[Nirosha]] as Sathya's mother
*[[Cheenu Mohan]] as David
*[[Mime Gopi]] as Daas
*[[Aadukalam Naren]] as Police Commissioner
*[[Mahanadi Shankar]] as Inspector Murugesan
*Mahesh as Anwar
*Harija as Ayesha
*Pasanga Sivakumar as Anwar's father
*[[Swaminathan]] as Gajapathy Swamy alias Gary
*[[Sampath Ram]] as Inspector Jegadeesh
*Vijay as Sathya's friend
*Kadhal Kannan as Victim's father
*Vijay Varadharaj as Caller
*Praneshvar as Hari Krishnan
*Pillayar Ruthru as Rajesh
{{colend}}

== Production ==
In June 2017, producer [[S. Michael Rayappan]] of Global Infotainment announced that he would work together on a project with actor [[Atharvaa]], which would be directed by Sam Anton.<ref>{{cite web|url=https://silverscreen.in/news/atharvaa-teams-sam-anton-new-film/|title=Atharvaa Teams Up With Sam Anton For New Film|date=14 June 2017|website=Silverscren.in|accessdate=25 January 2019}}</ref> However, the failure of Rayappan's ''[[Anbanavan Asaradhavan Adangadhavan]]'' put him in a financially difficult position, and he subsequently withdrew from the project. In a turn of events, production house Auraa Cinemas took over the project, with [[Hansika Motwani]] joining the team to play the lead actress in December 2017.<ref>{{cite web|url=http://www.sify.com/movies/hansika-to-romance-atharvaa-in-sam-anton-film-news-tamil-rmhp5Jegfbdaf.html|title=Hansika to romance Atharvaa in Sam Anton film|website=Sify.com|accessdate=25 January 2019}}</ref>

Portraying a police officer for the first time, Atharvaa underwent stunt training for the role. Tamil YouTube personalities Eruma Saani Harija and Eruma Saani Vijay also worked on the film, as did [[Radharavi]], [[Mime Gopi]] and [[Yogi Babu]].<ref>{{cite news|url=https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/atharvaa-goes-after-smugglers-in-100/articleshow/65413665.cms|title=Atharvaa goes after smugglers in '100'|newspaper=[[The Times of India]]|accessdate=25 January 2019}}</ref> The film's shoot was completed in July 2018, with the team announcing that only one further song sequence was left to be shot.<ref>{{cite news|url=https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/photo-atharvaa-wraps-up-his-upcoming-film-100/articleshow/64973640.cms|title=Photo: Atharvaa wraps up his upcoming film ‘100’|newspaper=[[The Times of India]]|accessdate=25 January 2019}}</ref>

==Soundtrack==
The soundtrack was composed by [[Sam C. S.]], collaborating with the director for the first time. All lyrics are written by [[Madhan Karky]], and the audio rights are secured by [[Sa Re Ga Ma]].
{{Infobox album
| name = 100
| type = Soundtrack
| artist = [[Sam C. S.]]
| cover =
| alt =
| released = 2019
| recorded =
| venue =
| studio =
| genre = [[Film soundtrack|Feature film soundtrack]]
| length = 9:06
| language = [[Tamil language|Tamil]]
| label = [[Sa Re Ga Ma]]
| producer = Sam C. S.
| prev_title = [[K-13 (film)|K-13]]
| prev_year = 2019
| next_title = [[Ayogya (2019 film)|Ayogya]]
| next_year = 2019
}}
{{tracklist
| extra_column = Singer(s)
| title1 = Agulu Bagulu
| lyrics1 = Logan
| extra1 = [[Arjun Chandy]]
| length1 = 4:26
| title2 = Ye di Raasathi
| lyrics2 = Kavita Thomas
| extra2 = Sathyaprakash
| length2 = 4:38
| title3 = Nanba
| lyrics3 = Sam. C. S
| extra3 = Sam. C. S
| length3 = 3:02
| total_length: 9:06
}}

==Critical reception==
[[The Times of India]] rated 2 out of 5 stars stating "100 is an ambitious cop film with a not-so-bad story and almost convincing protagonist, but is marred by a far-stretched screenplay".<ref>{{Cite web|url=https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/100/movie-review/69240005.cms|title=100|website=The Tiimes of India|date=2019-05-08|access-date=2020-06-15}}</ref>[[Sify]] rated 2.75 out of 5 stars stating "Director Sam Anton’s 100 is a passable cop action entertainer which works mainly because of the engaging second half".<ref>{{Cite web|url=https://www.sify.com/movies/100-review-a-watchable-cop-action-entertainer-review-tamil-tfkjpCebjehdb.html|title=100 review: A watchable cop action entertainer|website=Sify|date=2019-06-12|access-date=2020-06-15}}</ref>[[The Hindu]] stated "Tamil filmmakers are in their ‘woke’ phase right now and what better than sexual harassment cases, which have been making headlines every other day? Filmmakers tend to normalise sexual assault by reducing it to a narrative device, and end up harassing the audience. The latest entrant being 100".<ref>{{Cite web|url=https://www.thehindu.com/entertainment/movies/100-movie-review-a-passable-thriller-with-a-laughable-twist/article27101838.ece|title='100' movie review: A passable thriller with a laughable twist|website=The Hindu|date=2019-05-11|access-date=2020-06-15}}</ref>''IndiaGlitz'' rated 2.8 out of 5 stars stating "Go for this new take on cop work with good performances by the cast and some interesting twists and turns".<ref>{{Cite web|url=https://www.indiaglitz.com/100-review-tamil-movie-22737|title=100 Review|website=IndiaGlitz|date=2019-05-16|access-date=2020-06-15}}</ref>[[Cinema Express]] rated 2.5 out of 5 stars stating "Despite pacing issues and innumerable subplots, 100 is effectively wrapped up with minimal loose ends, and there's an overall sense of satisfaction at the end of 141 minutes".<ref>{{Cite web|url=https://www.cinemaexpress.com/reviews/tamil/2019/may/11/100-movie-review-atharvaas-cop-debut-packs-quite-the-punch-11498.html|title=100 Movie Review: Atharvaa's cop debut packs a punch|website=Cinema Express|date=2019-05-11|access-date=2020-06-15}}</ref>[[Firstpost]] rated 2.2 out of 5 stars stating "The first half of the film is just a built up for a long-drawn-out climax. If Anton had made the film from an engaging script and treated it as a realistic, investigative thriller without any over the top heroism, it would have worked".<ref>{{Cite web|url=https://www.firstpost.com/entertainment/100-movie-review-a-formulaic-cop-thriller-with-over-the-top-action-sequences-unnecessary-heroism-6613831.html|title=100 movie review: A formulaic cop thriller with over the top action sequences, unnecessary heroism|website=Firstpost|date=2019-05-11|access-date=2020-06-15}}</ref>[[The Indian Express]] rated 2 out of 5 stars stating "Sam Anton takes too many cinematic liberties with 100, giving us an unrealistic twist that one can’t easily buy".<ref>{{Cite web|url=https://indianexpress.com/article/entertainment/movie-review/100-movie-review-rating-atharvaa-5723195/|title=100 movie review: Atharvaa fails to hit a 100 in this tried-and-tested formula film|website=The Indian Express|date=2019-05-12|access-date=2020-06-15}}</ref>

==References==
{{Reflist}}

==External links==
* {{IMDb title|8458736}}

{{#seo:
|keywords=2010s Tamil-language films, Indian films, 2019 action thriller films, Indian action thriller films, 2019 films, Indian action films
|description=100 is a 2019 Indian Tamil-language action thriller film written and directed by Sam Anton and produced by Kaviya Mahesh. The film features ...
}}

[[Category:2010s Tamil-language films]]
[[Category:Indian films]]
[[Category:2019 action thriller films]]
[[Category:Indian action thriller films]]
[[Category:2019 films]]
[[Category:Indian action films]]

1000 – Oru Note Paranja Katha

2023-07-15T07:40:36Z

MetaBOT: added clean description script (info)

{{Use dmy dates|date=February 2017}}
{{Use Indian English|date=February 2017}}
{{Infobox film
| name = 1000 – Oru Note Paranja Katha
| native_name = 1000 - ഒരു നോട്ട് പറഞ്ഞ കഥ
| image = 1000 – Oru Note Paranja Katha.jpg
| image_size =
| caption =Theatrical release poster
| director = A. R. C. Nair
| producer = Nishi Govind
| writer =
| screenplay =
| story =
| starring = [[Bharath (actor)|Bharath]] [[Maqbool Salmaan]] [[Mukesh (actor)|Mukesh]]
| music = Rajesh Mohan
| cinematography =
| editing =
| studio =
| released = {{Film date|df=y|2015|02|13}}
| runtime =
| country = [[India]]
| language = Malayalam
}}
'''''1000 : Oru Note Paranja Katha''''' (English: 1000 - Story narrated by rupee note) is a 2015 Indian Malayalam thriller film directed by A. R. C. Nair. The film features [[Bharath (actor)|Bharath]], [[Mukesh (actor)|Mukesh]] and [[Maqbool Salmaan]] in the lead roles along with [[Leema Babu]] and [[Kalaranjini]] in key supporting roles. The film was released worldwide on 13 February 2015.<ref>{{Cite web|url=https://www.mathrubhumi.com/movies-music/preview/1000--1.184773|title=1000: ഒരു നോട്ടിന്റെ കഥ}}</ref>

==Cast==
* [[Bharath (actor)|Bharath]] as Jikku Mon
* [[Mukesh (actor)|Mukesh]] as Jikku Mon's father
* [[Maqbool Salmaan]] as Henchman
* [[Biyon]] as Hospital attender
* [[Shammi Thilakan]]
* [[Kalaranjini]]
* [[Anju Aravind]] as Henchman's wife
* [[Baby Meenakshi]]
* [[Leema Babu]] as Hospital attender's girlfriend
* [[Santhosh Keezhattoor]] as Minister
* [[Santhakumari (Malayalam actress)|Santhakumari]]
* Kumarakom Raghunath
* Rakendu as Temple priest

==Release==
The [[Times of India]] gave the film a negative review stating "one joke after another falls flat and the movie becomes far from enjoyable and is at best a timid effort to entertain the audience".<ref>{{cite web|url=http://timesofindia.indiatimes.com/entertainment/malayalam/movie-reviews/1000-oru-note-paranja-katha/movie-review/46250491.cms |title=1000 – Oru Note Paranja Katha Movie Review, Trailer, & Show timings at Times of India |publisher=indiatimes.com |date= |accessdate=2017-02-16}}</ref> Likewise, a critic from Nowrunning.com noted it is "one hell of a misadventure that should keep you away from the theatres for a while, if you happen to drop in for a dekko" and that it is "ruined beyond recognition by an implausible and frightful storyline, this is film making attempting to be at its worst".<ref>{{cite web|url=http://www.nowrunning.com/movie/16951/malayalam/1000/4988/review/ |title=1000 Review - Malayalam Movie 1000 nowrunning review |publisher=Nowrunning.com |date=2015-02-14 |accessdate=2017-02-16}}</ref>

==References==
{{reflist}}

==External links==
*{{imdb title|5471518}}

{{DEFAULTSORT:1000 - Oru Note Paranja Katha}}{{#seo:
|keywords=2010s Malayalam-language films, Indian films, 2015 action thriller films, Indian action thriller films
|description=1000 : Oru Note Paranja Katha is a 2015 Indian Malayalam thriller film directed by A. R. C. Nair. The film features Bharath, Mukesh and Maqbool ...
}}

[[Category:2010s Malayalam-language films]]
[[Category:Indian films]]
[[Category:2015 action thriller films]]
[[Category:Indian action thriller films]]

{{2010s-Malayalam-film-stub}}
{{action-thriller-film-stub}}

1000 Thalaivangi Apoorva Chinthamani

2023-07-15T07:39:41Z

MetaBOT: added clean description script (info)

{{Short description|1947 film by T. R. Sundaram}}
{{Use dmy dates|date=February 2017}}
{{Use Indian English|date=February 2017}}
{{Infobox film
| name = 1000 Thalai Vaangi Apoorva Chinthamani
| image = Aayiram Thalai Vaangi Apoorva Chinthamani.jpg
| caption = Theatrical poster
| director = [[T. R. Sundaram]]
| producer =
| writer = [[Bharathidasan]]
| screenplay = [[T. R. Sundaram]]
| story =
| starring = P. S. Govindan [[V. N. Janaki]] M. R. Swaminathan [[S. Varalakshmi]] [[Kali N. Rathnam]] [[C. T. Rajakantham]]
| music = [[G. Ramanathan]]
| cinematography = R. M. Krishnaswamy
| editing = L. Balu
| studio = [[Modern Theatres]]
| released = 8 December 1947{{sfn|Dhananjayan|2014|page=70}}
| runtime = 214 minutes
| country = India
| language = Tamil
}}

'''''1000 Thalai Vaangi Apoorva Chinthamani''''' (read as "Aayiram Thalai Vaangi Apoorva Chinthamani"; {{trans|Unique Chinthamani, who took a thousand lives}}) is a 1947 Indian [[Tamil language]] [[adventure film|adventure]]-[[Thriller (genre)|thriller]] film directed and produced by [[T. R. Sundaram]]. The screenplay was written by [[T. R. Sundaram]] and the dialogue by [[Bharathidasan]]. Music was composed by [[G. Ramanathan]]. The film stars M. R. Swaminathan, P. S. Govindan, [[V. N. Janaki]] and [[Kali N. Rathnam]].{{sfn|Dhananjayan|2014|page=70}} The film was a big success among the masses.<ref name="thehindu1">{{Cite news |last=Guy |first=Randor |url=https://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/aayiram-thalaivaangi-apoorva-chintamani-1947/article3022608.ece |title=Aayiram Thalaivaangi Apoorva Chintamani 1947 |date=29 February 2008 |work=The Hindu |access-date=2020-02-20}}</ref> Thirteen years later, the film was remade in [[Telugu language|Telugu]] under the title ''Sahasra Sirchedha Apporva Chinthamani'' (1960) and that version was dubbed and released in [[Kannada language|Kannada]].{{sfn|Dhananjayan|2014|page=71}}

==Background==
The film was based on a popular folk tale about a sinner Saint's garb, who had the princess Chinthamani under his control and how he uses her as a pawn to achieve his goals. Those who were interested in marrying the princess were asked three intriguing questions by her and those who could not answer were beheaded as a punishment. When 999 of princes were killed like this, the film reveals how a prince goes about finding the answers.{{sfn|Dhananjayan|2014|page=70}}

==Plot==
A Saint (M. R. Saminathan) wants to become all powerful (Ashtamasithi) and prays to obtain such powers. He was told that if he could achieve the sacrifice of 1000 men, he shall achieve such a supreme power. As he cannot achieve this feat on his own, he works out a plan. Princess Apoorva Chinthamani ([[V. N. Janaki]]) is the daughter of King Neethi Kethu ([[M. G. Chakrapani]]). Due to her intelligence knowledge and interest in various arts, she is referred to as ''Apoorva Chinthamani''. The happy King encourages her learn more. The magician comes to the Aditayapuri Kingdom in the garb of a Saint and becomes Chinthamani's teacher.

Gradually, he brings her under his control and manipulates her to achieve his goals. When she attains marriageable age, the magician advises that she should get an equally knowledgeable man and hence asks her to organise a contest whereby three peculiar questions will be asked to the aspiring grooms, those who fail to answer will beheaded. Since only the magician knows the answers, he is sure that he can behead 1000 prospective grooms who fail to answer and thus achieve his target of 1000 sacrifices.

The justification for the killings is to prevent leakage of the questions to other contestants. Chinthamani agrees and also convinces her father for the contest. The first to be sacrificed happens to be her cousin Purantharan (E. R. Sahadevan), who is keen to marry her. In this manner, she kills 999 people, which includes six elder brothers of Prince Meyyazhagan (P. S. Govindan). He decides to take revenge on Chinthamani when he comes to know about the killings, and comes to her kingdom with his friend and assistant Kali ([[Kali N. Rathnam]]). They decide to find the questions and their answers before venturing to meet Chinthamani. In this process, the prince falls in love with Chinthamani's friend Princess Sengamalam ([[S. Varalakshmi]]).

Through her, he learns the questions. He goes to various countries named as Madhivadhanapuram, Sambangi Puram and Nathiseela Puram, finds the answers and brings the people involved with him to Chinthamani's palace. He answers the questions and wins the contest. Along with that, he also exposes the game plan of the magician, who gets killed by one of the kings affected by him. The prince advises Chinthamani to marry her cousin who was keen to marry her and marries her friend, Sengamalam.{{sfn|Dhananjayan|2014|page=71}}

==Cast==
Cast according to the opening credits of the film<ref name="movie">{{Cite AV media |title=1000 Thalaivangi Apoorva Chinthamani |last=Sundaram |first=T. R. |type=motion picture |language=Tamil |publisher=[[Modern Theaters]] |year=1947 |author-link=T. R. Sundaram |time=1:37 to 2:01 |time-caption=Opening credits, from}}</ref>
{{Col-begin|width=60%}}
{{col-break|width=50%}}
;Male cast
* P. S. Govindan as Meiyazhagan
* Ganesa Bhagavathar as Sathyaseelan
* M. R. Saminathan as Monk
* [[M. G. Chakrapani]] as Neethikethu
* [[E. R. Sahadevan]] as Purandharan
* K. K. Perumal as Gunapathi
* [[R. Balasubramaniam|R. Balasubramanyam]] as Madhivadhanan
* [[Kali N. Rathnam]] as Kali
* [[T. S. Durairaj]] as Guard
* M. E. Madhavan as Velan
* [[V. M. Ezhumalai]] as Mannappan
{{col-break|width=50%}}
;Female cast
* [[V. N. Janaki]] as Apoorva Chinthamani
* [[S. Varalakshmi]] as Senkamalam
* R. Padma as Manjalazhagi
* [[Madhuri Devi|M. Madhuri Devi]] as Dhampathi
* [[C. T. Rajakantham]] as Thangam
* P. R. Chandra as Velamma
* Susheela as Sundaravalli
* Saraswathi as Selavanayagam
* Chellam as Pachaiveni
* [[M. S. Subbulakshmi]] as Dancer
{{col-end}}

==Soundtrack==
{{Infobox album
| name = Aayiram Thalai Vaangi Apoorva Chinthamani
| type = Soundtrack
| artist = [[G. Ramanathan]]
| cover =
| alt =
| released = 1947
| recorded = 1947
| venue =
| studio =
| genre = Carnatic
| length =
| language = [[Tamil language|Tamil]]
| label =
| producer = [[G. Ramanathan]]
| prev_title =
| prev_year =
| next_title =
| next_year =
}}

Music and lyrics were composed by [[G. Ramanathan]]. The film had 11 songs.
{| class="wikitable tracklist" style="font-size:95%;"
! No !! Songs !! Singers !! Length
|-
| 1 || "Paaril Bangi || Pazhani Baheerathi" || 03:38
|-
| 2 || "Vetchathu Vetchadhuthan Pulli" || [[C. T. Rajakantham]] ||
|-
| 3 || "Kadhal Vanathilae Naam" || [[S. Varalakshmi]] ||
|-
| 4 || "Yarenkku Edhire" || Pazhani Baheerathi ||
|-
| 5 || "Kadhalaginen" || [[S. Varalakshmi]] || 02:34
|-
| 6 || "Nallathai Sollidaven" ||[[G. Ramanathan]] ||
|-
| 7 || "Aangalai Kannal Paarpathu" || ||
|-
| 8 || "Thaayae Thanthaiyae" || P. S. Govindan || 02:25
|-
| 9 || "Ullukulle Neenga" || [[C. T. Rajakantham]] [[Kali N. Rathnam]] || 03:44
|-
| 10 || "Naalu Paeru Kannukkethukka" || || 02:09
|-
| 11 || "Kundu Malikai Parikka" || P. S. Govindan [[Kali N. Rathnam]] ||
|-
| 12 || "Maadhar Manonmaniye" || P. S. Govindan, S. Varalakshmi || 02:26
|}

==Reception==

This was the first film which presented several sub-plots and inner sub-plots in a flashback and stories were presented logically making the entire film interesting and a big hit among the masses. The film was very popular with the masses for its interesting script. The film had several sub-plots and inner sub-plots which were interwoven logically. These sub-plots were presented in flashback mode and become a landmark in the history of Tamil Cinema as it was the first time such a technique was used effectively on the screen. Another highlight, was the comedy scenes of [[Kali N. Rathnam]] and [[C. T. Rajakantham]], which were presented well.{{sfn|Dhananjayan|2014|page=71}}

[[Kali N. Rathnam]], who acts as a dumb person in a scene sang the most popular song of [[M. K. Thyagaraja Bhagavathar]]'s [[Haridas (1944 film)|Haridas]](1944) ''[[Manmadha Leelayai Vendrar Undo]]'', through miming and music and created a sensation among the audience. The screenplay and dialogue were written by the Popular Tamil poet Pavendar [[Bharathidasan]], but he did not wish to be credited in the titles as his convictions were against the concept of the film with illogical or unbelievable folk tales.

== Remake ==
The film was remade in [[Telugu language|Telugu]] in 1960 under the title ''Sahasra Sirachedha Apoorva Chinthamani'' by the same producer [[Modern Theatres]].<ref>{{Cite news |last=Narasimham |first=M. L. |date=25 February 2006 |title=Sahasra Siracheda Apoorva Chintamani (1960) |work=[[The Hindu]] |url=https://www.thehindu.com/features/friday-review/history-and-culture/sahasra-siracheda-apoorva-chintamani-1960/article8280717.ece |access-date=6 August 2020}}</ref>

==References==
{{reflist}}

==External links==
* {{IMDb title|0389712}}

==Bibliography==
* {{cite book|last=Dhananjayan |first=G. |title=Pride of Tamil Cinema: 1931 to 2013|date=2014|publisher=Blue Ocean Publishers|url=https://books.google.com/books?id=e07vBwAAQBAJ|isbn=978-93-84301-05-7}}

{{Modern Theatres}}
{{T. R. Sundaram}}{{#seo:
|keywords=1947 films, 1940s Tamil-language films, Films directed by T. R. Sundaram, Films scored by G. Ramanathan, Indian black-and-white films, Films based on Indian folklore, 1940s fantasy adventure films, Indian fantasy adventure films, Indian films, Tamil films remade in other languages, Indian feminist films, Indian musical films, Indian films based on plays, Films set in 1947
|description=1000 Thalai Vaangi Apoorva Chinthamani is a 1947 Indian Tamil language adventure-thriller film directed and produced by T. R. Sundaram. The ...
}}

[[Category:1947 films]]
[[Category:1940s Tamil-language films]]
[[Category:Films directed by T. R. Sundaram]]
[[Category:Films scored by G. Ramanathan]]
[[Category:Indian black-and-white films]]
[[Category:Films based on Indian folklore]]
[[Category:1940s fantasy adventure films]]
[[Category:Indian fantasy adventure films]]
[[Category:Indian films]]
[[Category:Tamil films remade in other languages]]
[[Category:Indian feminist films]]
[[Category:Indian musical films]]
[[Category:Indian films based on plays]]
[[Category:Films set in 1947]]

1000 Crore Club

2023-07-15T07:35:18Z

MetaBOT: Added clean description and keywords using script

{{Short description|Indian language films that have grossed ₹1000 crore or more}}
{{Use dmy dates|date=November 2019}}
{{Use Indian English|date=June 2017}}

'''1000 Crore Club''' is an unofficial designation by the [[Indian film]] trade and the media, related to [[Languages of India|Indian language]] films that have grossed [[Indian rupee|₹]]1000 [[crore]] (10 billion [[Indian rupee]]s or {{US$|{{To USD|10000|IND|round=yes}} million|long=no}}) or more in India or worldwide. The 1000 crore club is preceded by the [[100 crore club]]. ''[[Baahubali 2: The Conclusion]]'' (2017) grossed {{INR|1430 crore}} across all languages in India itself,<ref name="2.0second">{{Cite web|url=https://www.boxofficeindia.com/report-details.php?articleid=4535|title=Top All Time India Grossers All Formats - 2.0 Second - Box Office India|website=www.boxofficeindia.com}}</ref> while net collection was {{INR|1115 crore}} across all languages in India.<ref>{{Cite web|url=https://www.boxofficeindia.com/report-details.php?articleid=4494|title=2.0 All India Day Six Business - Box Office India|website=www.boxofficeindia.com}}</ref><ref>{{cite web|url=http://indianexpress.com/article/entertainment/dangal-aamir-khan-film-joins-rs-1000-crore-club-earns-rs-382-crore-in-china-4656381/|title=Dangal: Aamir Khan film joins Rs 1000-crore club, earns Rs 382 crore in China|date=15 May 2017}}</ref><ref>{{Cite web|url=https://www.boxofficeindia.com/report-details.php?articleid=2961|title=Bahubali 2 - 1000 Cr NETT In 30 Days - Box Office India|website=www.boxofficeindia.com}}</ref> ''[[Baahubali 2: The Conclusion]]'' became the first Indian film to gross over ₹1000 crore worldwide.<ref name="times">{{cite web|title=Baahubali creates history by entering the 1,000 crore club|url=http://timesofindia.indiatimes.com/entertainment/tamil/movies/news/baahubali-creates-history-by-entering-the-1000-crore-club/articleshow/58560660.cms|website=The Times of India|access-date=30 May 2017|date=8 May 2017}}</ref> It was followed by the [[Aamir Khan]]-starrer [[Bollywood|Hindi]] film ''[[Dangal (film)|Dangal]]'', which is the [[List of highest-grossing Indian films|highest-grossing Indian film]], expanding the club to 1700 crore,<ref name="blastingnews">{{cite web|url=http://uk.blastingnews.com/entertainment/2017/05/dangal-entered-rs-1700-crore-club-worldwide-china-collection-at-94170-cr-001734785.html|title=Dangal entered Rs 1700 crore club worldwide; China collection at Rs 941.70 cr|first=Blasting|last=News}}</ref> 1800 crore<ref name="indianexpress">{{cite web|url=http://indianexpress.com/article/entertainment/dangal-vs-baahubali-2-box-office-aamir-khan-film-creates-rs-1800-cr-club-now-4685365/|title=Dangal vs Baahubali 2 box office: Aamir Khan film creates Rs 1800-cr club now|date=2 June 2017}}</ref> and 1900 crore,<ref name="telugu">{{cite web|url=http://www.telugusquare.com/dangal-grosses-1900-crores-ww-gboc/|title=Dangal grosses 1900 crores at WW GBOC|website=www.telugusquare.com|access-date=2017-06-08|archive-url=https://web.archive.org/web/20170614223321/http://www.telugusquare.com/dangal-grosses-1900-crores-ww-gboc/|archive-date=2017-06-14|url-status=dead}}</ref> before creating the {{INR|2000 crore}} ({{US$|{{To USD|20000|IND|year=2017|round=yes}} million|long=no}}) club,<ref name="forbes2000">{{Cite news|url=https://www.forbes.com/sites/robcain/2017/06/26/indias-dangal-takes-down-%E2%82%B92000-crore-305m-a-major-milestone-in-world-cinema/|title=India's 'Dangal' Blasts Past ₹2,000 Crore / $307M, A Milestone in World Cinema|last=Cain|first=Rob|work=Forbes|access-date=2017-06-26}}</ref> and becoming the fifth highest-grossing non-[[English language]] film of all time. In 2022, two movies released in the span of a month, [[RRR (film)|''RRR'']] and ''[[K.G.F: Chapter 2]]'', have also grossed ₹1,000 crore at the global box office.

==History==
''[[Baahubali 2: The Conclusion]]''
2017), which released on 28 April 2017,<ref>{{cite web|title=It's official! Baahubali 2 to hit the screens on April 28, 2017 |work=Hindustan Times |date=5 August 2016 |access-date=16 August 2016 |url=http://www.hindustantimes.com/regional-movies/it-s-official-baahubali-2-to-hit-the-screens-on-april-28-2017/story-3YrX7ISLpZpio9YpPQH35N.html |url-status=live |archive-url=https://web.archive.org/web/20160812065810/http://www.hindustantimes.com/regional-movies/it-s-official-baahubali-2-to-hit-the-screens-on-april-28-2017/story-3YrX7ISLpZpio9YpPQH35N.html |archive-date=12 August 2016 }}</ref> became the first Indian film to cross the {{INRConvert|1000|c|year=2017|mode=historical}} and {{INRConvert|1500|c|year=2017|mode=historical}} marks, in May 2017, and briefly became the highest-grossing Indian film worldwide, before being overtaken by ''Dangal''. ''Baahubali 2'' is the highest-grossing film in [[India]], where it has grossed {{INRConvert|1417|c|year=2017|mode=historical}}.<ref name="BB2">{{cite web|url=http://www.ibtimes.co.in/baahubali-2-bahubali-2-box-office-collection-ss-rajamoulis-film-mints-rs-1706-50-cr-140-days-742747|title=Baahubali 2 (Bahubali 2) box office collection: SS Rajamouli's film mints Rs 1,706.50 cr in 140-day |work=[[International Business Times]]|date=20 September 2017}}</ref> Overseas, it is the highest-grossing Indian film in the [[United States]] ($21 million), where it became the first Indian film to cross $20 million, as well as becoming the first Indian film to gross over $10 million in the [[United Arab Emirates]].<ref>{{cite web|url=http://www.boxofficeindia.com/report-details.php?articleid=2933|title=Bahubali 2 - First Film To Cross 10 Million in UAE - Box Office India|website=[[Box Office India]]}}</ref>

''[[Dangal (film)|Dangal]]'' (2016), following its Chinese release on 5 May 2017,<ref name="bbc1">{{cite news|title=Dangal: India's wrestling blockbuster delights China|url=https://www.bbc.com/news/world-asia-39958041|access-date=18 May 2017|work=[[BBC]]|date=18 May 2017}}</ref> became the [[List of highest-grossing Indian films|highest-grossing Indian film]] and fifth highest-grossing non-[[English language]] film of all time, crossing {{INR|2000 crore}} ({{US$|{{To USD|20000|IND|year=2017|round=yes}} million|long=no}}) worldwide, making it the first Indian film to gross $300 million worldwide and one of the top 30 highest-grossing [[2016 in film|2016 films]] (surpassing the $299.5 million gross of ''[[Alice Through the Looking Glass (2016 film)|Alice Through the Looking Glass]]'').<ref>[http://indianexpress.com/article/entertainment/bollywood/dangal-is-now-30th-biggest-hit-worldwide-but-this-is-all-aamir-khan-will-earn-from-it-4699729/ Dangal is now 30th biggest hit worldwide but this is all Aamir Khan will earn from it], ''[[Indian Express]]'', 12 June 2017</ref> ''Dangal'' is also the highest-grossing sports film of 2017, and Disney's fourth highest-grossing film of 2017.<ref>[http://indianexpress.com/article/entertainment/bollywood/dangal-box-office-collection-aamir-khan-film-rs-2000-crore-club-4714883/ Dangal box office: Aamir Khan film is fourth biggest worldwide hit for Disney, to enter Rs 2000-cr club this weekend], ''[[Indian Express]]'', 22 June 2017</ref>

''Dangal'' is the first Indian film to exceed $100 million<ref name="forbes-may">{{cite magazine|url=https://www.forbes.com/sites/robcain/2017/05/29/no-its-not-a-typo-dangal-is-nearing-us-150-million-at-chinas-box-office/|title=No, It's Not A Typo -- 'Dangal' Is Nearing $150 Million at China's Box Office|first=Rob|last=Cain|magazine=[[Forbes]]|date=29 May 2017}}</ref> and [[List of highest-grossing Indian films in overseas markets|{{INR}}1,000 crore overseas]],<ref>[http://www.ibtimes.co.in/dangal-box-office-collection-aamir-khan-starrer-turns-1st-indian-film-cross-rs-1000-crore-mark-728031 Aamir Khan's Dangal turns 1st Indian film to cross Rs 1,000 crore mark at overseas box office], ''[[International Business Times]]'', 25 May 2017</ref> crossing {{INR|1400 crore}} ({{US$|{{To USD|14000|IND|year=2017|round=yes}} million|long=no}}) in international markets, including [[Renminbi|¥]]1.29 billion (US${{To USD|1290|CHN|year=2017|round=yes}} million) in [[China]]<ref>{{cite web|url=https://maoyan.com/films/588362|title=摔跤吧！爸爸 - 猫眼电影 - 一网打尽好电影|website=[[Maoyan.com]]}}</ref><ref>{{cite web|url=http://www.cbooo.cn/Alltimedomestic|script-title=zh:内地总票房排名 ("All-Time Domestic Box Office Rankings")|work=中国票房 (China Box Office)|publisher=Entgroup|language=zh}}</ref> and {{INR|41 crore}} ({{US$|{{To USD|410|IND|year=2017}} million|long=no}}) in [[Taiwan]].<ref>{{cite web|url=http://www.koimoi.com/box-office/heres-a-break-up-of-dangals-worldwide-box-office-collections/|title=Here's A Break-up of Dangal's Worldwide Box Office Collections|publisher=[[Koimoi]]|date=20 June 2017}}</ref> Its overseas gross in China more than doubled its domestic gross of $84.4 million in India. In China, ''Dangal'' became the [[List of highest-grossing films in China|16th highest-grossing film]] of all time, the 8th highest-grossing foreign film,<ref>[https://www.forbes.com/sites/robcain/2017/06/16/dangal-slams-monkey-king-captain-america-to-grab-17th-place-on-chinas-all-time-list/ 'Dangal' Slams 'Monkey King,' 'Captain America' To Grab 17th Place On China's All-Time List], ''[[Forbes]]'', 16 June 2017</ref><ref name="forbes9">[https://www.forbes.com/sites/robcain/2017/06/09/dangal-makes-history-in-china-by-joining-list-of-all-time-20-biggest-box-office-hits/ 'Dangal' Makes More History In China, Joins List Of All-Time 20 Biggest Box Office Hits], ''[[Forbes]]'', 9 June 2017</ref> the highest-grossing non-Hollywood foreign film (surpassing Japanese [[anime]] film ''[[Your Name]]''),<ref>[https://www.usnews.com/news/entertainment/articles/2017-05-23/dangal-becomes-chinas-biggest-non-hollywood-foreign-film 'Dangal' Becomes China's Biggest Non-Hollywood Foreign Film], ''[[U.S. News & World Report]]'', 23 May 2017</ref> the leggiest box office release (cumulative gross 83 times its opening day haul,<ref name="forbes9"/><ref>{{cite web|url=http://chinafilminsider.com/dangal-chinas-leggiest-film-ever/|title=Dangal: China's Leggiest Film Ever - China Film Insider|date=7 June 2017}}</ref> surpassing ''[[Zootopia]]''),<ref>{{cite web|url=https://www.forbes.com/sites/robcain/2017/05/31/dangal-pins-down-1000-crore-rs-154-mm-to-become-chinas-leggiest-movie-ever/|title='Dangal' Pins Down 1,000 Crore Rs / $154 mm To Become China's Leggiest Movie Ever|first=Rob|last=Cain}}</ref> had the most consecutive days with a ¥10 million (US${{To USD|10|CHN|year=2017|round=yes}} million) gross (surpassing the 30 days of ''[[Transformers: Age of Extinction]]'')<ref name="forbes5">[https://www.forbes.com/sites/robcain/2017/06/05/box-office-dangal-eyes-20-billion-rupee-300-mm-mark-baahubali-slows/#4017168a3a8e Box Office: 'Dangal' Nears $300M, 'Baahubali' Slows], ''[[Forbes]]'', 5 June 2017</ref> and $1 million gross<ref name="forbes9"/> (38 days),<ref>[http://bollywoodfolks.com/dangal-crosses-1150-crore-mark-in-china-38th-day-6th-sunday-box-office-collection/ Dangal crosses 1150 Crore Mark in China: 38th Day (6th Sunday) Box Office Collection], Bollywood Folks, 11 June 2017</ref> was the highest-grossing film in May 2017 (ahead of ''[[Pirates of the Caribbean: Dead Men Tell No Tales]]''<ref name="bloomberg">{{cite web|url=https://www.bloomberg.com/news/articles/2017-06-01/-dangal-disney-s-pirates-lead-china-box-office-gains-in-may|title='Dangal,' Disney's 'Pirates' Lead China Box-Office Gains in May|date=1 June 2017|via=www.bloomberg.com}}</ref> and ''[[Guardians of the Galaxy Vol. 2]]''),<ref name="forbes-may"/> and is the year's second highest-grossing foreign film (after ''[[The Fate of the Furious]]'').<ref>{{cite web|url=http://indianexpress.com/article/entertainment/dangal-box-office-after-baahubali-2-aamir-khan-film-surpasses-xxx-to-become-all-time-fourth-highest-grosser-in-china-4690233/|title=Dangal box office: After Baahubali 2, Aamir Khan film surpasses xXx to become all-time fourth-highest grosser in China|date=5 June 2017}}</ref> In 47 days, the film had 44,445,270 admissions at the Chinese box office.<ref>[http://www.bollywoodhungama.com/news/box-office-special-features/box-office-aamir-khans-dangal-collects-usd-510k-usd-day-47-china-crosses-rs-1200-cr/ Box Office: Aamir Khan’s Dangal collects USD 510k USD on Day 47 in China; crosses Rs. 1200 cr], [[Bollywood Hungama]], 21 June 2017</ref> [[Aamir Khan]]'s earnings from ''Dangal'' is estimated to be {{INR|300 crore}} ({{US$|{{To USD|3000|IND|year=2017|round=yes}} million|long=no}}),<ref>[http://www.firstpost.com/entertainment/dangals-china-success-may-have-brought-aamir-khan-a-neat-rs-100-crore-paycheque-3526673.html Dangal's China success may have brought Aamir Khan a neat Rs 100 crore paycheque], [[Firstpost]], 7 June 2017</ref> the [[List of highest paid film actors|highest payday]] for a non-Hollywood actor.<ref>{{cite web|url=https://www.forbes.com/sites/robcain/2017/06/06/aamir-khans-china-paycheck-for-dangal-could-exceed-rs-100-crore-15-mm/|title=Aamir Khan's China Paycheck For 'Dangal' Could Exceed Rs. 100 Crore / $15 MM|first=Rob|last=Cain}}</ref>

When adjusted for inflation, the first Indian film to gross an adjusted {{INR|1,000 crore}} worldwide was ''[[Awaara]]'' (1951).{{#tag:ref|''Awaara'':
*India: {{INR}} 2.3 crore<ref name="boi51">{{cite web|url=http://boxofficeindia.com/showProd.php?itemCat=156&catName=MTk1MQ==|title=Box Office 1951|website=[[Box Office India]]|date=22 September 2012|url-status=bot: unknown|archive-url=https://web.archive.org/web/20120922022110/http://boxofficeindia.com/showProd.php?itemCat=156&catName=MTk1MQ==|archive-date=22 September 2012|df=dmy-all}}</ref> (US$4.83 million){{#tag:ref|4.7619 Indian rupees per US dollar from 1951 to 1965<ref name="sauder">{{cite web|title=Pacific Exchange Rate Service|url=http://fx.sauder.ubc.ca/etc/USDpages.pdf#page=3|website=[[UBC Sauder School of Business]]|publisher=[[University of British Columbia]]|page=3|access-date=21 November 2017}}</ref>|group=n|name=RupeeUSD}} in 1951 (US${{Inflation|US|4.83|1951}} million ({{INR}} 302 crore)<ref name="exchange16">{{Cite web|url=https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/|title=Yearly Average Rates|website=OFX|access-date=6 July 2017|archive-url=https://web.archive.org/web/20170713183556/https://www.ofx.com/en-gb/forex-news/historical-exchange-rates/yearly-average-rates/|archive-date=13 July 2017|url-status=dead}}</ref> in 2016)
*[[List of Soviet films of the year by ticket sales|Soviet Union]] {{ndash}} {{US$|{{#expr:7.25+9.72}} million|long=no}} ({{INR|{{#expr:3.45+4.63}} crore}}) {{ndash}} {{US$|{{#expr:66+73}} million|long=no}} ({{INR|{{#expr:437+475}} crore}}) adjusted for inflation
**Initial run {{ndash}} 29 million [[Soviet ruble|руб]]<ref name="soviet211">{{cite book |last=Rajagopalan |first=Sudha |title=Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin |date=2005 |publisher=[[Indiana University Press]] |isbn=9780253220998 |page=86 |url=https://books.google.com/books?id=cpoLAQAAMAAJ |quote=The purchase of Shree 420 (Mr 420/''Gospodin 420'') followed a letter from a Soveksportfil'm representative in Bombay to officials in Moscow in which the former wrote: We are in a delicate situation with Raj Kapoor. He feels he is not being offered enough for Mr 420 despite the fact that 'The Vagabond' raised 29 million roubles for the Soviet state.}}</ref> ({{US$|7.25 million|long=no}},{{#tag:ref|4 [[Soviet ruble]]s per US dollar from 1950 to 1960<ref name="russia"/>|group=n|name=RubleUSD}} {{INR|34.5 million}})<ref group="n" name="RupeeUSD"/> in 1954 ({{US$|{{Inflation|US|7.25|1954}} million|long=no}} or {{INR|4.37 billion}}<ref name="exchange16"/> in 2016)
**Re-runs {{ndash}} {{#expr:35/(100/25)}}{{nbsp}}million руб{{#tag:ref|35{{nbsp}}million re-run admissions up until 1964-1966,<ref name="boi-soviet">{{cite news |title=You Asked It - Padmaavat Is Bigger Than Mughal E Azam? |url=https://www.boxofficeindia.com/report-details.php?articleid=3743 |work=[[Box Office India]] |date=8 March 2018}}</ref> average Soviet ticket price of 25 [[Soviet ruble|kopecks]] in the mid-1960s<ref name="moscow7">[https://is.muni.cz/el/1421/podzim2015/FAV291/um/Roth-Ey-Moscow_Prime_Time.pdf#page=7 ''Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War'', page 48], [[Cornell University Press]], 2011</ref>|group=n}} {{ndash}} {{US$|9.72 million|long=no}}{{#tag:ref|0.9 SUR per US$ from 1961 to 1971<ref name="russia"/>|group=n}} ({{INR|{{#expr:(9.72*4.762)/10 round 2}} crore}})<ref>{{cite web |title=Official exchange rate (LCU per US$, period average) |url=https://data.worldbank.org/indicator/PA.NUS.FCRF?end=1966&locations=IN&start=1964 |website=[[World Bank]] |year=1965 |access-date=12 December 2018}}</ref>
|group=n|name=Awaara}} The first Indian film to gross an adjusted {{INR|1,000 crore}} overseas was ''[[Disco Dancer]]'' (1982), at the [[List of Soviet films of the year by ticket sales|Soviet box office]],{{#tag:ref|''Disco Dancer'':
*India: {{INR|6.4 crore}}<ref name="boi82">[https://web.archive.org/web/20131005013955/http://www.boxofficeindia.com/showProd.php?itemCat=188&catName=MTk4Mg%3D%3D Box Office 1982], [[Box Office India]]</ref> ({{US$|6.54 million|long=no}}){{#tag:ref|9.79 [[Indian rupee]]s per [[US dollar]] in 1982<ref name="auto">[https://books.google.co.uk/books?id=2nHtAAAAMAAJ ''Monthly Commentary on Indian Economic Conditions'', Volume 28], page xv, Indian Institute of Public Opinion, 1986</ref>|group=n}} in 1982 ({{INR|{{Inflation|IN|6.54|1982}} crore}} or {{US$|{{To USD|{{Inflation|IN|65.4|1982}}|IND|round=yes}} million|long=no}}) in 2016)
*Soviet Union: US$75.9 million{{#tag:ref|''Disco Dancer'': 60 million Soviet rubles in 1984,<ref name="rbth">[https://www.rbth.com/amp/495697 Bollywood returns to Russian screens] {{dead link|date=September 2018|bot=medic}}{{cbignore|bot=medic}}, ''[[Russia Beyond the Headlines]]'', September 2009</ref> 0.791 rubles per US dollar in 1984<ref name="russia">{{cite web|title=Archive|url=http://cbr.ru/currency_base/OldDataFiles/USD.xls|archive-url=https://web.archive.org/web/20091229074625/http://cbr.ru/currency_base/OldDataFiles/USD.xls|url-status=dead|archive-date=29 December 2009|website=[[Central Bank of Russia]]|access-date=29 December 2009}}</ref>|group=n|name=RubleUSD84}} ({{INR}} 94.34 crore)|group=n}} which made it the [[List of highest-grossing Indian films in overseas markets|highest-grossing Indian film overseas]] up until it was surpassed by ''Dangal'' in 2017.

==List==
{{See|List of highest-grossing Indian films}}
{{See also|List of highest-grossing films in India|List of highest-grossing Indian films in overseas markets}}

This is a list of the films in the 1000 crore club, adjusted for inflation. For the list of the highest-grossing Indian films in terms of nominal value (without adjusted inflation), see [[List of highest-grossing Indian films]].
{| class="wikitable sortable" style="margin:auto; margin:auto;"
|-
|+Nominal gross revenue
|-
! Film
! Year
! [[List of highest-grossing Indian films|Worldwide]]
! [[List of highest-grossing films in India|Domestic]]
! [[List of highest-grossing Indian films in overseas markets|Overseas]] ([[Indian rupee|INR]])
! [[List of highest-grossing Indian films in overseas markets|Overseas]] ([[USD]])
|-
| ''[[Dangal (film)|Dangal]]''
| [[List of Hindi films of 2016|2016]]
| {{INR|2112 [[crore]]|link=yes}} ({{US$|{{To USD|21120|IND|year=2017|round=yes}} million|link=yes}}){{#tag:ref|''Dangal'' worldwide gross: {{INRConvert|{{#expr:587+1525.33}}|c|year=2017|mode=historical}}
*[[List of highest-grossing films in India|India]] — {{INRConvert|512|c|year=2016|mode=historical}}<ref name="forbes">{{cite news|last=Cain|first=Rob|title=Aamir Khan's 'Secret Superstar' Winds Down Its Domestic Run With ₹83 Cr./$12.8M Gross|url=https://www.forbes.com/sites/robcain/2017/11/13/aamir-khans-secret-superstar-winds-down-its-domestic-run-with-%E2%82%B983-cr-12-8m-gross/|work=[[Forbes]]|date=13 November 2017|language=en}}</ref>
*[[List of highest-grossing Indian films in overseas markets|Overseas]] — {{INRConvert|{{#expr:1318.1+207.23}}|c|year=2017|mode=historical}}
**[[Greater China|Chinese markets]] — {{INRConvert|{{#expr:1254+41+23.1}}|c|year=2017|mode=historical}}
***[[List of highest-grossing films in China|China]] — {{INRConvert|1254|c|year=2017|mode=historical}}<ref>{{cite news|last=Cain|first=Rob|title=How to tell whether 'Secret Superstar's Taiwan numbers signal future success in China|url=https://www.forbes.com/sites/robcain/2017/11/25/how-to-tell-whether-secret-superstars-taiwan-numbers-signal-future-success-in-china/|work=[[Forbes]]|date=25 November 2017}}</ref>
***[[Taiwan]] — {{INRConvert|41|c|year=2017|mode=historical}}<ref name="firstpost-taiwan">{{cite web|url=http://www.firstpost.com/entertainment/dangals-china-box-office-collection-at-rs-1200-crore-aamir-khan-film-to-enter-2000-crore-club-3731523.html|title=Dangal's China box office collection at Rs 1,200 crore; Aamir Khan film to enter 2000-crore club|website=[[Firstpost]]|date=21 June 2017}}</ref>
***[[Hong Kong]] — {{INR}} 23.1{{nbsp}}crore (US$3.5{{nbsp}}million)<ref name="hk">{{cite news|last=Cain|first=Rob|title='Dangal' Continues Record Hong Kong Run To Cross ₹23 Cr./$3.5M|url=https://www.forbes.com/sites/robcain/2017/10/10/dangal-continues-record-hong-kong-run-to-cross-23-cr-3-5m/|work=[[Forbes]]|date=10 October 2017}}</ref>
**Other territories — {{INR}} 207.23{{nbsp}}crore (US$30.7{{nbsp}}million)<ref>{{cite web|title=Top Overseas Grossers All Time|url=http://www.boxofficeindia.com/overseas-total-gross.php|archive-url=https://web.archive.org/web/20170525052125/http://boxofficeindia.com/overseas-total-gross.php|website=[[Box Office India]]|archive-date=25 May 2017|access-date=11 November 2017|url-status=live}}</ref>
|group=n|name=Dangal}}
| {{INR|512 crore}}<ref name="forbes"/>
| {{INR|1,525 crore}}<ref group="n" name="Dangal"/>
| {{US$|220 million|long=no|link=yes}}<ref group="n" name="Dangal"/>
|-
| ''[[Baahubali 2: The Conclusion]]''
| [[List of Telugu films of 2017|2017]]
| {{INR|1811 crore}} ({{US$|{{To USD|18100|IND|year=2017|round=yes}} million}})<ref name="boi-formats" />
| {{INR|1429 crore}}<ref name="boi-formats">{{cite web |title=Top Grossers All Formats Worldwide Gross |url=https://www.boxofficeindia.com/all_format_worldwide_gross.php |website=[[Box Office India]] |access-date=8 November 2018}}</ref>
| {{INR|380 crore}}<ref name="boi-formats"/>
| {{US$|{{To USD|3800|IND|round=yes|year=2017}} million|long=no}}
|-
| style="background:#b6fcb6;"| ''[[K.G.F: Chapter 2]]'' *
|[[List of Kannada films of 2022|2022]]
|{{Estimation}}{{INRConvert|1204|c|lk=on}}<ref>{{cite web|title=KGF Chapter 2 box office collection Day 34: Yash film's holds strong in 6th week |url=https://www.indiatoday.in/amp/movies/regional-cinema/story/kgf-chapter-2-box-office-collection-day-34-yash-film-s-holds-strong-in-6th-week-1950787-2022-05-18 |access-date=18 May 2022 |website=[[India Today]]|quote=So far, the film collected Rs 1204.37 crore worldwide in just 34 days.}}</ref>
|{{INR|1004 crore}}<ref name="rm11">{{Cite web |date=2022-05-18 |title=KGF Chapter 2's ₹1200 crore haul included ₹1000 crore made just from India, only Baahubali 2 has managed this before |url=https://www.hindustantimes.com/entertainment/others/kgf-chapter-2-s-rs-1200-crore-haul-included-rs-1000-crore-made-just-from-india-only-baahubali-2-has-managed-this-before-101652857049073.html |access-date=2022-05-18 |website=Hindustan Times |language=en}}</ref>
|{{INR|200 crore}}
|{{US$|{{To USD|2000|IND|round=yes}} million|long=no}}
|-
| ''[[RRR (film)|RRR]]''
|[[List of Telugu films of 2022|2022]]
|{{Estimation}} {{INRConvert|1127|c|lk=on}}
|{{INR|920 crore}}
|{{INR|203.6 crore}}
|{{US$|{{To USD|2036|IND|round=yes}} million|long=no}}
|}

==Milestones==
:''See [[100 Crore Club]] for milestones between ₹100 crore and ₹1000 crore''

===Worldwide===
{{See|List of highest-grossing Indian films}}

{| class="wikitable" style="margin:auto; margin:auto;"
|-
|+Worldwide milestones
|-
! colspan="5" | Nominal gross
|-
! Film
! Release
! Milestone
! Date
! Ref
|-
| rowspan="4" | ''[[Baahubali 2: The Conclusion]]''
| rowspan="4" | 2017
| {{INRConvert|1000|c|year=2017|mode=historical}}
| 8 May 2017
| <ref name="times"/>
|-
| {{INRConvert|1300|c|year=2017|mode=historical}}
| 15 May 2017
| <ref name="dna">[http://www.dnaindia.com/entertainment/report-whoa-baahubali-2-grosses-rs-1330-crore-worldwide-in-16-days-2438689 WHOA!! 'Baahubali 2' grosses Rs 1330 crore worldwide in 16 days], [[DNA India]], 15 May 2017</ref>
|-
| {{INRConvert|1500|c|year=2017|mode=historical}}
| 19 May 2017
| <ref>{{cite web|url=http://www.ndtv.com/india-news/baahubali-2-box-office-collection-day-21-1-500-crore-worldwide-and-counting-slow-clap-1695746|title=Baahubali 2 Box Office Collection Day 21: 1,500 Crore Worldwide And Counting. Slow Clap}}</ref>
|-
| {{INRConvert|1600|c|year=2017|mode=historical}}
| 27 May 2017
| <ref>{{cite web|url=http://bollywoodfolks.com/baahubali-2-crosses-1600-crore-mark-at-worldwide-box-office/|title=Baahubali 2 crosses 1600 Crore Mark at Worldwide Box Office – Bollywood Folks|website=bollywoodfolks.com}}</ref>
|-
| rowspan="6" | ''[[Dangal (film)|Dangal]]''
| rowspan="6" | 2016
| {{INRConvert|1600|c|year=2017|mode=historical}}
| 27 May 2017
| <ref>{{cite web|url=http://www.koimoi.com/box-office/dangal-crosses-1600-crore-mark-at-the-worldwide-box-office/|title=Dangal Crosses 1600 Crore Mark At The Worldwide Box Office|first=Koimoi.com|last=Team|date=27 May 2017}}</ref>
|-
| {{INRConvert|1700|c|year=2017|mode=historical}}
| 29 May 2017
| <ref name="blastingnews"/>
|-
| {{INRConvert|1800|c|year=2017|mode=historical}}
| 1 June 2017
| <ref name="indianexpress"/>
|-
| {{INRConvert|1900|c|year=2017|mode=historical}}
| 7 June 2017
| <ref name="telugu"/>
|-
| {{INRConvert|2000|c|year=2017|mode=historical}}
| 26 June 2017
| <ref name="forbes2000"/>
|-
| {{INRConvert|2100|c|year=2017|mode=historical}}
| November 2017
| <ref group="n" name="Dangal"/>
|}

===Domestic===
{{See|List of highest-grossing films in India}}

{| class="wikitable" style="margin:auto; margin:auto;"
|-
|+Domestic milestones
|-
! colspan="4" | Nominal
|-
! Film
! Milestone
! Date
! Ref
|-
| rowspan="6" | ''[[Baahubali 2: The Conclusion]]''
| {{INRConvert|1000|c|year=2017|mode=historical}} (gross)
| 15 May 2017
| <ref name="dna"/>
|-
| {{INRConvert|1200|c|year=2017|mode=historical}} (gross)
| 19 May 2017
| <ref>[http://www.firstpost.com/entertainment/baahubali-2-the-conclusion-bahubali-2-box-office-collection-crosses-rs-1500-crore-mark-dangal-now-at-rs-1200-crores-3457284.html Baahubali 2 box office collection crosses Rs 1,500-crore mark; Dangal now at Rs 1,200 crore], [[Firstpost]], 19 May 2017</ref>
|-
| {{INRConvert|1000|c|year=2017|mode=historical}} (nett)
| 25 May 2017
| <ref name="bb2koimoi">[http://www.koimoi.com/box-office/baahubali-2-all-versions-becomes-the-1st-film-to-cross-the-1000-crore-mark-at-the-box-office/ Baahubali 2 (All Versions) Becomes The 1st Film To Cross The 1000 Crore Mark At The Box Office], [[Koimoi]], 25 May 2017</ref>
|-
| {{INRConvert|1300|c|year=2017|mode=historical}} (gross)
| 5 June 2017
| <ref name="forbes5"/>
|-
| {{INRConvert|1100|c|year=2017|mode=historical}} (nett)
| rowspan="2" | September 2017
| rowspan="2" | <ref name="BB2"/>
|-
| {{INRConvert|1400|c}} (gross)
|}

===Overseas===
{{See|List of highest-grossing Indian films in overseas markets}}

{| class="wikitable" style="margin:auto; margin:auto;"
|-
|+Overseas milestones
|-
! colspan="5" | Nominal gross
|-
! Film
! Release
! Milestone
! Date
! Ref
|-
| rowspan="5" | ''[[Dangal (film)|Dangal]]''
| rowspan="5" | 2016
| {{INRConvert|1000|c|year=2017|mode=historical}}
| 25 May 2017
| <ref>[http://www.koimoi.com/box-office/dangal-1st-indian-film-to-rake-in-over-1000-crores-in-overseas-box-office/ Dangal: 1st Indian Film To Rake In Over 1000 Crores In Overseas Box Office], [[Koimoi]], 25 May 2017</ref>
|-
| {{INRConvert|1200|c|year=2017|mode=historical}}
| 1 June 2017
| <ref name="baahubali2dangal">{{cite web|url=http://www.boxofficeindia.com/report-details.php?articleid=2971|title=Dangal v Bahubali 2 Worldwide Update - Box Office India|website=[[Box Office India]]|date=1 June 2017}}</ref>
|-
| {{INRConvert|1300|c|year=2017|mode=historical}}
| 5 June 2017
| <ref name="koimoi">[http://www.koimoi.com/box-office/dangal-inches-closer-to-1100-cr-in-china-worldwide-total-now-stands-at-1870-cr/ Dangal Inches Closer To 1100 Cr In China; Worldwide Total Now Stands At 1870 Cr], [[Koimoi]], 5 June 2017</ref>
|-
| {{INRConvert|1400|c|year=2017|mode=historical}}
| 12 June 2017
| <ref name="koimoi12">{{cite web|url=http://www.koimoi.com/box-office/bollywoods-top-worldwide-grossers/|title=Bollywood's Top Worldwide Earners: Gross Business Of Over 200 Crores|date=12 June 2017|publisher=[[Koimoi]]|url-status=dead|archive-url=https://web.archive.org/web/20161130082655/http://www.koimoi.com/box-office/bollywoods-top-worldwide-grossers/|archive-date=30 November 2016}}</ref>
|-
| {{INRConvert|1500|c|year=2017|mode=historical}}
| November 2017
| <ref group="n" name="Dangal"/>
|-
! colspan="5" | Inflation adjusted gross
|-
! Film
! Release
! Milestone
! Date
! Ref
|-
| rowspan="2" | ''[[Disco Dancer]]''
| rowspan="2" | 1982
| {{INRConvert|1000|c}}
| rowspan="2" | 1984
| rowspan="2" | {{#tag:ref|''Disco Dancer'':
*India: {{INR|6.4 crore}}<ref name="boi82"/> ({{US$|6.54 million|long=no}}){{#tag:ref|9.79 [[Indian rupee]]s per [[US dollar]] in 1982<ref name="auto"/>|group=n}} in 1982 ({{INR|{{Inflation|IN|6.54|1982}} crore}} or {{US$|{{To USD|{{Inflation|IN|65.4|1982}}|IND|round=yes}} million|long=no}}) in 2016)
*Soviet Union: US$75.9 million<ref name="RubleUSD84" group="n"/> ({{INR}} 94.34 crore){{#tag:ref|12.43 Indian rupees per US dollar in 1984<ref name="rbi15268">{{Cite web|url=https://www.rbi.org.in/scripts/PublicationsView.aspx|title=Reserve Bank of India - Publications|website=www.rbi.org.in}}</ref>|group=n|name=RupeeUSD84}} in 1984 (US${{Inflation|US|75.9|1984}} million ({{INR}} 1176 crore)<ref name="exchange16"/> in 2016)
|group=n|name=Disco}}
|-
| {{INRConvert|1100|c}}
|-
| rowspan="4" | ''[[Dangal (film)|Dangal]]''
| rowspan="4" | 2016
| {{INRConvert|1200|c}}
| 1 June 2017
| <ref name="baahubali2dangal"/>
|-
| {{INRConvert|1300|c}}
| 5 June 2017
| <ref name="koimoi"/>
|-
| {{INRConvert|1400|c}}
| 12 June 2017
| <ref name="koimoi12"/>
|-
| {{INRConvert|1500|c}}
| November 2017
| <ref group="n" name="Dangal"/>
|}

==See also==

* [[100 Crore Club]]
* [[List of highest-grossing Indian films]]
** [[List of highest-grossing Hindi films]]
** [[List of highest-grossing South Indian films]]
* [[List of highest-grossing films in India]]
* [[List of highest-grossing Indian films in overseas markets]]
** [[List of highest-grossing films in China]]
** [[List of Soviet films of the year by ticket sales]]
* [[List of most expensive Indian films]]

==Notes==
{{reflist|group=n}}
{{notelist}}

==References==
{{reflist|30em}}

{{Indian film list}}{{#seo:
|keywords=Kannada cinema, Telugu cinema, Hindi cinema, Neologisms, Film and video terminology
|description=1000 Crore Club is an unofficial designation by the Indian film trade and the media, related to Indian language films that have grossed ₹1000 crore ...
}}

[[Category:Kannada cinema]]
[[Category:Telugu cinema]]
[[Category:Hindi cinema]]
[[Category:Neologisms]]
[[Category:Film and video terminology]]
[[Category:Pages with large description]]

100-ball cricket

2023-07-15T07:23:41Z

MetaBOT: Added clean description and keywords using script

{{Short description|Format of cricket}}
{{Use dmy dates|date=August 2020}}
{{Use British English|date=July 2018}}
{{Cricket sidebar|expanded=all}}
'''100-ball cricket''' is a [[short form cricket|short form of cricket]] designed to attract new audiences to the game with simplified rules, which was originally created by the [[England and Wales Cricket Board]] (ECB) for its new city-based competition [[The Hundred (cricket)|The Hundred]].

The 100 [[delivery (cricket)|ball]] game has two teams each having a single [[innings]], which is restricted to a maximum of 100 balls, and the match lasts approximately two and a half hours, somewhat shorter than the existing [[Twenty20]] format.<ref>{{Cite web|url=https://www.thehundred.com/info/competition-rules|title = Competition Rules}}</ref>

Before the launch of the professional [[The Hundred (cricket)|The Hundred]] competition in July 2021, the 100-ball format was trialled in several amateur local leagues across England.

==History==

=== Origins ===
The new 100-ball format was born out of a proposal by the [[England and Wales Cricket Board]] (ECB) in 2016 to launch a new franchise cricket competition, similar to the [[Indian Premier League]]. At first it was expected that the competition would use the existing [[Twenty20]] format.<ref name="BBC 2016">{{Cite news|url=https://www.bbc.co.uk/sport/cricket/37365637|title=T20: English counties vote for new eight-team competition|publisher=BBC Sport |access-date=7 June 2019|date=14 September 2016}}</ref>

Following discussions involving the ECB's marketing team, clubs were instead told in April 2018 that the competition would use an entirely new form of cricket designed to be simpler to follow and shorter to fit television schedules. The more detailed proposal was presented by the ECB to the chair and chief executives of the first-class counties and the MCC on 19 April 2018, and was unanimously supported by the board of the new competition.<ref name="Unveils">{{Cite news|url=https://www.theguardian.com/sport/2018/apr/19/ecb-unveil-plans-100-ball-domestic-cricket-tournament|title=ECB unveils plans for tournament with 100-ball format and 10-ball special over|publisher=Guardian News and Media|work=The Guardian|access-date=21 April 2018|author=Ali Martin|date=19 April 2018}}</ref> At first it was proposed that each innings would involve 15 six-ball overs and a final 10-ball over.<ref>{{Cite news|author=Dan Roan|date=19 April 2018|title=ECB holds talks to introduce 100-ball format to new competition|publisher=BBC Sport|url=https://www.bbc.com/sport/cricket/43824037|access-date=19 July 2018}}</ref>

In February 2019, the [[England and Wales Cricket Board|ECB]] announced tweaks to the proposed rules of 100-ball cricket. The competition will instead contain 10 ten-ball overs, i.e. a change of ends after ten balls. A bowler will be delivering five or 10 consecutive balls. A bowler would deliver a maximum of 20 balls per innings. Power-play conditions were also announced.<ref>{{cite news|date=21 February 2019|title=Playing conditions for The Hundred confirmed|publisher=ECB|url=https://www.ecb.co.uk/news/1058745/playing-conditions-for-the-hundred-confirmed|access-date=19 June 2019}}</ref>

=== Amateur competitions ===
Trial events using the format have taken place at The Purchasers annual cricket festival at Belmont House in Kent, and [[club cricket|club level]] in [[England]].

In November 2018, the Warwickshire Cricket Board and [[Warwickshire County Cricket Club]] launched the 100-ball format club level tournament, which is designed to revitalise Sunday cricket at clubs across the Midlands. Called the Warwickshire Sunday Smash, the 16 team tournament is split into three divisions, with each side playing each team both home and away, throughout June and July. The teams include Solihull Blossomfield Cricket Club, Knowle & Dorridge, Sutton Coldfield, Bedworth, Alcester & Ragley, Stratford upon Avon, Water Orton, Four Oaks Saints, Moseley Ashfield and Aston Manor, who are all members of the Midlands Club Cricket Conference. The winners of each league and the best second place progressing to the Semi-Finals Day. The Finals Day took place on 1 September 2019 at [[Edgbaston Cricket Ground|Edgbaston]]. Stratford Upon Avon beat Knowle & Dorridge to win the first 100 ball competition in the U.K.<ref>{{Cite news|url=https://warwickshireccc.com/news/warwickshire-sunday-smash-starts-with-a-bang/|title=Warwickshire Sunday Smash starts with a bang|publisher=Warwickshire County Cricket Club |access-date=11 June 2019|author=Mat Collis|date=11 June 2019}}</ref>

[[Shropshire County Cricket Club]] introduced the Swancote Energy Smash, which began in June 2019. It is a six-team tournament that has been divided into two groups, with games being played every Thursday night. The winners of each group is due to play in the inaugural final in early September 2019.<ref>{{Cite news|url=https://www.shropshirestar.com/sport/cricket/2019/06/11/county-to-debut-100-ball-cricket-this-week/|title=County to debut 100-ball cricket this week|publisher=MNA Media|work=Shropshire Star |access-date=11 June 2019|date=11 June 2019}}</ref> The six teams are Shifnal, Claverley, Worfield, Bridgnorth, Chelmarsh and Wombourne.

In May 2021 Shropshire Cricket league launched two 100-ball knock out competitions, known as the Aaron's 100 and Aaron's Premier 100, involving 53 teams from across Shropshire and mid-Wales.<ref>{{Cite web|title=The Aaron's Premier 100|url=http://www.shropshirecricketleague.co.uk/the-aarons-premier-100|access-date=2021-05-19|website=Shropshire Cricket League|language=english}}</ref>

[[Cricket Wales]] launched the Cricket Wales U19’s 100 Ball Cup for under 19 year olds.<ref>{{Cite news|url=https://cricketwales.org.uk/documents/cricketwales-u19s-100-ball-cup-administration-26521-1363.pdf|title=Cricket Wales U19's 100 Ball Cup 2021 - Competition Administration|publisher=[[Cricket Wales]] |access-date=20 July 2021}}</ref> It started on 25 June 2021 and is due to end with the final on 13 August 2021 at Ynystawe Cricket Club.<ref>{{Cite news|url=https://cricketwales.org.uk/under-19-100-ball|title=Cricket Wales - U19's 100 Ball Competition -2021|publisher=[[Cricket Wales]] |access-date=20 July 2021}}</ref>

=== Professional competition ===
The first professional competition using the 100-ball format was [[The Hundred (cricket)|The Hundred]] in July 2021. The Hundred involves eight men's and women's teams across England and Wales. The first professional match using the new format involved the women's teams of the [[Oval Invincibles]] and [[Manchester Originals]] who played each other at [[The Oval]] in London on 21 July 2021.<ref>{{Cite web|title=The Hundred|url=https://www.thehundred.com/fixtures|access-date=2021-05-19|website=www.thehundred.com|language=en}}</ref>

The [[Africa Cricket Association]] plans to hold an annual 100-ball competition to further boost the game within the continent.<ref>{{cite web |title=African cricket aiming to 'swap AK-47s for bats' |url=https://www.bbc.co.uk/sport/africa/63421201 |website=BBC Sport |access-date=19 December 2022}}</ref>

==Format==
100-ball cricket is a form of [[limited overs cricket]], played by two teams each playing a single [[innings]] made up of 100 [[delivery (cricket)|balls]].<ref name="BBC">{{Cite news|url=https://www.bbc.co.uk/sport/cricket/46387938|title=100-ball cricket: New short-form competition confirmed by ECB|publisher=BBC Sport |access-date=7 June 2019|date=29 November 2018}}</ref>

The format of the game is:
*100 balls per innings<ref name="BBC 2019">{{Cite news|url=https://www.bbc.co.uk/sport/cricket/47323641|title=The Hundred: ECB confirms playing conditions for new format|publisher=BBC Sport |access-date=7 June 2019|date=21 February 2019}}</ref>
*A change of ends after 10 balls<ref name="BBC 2019"/>
*Bowlers deliver either five or 10 consecutive balls<ref name="BBC 2019"/>
*Each bowler can deliver a maximum of 20 balls per game<ref name="BBC 2019"/>
*Each bowling side gets a strategic timeout of up to two and a half minutes<ref name="BBC 2019"/>
*A 25-ball [[Powerplay (cricket)|powerplay]] start for each team<ref name="BBC 2019"/>
*Two fielders are allowed outside the initial 30-[[yard]] circle during the powerplay<ref name="BBC 2019"/>
*Teams will be able to call timeouts, as has been the case in the [[Indian Premier League]] since 2009<ref>{{cite news|url=https://www.thetimes.co.uk/edition/sport/timeouts-to-be-feature-of-the-hundred-6j7dx85sw|title=Strategic timeouts to be feature of The Hundred|author1=Mark Hughes|author2=Elizabeth Ammon|date=15 February 2019|work=The Times}} {{subscription}}</ref>
*The non-striker must return to their original end after a [[caught]] dismissal
*A simplified scoreboard is used<ref name=Scoreboard>{{cite news|url=https://www.thetimes.co.uk/article/100-ball-scoreboard-may-be-simplified-to-lure-new-fans-gq8gsljlv|title=100-ball scoreboard may be simplified to lure new fans|author=Elizabeth Ammon|date=26 April 2018|work=The Times}} {{subscription}}</ref>
*In some cases, ties are broken by having each team bat for a 5-ball innings. Subsequent 5-ball innings may be played if the tie persists.<ref>{{Cite web|date=2021-07-20|title=Explained: The Hundred – cricket's fourth format ready to take off in England|url=https://indianexpress.com/article/explained/explained-the-hundred-crickets-fourth-format-england-7413915/|access-date=2021-07-20|website=The Indian Express|language=en}}</ref>

==Reactions==
Some experts have stated that proposals for the new format outlined by the ECB are nothing more than a further step towards "fast-food cricket",<ref>{{Cite news|url=http://www.espncricinfo.com/story/_/id/23249618/fast-food-cricket-coming-whether-or-not|title=Fast-food cricket is coming, whether we like it or not|publisher=ESPN|date=19 April 2018|author=George Dobell|work=Cricinfo|access-date=21 April 2018}}</ref> whereas others are appreciating it as a brilliant innovation.

England's then [[Test cricket|Test]] [[Captain (cricket)|captain]], [[Joe Root]], welcomed the ECB's plans for its new-team format in 2020. According to Root, it will attract a completely new audience.<ref>{{Cite news|url=http://www.espncricinfo.com/story/_/id/23301571/the-hundred-bring-new-people-cricket-joe-root|title=The Hundred 'will bring new people to cricket' - Root|publisher=ESPN|date=19 April 2018|author=George Dobell|work=Cricinfo|access-date=24 April 2018}}</ref> ODI and T20 captain, [[Eoin Morgan]], had a similar opinion about this format.<ref>{{Cite news|url=http://www.espncricinfo.com/story/_/id/23325329/eoin-morgan-declares-big-fan-ecb-100-ball-plans|title=Eoin Morgan declares himself a 'big fan' of ECB's 100-ball plans|publisher=ESPN|date=19 April 2018|author1=Andrew Miller|author2=Alan Gardner|work=Cricinfo|access-date=26 April 2018}}</ref> Former T20 captain [[Stuart Broad]] said he was hugely optimistic about the new format.<ref>{{cite web |title=Mixed reaction to ECB's '100-ball' format |url=https://www.cricket.com.au/news/ecb-england-cricket-concept-100-balls-format-critic-player-reaction-poll-broad-atherton/2018-04-20 |website=Cricket.com.au}}</ref> [[Michael Vaughan]] also echoed with Broad and stated that it will be a more appealing concept to broadcasters.{{citation needed|date=July 2019}} [[Michael Atherton]] shared that a T20 match was to be completed in a 3-hour window and this can be achieved with the proposed format.{{citation needed|date=July 2019}}

[[New Zealand national cricket team|New Zealand]] all-rounder [[James Neesham|Jimmy Neesham]] was bemused on this move, asking why the [[England and Wales Cricket Board]] is trying something different when the current format is already so successful.<ref>{{Cite news|url=https://www.cricket.com.au/news/ecb-england-cricket-concept-100-balls-format-critic-player-reaction-poll-broad-atherton/2018-04-20|title=Mixed reaction to ECB's '100-ball' format|publisher=Cricket.com|date=20 April 2018|access-date=10 May 2018}}</ref> Current limited overs specialists [[Dawid Malan]] and [[Mark Wood (cricketer)|Mark Wood]] shared that in spite of the new format, T20s will still remain as the preference.<ref>{{Cite news|url=http://www.cricbuzz.com/cricket-news/102782/t20s-main-priority-for-dawid-malan-and-mark-wood-despite-plans-for-100-ball-cricket-tournament|title=Malan, Wood raise concerns over 100-ball tournament|publisher=Cricbuzz|date=8 May 2018|access-date=19 July 2018}}</ref>

Former [[Marylebone Cricket Club|MCC]] chief [[Keith Bradshaw (cricketer)|Keith Bradshaw]] called the 100-ball tournament an innovation for innovation's sake, reasoning that the main reason behind this thought process is that the [[England and Wales Cricket Board|ECB]] couldn't exploit the T20 boom.<ref>{{Cite news|url=http://www.espncricinfo.com/story/_/id/23333334/former-mcc-chief-keith-bradshaw-queries-ecb-innovation-innovation-sake|title=Former MCC chief Keith Bradshaw queries ECB innovation for innovation's sake|publisher=ESPN|author=Andrew Miller|work=Cricinfo|date=27 April 2018|access-date=19 July 2018}}</ref> The England and Wales [[Professional Cricketers' Association]] shared that, overall, players were open to this new idea.<ref>{{Cite news|url=http://www.cricbuzz.com/cricket-news/101934/players-remain-open-minded-about-ecbs-100-ball-proposal-professional-cricketers-association|title=Players remain open-minded about ECB's 100-ball proposal|publisher=Cricbuzz|date=8 May 2018|access-date=17 May 2018|author=Rob Johnston}}</ref>

Meanwhile, [[Cricket Australia]] has no plans to tinker with its existing [[Big Bash League]].<ref>{{Cite news|url=https://www.smh.com.au/sport/cricket/ca-offers-straight-bat-to-100-ball-format-as-challenges-grow-20180420-p4zaqq.html|title=CA offers straight bat to 100-ball format |work=The Sydney Morning Herald|date=20 April 2018|access-date=19 July 2018|author=Jon Pierik}}</ref> It also shared a concern that the introduction of shorter formats is further ignoring [[Test cricket]].<ref>{{Cite news|url=https://www.smh.com.au/sport/cricket/100-ball-game-can-prove-a-winner-but-test-cricket-ignored-once-more-20180420-p4zaor.html|title=100-ball game can prove a winner but Test cricket ignored once more|work=The Sydney Morning Herald|date=21 April 2018|access-date=19 July 2018|author=Michael Vaughan}}</ref>

== Olympic consideration ==
A bid for the sport’s inclusion at [[2028 Summer Olympics|Los Angeles 2028]] has received backing from the [[International Cricket Council|International Cricket Council (ICC)]] but a decision has yet to be made about which format of the game to propose. [[Mahela Jayawardene]] sits on the [[International Cricket Council|ICC’s]] own Cricket Committee, which is considering the format to be proposed and is also coach of the [[Southern Brave]] franchise men's team in [[The Hundred (cricket)|The Hundred]] - a new short form of the game.<ref name=":0">{{Cite web|date=2021|title=Cricket great Jayawardene touts divisive Hundred format for Olympic inclusion|url=https://www.insidethegames.biz/articles/1110819/jayawardene-hundred-olympics|url-status=live|access-date=2021-08-01|website=www.insidethegames.biz|archive-url=https://web.archive.org/web/20210727040611/https://www.insidethegames.biz/articles/1110819/jayawardene-hundred-olympics |archive-date=27 July 2021 }}</ref>

"We will have to wait and see once the tournament has kicked off, the enthusiasm for it and how people embrace it," Jayawardene told the ''[[Daily Mail]]''.<ref name=":0" />

"[[Twenty20|T20]] was discussed as a format, [[T10 cricket|T10]] is an option, so why not the Hundred?

"If it goes well, the time is compact and you get to finish in two and a half hours - it would be brilliant."<ref name=":0" />

Any choice of format would have to be approved by the [[International Olympic Committee|IOC]] and fall under the aegis of the recognized International Federation, in this case the [[International Cricket Council|ICC]].<ref name=":0" />

==See also==
*[[The Hundred (cricket)|The Hundred]]

==References==
{{reflist}}

==External links==
* Vithushan Ehantharajah: [https://www.cricbuzz.com/cricket-news/104156/england-cricket-orange-ball-at-the-hundred-news Orange ball at The Hundred?] CricBuzz, 20 September 2018
*George Dobell: [http://www.espncricinfo.com/story/_/id/26048164/india-players-unlikely-feature-hundred-admits-tom-harrison India players unlikely to feature in The Hundred, admits Tom Harrison] ESPN Cricinfo, 21 February 2019

{{Forms of cricket}}
{{Team sports}}

{{#seo:
|keywords=Limited overs cricket, Short form cricket
|description=100-ball cricket is a short form of cricket designed to attract new audiences to the game with simplified rules, which was originally created by ...
}}

[[Category:Limited overs cricket]]
[[Category:Short form cricket]]

100% Love (2011 film)

2023-07-15T07:23:12Z

MetaBOT: Added clean description and keywords using script

{{EngvarB|date=January 2014}}
{{Use dmy dates|date=August 2015}}
{{Infobox film
| name = 100% Love
| image = 100LovePoster.jpg
| caption = Movie Poster
| director = [[Sukumar (director)|Sukumar]]
| producer = Bunny Vasu
| writer = M J Saikumar T Ramesh '''(dialogue)'''
| screenplay = Jakka Hariprasad
| story = Sukumar
| starring = [[Naga Chaitanya]] [[Tamannaah]]
| music = [[Devi Sri Prasad]]
| cinematography = Venkat Prasad
| editing = [[Karthika Srinivas]]
| studio =
| distributor = [[Geetha Arts]]
| released = {{Film date|df=yes|2011|05|06}}
| runtime = 140 minutes
| country = India
| language = Telugu
| budget = 
| gross = 
}}

'''''100% Love''''' is a 2011 Indian [[Telugu language|Telugu]]-language [[romantic comedy]] film directed by [[Sukumar (director)|Sukumar]] and produced by Bunny Vas under the banner [[Geetha Arts]]. The film features [[Naga Chaitanya]] and [[Tamannaah]] in the lead roles with music composed by [[Devi Sri Prasad]]. The story revolves around Balu and Mahalakshmi, cousins who share a [[love–hate relationship]].

''100% Love'' which released on 6 May 2011 received positive response from both critics and audience. The film was a commercial success and became one of the [[Highest grossing Telugu films]] of that year.<ref>{{Cite web|date=2020-05-06|title=9 Years for 100% Love: 4 reasons why we never get tired of watching this Naga Chaitanya and Tamannaah starrer|url=https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/9-years-for-100-love-4-reasons-why-we-never-get-tired-of-watching-this-naga-chaitanya-and-tamannaah-starrer/photostory/75573554.cms|access-date=2020-08-12|website=The Times of India|language=en}}</ref>

The film was dubbed and released in [[Malayalam]] with the same title, on 22 July 2011.<ref name="nowrunning">{{cite web|url=http://www.nowrunning.com/100-love/9353/movie-showtimes.htm|title=100% Love Malayalam Movie Showtimes|publisher=nowrunning.com|access-date=6 April 2014}}</ref> It was remade in [[Bengali language|Bengali]] as ''[[Prem Ki Bujhini]]'' (2016),<ref>https://www.youtube.com/watch?v=fwKDfe3lP6c</ref> and in [[Tamil language|Tamil]] as ''[[100% Kadhal]]'' (2019).

==Plot ==
The story starts at a bar where Balu ([[Naga Chaitanya]]) is in a wedding outfit and just enters as he orders his drink, two people tell him to go and get married, while they are talking about debts Balu does fast calculations and impresses them. They ask him to tell his story and he does.

Balu is always top-ranked in his college. Mahalakshmi ([[Tamannaah]]), his cousin comes to Balu’s house to continue her studies. She is in awe of her Mr. Perfect 'Bava' as she expresses this after seeing him. Upon seeing Mahalakshmi Balu asks for her name to which she responds as ''Veera Venkata Satya Sai Naga Durga Sesha Avathara Seetha Mahalakshmi,'' Balu says her name is too long and he can't waste that much memory just to remember her name so she says that he will just call her Mahalakshmi. Mahalakshmi takes her first exam and walks out crying as she doesn't understand English, Balu helps her, and she gets the first rank and Balu gets second. Balu is hurt by this as he usually gets first rank, and he plans to sabotage her studies, Mahalakshmi does the same. But to their surprise Ajith (Anand Krishna Nandu) stands first this time. Meanwhile, Mahalakshmi's father brings her a marriage proposal, but she doesn’t want to marry him. Balu and Mahalakshmi compromise by agreeing to help each other. Balu helps her in getting the proposal canceled and Mahalakshmi distracts Ajith from studies for the sake of Balu, but Balu gets attracted to her. The couple start studying together and Mahalakshmi distracts Ajith. Balu gets first rank and is awarded a building from his principal, at the housewarming party, Mahalakshmi says Ajith is great as he studied well even though Mahalakshmi distracted him. Balu is hurt by this statement because he doesn't want Mahalakshmi to think anyone is better than him, his ego is also hurt and the couple chooses to separate.

After three years, they meet again in the hospital because their grandmother suddenly falls ill. While trying to find out how Balu is doing, Mahalakshmi realizes he hasn't changed at all. Both argue a lot until their parents try to get them married. Surprisingly, Balu mentions that he has a girlfriend named Swapna that he hopes to marry. While introducing her to his family, Mahalakshmi notices that Swapna is much more than she is. To get back at Balu, she agrees to marry Ajith, Balu's former rival in college. Ajith turns out to be the head of a company that makes more than Balu's company. Balu, angry that Ajith is greater than he is, puts his company in risk in hopes that he can surpass Ajith's company. Unfortunately, his partner cheats him, and Balu is on the verge of losing his company. Mahalakshmi, now his project manager, toils to rescue him. They make an excellent team and Balu's company is saved.

In an after party, Balu credits Mahalakshmi for his success. She again unknowingly hurts Balu's ego. This time, Balu confesses that he felt the need to be great in Mahalakshmi's eyes because he loved her. When she tells him she shares his feelings, Balu refuses to believe her. After the interference of their grandfather, they are united in the end.

==Cast==
{{colbegin}}
*[[Naga Chaitanya]] as Veera Bahu Sathya Dharma Siva Sankara Rama "Balu" Mahendra
*[[Tamannaah Bhatia|Tamannaah]] as Veera Venkata Satya Sai Naga Durga Sesha Avathara Seetha Mahalakshmi
*[[Tara Alisha Berry]] as Swapna
*[[Nandu (actor)|Nandu]] as Ajith Jogi
*Ishree Giridhar as Mahalaksmi's father
*[[Naresh (actor)|Naresh]] as Ramesh (Balu's father)
*[[K. R. Vijaya]] as Mahalakshmi (Balu and Mahalakshmi's grandmother)
*[[Vijayakumar (Tamil actor)|Vijayakumar]] as Balu Mahendra (Balu and Mahalakshmi's grandfather)
*[[Dharmavarapu Subramanyam]] as John Acharya (Balu and Mahalakhsmi's uncle)
*[[M. S. Narayana]] as a College Dean
*[[Satyam Rajesh]] in a special appearance
*[[Thagubothu Ramesh]] in a special appearance
*[[Meghna Naidu]] in a special appearance for the song Diyalo Diyala
*[[Maryam Zakaria]] in a special appearance for the song Diyalo Diyala
*[[Chitram Seenu]] in a special appearance
*Jogi Naidu as Prakash
{{colend}}

==Production==

Before the completion of ''[[Arya 2]]'', [[Sukumar (director)|Sukumar]] had discussed making the film with [[Geetha Arts]] with [[Varun Sandesh]] and [[Tamannaah Bhatia]] in the lead roles, but the film failed to materialize.<ref>{{cite web|url=http://www.cinegoer.com/telugu-cinema/news-archives/march-2010/varun-sandesh-out-naga-chaitanya-in-200310.html|title=Varun Sandesh Out, Naga Chaitanya In|date=20 March 2010|work=Cinegoer|archive-url=https://web.archive.org/web/20100323083459/http://www.cinegoer.com/telugu-cinema/news-archives/march-2010/varun-sandesh-out-naga-chaitanya-in-200310.html|archive-date=23 March 2010 }}</ref> February 2010, the project was announced with a statement reporting the collaboration of [[Geetha Arts]], Sukumar and [[Naga Chaitanya]] for the film mentioned.<ref>[https://web.archive.org/web/20121020021828/http://www.sify.com/movies/naga-chaitanya-teams-with-sukumar-news-telugu-kkfqQHicejc.html Naga Chaitanya teams with Sukumar!]. Sify.com (22 February 2010). Retrieved on 2015-08-03.</ref> The subsequent month saw Tamannaah announce that she had signed on to portray the lead female role in the project.<ref>[https://web.archive.org/web/20101119074308/http://sify.com/movies/tamannaah-is-kollywoods-busy-bee-news-tamil-kkfqLhgichj.html Tamannaah is Kollywood’s busy bee!]. Sify.com (17 March 2010). Retrieved on 2015-08-03.</ref><ref>[https://web.archive.org/web/20121020022012/http://www.sify.com/movies/tamannah-to-star-opposite-chaitanya-news-telugu-kkfqKWdjacj.html Tamannah to star opposite Chaitanya]. Sify.com (17 March 2010). Retrieved on 2015-08-03.</ref> The film was launched at Annapoorna Studios, Hyderabad on 8 June 2010 with several leading Telugu film personalities being involved with the event. Noted producer [[D. Ramanaidu]] rendered the launch, another producer Nagababu switched on the camera and Naga Chaitanya's father actor [[Akkineni Nagarjuna|Nagarjuna]] clapped the first shot. The formal first shot direction was done by [[S. S. Rajamouli]] and [[Akkineni Nageswara Rao]] handed over the script to the director.<ref>[https://web.archive.org/web/20121020022127/http://www.sify.com/movies/naga-chaitanya-tamannaah-movie-launched-news-telugu-kkfq14hjgej.html Naga Chaitanya-Tamannaah movie launched]. Sify.com (8 June 2010). Retrieved on 2015-08-03.</ref>

The film continued its shoot untitled officially until 20 March 2011 when the title ''100% Love'' was formally announced. During the production of the film, several titles were reported in the media for the project including ''Balu Weds Mahalakshmi'',<ref>{{cite web|url=http://www.supergoodmovies.com/14450/tollywood/Naga-chaitanya-s-new-film-Balu-weds-Mahalakshmi-News-Details|title=Naga Chaitanya Tamannah new Film 'Balu weds Mahxaalakshmi|date=18 Mar 201|work=Supergood Movies|archive-url=https://web.archive.org/web/20110320212711/http://www.supergoodmovies.com/14450/tollywood/Naga-chaitanya-s-new-film-Balu-weds-Mahalakshmi-News-Details |archive-date=20 March 2011 }}</ref> ''I Love You'',<ref>[http://entertainment.in.msn.com/southcinema/article.aspx?cp-documentid=4923973 Naga Chaitanya says "I Love You..." to Tamannah!] {{Webarchive|url=https://web.archive.org/web/20120314142625/http://entertainment.in.msn.com/southcinema/article.aspx?cp-documentid=4923973 |date=14 March 2012 }}. Entertainment.in.msn.com (6 May 2015). Retrieved on 2015-08-03.</ref> ''I Love You Mahalakshmi'',<ref>{{cite web|url=http://www.supergoodmovies.com/12840/tollywood/Naga-Chaitanya-sukumar-Movie-I-Love-You-Mahalakshmi-News-Details|title=Naga Chaitanya sukumar Movie I Love You Mahalakshmi – Naga Chaitanya Sukumar New Movie|date=14 Feb 2011|work=Supergood Movies|archive-url=https://web.archive.org/web/20110319082441/http://www.supergoodmovies.com/12840/tollywood/Naga-Chaitanya-sukumar-Movie-I-Love-You-Mahalakshmi-News-Details |archive-date=19 March 2011}}</ref> ''I Hate Mahalakshmi'' and ''I am Number One''. Despite having an original planned release of December 2010, strikes if the industry pushed the release date to April 2011.<ref>[http://www.indiaglitz.com/channels/telugu/article/62652.html Naga Chaitanya movie in March – Telugu Movie News]. IndiaGlitz (29 December 2010). Retrieved on 2015-08-03.</ref>

==Soundtrack==
{{Main|100% Love (soundtrack)}}
The music and background score was composed by Sukumar's regular associate [[Devi Sri Prasad]]. The album consisted of 8 songs which included 2 bit songs in the first release and 2 another bit songs in the next release. [[Chandrabose (lyricist)|Chandrabose]], [[Ramajogayya Sastry]] and [[Sri Mani]] penned the Lyrics. The album was released on 2 April 2011 at Rock Gardens in Hyderabad in a star-studded promotional event on [[Aditya Music]] label, with the audio being launched by [[Nagarjuna Akkineni]], [[Allu Arjun]] and [[Ram Pothineni]].<ref>{{cite web|date=3 April 2011|title=Celebrity galore at 100% Love audio launch|url=http://entertainment.oneindia.in/telugu/news/2011/100-love-audio-launch-120411-aid0017.html|access-date=26 January 2014|publisher=Oneindia Entertainment}}</ref> Upon release, 100% Love received positive response from critics as well as audience thus making it one of the best selling soundtracks of the year 2011.<ref>{{cite web|url=http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|title=100% Love in post production works|publisher=way2movies.com|date=23 April 2011|access-date=26 January 2014|archive-date=25 February 2014|archive-url=https://web.archive.org/web/20140225021248/http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|url-status=dead}}</ref>

== Reception ==
The film is said to be the only film of [[Naga Chaitanya]] after ''[[Ye Maaya Chesave]]'' and for [[Sukumar (director)|Sukumar]] after ''[[Arya (2004 film)|Arya]]'', completing 50 days in 65 centres.<ref>{{cite web|title='100% Love' completes 50 days|url=http://www.indiaglitz.com/channels/telugu/article/67993.html|access-date=23 June 2011|publisher=IndiaGlitz}}</ref> The film completed its 100th day theatrical run on 13 August 2011.<ref>{{cite web|title=100% Love completes 100 days|url=http://www.ragalahari.com/news/12350/100-love-completes-100-days.aspx|access-date=11 August 2011|publisher=ragalahari.com}}</ref>

==Accolades==

;[[CineMAA Awards]]
* Won - [[CineMAA Awards#Best Actor - Female|Best Actress]] - Tamannaah Bhatia

;TSR - TV9 National Film Awards
* Won - Best Heroine - Tamannaah Bhatia

;[[Hyderabad Times]] Film Awards
* Won - Best Actress - Tamannaah Bhatia

;[[59th Filmfare Awards South]]
* Nominated - [[Filmfare Award for Best Film – Telugu|Best Film – Telugu]] - [[Geetha Arts]]/Bunny Vasu
* Nominated - [[Filmfare Award for Best Director – Telugu|Best Director – Telugu]] - Sukumar
* Nominated - [[Filmfare Award for Best Actress – Telugu|Best Actress – Telugu]] - Tamannaah Bhatia
* Nominated - [[Filmfare Award for Best Music Director – Telugu|Best Music Director – Telugu]] - [[Devi Sri Prasad]]
* Nominated - [[Filmfare Award for Best Female Playback Singer – Telugu|Best Female Playback Singer – Telugu]] - [[Swathi Reddy]] – "A Square B Square"

;[[1st South Indian International Movie Awards]]
* Nominated - [[SIIMA Award for Best Film (Telugu)|Best Film (Telugu)]] - Geetha Arts/Bunny Vasu
* Nominated - [[SIIMA Award for Best Director (Telugu)|Best Director (Telugu)]] - Sukumar
* Nominated - [[SIIMA Award for Best Cinematographer (Telugu)|Best Cinematographer (Telugu)]] - Venkat Prasad
* Nominated - [[SIIMA Award for Best Actor (Telugu)|Best Actor (Telugu)]] - Naga Chaitanya
* Nominated - [[SIIMA Award for Best Actress (Telugu)|Best Actress (Telugu)]] - Tamannaah Bhatia
* Nominated - [[SIIMA Award for Best Music Director (Telugu)|Best Music Director (Telugu)]] - Devi Sri Prasad
* Nominated - [[SIIMA Award for Best Lyricist (Telugu)|Best Lyricist (Telugu)]] - Chandrabose – "Infatuation"
* Nominated - [[SIIMA Award for Best Male Playback Singer (Telugu)|Best Male Playback Singer (Telugu)]] - Adnan Sami – "Infatuation"
* Nominated - [[1st South Indian International Movie Awards|Best Female Playback Singer (Telugu)]] - Swathi Reddy – "A Square B Square"

==References==
{{Reflist|30em}}

==External links==
* {{IMDb title|1869226}}
{{Nandi Award for Best Home Viewing Feature Film}}
{{Sukumar (director)}}
{{Authority control}}

{{DEFAULTSORT:100 Love}}

{{#seo:
|keywords=Indian films, 2011 films, Indian romantic comedy films, 2011 romantic comedy films, Films featuring an item number, Telugu films remade in other languages, Indian films with live action and animation, Films shot in Hyderabad, India, Films shot at Ramoji Film City, Films set in Andhra Pradesh, 2010s Telugu-language films, Telugu-language films, Films directed by Sukumar, Films scored by Devi Sri Prasad
|description=100% Love is a 2011 Indian Telugu-language romantic comedy film directed by Sukumar and produced by Bunny Vas under the banner Geetha Arts. The ...
}}

[[Category:Indian films]]
[[Category:2011 films]]
[[Category:Indian romantic comedy films]]
[[Category:2011 romantic comedy films]]
[[Category:Films featuring an item number]]
[[Category:Telugu films remade in other languages]]
[[Category:Indian films with live action and animation]]
[[Category:Films shot in Hyderabad, India]]
[[Category:Films shot at Ramoji Film City]]
[[Category:Films set in Andhra Pradesh]]
[[Category:2010s Telugu-language films]]
[[Category:Telugu-language films]]
[[Category:Films directed by Sukumar]]
[[Category:Films scored by Devi Sri Prasad]]

0-41*

2023-07-15T06:13:15Z

MetaBOT: added clean description using script (info)

{{Use dmy dates|date=August 2020}}
{{EngvarB|date=August 2020}}
{{Infobox film
| name = 0–41*
| image = 041Poster.jpg
| director = [[Senna Hegde]]
| producer = Preetham Hegde Chetan Shetty Prasanna Hegde
| writer = Senna Hegde
| starring = Rajesh Thoyammal Vipin Kavvai Abhilash Thoyammal Priyadath TK Sanal Manu
| music = Senna Hegde Unni Abhijith Glady Abraham Subha Naidu
| cinematography = Keertan Poojary
| editing = Syam Krishnan
| studio = Marley State of Mind
| runtime = 91 minutes
| country = India
| language = Malayalam
}}

'''''0–41*''''' is an Indian feature film documentary by director [[Senna Hegde]] examining young volleyball players and their lives in rural [[Kanhangad]], India.<ref>{{cite web|url=http://timesofindia.indiatimes.com/city/kochi/A-tale-from-Kanhangad-reaches-Bayou-film-festival/articleshow/50648868.cms |title=A tale from Kanhangad reaches Bayou film festival|newspaper=The Times of India|access-date=2 February 2016}}</ref>

The film had its world premiere at the 11th Cinema on the Bayou Film Festival at Lafayette, USA.<ref>{{cite web|url=http://www.uttv.in/0-41-a-film-about-reality-shines-in-bayou-festival-platform254-html/ |title=0–41: A Film About Reality Shines in Bayou Festival Platform – UT TV |publisher=Uttv.in |access-date=2 February 2016}}</ref>

==Plot==
A group of local youth in a small town in India are closely knit by a game of volleyball every evening. Rajesh and Vipin lead the two teams with a great deal of passion until a seemingly endless losing streak sets Rajesh and his team on a trail of disbelief and dejection. The docudrama proceeds to draw a subtle parallel between the losing streak and the lives of these youth. Over the course of six days, this film brings into sharp focus their life stories, their aspirations and expectations, their faith and fears and their view on the rest of the world with the rural way of life in India providing a vivid backdrop.<ref>{{cite web|url=http://epaper.newindianexpress.com/705172/Indulge-Kochi/29012016#dual/10/1 |title=Indulge – Kochi |work=The New Indian Express |access-date=2 February 2016}}</ref>

==Cast==
* Rajesh Thoyammal
* Vipin Kavvai
* Abhilash Thoyammal
* Priyadath TK
* Sanal Manu
* Ebi Ganesh
* Vishnu Lakshmanan
* Sunil Thoyammal
* Ambu

==Film festivals==
* Official Selection at the 11th Cinema on the Bayou Film Festival,<ref>{{cite web|url=http://cinemaonthebayou.com/index.php?option=com_fabrik&view=details&listid=3&formid=3&rowid=209&Itemid=145 |title=Films – PublicView |publisher=Cinemaonthebayou.com |access-date=2 February 2016}}</ref> Lafayette, USA.
* Official Selection at the 1st RapidLion, the South African International Film Festival,<ref>{{cite web|url=http://www.newindianexpress.com/cities/thiruvananthapuram/Game-of-Life/2016/01/29/article3249606.ece |title=Game of Life |work=The New Indian Express |access-date=2 February 2016}}</ref> Johannesburg, SA
* Official Selection at the 3rd Noida International Film Festival,<ref>{{cite web|url=http://miniboxoffice.com/noidainternationalfilmfestival/index.php |title=Noida International Film Festival|publisher=Miniboxoffice.com |access-date=2 February 2016}}</ref> New Delhi, India.
* Official Selection at Miami Independent Film Festival,<ref>{{cite web|url=http://miamindiefest.com/official-selections-mindie-july-2016/#doc |title=Miami Independent Film Festival|publisher=Miami Indie Fest |access-date=2 July 2016}}</ref> Miami, USA.
* Official Selection at Newark international Film Festival,<ref>{{cite web|url=https://docs.google.com/document/d/1sAC9R0kDe82rDGgU6Y4rxFTfCfKjonpRZ0UDxr4FRsk/edit |title=Newark International Film Festival|publisher=Newark International Film Festival |access-date=2 August 2016}}</ref> Newark, USA.

==Awards==
* Winner – Best Cinematography, 3rd Noida International Film Festival<ref>http://miniboxoffice.com/noidainternationalfilmfestival/news.php?id=NjQ0MA=={{Dead link|date=August 2018 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> On 7 February 2016. New Delhi, India.
* Nominated – Best Director, Newark International Film Festival<ref>{{cite web|url=http://newarkiff.com/niff-2016-winners|title=NIFF 2016 Winners|date=15 September 2016}}</ref> On 11 September 2016. Newark, USA.

==References==
{{Reflist}}

==External links==
* {{IMDb title|4570696|0–41*}}

{{DEFAULTSORT:0-41}}

{{#seo:
|keywords=2016 films, Indian films, Malayalam-language films, 2010s Malayalam-language films
|description=0–41 is an Indian feature film documentary by director Senna Hegde examining young volleyball players and their lives in rural Kanhangad, India. ...
}}

[[Category:2016 films]]
[[Category:Indian films]]
[[Category:Malayalam-language films]]
[[Category:2010s Malayalam-language films]]

...Re (film)

2023-07-15T06:06:34Z

MetaBOT: added clean description using script (info)

{{Use dmy dates|date=October 2015}}
{{Use Indian English|date=October 2015}}
{{Infobox film
| name = ...Re
| image = 2016 Kannada film ...Re poster.jpg
| caption = Film poster
| director = [[Sunil Kumar Desai]]
| producer = Lokesh R.
| story = Sunil Kumar Desai
| screenplay = Sunil Kumar Desai
| narrator =
| starring = [[Ramesh Aravind]] [[Anant Nag]] [[Harshika Poonacha]] Suman Divya shetty Shridhar
| music = [[Hamsalekha]]
| cinematography = G. S. Bhaskar
| editing = B. S. Kemparaj
| released = {{film date|2016|03|04}}
| studio = Sujana Creations
| distributor = Jayanna Films
| runtime = 153 minutes
| country = India
| language = [[Kannada language|Kannada]]
| budget =
| gross =
}}

'''''...Re''''' ({{Lang-en|if}}) is a 2016 Indian [[Kannada language|Kannada]] [[Comedy|comedy film]] written and directed by [[Sunil Kumar Desai]].<ref name="newindianexpress.com">{{cite web|url=http://www.newindianexpress.com/entertainment/kannada/Loving-it-with-Re/2015/11/05/article3113663.ece|title=Loving it with Re|work=The New Indian Express}}</ref> The film has an [[ensemble cast]] consisting of veteran actors: [[Ramesh Aravind]], [[Anant Nag]], Master Hirannaiah, [[Loknath]], [[Shivaram]], [[Tennis Krishna]], [[Ramesh Bhat]], [[Vaijanath Biradar]], [[Sharath Lohitashwa]], [[Suman Nagarkar|Suman]], [[G. K. Govinda Rao]] among others.<ref name="indiaglitz.com">{{cite web|url=http://www.indiaglitz.com/re-desai-trick-kannada-news-146013.html|title='...Re' Desai Trick|publisher=indiaglitz.com}}</ref> [[Harshika Poonacha]] and debutant actress Suman play female leads in the film.<ref name="indiaglitz.com"/> Ace cinematographer G S Bhaskar who has previously worked for Hollywood legends such has [[Richard Attenborough]] has handled the camera.<ref>{{cite web|url=http://www.thehindu.com/news/national/karnataka/attenborough-as-seen-through-bhaskars-eyes/article6350928.ece|title=Attenborough as seen through Bhaskar’s eyes|author=Muralidhara Khajane|work=The Hindu}}</ref> Veteran music director [[Hamsalekha]] has composed the music for the film. Ananth Nag had revealed that the movie is thematically similar to Badal Sircar's play ''Ballabpurer Roopkatha''.<ref name="dhwanidesai">{{cite web|url=http://timesofindia.indiatimes.com/entertainment/kannada/movies/news/Lucky-to-play-challenging-roles-Ananth-Nag/articleshow/51175447.cms|title=Lucky to play challenging roles: Ananth Nag|author=Dhwani Desai|date=28 February 2016|work=The Times of India}}</ref>

==About==
In an interview with New Indian Express, the director Sunil Kumar Desai said that the film revolves around the "'ifs' of our lives".<ref>{{cite web|url=http://www.newindianexpress.com/entertainment/kannada/Re-Revolves-Around-the-ifs-of-our-Lives-Desai/2016/03/03/article3306972.ece|title='Re' Revolves Around the 'ifs' of our Lives: Desai|work=The New Indian Express}}</ref> Lead actor of the film Ramesh Aravind described the film as "an out of the box love story, which has deep meaning with weird characterisations".<ref name="newindianexpress.com"/> Anant Nag also felt that the movie had "serious messages" about Indian cultural heritage and Adi Shankara's [[Advaita]] philosophy.<ref name="dhwanidesai"/> It has been touted as the comeback film of legends of Kannada cinema such as—director Sunil Kumar Desai, music director Hamsalekha and senior artists Loknath and Shivram.<ref>{{cite web|url=http://www.udayavani.com/kannada/news/%E0%B2%B8%E0%B3%81%E0%B2%9A%E0%B2%BF%E0%B2%A4%E0%B3%8D%E0%B2%B0%E0%B2%BE/113977/%E0%B2%A6%E0%B3%87%E0%B2%B8%E0%B2%BE%E0%B2%AF%E0%B2%BF-%E0%B2%B0%E0%B2%BF%E0%B2%9F%E0%B2%B0%E0%B3%8D%E0%B2%A8%E0%B3%8D%E0%B2%B8%E0%B3%8D-%E0%B2%A8%E0%B2%BE%E0%B2%A8%E0%B3%81-%E0%B2%B9%E0%B3%87%E0%B2%B3%E0%B2%BF%E0%B2%A6%E0%B3%8D%E0%B2%A6%E0%B2%A8%E0%B3%8D%E0%B2%A8%E0%B3%87-%E0%B2%AE%E0%B2%BE%E0%B2%A1%E0%B3%8D%E0%B2%A4%E0%B3%80%E0%B2%A8%E0%B2%BF|title=ದೇಸಾಯಿ ರಿಟರ್ನ್ಸ್ ನಾನು ಹೇಳಿದ್ದನ್ನೇ ಮಾಡ್ತೀನಿ|work=udayavani.com|access-date=11 November 2015|archive-date=4 March 2016|archive-url=https://web.archive.org/web/20160304033131/http://www.udayavani.com/kannada/news/%E0%B2%B8%E0%B3%81%E0%B2%9A%E0%B2%BF%E0%B2%A4%E0%B3%8D%E0%B2%B0%E0%B2%BE/113977/%E0%B2%A6%E0%B3%87%E0%B2%B8%E0%B2%BE%E0%B2%AF%E0%B2%BF-%E0%B2%B0%E0%B2%BF%E0%B2%9F%E0%B2%B0%E0%B3%8D%E0%B2%A8%E0%B3%8D%E0%B2%B8%E0%B3%8D-%E0%B2%A8%E0%B2%BE%E0%B2%A8%E0%B3%81-%E0%B2%B9%E0%B3%87%E0%B2%B3%E0%B2%BF%E0%B2%A6%E0%B3%8D%E0%B2%A6%E0%B2%A8%E0%B3%8D%E0%B2%A8%E0%B3%87-%E0%B2%AE%E0%B2%BE%E0%B2%A1%E0%B3%8D%E0%B2%A4%E0%B3%80%E0%B2%A8%E0%B2%BF|url-status=dead}}</ref> In an interview with the Times of India, Ramesh Aravind said that "Re" may seem like a film from the 70s or 80s and the "old world charm" of the film is intentional.<ref>{{cite web|url=http://timesofindia.indiatimes.com/entertainment/kannada/movies/news/Ananth-Nag-my-chemistry-shows-onscreen/articleshow/51221356.cms|title=Ananth Nag, my chemistry shows onscreen|author=Prathibha Joy|date=2 March 2016|work=The Times of India}}</ref> The film makes a sweeping criticism at the state of open defecation in India.<ref>{{Cite web|url=https://www.gktoday.in/gk/open-defecation-in-india/|title=Open Defecation in India}}</ref>

==Cast==
{{div col|colwidth=30em}}
* [[Ramesh Aravind]] as PaPu Babu Rao
* [[Anant Nag]] as Narayan Rao
* [[Harshika Poonacha]] as Parvathi
* Suman as Preethi Bhat
* [[Suman Nagarkar]]
* [[Ramesh Bhat]]
* [[Master Hirannaiah]]
* [[Loknath]]
* [[G. K. Govinda Rao]]
* Srinivasa Prabhu
* [[Shivaram]]
* [[Chi. Guru Dutt]]
* [[Sharath Lohitashwa]]
* [[Vaijanath Biradar]]
* Divya Shetty Shridhar as Shreya
* Mahesh Nethrekar
* P. D. Sathish Chandra
* Prashanth
* [[Tennis Krishna]]
* [[Mandeep Roy]]
* Chidanand
{{div col end}}

==Production==
Pre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.

{|class="wikitable"
! No. !! Song Title !! Singers !! Lyrics
|-
| 1 || "Nanondu Bilihaale" || Badri Prasad, Hiranmayee || [[Hamsalekha]]
|-
| 2 || "Savi Nenapina" || Badri Prasad || Hamsalekha
|-
|}

==References==
{{reflist}}

==External links==
* {{Official website|re-skd.com}}

{{Sunil Kumar Desai}}

{{DEFAULTSORT:Re}}

{{#seo:
|keywords=2016 films, 2010s Kannada-language films, Indian films, Indian comedy films, Films scored by Hamsalekha, Films directed by Sunil Kumar Desai, 2016 comedy films
|description=...Re () is a 2016 Indian Kannada comedy film written and directed by Sunil Kumar Desai. The film has an ensemble cast consisting of veteran ...
}}

[[Category:2016 films]]
[[Category:2010s Kannada-language films]]
[[Category:Indian films]]
[[Category:Indian comedy films]]
[[Category:Films scored by Hamsalekha]]
[[Category:Films directed by Sunil Kumar Desai]]
[[Category:2016 comedy films]]

100% Love (soundtrack)

2023-07-15T04:28:37Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=September 2019}}
{{Use Indian English|date=September 2019}}
{{Infobox album
| name = 100% Love
| type = Soundtrack
| artist = [[Devi Sri Prasad]]
| cover = 100 Love Soundtrack Album Disc Cover.jpg
| border = yes
| alt =
| caption =
| released = 2 April 2011
| recorded = 2011
| venue =
| studio =
| genre = [[Film soundtrack|Feature film soundtrack]]
| length = 36:24
| language = [[Telugu language|Telugu]]
| label = [[Aditya Music]]
| producer = Devi Sri Prasad
| prev_title = [[Mr. Perfect (film)|Mr. Perfect]]
| prev_year = 2011
| next_title = [[Venghai]]
| next_year = 2011
| misc = {{External media
| audio1 = {{YouTube|szSxS1CxbIY|Official Audio Jukebox}}
}}
}}
'''''100% Love''''' is the film soundtrack of the [[100% Love (2011 film)|2011 romance film of the same name]] directed by [[Sukumar (director)|Sukumar]] which starred [[Naga Chaitanya]] and [[Tamannaah]]. The music and background score was composed by Sukumar's regular associate [[Devi Sri Prasad]]. The album consisted on 8 songs which included 2 bit songs in the first release and 2 another bit songs in the next release. [[Chandrabose (lyricist)|Chandrabose]], [[Ramajogayya Sastry]] and [[Sri Mani]] penned the Lyrics. The album was released on 2 April 2011 at Rock Gardens in Hyderabad on [[Aditya Music]] label.<ref>{{cite web|last=|first=|date=3 April 2011|title=Celebrity galore at 100% Love audio launch|url=http://entertainment.oneindia.in/telugu/news/2011/100-love-audio-launch-120411-aid0017.html|url-status=live|archive-url=|archive-date=|accessdate=26 January 2014|website=|publisher=Oneindia Entertainment}}</ref><ref>{{cite web|url=http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|title=100% Love in post production works|publisher=way2movies.com|date=23 April 2011|accessdate=26 January 2014|archive-date=25 February 2014|archive-url=https://web.archive.org/web/20140225021248/http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|url-status=dead}}</ref> Upon release, ''100% Love'' received positive response from critics.

== Track listing ==
{{tracklist
| extra_column = Singer(s)
| headline =
| total_length = 36:24
| title1 = Infatuation
| extra1 = [[Adnan Sami]]
| lyrics1 = [[Chandrabose (lyricist)|Chandrabose]]
| length1 = 5:10
| title2 = Thiru Thiru Gananadha
| extra2 = [[Harini (singer)|Harini]]
| lyrics2 = [[Ramajogayya Sastry]]
| length2 = 3:28
| title3 = Aho Balu
| extra3 = [[Ranjith (singer)|Ranjith]], Sri Charan
| lyrics3 = [[Sri Mani]]
| length3 = 5:09
| title4 = 'A Square B Square
| note4 = Male Version
| extra4 = [[Devi Sri Prasad]]
| lyrics4 = Sri Mani
| length4 = 2:05
| title5 = Dhooram Dhooram
| extra5 = [[Tippu (singer)|Tippu]],
| lyrics5 = Chandrabose
| length5 = 4:49
| title6 = A Square B Square
| note6 = Female Version
| extra6 = [[Swati Reddy]]
| lyrics6 = Sri Mani
| length6 = 1:51
| title7 = That is Mahalakshmi
| extra7 = Richard, Chorus
| lyrics7 = Sri Mani
| length7 = 3:23
| title8 = Diyalo Diyala
| extra8 = [[Priya Himesh]], [[Khushi Murali]]
| lyrics8 = Chandrabose
| length8 = 6:31
| title9 = Bandhamekkado
| extra9 = Haricharan, Shweta Mohan
| lyrics9 = Chandrabose
| length9 = 2:31
| title10 = Panthamekkado (Unreleased/Theatrical Version)
| extra10 = [[Haricharan]], [[Shweta Mohan]]
| lyrics10 = Chandrabose
| length10 = 2:10
| title11 = Pellithone
| extra11 = Haricharan, Shweta Mohan
| lyrics11 = Chandrabose
| length11 = 1:47
| all_writing =
}}

==Reception==
The album received positive response from the critics.

''123telugu.com'' gave a review stating "On the whole 100% Love has got a very appealing mix of numbers even though it doesn't have a proper love song. The first three songs, along with Swathi's number definitely deserve mention. While the newness is quite appreciable, it seems the album will take some time to sink in, having only college going students as its main target."<ref>{{cite web|last=|first=|date=3 April 2011|title=Audio Review : 100% Love|url=http://www.123telugu.com/reviews/audio_reviews/0-9/100_Love/100_Love_Audio_Review.html|url-status=live|archive-url=|archive-date=|accessdate=26 January 2014|website=|publisher=123telugu.com}}</ref> ''IndiaGlitz'' gave a review stating "Devi Sri Prasad is known for giving fantastic rock songs. This time, he scored good marks not only in giving rock music but also melodious tunes to some of the songs and the album has every chance of becoming a good hit and the film would become a musical hit because of the songs. Chandrabose, Ramajogayya Sastry and Sri Mani gave excellent lyrics to all the songs and each song had very good rhythm and melody stuffed in them. Naga Chaitanya whose last film ''[[Ye Maaya Chesave]]'' was a hit and the audio album proves that he would bag another musical hit to Chaitu’s credit" and termed the Album contained "Cent per cent lovable tunes from Devi".<ref>{{cite web|url=http://www.indiaglitz.com/channels/telugu/musicreview/12441.html|title=100% Love - Cent per cent lovable tunes from Devi|publisher=IndiaGlitz|date=1 May 2011|accessdate=26 January 2014}}</ref> ''way2movies.com'' gave a review stating "Well, Devi Sri Prasad has yet again proved with 100% Love that he always gives his 100% best to director Sukumar. 100% Love is pretty awesome album targeted on youth especially, the college going students. Go for it."<ref>{{cite web|last=|first=|date=3 April 2011|title=100% Love Audio Review|url=http://telugu.way2movies.com/review_music/100-Love-Audio-Review-17029-107132.html|url-status=dead|archive-url=https://web.archive.org/web/20140225021244/http://telugu.way2movies.com/review_music/100-Love-Audio-Review-17029-107132.html|archive-date=25 February 2014|accessdate=26 January 2014|website=|publisher=way2movies.com}}</ref> ''Milliblog'' called the Album "A thoroughly engaging soundtrack from DSP".<ref>{{cite web|last=|first=|date=2 April 2011|title=100% Love (Music review), Telugu – Devi Sri Prasad|url=http://itwofs.com/milliblog/2011/04/11/100-love-music-review-telugu-devi-sri-prasad/|url-status=live|archive-url=|archive-date=|accessdate=26 January 2014|website=|publisher=Milliblog}}</ref> ''Raagalahari.com'' gave a review stating "This album tells that Devisri is remarkably creative, funny and very much in love with music. The duo, Sukumar-Devisri certainly knows the pulse of the urban youth and this album is yet another great attempt to grab the attention of the target audience. This ‘100% Love’ is 100% for the youth."<ref>{{cite web|last=|first=|date=2 April 2011|title=100% Love - 100% for the youth|url=http://www.raagalahari.com/movies/musicreview/3516/music-review-of-100-percent-love.aspx|url-status=live|archive-url=|archive-date=|accessdate=26 January 2014|website=|publisher=Raagalahari.com}}</ref>

== Awards and nominations ==
{| class="wikitable"
|-
!Ceremony
!Cateogory
!Nominee
!Result
|-
| rowspan="4" |[[1st South Indian International Movie Awards]]
|[[SIIMA Award for Best Music Director (Telugu)|Best Music Director (Telugu)]]
|[[Devi Sri Prasad]]
|{{nom}}
|-
|[[SIIMA Award for Best Female Playback Singer (Telugu)|Best Female Playback Singer (Telugu)]]
|[[Swathi Reddy]] for "A Square B Square"
|{{nom}}
|-
|[[SIIMA Award for Best Lyricist (Telugu)|Best Lyricist (Telugu)]]
|[[Chandrabose (lyricist)|Chandrabose]] for "Infatuation"
|{{nom}}
|-
|[[SIIMA Award for Best Male Playback Singer (Telugu)|Best Male Playback Singer (Telugu)]]
|[[Adnan Sami]]<nowiki/>for "Infatuation"
|{{nom}}
|-
| rowspan="2" |[[59th Filmfare Awards South]]
|[[Filmfare Award for Best Music Director – Telugu|Best Music Director – Telugu]]
|[[Devi Sri Prasad]]
|{{nom}}
|-
|[[Filmfare Award for Best Female Playback Singer – Telugu|Best Female Playback Singer – Telugu]]
|[[Swathi Reddy]] for "A Square B Square"
|{{nom}}
|}

==References==
{{Reflist}}{{Devi Sri Prasad}}
{{DEFAULTSORT:100 Love (soundtrack)}}

{{#seo:
|keywords=2011 soundtrack albums, Telugu film soundtracks, Film soundtracks, Aditya Music soundtracks, Devi Sri Prasad soundtracks
|description=}} 100% Love is the film soundtrack of the 2011 romance film of the same name directed by Sukumar which starred Naga Chaitanya and Tamannaah. The ...
}}

[[Category:2011 soundtrack albums]]
[[Category:Telugu film soundtracks]]
[[Category:Film soundtracks]]
[[Category:Aditya Music soundtracks]]
[[Category:Devi Sri Prasad soundtracks]]

100% Love (2012 film)

2023-07-15T04:28:27Z

MetaBOT: Added clean description and keywords using script

{{Short description|Bengali film by Rabi Kinagi (2012)}}
{{About||the 2011 Telugu film|100% Love (2011 film)}}
{{Use dmy dates|date=November 2019}}
{{Use Indian English|date=June 2021}}
{{Infobox film
| name = 100% Love
| image = 100% Love movie poster.jpg
| caption = Theatrical poster
| director = [[Rabi Kinagi]]
| writer = [[Selvaraghavan]]
| producer = [[Shree Venkatesh Films]] [[Grassroot Entertainment|Grassroot Entertainment Pvt. Ltd]]
| based_on = ''[[Aadavari Matalaku Ardhale Verule]]''
| starring = [[Jeet (actor)|Jeet]] [[Koel Mallick]]
| cinematography = Mohan Verma
| editing = Mohammad Kalam
| music = [[Jeet Gannguli]] [[Samidh Mukerjee]]
| distributor =
| released = {{Film date|df=yes|2012|1|20}}
| screenplay = [[Rabi Kinagi]]
| runtime =
| country = India
| language = Bengali
| budget =
| gross =
}}
'''''100% Love''''' is a 2012 Indian [[Bengali language|Bengali]]-language [[romantic comedy]] [[drama film]] directed by [[Rabi Kinagi]].<ref>{{cite web|title=Jeet-Koel 's 100% Love|url=http://articles.timesofindia.indiatimes.com/2011-11-06/news-interviews/30366415_1_koel-title-ravi-kinagi|archive-url=https://web.archive.org/web/20131029212844/http://articles.timesofindia.indiatimes.com/2011-11-06/news-interviews/30366415_1_koel-title-ravi-kinagi|url-status=dead|archive-date=29 October 2013|work=[[The Times of India]]|access-date=17 May 2013}}</ref> The film is a remake of the 2007 [[Telugu language|Telugu]] film ''[[Aadavari Matalaku Ardhale Verule]]'' and starred [[Jeet (actor)|Jeet]] and [[Koel Mallick]] in the lead roles. ''100% Love'' released on 20 January 2012.<ref>{{cite web|title=100% Love|url=http://bdlove24.in/category/143/100%20Percent%20Love%202012.html|publisher=Bangla Movie|access-date=20 March 2014|archive-date=3 October 2018|archive-url=https://web.archive.org/web/20181003013925/http://bdlove24.in/category/143/100%20Percent%20Love%202012.html|url-status=dead}}</ref>

==Plot==
Rahul ([[Jeet (actor)|Jeet]]) is from a middle-class family. He makes several bids to obtain employment, but all were in vain due to his poor language skills and inadequate educational qualifications. As his friends start to all settle down in life, he continues to struggle to secure employment. Rahul has two good friends, Abhi (Sujoy) and Kartik (Biswanath Basu). His father (Supriyo Dutta), who is a teacher, always chides him for being an irresponsible person. This just adds to his woes.

At this juncture, Rahul catches a glimpse of Anuradha ([[Koel Mallick]]) and it is love at first sight for him. He learns that she works for a [[software]] solutions firm. Luckily for him, Rahul finally secures employment in the same firm. He soon realises that Anu is a short-tempered young woman. Once, Rahul accompanies her, along with two other colleagues to [[Australia]], where he reveals his feelings for her. She refuses him saying that she comes from an orthodox family and her marriage is set for next month.

A depressed Rahul returns to India. Unable to bear seeing his son so despondent, his father meets Anu. She abuses him for recommending his son's love and accidentally slaps both Rahul and his father. That night, Rahul's father dies of a heart attack and after cremation of his father, Rahul gets shattered and blames himself for his father's death, thinking that the death caused due to sharing his feelings to Anu. In order to help lighten Rahul's mood, Abhi takes him to his village to his marriage. Anu happens to be the girl Abhi is to marry, so Rahul learns that his colleague is marrying his friend. Though Rahul and Anu pretended to be unknown to each other for the slapping incident and therefore, Rahul starts avoiding Anu. A few years ago, their grandfather's ([[Biswajit Chakraborty]]) thought of getting them married early, but was put aside because Abhi and Anu left the house to seek their own identities. This had aggravated the grandfather.

After a couple of years, the parents of Anu and Abhi decide to have them marry to appease their grandfather. Rahul feels at home with Abhi's loving family and feels happy. But suddenly Soniya, Abhi's little sister, falls in love with Rahul. Anu gets jealous and realises that she does indeed love Rahul. When Rahul saves the family from a bunch of goons, Abhi and Anu's grandfather accepts him into the family.

Anu asks Rahul to forgive her as she feels guilty about slapping Rahul's father. Eventually, Rahul does, and they start talking. The day before the wedding, Anu runs to Rahul. Rahul asks her to forget him because he believes that it would create problems in their happy family; Anu hugs Rahul. Abhi's grandfather notices them conversing and admonishes Anuradha for bringing disrepute to their family and asks Rahul to leave his house, as he accused him of having affair. Rahul gets ready to leave and at that moment, he sees everyone putting down the decorations for the wedding. Rahul tries to stop them from putting down the decoration, but Abhi, who also accuses Rahul of having affair with and steal his to-be wife Anu, breaks friendship with Rahul and tells him to go away. Rahul also requests Abhi to marry Anu and keep her happy.

While Rahul is walking on his way to the train station, the bunch of goons he saved the family from, sticks a knife in him and he is taken to hospital. Kartik tells everyone at Abhi and Anu's wedding that Rahul is hospitalized after attacked by the goons. He also sarcastically tells that he forgot that Abhi doesn't like Rahul and learns that they are no more friends. Everyone, including Abhi, slowly leaves to go to the hospital, except Anu and her grandfather. Anu says that she will never disobey her grandfather and afterwards, they both went to hospital. In the hospital, Rahul wakes up to go in the station. When he is ready to go, he sees that everyone is outside his room. Finally everyone realises that Anu and Rahul are made for each other, so they get married at last and this is how the film ends.

==Cast==
* [[Jeet (actor)|Jeet]] as Rahul
* [[Koel Mallick]] as Anuradha
* [[Sujoy Ghosh (actor)|Sujoy Ghosh]] as Abhi
* Biswanath Paul as Kartik
* [[Biswanath Basu]] as Rahul's friend
* [[Supriyo Dutta]] as Rahul's Father
* [[Biswajit Chakraborty]] as Abhi's Grandfather
* Moushumi Saha as Abhi's Mother
* [[Rittika Sen]] as Soniya

==Soundtrack==
{{Infobox album
| name = 100% Love
| type = soundtrack
| artist = [[Jeet Gannguli]], [[Samidh Mukerjee]]
| cover =
| alt =
| released = 20 January 2012
| recorded = 2011
| venue =
| studio =
| genre = [[Film soundtrack|Feature film soundtrack]]
| length =
| label = [[Shree Venkatesh Films]] – V Music, [[Grassroot Entertainment Pvt. Ltd]]
| producer = [[Shree Venkatesh Films]] – V Music, [[Grassroot Entertainment Pvt. Ltd]]
| prev_title =
| prev_year =
| next_title =
| next_year =
| misc = {{Singles
| name = 100% Love
| type = Soundtrack
| single1 = 100% Love Title Track
| single1date = 17 December 2011
| single2 = Tumse Pyar Hai Already
| single2date = 24 December 2011
| single3 = Ek Mutho Swopno
| single3date = 31 December 2011
| single4 = Tumse Pyar Hai Already
| single4date = 13 January 2012
| single5 = Hridoy Shekhe Bhalobasha (হৃদয় শেখে ভালোবাসা)
| single5date = 21 January 2012
| single6 = Hiya Zole (হিয়া জ্বলে)
| single6date = 25 January 2012
| single7 = Yeh Sala Dil Hai
| single7date = 17 March 2016}}
{{Extra chronology
| artist = [[Jeet Gannguli]]
| type = soundtrack
| prev_title = System
| prev_year = 2011
| title = 100% Love
| year = 2012
| next_title = [[Le Halua Le]]
| next_year = 2012
}}
{{Extra chronology
| artist = [[Samidh Mukerjee]]
| type = Soundtrack
| prev_title = Om Shanti
| prev_year = 2012
| title = 100% Love
| year = 2012
| next_title = [[Macho Mustanaa]]
| next_year = 2012
}}
}}

All Songs Hits in West Bengal.

{{tracklist
| extra_column = Singer(s)
| total_length =
| all_writing =
| all_lyrics = [[Raja Chanda]], [[Chandrani Gannguli]], [[Sandip Nath]]
| all_music = [[Jeet Gannguli]], [[Samidh Mukerjee]]
| title1 = Hridoy Shekhe Bhalobasha (হৃদয় শেখে ভালোবাসা)
| lyrics1 =
| music1 = Jeet Gannguli
| extra1 = [[Saptak Bhattacharjee]]
| length1 = 4:07
| title2 = Tumse Pyar Hai Already
| lyrics2 =
| music2 = Samidh Mukerjee
| extra2 = Samidh Mukerjee & [[Anweshaa]]
| length2 = 6:07
| title3 = 100% Love Title Track
| lyrics3 = Raja Chanda
| music3 = Jeet Gannguli
| extra3 = Jeet Gannguli & [[Monali Thakur]]
| length3 = 3:50
| title4 = Ek Mutho Swopno
| lyrics4 = Chandrani Gannguli
| music4 = Jeet Gannguli
| extra4 = Jeet Gannguli
| length4 = 3:50
| title5 = Hiya Zole (হিয়া জ্বলে)
| lyrics5 =
| music5 = Samidh Mukerjee
| extra5 = Samidh Mukerjee & [[Ratna Basu]]
| length5 = 3:30
| title6 = Yeh Sala Dil Hai
| lyrics6 = Raja Chanda, Sandip Nath
| music6 = Jeet Gannguli
| extra6 = Jeet Gannguli
| length6 = 3:39
| title7 = Ek Mutho Swapno (Sad)
| lyrics7 = Chandrani Gannguli
| music7 = Jeet Gannguli
| extra7 = [[Zubeen Garg]]
| length7 =
}}

==Reception==
''[[The Indian Express]]''<ref>{{cite web|title=Review: 100% Love|url=http://www.indianexpress.com/news/100--love/907071/|work=Indian Express|access-date=17 May 2013}}</ref> and ''[[The Times of India]]'' both gave mixed reviews, with The Times of India praising the chemistry of Jeet and Koel.<ref>{{cite web|title=Review: 100% Love|url=http://timesofindia.indiatimes.com/movie-review/11626249.cms|work=The Times of India|access-date=25 May 2013}}</ref>

==References==
{{Reflist|30em}}

==External links==
* {{IMDb title|2579680|100% Love}}

{{Rabi Kinagi}}

{{DEFAULTSORT:100 Percent Love (2012 Bengali Film)}}

{{#seo:
|keywords=Indian films, 2012 films, 2010s Bengali-language films, Bengali remakes of Telugu films
|description=100% Love is a 2012 Indian Bengali-language romantic comedy drama film directed by Rabi Kinagi. The film is a remake of the 2007 Telugu film ...
}}

[[Category:Indian films]]
[[Category:2012 films]]
[[Category:2010s Bengali-language films]]
[[Category:Bengali remakes of Telugu films]]

100% Love (2011 film)

2023-07-15T04:28:17Z

MetaBOT: Added clean description and keywords using script

{{EngvarB|date=January 2014}}
{{Use dmy dates|date=August 2015}}
{{Infobox film
| name = 100% Love
| image = 100LovePoster.jpg
| caption = Movie Poster
| director = [[Sukumar (director)|Sukumar]]
| producer = Bunny Vasu
| writer = M J Saikumar T Ramesh '''(dialogue)'''
| screenplay = Jakka Hariprasad
| story = Sukumar
| starring = [[Naga Chaitanya]] [[Tamannaah]]
| music = [[Devi Sri Prasad]]
| cinematography = Venkat Prasad
| editing = [[Karthika Srinivas]]
| studio =
| distributor = [[Geetha Arts]]
| released = {{Film date|df=yes|2011|05|06}}
| runtime = 140 minutes
| country = India
| language = Telugu
| budget = 
| gross = 
}}

'''''100% Love''''' is a 2011 Indian [[Telugu language|Telugu]]-language [[romantic comedy]] film directed by [[Sukumar (director)|Sukumar]] and produced by Bunny Vas under the banner [[Geetha Arts]]. The film features [[Naga Chaitanya]] and [[Tamannaah]] in the lead roles with music composed by [[Devi Sri Prasad]]. The story revolves around Balu and Mahalakshmi, cousins who share a [[love–hate relationship]].

''100% Love'' which released on 6 May 2011 received positive response from both critics and audience. The film was a commercial success and became one of the [[Highest grossing Telugu films]] of that year.<ref>{{Cite web|date=2020-05-06|title=9 Years for 100% Love: 4 reasons why we never get tired of watching this Naga Chaitanya and Tamannaah starrer|url=https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/9-years-for-100-love-4-reasons-why-we-never-get-tired-of-watching-this-naga-chaitanya-and-tamannaah-starrer/photostory/75573554.cms|access-date=2020-08-12|website=The Times of India|language=en}}</ref>

The film was dubbed and released in [[Malayalam]] with the same title, on 22 July 2011.<ref name="nowrunning">{{cite web|url=http://www.nowrunning.com/100-love/9353/movie-showtimes.htm|title=100% Love Malayalam Movie Showtimes|publisher=nowrunning.com|access-date=6 April 2014}}</ref> It was remade in [[Bengali language|Bengali]] as ''[[Prem Ki Bujhini]]'' (2016),<ref>https://www.youtube.com/watch?v=fwKDfe3lP6c</ref> and in [[Tamil language|Tamil]] as ''[[100% Kadhal]]'' (2019).

==Plot ==
The story starts at a bar where Balu ([[Naga Chaitanya]]) is in a wedding outfit and just enters as he orders his drink, two people tell him to go and get married, while they are talking about debts Balu does fast calculations and impresses them. They ask him to tell his story and he does.

Balu is always top-ranked in his college. Mahalakshmi ([[Tamannaah]]), his cousin comes to Balu’s house to continue her studies. She is in awe of her Mr. Perfect 'Bava' as she expresses this after seeing him. Upon seeing Mahalakshmi Balu asks for her name to which she responds as ''Veera Venkata Satya Sai Naga Durga Sesha Avathara Seetha Mahalakshmi,'' Balu says her name is too long and he can't waste that much memory just to remember her name so she says that he will just call her Mahalakshmi. Mahalakshmi takes her first exam and walks out crying as she doesn't understand English, Balu helps her, and she gets the first rank and Balu gets second. Balu is hurt by this as he usually gets first rank, and he plans to sabotage her studies, Mahalakshmi does the same. But to their surprise Ajith (Anand Krishna Nandu) stands first this time. Meanwhile, Mahalakshmi's father brings her a marriage proposal, but she doesn’t want to marry him. Balu and Mahalakshmi compromise by agreeing to help each other. Balu helps her in getting the proposal canceled and Mahalakshmi distracts Ajith from studies for the sake of Balu, but Balu gets attracted to her. The couple start studying together and Mahalakshmi distracts Ajith. Balu gets first rank and is awarded a building from his principal, at the housewarming party, Mahalakshmi says Ajith is great as he studied well even though Mahalakshmi distracted him. Balu is hurt by this statement because he doesn't want Mahalakshmi to think anyone is better than him, his ego is also hurt and the couple chooses to separate.

After three years, they meet again in the hospital because their grandmother suddenly falls ill. While trying to find out how Balu is doing, Mahalakshmi realizes he hasn't changed at all. Both argue a lot until their parents try to get them married. Surprisingly, Balu mentions that he has a girlfriend named Swapna that he hopes to marry. While introducing her to his family, Mahalakshmi notices that Swapna is much more than she is. To get back at Balu, she agrees to marry Ajith, Balu's former rival in college. Ajith turns out to be the head of a company that makes more than Balu's company. Balu, angry that Ajith is greater than he is, puts his company in risk in hopes that he can surpass Ajith's company. Unfortunately, his partner cheats him, and Balu is on the verge of losing his company. Mahalakshmi, now his project manager, toils to rescue him. They make an excellent team and Balu's company is saved.

In an after party, Balu credits Mahalakshmi for his success. She again unknowingly hurts Balu's ego. This time, Balu confesses that he felt the need to be great in Mahalakshmi's eyes because he loved her. When she tells him she shares his feelings, Balu refuses to believe her. After the interference of their grandfather, they are united in the end.

==Cast==
{{colbegin}}
*[[Naga Chaitanya]] as Veera Bahu Sathya Dharma Siva Sankara Rama "Balu" Mahendra
*[[Tamannaah Bhatia|Tamannaah]] as Veera Venkata Satya Sai Naga Durga Sesha Avathara Seetha Mahalakshmi
*[[Tara Alisha Berry]] as Swapna
*[[Nandu (actor)|Nandu]] as Ajith Jogi
*Ishree Giridhar as Mahalaksmi's father
*[[Naresh (actor)|Naresh]] as Ramesh (Balu's father)
*[[K. R. Vijaya]] as Mahalakshmi (Balu and Mahalakshmi's grandmother)
*[[Vijayakumar (Tamil actor)|Vijayakumar]] as Balu Mahendra (Balu and Mahalakshmi's grandfather)
*[[Dharmavarapu Subramanyam]] as John Acharya (Balu and Mahalakhsmi's uncle)
*[[M. S. Narayana]] as a College Dean
*[[Satyam Rajesh]] in a special appearance
*[[Thagubothu Ramesh]] in a special appearance
*[[Meghna Naidu]] in a special appearance for the song Diyalo Diyala
*[[Maryam Zakaria]] in a special appearance for the song Diyalo Diyala
*[[Chitram Seenu]] in a special appearance
*Jogi Naidu as Prakash
{{colend}}

==Production==

Before the completion of ''[[Arya 2]]'', [[Sukumar (director)|Sukumar]] had discussed making the film with [[Geetha Arts]] with [[Varun Sandesh]] and [[Tamannaah Bhatia]] in the lead roles, but the film failed to materialize.<ref>{{cite web|url=http://www.cinegoer.com/telugu-cinema/news-archives/march-2010/varun-sandesh-out-naga-chaitanya-in-200310.html|title=Varun Sandesh Out, Naga Chaitanya In|date=20 March 2010|work=Cinegoer|archive-url=https://web.archive.org/web/20100323083459/http://www.cinegoer.com/telugu-cinema/news-archives/march-2010/varun-sandesh-out-naga-chaitanya-in-200310.html|archive-date=23 March 2010 }}</ref> February 2010, the project was announced with a statement reporting the collaboration of [[Geetha Arts]], Sukumar and [[Naga Chaitanya]] for the film mentioned.<ref>[https://web.archive.org/web/20121020021828/http://www.sify.com/movies/naga-chaitanya-teams-with-sukumar-news-telugu-kkfqQHicejc.html Naga Chaitanya teams with Sukumar!]. Sify.com (22 February 2010). Retrieved on 2015-08-03.</ref> The subsequent month saw Tamannaah announce that she had signed on to portray the lead female role in the project.<ref>[https://web.archive.org/web/20101119074308/http://sify.com/movies/tamannaah-is-kollywoods-busy-bee-news-tamil-kkfqLhgichj.html Tamannaah is Kollywood’s busy bee!]. Sify.com (17 March 2010). Retrieved on 2015-08-03.</ref><ref>[https://web.archive.org/web/20121020022012/http://www.sify.com/movies/tamannah-to-star-opposite-chaitanya-news-telugu-kkfqKWdjacj.html Tamannah to star opposite Chaitanya]. Sify.com (17 March 2010). Retrieved on 2015-08-03.</ref> The film was launched at Annapoorna Studios, Hyderabad on 8 June 2010 with several leading Telugu film personalities being involved with the event. Noted producer [[D. Ramanaidu]] rendered the launch, another producer Nagababu switched on the camera and Naga Chaitanya's father actor [[Akkineni Nagarjuna|Nagarjuna]] clapped the first shot. The formal first shot direction was done by [[S. S. Rajamouli]] and [[Akkineni Nageswara Rao]] handed over the script to the director.<ref>[https://web.archive.org/web/20121020022127/http://www.sify.com/movies/naga-chaitanya-tamannaah-movie-launched-news-telugu-kkfq14hjgej.html Naga Chaitanya-Tamannaah movie launched]. Sify.com (8 June 2010). Retrieved on 2015-08-03.</ref>

The film continued its shoot untitled officially until 20 March 2011 when the title ''100% Love'' was formally announced. During the production of the film, several titles were reported in the media for the project including ''Balu Weds Mahalakshmi'',<ref>{{cite web|url=http://www.supergoodmovies.com/14450/tollywood/Naga-chaitanya-s-new-film-Balu-weds-Mahalakshmi-News-Details|title=Naga Chaitanya Tamannah new Film 'Balu weds Mahxaalakshmi|date=18 Mar 201|work=Supergood Movies|archive-url=https://web.archive.org/web/20110320212711/http://www.supergoodmovies.com/14450/tollywood/Naga-chaitanya-s-new-film-Balu-weds-Mahalakshmi-News-Details |archive-date=20 March 2011 }}</ref> ''I Love You'',<ref>[http://entertainment.in.msn.com/southcinema/article.aspx?cp-documentid=4923973 Naga Chaitanya says "I Love You..." to Tamannah!] {{Webarchive|url=https://web.archive.org/web/20120314142625/http://entertainment.in.msn.com/southcinema/article.aspx?cp-documentid=4923973 |date=14 March 2012 }}. Entertainment.in.msn.com (6 May 2015). Retrieved on 2015-08-03.</ref> ''I Love You Mahalakshmi'',<ref>{{cite web|url=http://www.supergoodmovies.com/12840/tollywood/Naga-Chaitanya-sukumar-Movie-I-Love-You-Mahalakshmi-News-Details|title=Naga Chaitanya sukumar Movie I Love You Mahalakshmi – Naga Chaitanya Sukumar New Movie|date=14 Feb 2011|work=Supergood Movies|archive-url=https://web.archive.org/web/20110319082441/http://www.supergoodmovies.com/12840/tollywood/Naga-Chaitanya-sukumar-Movie-I-Love-You-Mahalakshmi-News-Details |archive-date=19 March 2011}}</ref> ''I Hate Mahalakshmi'' and ''I am Number One''. Despite having an original planned release of December 2010, strikes if the industry pushed the release date to April 2011.<ref>[http://www.indiaglitz.com/channels/telugu/article/62652.html Naga Chaitanya movie in March – Telugu Movie News]. IndiaGlitz (29 December 2010). Retrieved on 2015-08-03.</ref>

==Soundtrack==
{{Main|100% Love (soundtrack)}}
The music and background score was composed by Sukumar's regular associate [[Devi Sri Prasad]]. The album consisted of 8 songs which included 2 bit songs in the first release and 2 another bit songs in the next release. [[Chandrabose (lyricist)|Chandrabose]], [[Ramajogayya Sastry]] and [[Sri Mani]] penned the Lyrics. The album was released on 2 April 2011 at Rock Gardens in Hyderabad in a star-studded promotional event on [[Aditya Music]] label, with the audio being launched by [[Nagarjuna Akkineni]], [[Allu Arjun]] and [[Ram Pothineni]].<ref>{{cite web|date=3 April 2011|title=Celebrity galore at 100% Love audio launch|url=http://entertainment.oneindia.in/telugu/news/2011/100-love-audio-launch-120411-aid0017.html|access-date=26 January 2014|publisher=Oneindia Entertainment}}</ref> Upon release, 100% Love received positive response from critics as well as audience thus making it one of the best selling soundtracks of the year 2011.<ref>{{cite web|url=http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|title=100% Love in post production works|publisher=way2movies.com|date=23 April 2011|access-date=26 January 2014|archive-date=25 February 2014|archive-url=https://web.archive.org/web/20140225021248/http://telugu.way2movies.com//videossingle_telugu/100-Love-in-post-production-works-4-111105.html|url-status=dead}}</ref>

== Reception ==
The film is said to be the only film of [[Naga Chaitanya]] after ''[[Ye Maaya Chesave]]'' and for [[Sukumar (director)|Sukumar]] after ''[[Arya (2004 film)|Arya]]'', completing 50 days in 65 centres.<ref>{{cite web|title='100% Love' completes 50 days|url=http://www.indiaglitz.com/channels/telugu/article/67993.html|access-date=23 June 2011|publisher=IndiaGlitz}}</ref> The film completed its 100th day theatrical run on 13 August 2011.<ref>{{cite web|title=100% Love completes 100 days|url=http://www.ragalahari.com/news/12350/100-love-completes-100-days.aspx|access-date=11 August 2011|publisher=ragalahari.com}}</ref>

==Accolades==

;[[CineMAA Awards]]
* Won - [[CineMAA Awards#Best Actor - Female|Best Actress]] - Tamannaah Bhatia

;TSR - TV9 National Film Awards
* Won - Best Heroine - Tamannaah Bhatia

;[[Hyderabad Times]] Film Awards
* Won - Best Actress - Tamannaah Bhatia

;[[59th Filmfare Awards South]]
* Nominated - [[Filmfare Award for Best Film – Telugu|Best Film – Telugu]] - [[Geetha Arts]]/Bunny Vasu
* Nominated - [[Filmfare Award for Best Director – Telugu|Best Director – Telugu]] - Sukumar
* Nominated - [[Filmfare Award for Best Actress – Telugu|Best Actress – Telugu]] - Tamannaah Bhatia
* Nominated - [[Filmfare Award for Best Music Director – Telugu|Best Music Director – Telugu]] - [[Devi Sri Prasad]]
* Nominated - [[Filmfare Award for Best Female Playback Singer – Telugu|Best Female Playback Singer – Telugu]] - [[Swathi Reddy]] – "A Square B Square"

;[[1st South Indian International Movie Awards]]
* Nominated - [[SIIMA Award for Best Film (Telugu)|Best Film (Telugu)]] - Geetha Arts/Bunny Vasu
* Nominated - [[SIIMA Award for Best Director (Telugu)|Best Director (Telugu)]] - Sukumar
* Nominated - [[SIIMA Award for Best Cinematographer (Telugu)|Best Cinematographer (Telugu)]] - Venkat Prasad
* Nominated - [[SIIMA Award for Best Actor (Telugu)|Best Actor (Telugu)]] - Naga Chaitanya
* Nominated - [[SIIMA Award for Best Actress (Telugu)|Best Actress (Telugu)]] - Tamannaah Bhatia
* Nominated - [[SIIMA Award for Best Music Director (Telugu)|Best Music Director (Telugu)]] - Devi Sri Prasad
* Nominated - [[SIIMA Award for Best Lyricist (Telugu)|Best Lyricist (Telugu)]] - Chandrabose – "Infatuation"
* Nominated - [[SIIMA Award for Best Male Playback Singer (Telugu)|Best Male Playback Singer (Telugu)]] - Adnan Sami – "Infatuation"
* Nominated - [[1st South Indian International Movie Awards|Best Female Playback Singer (Telugu)]] - Swathi Reddy – "A Square B Square"

==References==
{{Reflist|30em}}

==External links==
* {{IMDb title|1869226}}
{{Nandi Award for Best Home Viewing Feature Film}}
{{Sukumar (director)}}
{{Authority control}}

{{DEFAULTSORT:100 Love}}

{{#seo:
|keywords=Indian films, 2011 films, Indian romantic comedy films, 2011 romantic comedy films, Films featuring an item number, Telugu films remade in other languages, Indian films with live action and animation, Films shot in Hyderabad, India, Films shot at Ramoji Film City, Films set in Andhra Pradesh, 2010s Telugu-language films, Telugu-language films, Films directed by Sukumar, Films scored by Devi Sri Prasad
|description=100% Love is a 2011 Indian Telugu-language romantic comedy film directed by Sukumar and produced by Bunny Vas under the banner Geetha Arts. The film ...
}}

[[Category:Indian films]]
[[Category:2011 films]]
[[Category:Indian romantic comedy films]]
[[Category:2011 romantic comedy films]]
[[Category:Films featuring an item number]]
[[Category:Telugu films remade in other languages]]
[[Category:Indian films with live action and animation]]
[[Category:Films shot in Hyderabad, India]]
[[Category:Films shot at Ramoji Film City]]
[[Category:Films set in Andhra Pradesh]]
[[Category:2010s Telugu-language films]]
[[Category:Telugu-language films]]
[[Category:Films directed by Sukumar]]
[[Category:Films scored by Devi Sri Prasad]]

100% De Dana Dan

2023-07-15T04:28:06Z

MetaBOT: Added clean description and keywords using script

{{Use Indian English|date=September 2015}}
{{Use dmy dates|date=September 2015}}
{{Infobox television
| name = 100% De Dana Dan
| image =
| caption =
| camera = [[Multi-camera|Multi-camera setup]]
| runtime = 60 minutes (with commercials)
| starring = Stars of [[World Wrestling Professionals]]
| country = [[India]]
| network = [[Viacom 18|Colors TV]]
| first_aired = {{start date|df=yes|2009|08|29}}
| last_aired = {{end date|df=yes|2009|12|20}}
| num_seasons = 1
| num_episodes = 26
}}

'''''100% De Dana Dan''''' is a [[Professional wrestling]] [[Television program|TV show]] for [[Colors TV]] aired by the [[World Wrestling Professionals]] a wrestling promotion based in [[South Africa]]. It completed its first season, which began on 29 August 2009, and ended on 20 December 2009. ''100% De Dana Dan'' was a hybrid of reality television and wrestling based on [[Lucha libre|''100% Lucha Libre'']], and saw wrestlers from [[India]] facing wrestlers from [[South Africa]] in faction warfare. The [[Kayfabe]] plot of the show involved the Indian wrestlers being trapped in South Africa and stumbling upon an underground fight league headed by [[Mark Beale]] and [[World Wrestling Professionals|WWP]]. It is owned by Sirshak Shrestha.<ref name=Wrestling>{{cite web |title=100% De Dana Dan- New Show on Colors {{!}} Complete Info, Photos & Videos |url=http://www.zorsebol.com/television/reality-shows/100-de-dhana-dhan-new-show-on-colors-complete-info-photos-videos/ |publisher=Zor Se Bol |accessdate=24 June 2013 |archiveurl=https://www.webcitation.org/6Hg39WER3?url=http://www.zorsebol.com/television/reality-shows/100-de-dhana-dhan-new-show-on-colors-complete-info-photos-videos/ |archivedate=27 June 2013 |url-status=dead |df=dmy-all }}</ref>

==Overview==

WWP wrestlers [[Steve Debbes|Tornado]], [[Jason McGinn (wrestler)|Jason Steele]] and [[World Wrestling Professionals|Ananzi]] were involved in training many of the wrestlers from India. In the middle of 2009, WWP held a tryout in [[Bombay]], India, searching for athletic candidates for the show. They selected twelve candidates to be trained before the ''100% De Dana Dan'' television tapings in August and September. [[Bollywood]] film stars [[Isha Koppikar]] and [[Sharat Saxena]] had roles in the show. The commentary was done by popular host [[Mohan Kapoor]]. [[Isha Koppikar]] participated as a live presenter while Saxena was the [[kayfabe]] manager of the Indian team.<ref name=Shows>{{cite web |title=100 % De Dana Dan |url=http://www.tvserialsandshows.com/2009/10/100-de-dhana-dhan-rin-presents-100-de.html |publisher=TV Serials & Shows |accessdate=24 June 2013 |archiveurl=https://www.webcitation.org/6Hg3A8zla?url=http://www.tvserialsandshows.com/2009/10/100-de-dhana-dhan-rin-presents-100-de.html |archivedate=27 June 2013 |url-status=live |df=dmy-all }}</ref>

In highlights from the first season, [[Steve Debbes|Tornado]] became the 100% Heavyweight Champion on the second show and defended the championship for most of its run until being dethroned by the much larger competitor [[World Wrestling Professionals|Goonga]] in the final episode. Tornado won a tournament where the winner would be awarded the [[WWP Heavyweight World Title]], but seeing as he was already the champion he retained the championship. [[World Wrestling Professionals|Sando Paji]] defeated Tornado to win the 100% Championship but refused to accept the title and it was awarded back to Tornado. Ananzi and [[Jason McGinn|Jason Steele]] were featured prominently on the show, with Steele winning a title contender's tournament that lasted several weeks and Ananzi winning a crucial ladder match against [[Adam Bridle|Angelico]] that awarded the winning team keys to a new vehicle. A controversial angle aired where one of the wrestlers competing on the Indian team died in the ring as a result of injuries inflicted by the [[Nigerian]] wrestler [[World Wrestling Professionals|Kilimanjaro]], which later led to an angle where the passed wrestler returned.<ref name=Bing>{{cite web|title=Wrestler Goonga in 100% De Dana Dan|url=http://www.bing.com/videos/search?q=Wrestler+Goonga+in+100%25+De+Dhana+Dhan+&go=&qs=ds&form=QBVR|publisher=bing|accessdate=24 June 2013}}</ref>

==See also==
{{Portal|Television}}
*[[List of professional wrestling television series]]

==References==
{{reflist}}

{{DEFAULTSORT:100 De Dana Dan}}

{{#seo:
|keywords=Colors TV original programming, 2009 Indian television series debuts, 2009 Indian television series endings, Indian professional wrestling television series, Professional wrestling television series, Television shows set in South Africa
|description=100% De Dana Dan is a Professional wrestling TV show for Colors TV aired by the World Wrestling Professionals a wrestling promotion based in South ...
}}

[[Category:Colors TV original programming]]
[[Category:2009 Indian television series debuts]]
[[Category:2009 Indian television series endings]]
[[Category:Indian professional wrestling television series]]
[[Category:Professional wrestling television series]]
[[Category:Television shows set in South Africa]]

10+2

2023-07-15T04:27:56Z

MetaBOT: Added clean description and keywords using script

{{Short description|Secondary level education in Nepal and India}}
{{About||the Spanish animated series|10+2 (TV series)|the U.S. Customs and Border Protection rule|10 + 2}}
'''10+2''' refers to the 2 years of schooling which is required post grade 10, adopted by high schools in Nepal.<ref name=":0">{{Cite web|last=Sansar|first=Nepali|date=2019-11-03|title=What After 10th Grade in Nepal? Overview on Ten Plus Two (+2) Courses!|url=https://www.nepalisansar.com/education/what-after-10th-grade-in-nepal-overview-on-ten-plus-two-2-courses/|access-date=2021-01-30|website=Nepali Sansar|language=en-US}}</ref> 10+2 is gradually replacing the conventional modes of [[Primary education|intermediate education]], being the Intermediate of Science (I. Sc.), Intermediate of Commerce (I. Comm.), Intermediate of Arts/Humanities (I. A.) normally taken by Students after having received their School Leaving Certificate (SLC) provided by [[Tribhuvan University]]. Students in Nepal either opt for a 10+2 course in the science, management, and humanities stream under the Higher Secondary Education Board (HSEB),<ref name=":0" /> or opt for other options like the British A-Levels curriculum under [[Cambridge University]].<ref>{{Cite web|last=Keshav|date=2016-05-08|title=The charm of A-Level|url=https://thehimalayantimes.com/education/the-charm-of-a-level|access-date=2021-01-30|website=The Himalayan Times|language=en}}</ref>

In India, in July 2020, the passage of the [[National Education Policy 2020]] replaced the 10+2 system with the [[5+3+3+4]] system. The 10+2 system is a part of the [[K–12 (education)|K-12]] education system, and equivalent to the [[International Baccalaureate]] and [[GCE Advanced Level]]s in the west. 10+2 refers to two years of schooling post grade 10 in India since autumn 2002.

In India each state has State secondary education boards. Following are some Boards offering 10+2:
* Board of High School and Intermediate Education Uttar Pradesh.
* Goa Board of Secondary & Higher Secondary Education.
* Board of Intermediate Education, Andhra Pradesh.
* Telangana Board of Intermediate Education.

==References==
<references/>

{{#seo:
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|description=102 refers to the 2 years of schooling which is required post grade 10, adopted by high schools in Nepal. 102 is gradually replacing the ...
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[[Category:Education in Nepal]]
[[Category:Secondary education in India]]
[[Category:Educational years]]

{{nepal-stub}}
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1, Aney Marg

2023-07-15T04:27:45Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=September 2017}}
{{Use Indian English|date=September 2017}}
{{Infobox Historic building
|name=1, Aney Marg
|image=
|caption=
|map_type=India Patna
|map_caption=Location of 1, Aney Marg in Patna
|coordinates = {{coord|25|35|58|N|85|6|25|E|region:IN-BR|display=inline,title}}
|location_town=
|location = [[Patna]], [[Bihar]]
|location_country= {{flagicon|India}} [[India]]
|architect=
|floor_area= 
|current_tenants = [[Nitish Kumar]], [[Chief Minister of Bihar]]
|engineer=
|start_date= 
|completion_date=
|date_demolished=
|cost=
|structural_system=
|architectural_style=
|size=
}}

'''1, Aney Marg''' in [[Patna]] is the official residence of the [[Chief Minister]] of [[Bihar]].<ref>{{cite web|title=1, Aney Marg: Rabri gets second eviction notice |url=http://www.indianexpress.com/oldStory/84135/ |archiveurl=https://www.webcitation.org/5h6pK9AkM?url=http://www.indianexpress.com/oldStory/84135/ |archivedate=2009-05-28 |url-status=live |accessdate=2009-05-26 }}</ref> It has been named after [[Madhav Shrihari Aney]], the [[Maharashtra]] born politician, who was also the state's second post-Independence Governor.<ref>{{cite web|author=Nalin Verma |url=http://www.telegraphindia.com/1101123/jsp/frontpage/story_13210233.jsp |title=The Telegraph - Calcutta (Kolkata) | Frontpage | The Anne that never was |publisher=Telegraphindia.com |date=2010-11-23 |accessdate=2013-11-30}}</ref> The sprawling fields surrounding the bungalow have been planted with 160 herbal and aromatic plants.<ref>{{cite web|url=http://www.indianexpress.com/news/in-newlook-bihar-herbs-take-over-cowsheds/21643/ |title=In new-look Bihar, herbs take over cowsheds at 1 Anne Marg |publisher=Indian Express |date=2007-01-24 |accessdate=2013-11-30}}</ref>

The former chief ministers of Bihar, [[Lalu Prasad Yadav]] and his wife [[Rabri Devi]] lived in it for 15 years.<ref>{{cite news| url=http://timesofindia.indiatimes.com/articleshow/1304448.cms | work=The Times Of India | first1=Dipak | last1=Mishra | title=Lantern put out at 1, Anne Marg | date=2005-11-22}}</ref> It is now the residence of present chief minister, [[Nitish Kumar]]. The previous chief ministers of Bihar to occupy the bungalow were, [[Bindeshwari Dubey]], [[Bhagwat Jha Azad]], [[Satyendra Narayan Sinha]], [[Lalu Prasad]], [[Rabri Devi]] & [[Jitan Ram Manjhi]] .

==See also==
*[[List of Chief Ministers of Bihar]]
*[[Raj Bhavan (Bihar)]]
*[[Daroga Prasad Rai Path]]

==References==
{{reflist}}
{{Chief Ministers' official residences in India}}

{{#seo:
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|description=1, Aney Marg in Patna is the official residence of the Chief Minister of Bihar. It has been named after Madhav Shrihari Aney, the Maharashtra born ...
}}

[[Category:Chief ministers' official residences in India]]
[[Category:Buildings and structures in Patna]]
[[Category:Government buildings in Bihar]]

1

2023-07-15T04:27:27Z

MetaBOT: Added clean description and keywords using script

{{Short description|Number}}

{{about|the number|the year|AD 1|other uses|One (disambiguation)|and|Number One (disambiguation)}}
{{Contains special characters}}
{{Infobox number
|number=1
|numeral=[[Unary numeral system|unary]]
|factorization=[[Empty product|∅]]
|divisor=1
|roman =I, i
|greek prefix=[[Wiktionary:mono-|mono-]]/[[Wiktionary:haplo-|haplo-]]
|latin prefix=[[Wiktionary:uni-|uni-]]
|lang1=[[Greek numeral]]
|lang1 symbol=α'
|lang2=[[Eastern Arabic numerals|Arabic]], [[Central Kurdish|Kurdish]], [[Persian language|Persian]], [[Sindhi language|Sindhi]], [[Urdu numerals|Urdu]]
|lang2 symbol={{resize|150%|١}}
|lang3=[[Assamese language|Assamese]] & [[Bengali language|Bengali]]
|lang3 symbol={{resize|150%|১}}
|lang4=[[Chinese numeral]]
|lang4 symbol=一/弌/壹
|lang5=[[Devanāgarī]]
|lang5 symbol={{resize|150%|१}}
|lang6=[[Ge'ez alphabet|Ge'ez]]
|lang6 symbol={{resize|150%|፩}}
|lang7=[[Georgian numerals|Georgian]]
|lang7 symbol={{resize|130%|Ⴀ/ⴀ/ა}}([[Ani (letter)|Ani]])

|lang8=[[Hebrew numerals|Hebrew]]
|lang8 symbol=[[aleph|{{resize|150%|א}}]]
|lang9=[[Japanese numeral]]
|lang9 symbol=一/壱
|lang10=[[Kannada language|Kannada]]
|lang10 symbol={{resize|150%|[[೧]]}}
|lang11=[[Khmer numerals|Khmer]]
|lang11 symbol={{resize|150%|១}}
|lang13=[[Malayalam]]
|lang13 symbol=൧
|lang14=[[Meitei language|Meitei]]
|lang14 symbol={{resize|150%|꯱}}
|lang15=[[Thai numerals|Thai]]
|lang15 symbol={{resize|150%|๑}}
|lang16=[[Tamil language|Tamil]]
|lang16 symbol={{resize|150%|௧}}
|lang17=[[Telugu language|Telugu]]
|lang17 symbol={{resize|150%|೧}}
|lang18=[[counting rods|Counting rod]]
|lang18 symbol=𝍠}}

'''1''' ('''one''', '''unit''', '''unity''') is a [[number]] representing a single or the only [[entity]]. 1 is also a [[numerical digit]] and represents a single [[unit (measurement)|unit]] of [[counting]] or [[measurement]]. For example, a [[line segment]] of ''unit length'' is a line segment of [[length]] 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest [[Positive number|positive integer]].<ref name=":0">{{Cite web|last=Weisstein|first=Eric W.|title=1|url=https://mathworld.wolfram.com/1.html|access-date=2020-08-10|website=mathworld.wolfram.com|language=en|archive-date=2020-07-26|archive-url=https://web.archive.org/web/20200726111421/https://mathworld.wolfram.com/1.html|url-status=live}}</ref> It is also sometimes considered the first of the [[sequence (mathematics)|infinite sequence]] of [[natural number]]s, followed by [[2]], although by other definitions 1 is the second natural number, following [[0]].

The fundamental mathematical property of 1 is to be a [[multiplicative identity]], meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a [[prime number]]; this was not universally accepted until the mid-20th century. Additionally, 1 is the smallest possible difference between two distinct [[natural number]]s.

The unique mathematical properties of the number have led to its unique uses in other fields, ranging from science to sports. It commonly denotes the first, leading, or top thing in a group.

== As a word ==
''One'' is most commonly a [[English determiners|determiner]] used with [[Grammatical number|singular]] countable nouns, as in ''one day at a time''.<ref>{{Cite book |last1=Huddleston |first1=Rodney D. |url=https://www.worldcat.org/oclc/1255524478 |title=A student's introduction to English grammar |last2=Pullum |first2=Geoffrey K. |last3=Reynolds |first3=Brett |publisher=[[Cambridge University Press]] |year=2022 |isbn=978-1-316-51464-1 |edition=2nd |location=Cambridge, United Kingdom |pages=117 |oclc= 1255524478|author-link=Rodney Huddleston |author-link2=Geoffrey K. Pullum}}</ref> ''One'' is also a [[English pronouns|pronoun]] used to refer to an unspecified person or to people in general as in ''one should take care of oneself''.<ref>{{Cite book |last1=Huddleston |first1=Rodney D. |url=https://www.worldcat.org/oclc/1255524478 |title=A student's introduction to English grammar |last2=Pullum |first2=Geoffrey K. |last3=Reynolds |first3=Brett |publisher=Cambridge University Press |year=2022 |isbn=978-1-316-51464-1 |edition=2nd |location=Cambridge, United Kingdom |pages=140 |oclc=1255524478}}</ref> Finally, ''one'' is a [[English nouns|noun]] when it refers to the number one as in ''one plus one is two'' and when it is used as a [[Pro-form|pro form]], as in ''the green one is nice'' or ''those ones look good.''

=== Etymology ===
''One'' comes from the English word ''an'',<ref name="etymonline">{{cite web |title=Online Etymology Dictionary |url=http://www.etymonline.com/index.php?term=one |website=etymonline.com |publisher=Douglas Harper |access-date=2013-12-30 |archive-date=2013-12-30 |archive-url=https://web.archive.org/web/20131230234708/http://www.etymonline.com/index.php?term=one |url-status=live }}</ref> which comes from the Proto-Germanic root {{not a typo|''*ainaz''}}.<ref name="etymonline" /> The Proto-Germanic root {{not a typo|''*ainaz''}} comes from the Proto-Indo-European root ''*oi-no-''.<ref name="etymonline" />

Compare the Proto-Germanic root {{not a typo|''*ainaz''}} to [[Old Frisian]] ''an'', [[Gothic language|Gothic]] ''ains'', [[Danish language|Danish]] ''en'', [[Dutch language|Dutch]] ''een'', [[German language|German]] ''eins'' and [[Old Norse]] ''einn''.

Compare the Proto-Indo-European root ''*oi-no-'' (which means "one, single"<ref name="etymonline" />) to [[Greek language|Greek]] ''oinos'' (which means "ace" on dice<ref name="etymonline" />), [[Latin]] ''unus'' (one<ref name="etymonline" />), [[Old Persian]] {{not a typo|''aivam''}}, [[Old Church Slavonic]] ''-inu'' and ''ino-'', [[Lithuanian language|Lithuanian]] ''vienas'', [[Old Irish]] ''oin'' and [[Breton language|Breton]] ''un'' (one<ref name="etymonline" />).

== As a number ==
One, sometimes referred to as '''unity''',<ref name=":0" /><ref>Skoog, Douglas. ''Principles of Instrumental Analysis''. Brooks/Cole, 2007, p. 758.</ref> is the first non-zero [[natural number]]. It is thus the [[integer]] after [[zero]].

Any number multiplied by one remains that number, as one is the [[Identity element|identity]] for [[multiplication]]. As a result, 1 is its own [[factorial]], its own [[Square (algebra)|square]] and [[square root]], its own [[Cube (algebra)|cube]] and [[cube root]], and so on. One is also the result of the [[empty product]], as any number multiplied by one is itself. It is also the only natural number that is neither [[composite number|composite]] nor [[prime number|prime]] with respect to [[Division (mathematics)|division]], but is instead considered a [[unit (ring theory)|unit]] (meaning of [[ring theory]]).

== As a digit ==
[[File:Clock 24 J.jpg|thumb|alt=Decorative clay/stone circular off-white sundial with bright gold stylized sunburst in center of the 24-hour clock face, one through twelve clockwise on right, and one through twelve again clockwise on left, with J shapes where ones' digits would be expected when numbering the clock hours. Shadow suggests 3 PM toward the lower left.|The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1]][[File:Woodstock typewriter, 1940s, daylight - keyboard.jpg|thumb|This Woodstock typewriter from the 1940s lacks a separate key for the numeral 1.]][[File:Mediaevalziffern.svg|thumb|[[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.]]
{{main|History of the Hindu–Arabic numeral system}}
The glyph used today in the Western world to represent the number 1, a vertical line, often with a [[serif]] at the top and sometimes a short horizontal line at the bottom, traces its roots back to the [[Brahmi numerals|Brahmic]] script of ancient India, where it was a simple vertical line. It was transmitted to Europe via [[Arabic numerals|the Maghreb and Andalusia]] during the Middle Ages, through scholarly works written in [[Arabic]].

In some countries, the serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph used for [[7|seven]] in other countries. In styles in which the digit 1 is written with a long upstroke, the digit 7 is often written with a horizontal stroke through the vertical line, to disambiguate them. Styles that do not use the long upstroke on digit 1 usually do not use the horizontal stroke through the vertical of the digit 7 either.

While the shape of the character for the digit 1 has an [[Ascender (typography)|ascender]] in most modern [[typeface]]s, in typefaces with [[text figures]], the glyph usually is of [[x-height]], as, for example, in [[File:TextFigs148.svg|alt=Horizontal guidelines with a one fitting within lines, a four extending below guideline, and an eight poking above guideline]].

Many older typewriters lack a separate key for ''1'', using the lowercase letter ''l'' or uppercase ''I'' instead. It is possible to find cases when the uppercase ''J'' is used, though it may be for decorative purposes. In some typefaces, different glyphs are used for I and 1, but the numeral 1 resembles a [[small caps]] version of I, with parallel serifs at top and bottom, with the capital I being full-height.

== Mathematics ==
===Definitions===
Mathematically, 1 is:
*in [[arithmetic]] ([[algebra]]) and [[calculus]], the [[natural number]] that follows [[0 (number)|0]] and the multiplicative [[identity element]] of the [[integer]]s, [[real number]]s and [[complex number]]s;
*more generally, in [[algebra]], the '''multiplicative identity''' (also called ''unity''), usually of a [[group (mathematics)|group]] or a [[ring (mathematics)|ring]].

Formalizations of the natural numbers have their own representations of 1. In the [[Peano axioms]], 1 is the [[Successor function|successor]] of 0. In ''[[Principia Mathematica]]'', it is defined as the set of all [[singleton (mathematics)|singletons]] (sets with one element), and in the [[Von Neumann cardinal assignment]] of natural numbers, it is defined as the [[Set (mathematics)|set]] {0}.

In a multiplicative [[group (mathematics)|group]] or [[monoid]], the [[identity element]] is sometimes denoted 1, but ''e'' (from the German ''Einheit'', "unity") is also traditional. However, 1 is especially common for the multiplicative identity of a ring, i.e., when an addition and 0 are also present. When such a ring has [[Characteristic (algebra)|characteristic]] ''n'' not equal to 0, the element called 1 has the property that {{nowrap|''n''1 {{=}} 1''n'' {{=}} 0}} (where this 0 is the additive identity of the ring). Important examples are [[finite field]]s.

By definition, 1 is the [[magnitude (mathematics)|magnitude]], [[absolute value]], or [[Norm (mathematics)|norm]] of a [[unit complex number]], [[unit vector]], and a [[identity matrix|unit matrix]] (more usually called an identity matrix). The term ''unit matrix'' is sometimes used to mean something [[Matrix of ones|quite different]].

By definition, 1 is the [[probability]] of an event that is absolutely or [[almost certain]] to occur.

In [[category theory]], 1 is sometimes used to denote the [[terminal object]] of a [[category (mathematics)|category]].

In [[number theory]], 1 is the value of [[Legendre's constant]], which was introduced in 1808 by [[Adrien-Marie Legendre]] in expressing the [[Asymptotic analysis|asymptotic behavior]] of the [[prime-counting function]]. Legendre's constant was originally conjectured to be approximately 1.08366, but was proven to equal exactly 1 in 1899.

===Properties===
[[Tally mark|Tallying]] is often referred to as "base 1", since only one mark – the tally itself – is needed. This is more formally referred to as a [[unary numeral system]]. Unlike [[base 2]] or [[base 10]], this is not a [[positional notation]].

Since the base 1 exponential function (1''x'') always equals 1, its [[inverse function|inverse]] does not exist (which would be called the [[logarithm]] base 1 if it did exist).

In many mathematical and engineering problems, numeric values are typically ''normalized'' to fall within the [[unit interval]] from 0 to 1, where 1 usually represents the maximum possible value in the range of parameters. Likewise, [[vector space|vectors]] are often normalized into [[unit vector]]s (i.e., vectors of magnitude one), because these often have more desirable properties. Functions, too, are often normalized by the condition that they have [[integral]] one, maximum value one, or [[square integrable|square integral]] one, depending on the application.

Because of the multiplicative identity, if ''f''(''x'') is a [[multiplicative function]], then ''f''(1) must be equal to 1.

There are two ways to write the real number 1 as a [[recurring decimal]]: as 1.000..., and as [[0.999...]]. 1 is the first [[figurate number]] of every kind, such as [[triangular number]], [[pentagonal number]] and [[centered hexagonal number]], to name just a few.

1 is also the first and second number in the [[Fibonacci number|Fibonacci]] sequence (0 being the zeroth) and is the first number in many other [[Sequence|mathematical sequences]].

The definition of a [[field (mathematics)|field]] requires that 1 must not be equal to [[zero|0]]. Thus, there are no fields of characteristic 1. Nevertheless, abstract algebra can consider the [[field with one element]], which is not a singleton and is not a set at all.

1 is the most common leading digit in many sets of data, a consequence of [[Benford's law]].

1 is the only known [[Tamagawa number]] for a simply connected algebraic group over a number field.

The [[generating function]] that has all coefficients equal to 1 is a [[geometric series]], given by

<math> \frac{1}{1-x} = 1+x+x^2+x^3+ \ldots </math>

The zeroth [[metallic mean]] is 1, with the [[Golden ratio#Continued fraction and square root|golden section]] equal to the [[Continued fraction#Motivation and notation|continued fraction]] [1;1,1,...], and the infinitely [[Nested radical#Infinitely nested radicals|nested square root]] <math>\scriptstyle\sqrt{1+\sqrt{\text{ }1+\cdots\text{ }}}.</math>

The series of [[unit fraction]]s that most rapidly converge to 1 are the [[multiplicative inverse|reciprocals]] of [[Sylvester's sequence]], which generate the infinite [[Egyptian fraction]]

<math>1 = \frac12 + \frac13 + \frac17 + \frac1{43} + \cdots</math>

===Primality===
{{Main|Prime number#Primality of one}}
1 is by convention neither a [[prime number]] nor a [[composite number]], but a [[unit (ring theory)|unit]] (meaning of [[ring theory]]) like −1 and, in the [[Gaussian integers]], ''[[imaginary unit|i]]'' and −''i''.

The [[fundamental theorem of arithmetic]] guarantees [[factorization|unique factorization]] over the integers only up to units. For example, {{nowrap|4 {{=}} 2{{sup|2}}}}, but if units are included, is also equal to, say, {{nowrap|(−1){{sup|6}} × 1{{sup|23}} × 2{{sup|2}},}} among infinitely many similar "factorizations".

1 appears to meet the naïve definition of a prime number, being evenly divisible only by 1 and itself (also 1). As such, some mathematicians considered it a prime number as late as the middle of the 20th century, but mathematical consensus has generally and since then universally been to exclude it for a variety of reasons (such as complicating the fundamental theorem of arithmetic and other theorems related to prime numbers).

1 is the only positive integer divisible by exactly one positive integer, whereas prime numbers are divisible by exactly two positive integers, composite numbers are divisible by more than two positive integers, and [[0|zero]] is divisible by all positive integers.

=== Table of basic calculations ===
{|class="wikitable" style="text-align: center; background: white"
|-
! style="width:105px;"|[[Multiplication]]
!1
!2
!3
!4
!5
!6
!7
!8
!9
!10
! style="width:5px;"|
!11

!12
!13
!14
!15
!16
!17
!18
!19
!20
! style="width:5px;"|
!21
!22
!23
!24
!25
! style="width:5px;"|
!50
!100
!1000
|-
|'''1 × ''x'''''
|'''1'''
|[[2 (number)|2]]
|[[3 (number)|3]]
|[[4 (number)|4]]
|[[5 (number)|5]]
|[[6 (number)|6]]
|[[7 (number)|7]]
|[[8 (number)|8]]
|[[9 (number)|9]]
|[[10 (number)|10]]
!
|[[11 (number)|11]]
|[[12 (number)|12]]
|[[13 (number)|13]]
|[[14 (number)|14]]
|[[15 (number)|15]]
|[[16 (number)|16]]
|[[17 (number)|17]]
|[[18 (number)|18]]
|[[19 (number)|19]]
|[[20 (number)|20]]
!
|[[21 (number)|21]]
|[[22 (number)|22]]
|[[23 (number)|23]]
|[[24 (number)|24]]
|[[25 (number)|25]]
!
|[[50 (number)|50]]
|[[100 (number)|100]]
|[[1000 (number)|1000]]
|}

{|class="wikitable" style="text-align: center; background: white"
|-
! style="width:105px;"|[[Division (mathematics)|Division]]
!1
!2
!3
!4
!5
!6
!7
!8
!9
!10
! style="width:5px;"|
!11
!12
!13
!14
!15
|-
|'''1 ÷ ''x'''''
|'''1'''
|0.5
|0.{{overline|3}}
|0.25
|0.2
|0.1{{overline|6}}
|0.{{overline|142857}}
|0.125
|0.{{overline|1}}
|0.1
!
|0.{{overline|09}}
|0.08{{overline|3}}
|0.{{overline|076923}}
|0.0{{overline|714285}}
|0.0{{overline|6}}
|-
|'''''x'' ÷ 1'''
|'''1'''
|2
|3
|4
|5
|6
|7
|8
|9
|10
!
|11
|12
|13
|14
|15
|}

{|class="wikitable" style="text-align: center; background: white"
|-
! style="width:105px;"|[[Exponentiation]]
!1
!2
!3
!4
!5
!6
!7
!8
!9
!10
! style="width:5px;"|
!11
!12
!13
!14
!15
!16
!17
!18
!19
!20
|-
|'''1{{sup|''x''}}'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
!
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|'''1'''
|-
|'''''x''{{sup|1}}'''
|'''1'''
|2
|3
|4
|5
|6
|7
|8
|9
|10
!
|11
|12
|13
|14
|15
|16
|17
|18
|19
|20
|}

== In technology ==
[[File:U+2673 DejaVu Sans.svg|50px|right|alt=Chasing-arrow triangle with numeral one within|1 as a resin identification code, used in recycling]]
* The [[resin identification code]] used in recycling to identify [[polyethylene terephthalate]].<ref>{{cite web |url=http://www.americanchemistry.com/s_plastics/bin.asp?CID=1102&DID=4645&DOC=FILE.PDF |title=Plastic Packaging Resins |publisher=American Chemistry Council |url-status=dead |archive-url=https://web.archive.org/web/20110721103005/http://www.americanchemistry.com/s_plastics/bin.asp?CID=1102&DID=4645&DOC=FILE.PDF |archive-date=2011-07-21 }}</ref>
*The [[International Telecommunication Union|ITU]] country code for the [[North American Numbering Plan]] area, which includes the United States, Canada, and parts of the Caribbean.
*A [[binary code]] is a sequence of 1 and [[0 (number)|0]] that is used in [[computer]]s for representing any kind of [[data]].
*In many physical devices, 1 represents the value for "on", which means that electricity is flowing.<ref name=Woodford>{{citation |first=Chris |last=Woodford |author1-link=Chris Woodford (author) |url=https://books.google.com/books?id=My7Zr0aP2L8C&pg=PA9 |title=Digital Technology |date=2006 |publisher=Evans Brothers |isbn=978-0-237-52725-9 |page=9 |access-date=2016-03-24 |archive-date=2023-01-22 |archive-url=https://web.archive.org/web/20230122151342/https://books.google.com/books?id=My7Zr0aP2L8C&pg=PA9 |url-status=live }}</ref><ref name=Godbole>{{citation |first=Achyut S. |last=Godbole |url=https://books.google.com/books?id=SN_46YHs27MC&pg=PA34 |title=Data Comms & Networks |date=1 September 2002 |publisher=Tata McGraw-Hill Education |isbn=978-1-259-08223-8 |page=34}}</ref>
*The numerical value of [[Boolean data type|true]] in many programming languages.
*1 is the [[ASCII]] code of "[[Start-of-Header|Start of Header]]".

== In science ==
*[[Dimensionless quantities]] are also known as quantities of dimension one.
*1 is the atomic number of [[hydrogen]].
*+1 is the [[electric charge]] of [[positron]]s and protons.
*Group 1 of the [[periodic table]] consists of the [[alkali metals]].
*Period 1 of the periodic table consists of just two elements, [[hydrogen]] and [[helium]].
*The dwarf planet [[Ceres (dwarf planet)|Ceres]] has the minor-planet designation 1 Ceres because it was the first asteroid to be discovered.
*The Roman numeral I often stands for the first-discovered satellite of a [[planet]] or [[minor planet]] (such as Neptune I, a.k.a. [[Triton (moon)|Triton]]). For some earlier discoveries, the Roman numerals originally reflected the increasing distance from the primary instead.

== In philosophy ==
In the philosophy of [[Plotinus]] (and that of other [[neoplatonist]]s), [[Plotinus#The One|The One]] is the ultimate reality and source of all existence.<ref>{{Cite book|title=The Essentials of Christian Thought: Seeing Reality through the Biblical Story|last=Olson|first=Roger|year=2017|isbn=9780310521563|location=Zondervan Academic}}</ref> [[Philo#Numbers|Philo of Alexandria]] (20 BC – AD 50) regarded the number one as God's number, and the basis for all numbers ("De Allegoriis Legum," ii.12 [i.66]).

The Neopythagorean philosopher [[Nicomachus|Nicomachus of Gerasa]] affirmed that one is not a number, but the source of number. He also believed the [[2 (number)|number two]] is the embodiment of the origin of [[Other (philosophy)|otherness]]. His [[number theory]] was recovered by [[Boethius]] in his Latin translation of Nicomachus's treatise ''[[Introduction to Arithmetic]]''.<ref>{{cite journal|url=https://www.cambridge.org/core/journals/british-journal-for-the-history-of-science/article/abs/from-abacus-to-algorism-theory-and-practice-in-medieval-arithmetic/7DFF144C90C127E715CA40083254E601#access-block|title=From Abacus to Algorism: Theory and Practice in Medieval Arithmetic|journal=The British Journal for the History of Science|volume=10|issue=2|date=July 1, 1977|page=Abstract|doi=10.1017/S0007087400015375|publisher=Cambridge University PRess|author=British Society for the History of Science|s2cid=145065082|access-date=May 16, 2021|archive-date=May 16, 2021|archive-url=https://web.archive.org/web/20210516110812/https://www.cambridge.org/core/journals/british-journal-for-the-history-of-science/article/abs/from-abacus-to-algorism-theory-and-practice-in-medieval-arithmetic/7DFF144C90C127E715CA40083254E601#access-block|url-status=live}}</ref>

== In sports ==
In many professional sports, the number 1 is assigned to the player who is first or leading in some respect, or otherwise important; the number is printed on his or her sports uniform or equipment. This is the [[pitcher]] in [[baseball]], the [[Goalkeeper (association football)|goalkeeper]] in [[association football]] (soccer), the starting [[Fullback (rugby league)|fullback]] in most of [[rugby league]], the starting [[Rugby union positions#Prop|loosehead prop]] in [[rugby union]] and the previous year's world champion in [[Formula One]]. 1 may be the lowest possible player number, like in the American–Canadian [[National Hockey League]] (NHL) since the 1990s{{when|date=November 2021}} or in [[American football]].

== In other fields ==
*''Number One'' is [[Royal Navy]] informal usage for the chief executive officer of a ship, the captain's deputy responsible for discipline and all normal operation of a ship and its crew.
*1 is the value of an [[ace]] in many playing card games, such as [[cribbage]].
*[[List of highways numbered 1]]
*[[List of public transport routes numbered 1]]
*1 is often used to denote the [[Gregorian calendar]] month of [[January]].
*[[1 CE]], the first year of the [[Common Era]]
*01, the former dialling code for [[Greater London]] (now 020)
*For Pythagorean [[numerology]] (a [[pseudoscience]]), the number 1 is the number that means beginning, new beginnings, new cycles, it is a unique and absolute number.
*[[PRS One]], a German paraglider design
*+1 is the code for international telephone calls to countries in the [[North American Numbering Plan]].
* In some countries, a [[house numbering|street address]] of "1" is considered prestigious and developers will attempt to obtain such an address for a building, to the point of lobbying for a street or portion of a street to be renamed, even if this makes the address less useful for wayfinding. The construction of a new street to serve the development may also provide the possibility of a "1" address. An example of such an address is the [[Apple Infinite Loop|Apple Campus]], located at 1 Infinite Loop, [[Cupertino, California]].

== See also ==
{{portal|Mathematics}}
*[[−1]]
*[[+1 (disambiguation)]]
*[[List of mathematical constants]]
*[[One (word)]]
*[[Root of unity]]
*[[List of highways numbered 1]]

== References ==

{{reflist}}

== External links ==

*[https://web.archive.org/web/20140201161542/http://numdic.com/1 The Number 1]
*[http://www.positiveintegers.org/1 The Positive Integer 1]
*[http://primes.utm.edu/curios/page.php/1.html Prime curiosities: 1]

{{Integers|zero}}

{{Authority control}}

{{DEFAULTSORT:1 (Number)}}

{{#seo:
|keywords=Integers
|description=1 is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For ...
}}

[[Category:1 (number)| ]]
[[Category:Integers]]

033

2023-07-15T04:27:12Z

MetaBOT: Added clean description and keywords using script

{{Short description|2010 Bengali film directed by Birsa Dasgupta}}
{{Use dmy dates|date=December 2015}}
{{Use Indian English|date=December 2015}}
{{Italic title}}
{{Infobox film
| name = 033 Zero Three Three
| image = Zero Three Three (2010).jpg
| border =
| alt =
| caption =
| director = [[Birsa Dasgupta]]
| producer = Soumo Ganguly Joy Ganguly
| writer =
| screenplay =
| story =
| based_on =
| narrator =
| starring = [[Rudranil Ghosh]] [[Parambrato Chattopadhyay]]
| music = '''Songs:''' [[Chandrabindoo (band)]] '''Background score:''' [[Raja Narayan Deb]]
| cinematography = Somak Mukherjee
| editing = Debaloy Bhattacharya
| studio = Moxie Entertainments
| distributor =
| released = {{Film date|df=yes|2010|03|05|Kolkata}}
| runtime =
| country = India
| language = Bengali
| budget = {{INRConvert|7|m}}
}}
'''''033''''' or '''''Zero Three Three''''' is a 2010 Bengali film directed by [[Birsa Dasgupta]] in a directorial debut and produced by Moxie Entertainments.<ref>{{cite web|url=http://www.gomolo.com/33-movie-cast-crew/21382|title=033 (2010) Cast and Crew|work=gomolo.com|access-date=11 May 2015|archive-url=https://web.archive.org/web/20150518083554/http://www.gomolo.com/33-movie-cast-crew/21382|archive-date=18 May 2015|url-status=dead|df=dmy-all}}</ref> It stars [[Rudranil Ghosh]] and [[Parambrato Chattopadhyay]].

033 is the [[STD code]] for [[Kolkata]] city, and the story is based on the theme of increasing youth migration outside Kolkata for career opportunities.<ref name=today08>{{cite web | title = Fresh takes : Simply Kolkata|publisher=India Today| url = http://indiatoday.intoday.in/story/Fresh+takes/1/3617.html |author=Swagata Sen|date= 16 January 2008|access-date = 2014-02-19 }}</ref>

== Cast ==
* [[Parambrato Chattopadhyay]] as Som, lead guitarist
* [[Swastika Mukherjee]] as Mrinalini, NRI
* [[Mumtaz Sorcar]] as Ria, vocalist
* [[Sabyasachi Chakraborty]] as Santiago
* [[Dhruv Mukherjee]] as Voodoo, drummer
* [[Rudranil Ghosh]] as Rudra, keyboardist
* [[Saheb Chatterjee]]
* [[Madhabi Mukherjee]]

== Soundtrack ==
The soundtrack's [[music director]] is [[Chandrabindoo (band)]] and the lyrics are penned by [[Srijato]].<ref>{{cite web|url=http://www.saavn.com/s/album/bengali/033-2010/OBLha0y18BE_|title=033 Saavn}}</ref>

== References ==
{{reflist}}

== External links ==
* {{IMDb title|1400490|title = 033}}

{{Birsa Dasgupta}}

{{#seo:
|keywords=2010s Bengali-language films, 2010 comedy-drama films, Films set in Kolkata, Indian comedy-drama films, 2010 directorial debut films, 2010 films, Indian films, Films directed by Birsa Dasgupta
|description=033 or Zero Three Three is a 2010 Bengali film directed by Birsa Dasgupta in a directorial debut and produced by Moxie Entertainments. It stars ...
}}

[[Category:2010s Bengali-language films]]
[[Category:2010 comedy-drama films]]
[[Category:Films set in Kolkata]]
[[Category:Indian comedy-drama films]]
[[Category:2010 directorial debut films]]
[[Category:2010 films]]
[[Category:Indian films]]
[[Category:Films directed by Birsa Dasgupta]]

{{2010s-Bengali-film-stub}}

0-41*

2023-07-15T04:26:58Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=August 2020}}
{{EngvarB|date=August 2020}}
{{Infobox film
| name = 0–41*
| image = 041Poster.jpg
| director = [[Senna Hegde]]
| producer = Preetham Hegde Chetan Shetty Prasanna Hegde
| writer = Senna Hegde
| starring = Rajesh Thoyammal Vipin Kavvai Abhilash Thoyammal Priyadath TK Sanal Manu
| music = Senna Hegde Unni Abhijith Glady Abraham Subha Naidu
| cinematography = Keertan Poojary
| editing = Syam Krishnan
| studio = Marley State of Mind
| runtime = 91 minutes
| country = India
| language = Malayalam
}}

'''''0–41*''''' is an Indian feature film documentary by director [[Senna Hegde]] examining young volleyball players and their lives in rural [[Kanhangad]], India.<ref>{{cite web|url=http://timesofindia.indiatimes.com/city/kochi/A-tale-from-Kanhangad-reaches-Bayou-film-festival/articleshow/50648868.cms |title=A tale from Kanhangad reaches Bayou film festival|newspaper=The Times of India|access-date=2 February 2016}}</ref>

The film had its world premiere at the 11th Cinema on the Bayou Film Festival at Lafayette, USA.<ref>{{cite web|url=http://www.uttv.in/0-41-a-film-about-reality-shines-in-bayou-festival-platform254-html/ |title=0–41: A Film About Reality Shines in Bayou Festival Platform – UT TV |publisher=Uttv.in |access-date=2 February 2016}}</ref>

==Plot==
A group of local youth in a small town in India are closely knit by a game of volleyball every evening. Rajesh and Vipin lead the two teams with a great deal of passion until a seemingly endless losing streak sets Rajesh and his team on a trail of disbelief and dejection. The docudrama proceeds to draw a subtle parallel between the losing streak and the lives of these youth. Over the course of six days, this film brings into sharp focus their life stories, their aspirations and expectations, their faith and fears and their view on the rest of the world with the rural way of life in India providing a vivid backdrop.<ref>{{cite web|url=http://epaper.newindianexpress.com/705172/Indulge-Kochi/29012016#dual/10/1 |title=Indulge – Kochi |work=The New Indian Express |access-date=2 February 2016}}</ref>

==Cast==
* Rajesh Thoyammal
* Vipin Kavvai
* Abhilash Thoyammal
* Priyadath TK
* Sanal Manu
* Ebi Ganesh
* Vishnu Lakshmanan
* Sunil Thoyammal
* Ambu

==Film festivals==
* Official Selection at the 11th Cinema on the Bayou Film Festival,<ref>{{cite web|url=http://cinemaonthebayou.com/index.php?option=com_fabrik&view=details&listid=3&formid=3&rowid=209&Itemid=145 |title=Films – PublicView |publisher=Cinemaonthebayou.com |access-date=2 February 2016}}</ref> Lafayette, USA.
* Official Selection at the 1st RapidLion, the South African International Film Festival,<ref>{{cite web|url=http://www.newindianexpress.com/cities/thiruvananthapuram/Game-of-Life/2016/01/29/article3249606.ece |title=Game of Life |work=The New Indian Express |access-date=2 February 2016}}</ref> Johannesburg, SA
* Official Selection at the 3rd Noida International Film Festival,<ref>{{cite web|url=http://miniboxoffice.com/noidainternationalfilmfestival/index.php |title=Noida International Film Festival|publisher=Miniboxoffice.com |access-date=2 February 2016}}</ref> New Delhi, India.
* Official Selection at Miami Independent Film Festival,<ref>{{cite web|url=http://miamindiefest.com/official-selections-mindie-july-2016/#doc |title=Miami Independent Film Festival|publisher=Miami Indie Fest |access-date=2 July 2016}}</ref> Miami, USA.
* Official Selection at Newark international Film Festival,<ref>{{cite web|url=https://docs.google.com/document/d/1sAC9R0kDe82rDGgU6Y4rxFTfCfKjonpRZ0UDxr4FRsk/edit |title=Newark International Film Festival|publisher=Newark International Film Festival |access-date=2 August 2016}}</ref> Newark, USA.

==Awards==
* Winner – Best Cinematography, 3rd Noida International Film Festival<ref>http://miniboxoffice.com/noidainternationalfilmfestival/news.php?id=NjQ0MA=={{Dead link|date=August 2018 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> On 7 February 2016. New Delhi, India.
* Nominated – Best Director, Newark International Film Festival<ref>{{cite web|url=http://newarkiff.com/niff-2016-winners|title=NIFF 2016 Winners|date=15 September 2016}}</ref> On 11 September 2016. Newark, USA.

==References==
{{Reflist}}

==External links==
* {{IMDb title|4570696|0–41*}}

{{DEFAULTSORT:0-41}}

{{#seo:
|keywords=2016 films, Indian films, Malayalam-language films, 2010s Malayalam-language films
|description=0–41 is an Indian feature film documentary by director Senna Hegde examining young volleyball players and their lives in rural Kanhangad, India. The ...
}}

[[Category:2016 films]]
[[Category:Indian films]]
[[Category:Malayalam-language films]]
[[Category:2010s Malayalam-language films]]

...Re (film)

2023-07-15T04:26:47Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=October 2015}}
{{Use Indian English|date=October 2015}}
{{Infobox film
| name = ...Re
| image = 2016 Kannada film ...Re poster.jpg
| caption = Film poster
| director = [[Sunil Kumar Desai]]
| producer = Lokesh R.
| story = Sunil Kumar Desai
| screenplay = Sunil Kumar Desai
| narrator =
| starring = [[Ramesh Aravind]] [[Anant Nag]] [[Harshika Poonacha]] Suman Divya shetty Shridhar
| music = [[Hamsalekha]]
| cinematography = G. S. Bhaskar
| editing = B. S. Kemparaj
| released = {{film date|2016|03|04}}
| studio = Sujana Creations
| distributor = Jayanna Films
| runtime = 153 minutes
| country = India
| language = [[Kannada language|Kannada]]
| budget =
| gross =
}}

'''''...Re''''' ({{Lang-en|if}}) is a 2016 Indian [[Kannada language|Kannada]] [[Comedy|comedy film]] written and directed by [[Sunil Kumar Desai]].<ref name="newindianexpress.com">{{cite web|url=http://www.newindianexpress.com/entertainment/kannada/Loving-it-with-Re/2015/11/05/article3113663.ece|title=Loving it with Re|work=The New Indian Express}}</ref> The film has an [[ensemble cast]] consisting of veteran actors: [[Ramesh Aravind]], [[Anant Nag]], Master Hirannaiah, [[Loknath]], [[Shivaram]], [[Tennis Krishna]], [[Ramesh Bhat]], [[Vaijanath Biradar]], [[Sharath Lohitashwa]], [[Suman Nagarkar|Suman]], [[G. K. Govinda Rao]] among others.<ref name="indiaglitz.com">{{cite web|url=http://www.indiaglitz.com/re-desai-trick-kannada-news-146013.html|title='...Re' Desai Trick|publisher=indiaglitz.com}}</ref> [[Harshika Poonacha]] and debutant actress Suman play female leads in the film.<ref name="indiaglitz.com"/> Ace cinematographer G S Bhaskar who has previously worked for Hollywood legends such has [[Richard Attenborough]] has handled the camera.<ref>{{cite web|url=http://www.thehindu.com/news/national/karnataka/attenborough-as-seen-through-bhaskars-eyes/article6350928.ece|title=Attenborough as seen through Bhaskar’s eyes|author=Muralidhara Khajane|work=The Hindu}}</ref> Veteran music director [[Hamsalekha]] has composed the music for the film. Ananth Nag had revealed that the movie is thematically similar to Badal Sircar's play ''Ballabpurer Roopkatha''.<ref name="dhwanidesai">{{cite web|url=http://timesofindia.indiatimes.com/entertainment/kannada/movies/news/Lucky-to-play-challenging-roles-Ananth-Nag/articleshow/51175447.cms|title=Lucky to play challenging roles: Ananth Nag|author=Dhwani Desai|date=28 February 2016|work=The Times of India}}</ref>

==About==
In an interview with New Indian Express, the director Sunil Kumar Desai said that the film revolves around the "'ifs' of our lives".<ref>{{cite web|url=http://www.newindianexpress.com/entertainment/kannada/Re-Revolves-Around-the-ifs-of-our-Lives-Desai/2016/03/03/article3306972.ece|title='Re' Revolves Around the 'ifs' of our Lives: Desai|work=The New Indian Express}}</ref> Lead actor of the film Ramesh Aravind described the film as "an out of the box love story, which has deep meaning with weird characterisations".<ref name="newindianexpress.com"/> Anant Nag also felt that the movie had "serious messages" about Indian cultural heritage and Adi Shankara's [[Advaita]] philosophy.<ref name="dhwanidesai"/> It has been touted as the comeback film of legends of Kannada cinema such as—director Sunil Kumar Desai, music director Hamsalekha and senior artists Loknath and Shivram.<ref>{{cite web|url=http://www.udayavani.com/kannada/news/%E0%B2%B8%E0%B3%81%E0%B2%9A%E0%B2%BF%E0%B2%A4%E0%B3%8D%E0%B2%B0%E0%B2%BE/113977/%E0%B2%A6%E0%B3%87%E0%B2%B8%E0%B2%BE%E0%B2%AF%E0%B2%BF-%E0%B2%B0%E0%B2%BF%E0%B2%9F%E0%B2%B0%E0%B3%8D%E0%B2%A8%E0%B3%8D%E0%B2%B8%E0%B3%8D-%E0%B2%A8%E0%B2%BE%E0%B2%A8%E0%B3%81-%E0%B2%B9%E0%B3%87%E0%B2%B3%E0%B2%BF%E0%B2%A6%E0%B3%8D%E0%B2%A6%E0%B2%A8%E0%B3%8D%E0%B2%A8%E0%B3%87-%E0%B2%AE%E0%B2%BE%E0%B2%A1%E0%B3%8D%E0%B2%A4%E0%B3%80%E0%B2%A8%E0%B2%BF|title=ದೇಸಾಯಿ ರಿಟರ್ನ್ಸ್ ನಾನು ಹೇಳಿದ್ದನ್ನೇ ಮಾಡ್ತೀನಿ|work=udayavani.com|access-date=11 November 2015|archive-date=4 March 2016|archive-url=https://web.archive.org/web/20160304033131/http://www.udayavani.com/kannada/news/%E0%B2%B8%E0%B3%81%E0%B2%9A%E0%B2%BF%E0%B2%A4%E0%B3%8D%E0%B2%B0%E0%B2%BE/113977/%E0%B2%A6%E0%B3%87%E0%B2%B8%E0%B2%BE%E0%B2%AF%E0%B2%BF-%E0%B2%B0%E0%B2%BF%E0%B2%9F%E0%B2%B0%E0%B3%8D%E0%B2%A8%E0%B3%8D%E0%B2%B8%E0%B3%8D-%E0%B2%A8%E0%B2%BE%E0%B2%A8%E0%B3%81-%E0%B2%B9%E0%B3%87%E0%B2%B3%E0%B2%BF%E0%B2%A6%E0%B3%8D%E0%B2%A6%E0%B2%A8%E0%B3%8D%E0%B2%A8%E0%B3%87-%E0%B2%AE%E0%B2%BE%E0%B2%A1%E0%B3%8D%E0%B2%A4%E0%B3%80%E0%B2%A8%E0%B2%BF|url-status=dead}}</ref> In an interview with the Times of India, Ramesh Aravind said that "Re" may seem like a film from the 70s or 80s and the "old world charm" of the film is intentional.<ref>{{cite web|url=http://timesofindia.indiatimes.com/entertainment/kannada/movies/news/Ananth-Nag-my-chemistry-shows-onscreen/articleshow/51221356.cms|title=Ananth Nag, my chemistry shows onscreen|author=Prathibha Joy|date=2 March 2016|work=The Times of India}}</ref> The film makes a sweeping criticism at the state of open defecation in India.<ref>{{Cite web|url=https://www.gktoday.in/gk/open-defecation-in-india/|title=Open Defecation in India}}</ref>

==Cast==
{{div col|colwidth=30em}}
* [[Ramesh Aravind]] as PaPu Babu Rao
* [[Anant Nag]] as Narayan Rao
* [[Harshika Poonacha]] as Parvathi
* Suman as Preethi Bhat
* [[Suman Nagarkar]]
* [[Ramesh Bhat]]
* [[Master Hirannaiah]]
* [[Loknath]]
* [[G. K. Govinda Rao]]
* Srinivasa Prabhu
* [[Shivaram]]
* [[Chi. Guru Dutt]]
* [[Sharath Lohitashwa]]
* [[Vaijanath Biradar]]
* Divya Shetty Shridhar as Shreya
* Mahesh Nethrekar
* P. D. Sathish Chandra
* Prashanth
* [[Tennis Krishna]]
* [[Mandeep Roy]]
* Chidanand
{{div col end}}

==Production==
Pre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.

{|class="wikitable"
! No. !! Song Title !! Singers !! Lyrics
|-
| 1 || "Nanondu Bilihaale" || Badri Prasad, Hiranmayee || [[Hamsalekha]]
|-
| 2 || "Savi Nenapina" || Badri Prasad || Hamsalekha
|-
|}

==References==
{{reflist}}

==External links==
* {{Official website|re-skd.com}}

{{Sunil Kumar Desai}}

{{DEFAULTSORT:Re}}

{{#seo:
|keywords=2016 films, 2010s Kannada-language films, Indian films, Indian comedy films, Films scored by Hamsalekha, Films directed by Sunil Kumar Desai, 2016 comedy films
|description=...Re () is a 2016 Indian Kannada comedy film written and directed by Sunil Kumar Desai. The film has an ensemble cast consisting of veteran actors: ...
}}

[[Category:2016 films]]
[[Category:2010s Kannada-language films]]
[[Category:Indian films]]
[[Category:Indian comedy films]]
[[Category:Films scored by Hamsalekha]]
[[Category:Films directed by Sunil Kumar Desai]]
[[Category:2016 comedy films]]

...Aval!

2023-07-15T04:26:36Z

MetaBOT: Added clean description and keywords using script

{{Short description|1972 film by A. C. Tirulokchandar}}
{{Use Indian English|date=November 2018}}
{{Use dmy dates|date=November 2018}}
{{Infobox film
| name = ...Aval!
| image = ...Aval poster.jpg
| border = no
| caption = Theatrical release poster
| director = [[A. C. Tirulokchandar]]
| producer = Sunderlal Nahatha
| screenplay = A. C. Tirulokchandar
| based_on = ''[[Do Raha]]''
| starring = [[Vennira Aadai Nirmala|V. Nirmala]] [[A. V. M. Rajan]] [[Srikanth (Tamil actor, born 1940)|Srikanth]] [[Sasikumar (actor, born 1944)|Sasikumar]]
| music = [[Shankar–Ganesh]]
| cinematography = M. Viswanath Rai<ref name="Dharap" />
| editing = B. Kanthasamy<ref name="Dharap" />
| studio = Vijayalakshmi Pictures
| distributor =
| released = {{Film date|df=yes|1972|9|15}}
| runtime = 146 minutes<ref name="Dharap" />
| country = India
| language = Tamil
}}
'''''...Aval!''''' ({{translation|She!}})<ref>{{Cite magazine |year=1972 |editor-last=Guha Thakurta |editor-first=R.N. |title=The Madras scene |url=https://books.google.com/books?id=DrAeAAAAMAAJ&q=%22aval%22 |magazine=The Contemporary |volume=16 |page=83}}</ref> is a 1972 Indian [[Tamil language|Tamil]]-language film written and directed by [[A. C. Tirulokchandar]], produced by Vijayalakshmi Pictures and presented by Nahatha Pictures. A remake of the 1971 [[Hindi]] film ''[[Do Raha]]'', it stars [[Vennira Aadai Nirmala|V. Nirmala]], [[A. V. M. Rajan]], [[Srikanth (Tamil actor, born 1940)|Srikanth]] and [[Sasikumar (actor, born 1944)|Sasikumar]]. The film was released on 15 September 1972, and became a commercial success.

== Plot ==
{{more plot|date=June 2021}}
Geetha, the daughter of a millionaire, falls in love with Chandranath, a writer. Both have [[Premarital sex|sex before marriage]] and they get married against the wishes of Geetha's father. Sadanandh, a rich publisher who lusts for Geetha, makes Chandranath rich. Chandranath takes to drinking, induces Geetha to drink and a drunk Sadanandh has sex with her; she is traumatised the next morning on learning of what happened. Later when Sadanandh tries to rape Geetha, he is shot dead by an unseen man. Geetha is tried and falsely accepts responsibility, but Chandranath claims responsibility to save her. Soon after, Chandranath's friend Prakash arrives and reveals himself as the real killer. Despite being exonerated, Geetha later commits suicide to purge herself of all she has been through.

== Cast ==
* [[Vennira Aadai Nirmala|V. Nirmala]] as Geetha<ref name="maalaimalar" />
* [[A. V. M. Rajan]] as Prakash<ref name="Star Director" />
* [[Srikanth (Tamil actor, born 1940)|Srikanth]] as Sadanandh<ref name="maalaimalar" />
* [[Sasikumar (actor, born 1944)|Sasikumar]] as Chandranath<ref name="maalaimalar" />
* [[T. K. Bhagavathi]] as Geetha's father<ref name="Puratchi Edu MGR" />
* [[Pandari Bai]]<ref>{{Cite book |last=Harris M. Lentz III |url=https://books.google.com/books?id=jHrGCwAAQBAJ&q=Aval |title=Obituaries in the Performing Arts, 2003: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture |publisher=[[McFarland & Company|McFarland]] |year=2004 |isbn=0-7864-1756-0 |pages=19}}</ref>
* [[J. P. Chandrababu]]<ref name="Puratchi Edu MGR" />

== Production ==
The [[Hindi]] film ''[[Do Raha]]'' (1971) was a "sensational success",<ref>{{Cite news|last=Vamanan|author-link=Vamanan|date=17 June 2016|title=Storyteller who found his flair in versatility|work=[[The Times of India]]|url=http://epaperbeta.timesofindia.com/Article.aspx?eid=31807&articlexml=Storyteller-who-found-his-flair-in-versatility-17062016006015|url-status=live|access-date=14 February 2018|archive-url=https://web.archive.org/web/20180214202724/http://epaperbeta.timesofindia.com/Article.aspx?eid=31807&articlexml=Storyteller-who-found-his-flair-in-versatility-17062016006015|archive-date=14 February 2018}}</ref> prompting [[A. C. Tirulokchandar]] to remake it in [[Tamil language|Tamil]] with the title ...''Aval!''.<ref>{{Cite news |date=23 December 2012 |title=எம்.ஜி.ஆரின் புகழ் பரப்பிய காமினி பொன்சேகாவின் படம்! |language=ta |work=[[Thinakaran]] |url=http://archives.thinakaran.lk/Vaaramanjari/2012/12/23/?fn=f1212235&p=1 |url-status=live |access-date=15 December 2018 |archive-url=https://archive.today/20181214052306/http://archives.thinakaran.lk/Vaaramanjari/2012/12/23/?fn=f1212235&p=1 |archive-date=14 December 2018}}</ref> Besides directing, he also wrote the remake's screenplay,<ref name="Dharap" /><ref>{{Cite book |last=Rajadhyaksha |first=Ashish |url=https://indiancine.ma/texts/indiancine.ma%3AEncyclopedia_of_Indian_Cinema/text.pdf |title=Encyclopaedia of Indian Cinema |last2=Willemen |first2=Paul |publisher=[[Oxford University Press]] |year=1998 |isbn=0-19-563579-5 |page=579 |access-date=13 February 2018 |orig-year=1994 |archive-url=https://web.archive.org/web/20160821193440/https://indiancine.ma/texts/indiancine.ma%3AEncyclopedia_of_Indian_Cinema/text.pdf |archive-date=21 August 2016 |url-status=live}}</ref> while the dialogues were written by A. L. Narayanan.<ref name="Puratchi Edu MGR" /> The film was produced by Sunderlal Nahatha under Vijayalakshmi Pictures, and its final length was {{convert|3987.08|metres|feet}}.<ref name="Dharap" /><ref name="CBFC">{{Cite web |date=8 September 1972 |title=Aval |url=https://movies.syzygy.in/censor/aval-celluloid-0 |url-status=live |archive-url=https://archive.today/20180914080339/https://movies.syzygy.in/censor/aval-celluloid-0 |archive-date=14 September 2018 |access-date=14 September 2018 |website=[[Central Board of Film Certification]]}}</ref>

== Themes ==
Writing for ''[[Bangalore Mirror]]'', R. S. Prakash considered ''...Aval!'' to be one of the earliest Tamil films based entirely on sex.<ref name="bangaloremirror">{{Cite news |last=Prakash |first=R S |date=22 July 2009 |title=Ready for this? |work=[[Bangalore Mirror]] |url=http://bangaloremirror.indiatimes.com/entertainment/south-masala/Ready-for-this/articleshow/22092042.cms |url-status=live |access-date=14 February 2018 |archive-url=https://web.archive.org/web/20180215025103/http://bangaloremirror.indiatimes.com/entertainment/south-masala/Ready-for-this/articleshow/22092042.cms |archive-date=15 February 2018}}</ref>

== Soundtrack ==
The soundtrack was composed by [[Shankar–Ganesh]], while the lyrics were written by [[Vaali (poet)|Vaali]].<ref>{{cite web |title=Aval |url=http://tamilsongslyrics123.com/listlyrics/438 |website=Songs4all |access-date=25 June 2021}}</ref>
{{Track listing
| extra_column = Singer(s)
| title1 = Geetha Oru Nal Pazhagum
| extra1 = [[S. P. Balasubrahmanyam]], [[P. Susheela]]
| title2 = Adimai Naan Aadukiren
| extra2 = P. Susheela
| title3 = Boys And Girls Varungalam
| extra3 = [[T. M. Soundararajan]]
}}

== Release ==
''...Aval!'' was released on 15 September 1972,<ref name="Puratchi Edu MGR" /> and was presented by Nahatha Pictures.<ref name="Dharap" /> Like the original Hindi film, this too attained commercial success,<ref name="maalaimalar" /><ref name="Star Director">{{Cite news |date=18 June 2016 |title='நட்சத்திர இயக்குநர்' திருலோகசந்தர்! |language=ta |trans-title=‘Star Director’ Tirulokchandar! |work=[[Dinamani]] |url=http://www.dinamani.com/cinema/2016/06/18/‘நட்சத்திர-இயக்குநர்’-திரு/article3488610.ece |url-status=live |access-date=26 November 2018 |archive-url=https://archive.today/20160621152304/http://www.dinamani.com/cinema/2016/06/18/%E2%80%98%E0%AE%A8%E0%AE%9F%E0%AF%8D%E0%AE%9A%E0%AE%A4%E0%AF%8D%E0%AE%A4%E0%AE%BF%E0%AE%B0-%E0%AE%87%E0%AE%AF%E0%AE%95%E0%AF%8D%E0%AE%95%E0%AF%81%E0%AE%A8%E0%AE%B0%E0%AF%8D%E2%80%99-%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%81/article3488610.ece |archive-date=21 June 2016}}</ref> and became one of the most popular films starring Nirmala.<ref>{{Cite magazine |date=18–24 May 1986 |editor-last=Bhattacharya |editor-first=Subhabrata |title=The Star MGR Could Not Launch |url=https://archive.org/stream/in.ernet.dli.2015.99409/2015.99409.Sunday-Vol13-12-No27-39may-august1986#page/n111 |magazine=Sunday |publisher=Ananda Bazar |page=26}}</ref>

== References ==
{{Reflist|refs=
<ref name="Puratchi Edu MGR">{{Cite news |date=19 July 1972 |title=நிர்மலா வீட்டில் நிர்வாணச் சிலை! |language=ta |page=2 |work=Puratchi Edu MGR |url=http://tamildigitallibrary.in/admin/assets/periodicals/TVA_PRL_0003950_%E0%AE%AA%E0%AF%81%E0%AE%B0%E0%AE%9F%E0%AF%8D%E0%AE%9A%E0%AE%BF%20%E0%AE%8F%E0%AE%9F%E0%AF%81%20%E0%AE%8E%E0%AE%AE%E0%AF%8D.%E0%AE%9C%E0%AE%BF.%E0%AE%86%E0%AE%B0%E0%AF%8D%20%20%E0%AE%9C%E0%AF%82%E0%AE%B2%E0%AF%88%2019,%201972.pdf |url-status=live |archive-url=https://web.archive.org/web/20181126180908/http://tamildigitallibrary.in/admin/assets/periodicals/TVA_PRL_0003950_%E0%AE%AA%E0%AF%81%E0%AE%B0%E0%AE%9F%E0%AF%8D%E0%AE%9A%E0%AE%BF%20%E0%AE%8F%E0%AE%9F%E0%AF%81%20%E0%AE%8E%E0%AE%AE%E0%AF%8D.%E0%AE%9C%E0%AE%BF.%E0%AE%86%E0%AE%B0%E0%AF%8D%20%20%E0%AE%9C%E0%AF%82%E0%AE%B2%E0%AF%88%2019,%201972.pdf |archive-date=26 November 2018}}</ref>

<ref name="maalaimalar">{{Cite news |date=10 April 2016 |title=எம்.ஜி.ஆர்., சிவாஜியுடன் நடித்து புகழ் பெற்ற வெண்ணிற ஆடை நிர்மலா |language=ta |work=[[Maalai Malar]] |url=https://www.maalaimalar.com/Cinema/CineHistory/2016/04/10222820/1004249/cinima-history-nirmala.vpf |url-status=live |access-date=5 July 2018 |archive-url=https://web.archive.org/web/20180705121041/https://www.maalaimalar.com/Cinema/CineHistory/2016/04/10222820/1004249/cinima-history-nirmala.vpf |archive-date=5 July 2018}}</ref>

<ref name="Dharap">{{Cite book |last=Dharap |first=B. V. |url=https://books.google.com/books?id=-cEzAQAAIAAJ&q=Nahata+Productions |title=Indian Films |publisher=[[National Film Archive of India]] |year=1973 |page=274}}</ref>
}}

== External links ==
* {{IMDb title|0369253}}
* {{CITWF title|24404}}
{{A. C. Tirulokchandar}}

{{#seo:
|keywords=1970s erotic drama films, 1970s Tamil-language films, 1972 drama films, 1972 films, Films directed by A. C. Tirulokchandar, Films scored by Shankar–Ganesh, Indian erotic drama films, Indian films, Tamil remakes of Hindi films
|description=...Aval! () is a 1972 Indian Tamil-language film written and directed by A. C. Tirulokchandar, produced by Vijayalakshmi Pictures and presented by ...
}}

[[Category:1970s erotic drama films]]
[[Category:1970s Tamil-language films]]
[[Category:1972 drama films]]
[[Category:1972 films]]
[[Category:Films directed by A. C. Tirulokchandar]]
[[Category:Films scored by Shankar–Ganesh]]
[[Category:Indian erotic drama films]]
[[Category:Indian films]]
[[Category:Tamil remakes of Hindi films]]

...And Once Again

2023-07-15T04:26:25Z

MetaBOT: Added clean description and keywords using script

{{Use dmy dates|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Infobox film
| name = And Once Again
| image = Andonceagain.jpg
| caption =
| director = [[Amol Palekar]]
| producer =
| writer =
| screenplay =
| story = Sandhya Gokhale
| based_on =
| starring = [[Antara Mali]] [[Rajat Kapoor]] [[Rituparna Sengupta]]
| music = Anjan Biswas Debjyoti Mishra
| cinematography = [[Asim Basu|Asim Bose]]
| editing = Abhijeet Deshpande
| studio = Shangrila Kreations Parth Productions
| distributor =
| released = {{Film date|df=y|2010|08|20}}
| runtime = 105 minutes<ref name=opo/>
| country = India
| language = Hindi
| budget =
| gross =
}}

'''''And Once Again''''' is a 2010 Indian [[drama film]] directed by [[Amol Palekar]]. The film stars [[Antara Mali]], [[Rajat Kapoor]] and [[Rituparna Sengupta]] in lead roles. For the role of the monk, [[Antara Mali]] shaved her head.<ref>{{Cite web |url=http://www.bollywoodhungama.com/news/features/antara-mali-goes-bald-to-play-monk-in-amol-palekars-film/ |title=Antara Mali goes bald to play monk in Amol Palekar's film |date=24 July 2010 |publisher=[[Bollywood Hungama]] |access-date=17 August 2017 |archive-date=17 August 2017 |archive-url=https://web.archive.org/web/20170817123033/http://www.bollywoodhungama.com/news/features/antara-mali-goes-bald-to-play-monk-in-amol-palekars-film/ |url-status=live }}</ref>

==Cast==
* [[Antara Mali]] as Savitri<ref>{{Cite web |url=http://www.hindustantimes.com/bollywood/and-once-again-not-my-comeback-film-antara-mali/story-gb7iAwmqdqTGG9w5yVe82O.html |title=And Once Again not my comeback film: Antara Mali |last=Iyer |first=Ruchika |date=31 July 2010 |publisher=[[Hindustan Times]] |access-date=17 August 2017 |archive-date=17 August 2017 |archive-url=https://web.archive.org/web/20170817121458/http://www.hindustantimes.com/bollywood/and-once-again-not-my-comeback-film-antara-mali/story-gb7iAwmqdqTGG9w5yVe82O.html |url-status=live }}</ref>
* [[Rajat Kapoor]] as Rishi
* [[Rituparna Sengupta]] as Manu

==Critical reception==
[[Sify]] rated the film 2.5 out of 5, criticising the story and pointing out "A film about loss, [like this one], succeeds only when it leaves the audience with a sense of loss and longing."<ref>{{Cite web |url=http://www.sify.com/movies/and-once-again-disappointing-fare-by-amol-palekar-hindi-film-review-rating-1-2-news-national-kiwn4dfbdhesi.html |title='And Once Again' - Disappointing fare by Amol Palekar |date=22 August 2010 |publisher=[[Sify]] |access-date=17 August 2017 |archive-date=17 August 2017 |archive-url=https://web.archive.org/web/20170817124530/http://www.sify.com/movies/and-once-again-disappointing-fare-by-amol-palekar-hindi-film-review-rating-1-2-news-national-kiwn4dfbdhesi.html |url-status=dead }}</ref> Preeti Arora rated the film 2 out of 5.<ref>{{Cite web |url=http://movies.rediff.com/report/2010/aug/20/review-and-once-again.htm |title=Watch And Once Again for the players |last=Arora |first=Preeti |date=20 August 2010 |work=[[Rediff.com]] |access-date=17 August 2017 |archive-date=17 August 2017 |archive-url=https://web.archive.org/web/20170817122232/http://movies.rediff.com/report/2010/aug/20/review-and-once-again.htm |url-status=live }}</ref> ''[[The Times of India]]'' rated the film 2.5 out of 5, stating as "And Once Again is a desire to make something different from the run-of-the-mill stuff."<ref name=opo>{{Cite web |url=http://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/and-once-again/movie-review/6382519.cms |title=And Once Again Movie Review |date=4 May 2016 |work=[[The Times of India]] |access-date=17 August 2017 |archive-date=24 August 2017 |archive-url=https://web.archive.org/web/20170824223745/http://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/and-once-again/movie-review/6382519.cms |url-status=live }}</ref> Tushar Joshi from [[Republik City News]] rated the film 1.5 out of 5.<ref>{{Cite web |url=https://www.republikcitynews.online/once-again-movie-review-a-story-about-grown-up-love/ |title=...And Once Again - movie review |last=Joshi |first=Tushar |date=21 August 2010 |publisher=[[Republik City News]] }}</ref>

==Trivia==
The characters Rishi and Manu played by Rajat Kapoor and Rituparna Sengupta are names taken from the Bollywood actor [[Manu Rishi|Manu Rishi Chadha]]. The name of the characters in this film are the acronym of the actor [[Manu Rishi|Manu Rishi Chadha]].

==References==
{{reflist|2}}

==External links==
* {{Bollywood Hungama movie|and-once-again}}
* {{IMDb movie}}

{{Amol Palekar}}

{{DEFAULTSORT:And Once Again}}

{{#seo:
|keywords=2010 films, Indian films, 2010s Hindi-language films, 2010 drama films, Indian drama films, Films directed by Amol Palekar, Hindi-language drama films
|description=And Once Again is a 2010 Indian drama film directed by Amol Palekar. The film stars Antara Mali, Rajat Kapoor and Rituparna Sengupta in lead roles. ...
}}

[[Category:2010 films]]
[[Category:Indian films]]
[[Category:2010s Hindi-language films]]
[[Category:2010 drama films]]
[[Category:Indian drama films]]
[[Category:Films directed by Amol Palekar]]
[[Category:Hindi-language drama films]]

{{2010s-Hindi-film-stub}}

-stan

2023-07-15T04:26:12Z

MetaBOT: Added clean description and keywords using script

{{Other uses|Stan (disambiguation)}}
{{Short description|Persian-language suffix used for place names}}
{{Use dmy dates}}
[[File:Stansuffixmap.png|thumb|229x229px|{{leftlegend|#363|Countries whose name in English has the suffix ''-stan''}}{{leftlegend|#5C4|Other countries that have first-level divisions whose names in English have the suffix ''-stan''.}}{{Leftlegend|#0048BA|Countries whose name in their native language has the suffix ''-stan''.}}]]
'''-stan''' ({{lang-fa|ـستان}}; {{Transliteration|fa|stân{{noitalics|,}}<ref group=n>Applies after a [[Persian phonology|vowel]].</ref>}} {{Transliteration|fa|estân {{noitalics|or}} istân<ref group=n>Applies after a [[Persian phonology|consonant]].</ref>}}) has the meaning of "a place abounding in"<ref name="hayyim-dictionary" /> or "a place where anything abounds" as a [[suffix]].<ref name="steingass-dictionary" /> It originated in the [[Persian language]], but is widely used by other [[Iranian languages|Iranic languages]] as well as the [[Common Turkic languages|Shaz Turkic languages]] (excluding [[Siberian Turkic languages|Siberian Turkic]]) and other languages historically influenced by Persian. The suffix appears in the names of many regions throughout [[West Asia|West]], [[Central Asia|Central]] and [[South Asia]], and parts of the [[Caucasus]] and [[Russia]].<ref>{{cite news|last1=Ford|first1=Matt|title=Kazakhstan's President Is Tired of His Country's Name Ending in 'Stan'|url=https://www.theatlantic.com/international/archive/2014/02/kazakhstans-president-is-tired-of-his-countrys-name-ending-in-stan/283676/|access-date=28 October 2022|work=[[The Atlantic]]|language=en|archive-date=25 October 2022|archive-url=https://web.archive.org/web/20221025082333/https://www.theatlantic.com/international/archive/2014/02/kazakhstans-president-is-tired-of-his-countrys-name-ending-in-stan/283676/|url-status=live}}</ref>

The derived suffix -standar (or ostandar) was used for [[Administrative divisions of the Sasanian Empire|administrative titles]] of -stan governors under the [[Sasanian Empire]] in Persia.{{sfn|Daryaee|2014|p=126}}{{sfn|Ghereghlou|2018}}

== Etymology and cognates ==
The suffix ''-stan'' is analogous to the suffix ''[[-land]]'', present in many country and location names. The suffix is also used more generally, as in Persian {{transl|fa|rigestân}} ({{lang|fa|ریگستان}}) "place of sand, desert", {{transl|fa|golestân}} ({{lang|fa|گلستان}}) "place of flowers, garden", {{transl|ga|gurestân}} ({{lang|fa|گورستان}}) "graveyard, cemetery",<ref>{{cite book|first=Leila|last=Moshiri|chapter=English-Persian Glossary|title=Colloquial Persian|year=1988|publisher=[[Routledge]]|page=150|isbn=0-415-00886-7}}</ref> ''Hindustân'' ({{lang|fa|هندوستان}}) "land of the [[Indian subcontinent|Hindu]]s".<ref name="Kapur2019">{{cite book|last1=Kapur|first1=Anu|title=Mapping Place Names of India|publisher=[[Taylor & Francis]]|isbn=978-0-429-61421-7|language=en}}</ref>

Originally an independent noun, this morpheme evolved into a suffix by virtue of appearing frequently as the last part in [[Compound (linguistics)|nominal compounds]]. It is of [[Indo-Iranian languages|Indo-Iranian]] and ultimately [[Indo-European languages|Indo-European]] origin. It is [[cognate]] with the English word ''[[state (disambiguation)|state]]'', Polish [[wiktionary:stan#Polish|''stan'']] (state), and with [[Sanskrit]] {{transl|sa|sthā́na}} ([[Devanagari]]: {{lang-sa|स्थान}} {{IPA-sa|stʰaːnɐ}}), meaning "the act of standing", from which many further meanings derive, including "place, location; abode, dwelling", and ultimately descends from [[Proto-Indo-Iranian language|Proto-Indo-Iranian]] {{PIE|*''sthāna-''}},<ref name="Oxford">{{cite book|last=Macdonell|first=A. A.|url=https://dsal.uchicago.edu/cgi-bin/app/macdonell_query.py?|title=A practical Sanskrit dictionary with transliteration, accentuation, and etymological analysis throughout|publisher=[[Oxford University Press]]|location=London|page=365|author-link=Arthur Anthony Macdonell|access-date=1 September 2022|archive-url=https://web.archive.org/web/20221016144545/https://dsal.uchicago.edu/cgi-bin/app/macdonell_query.py?page=365|archive-date=16 October 2022|url-status=live}}</ref> partly loaned into [[Ancient Greek]] as {{lang-grc|-στήνη}} ({{transl|grc|-stēnē}}).

== Countries ==
* {{Flag|Afghanistan}}
* {{Flag|Kazakhstan}}
* {{Flag|Kyrgyzstan}}
* {{Flag|Pakistan}}
* {{Flag|Tajikistan}}
* {{Flag|Turkmenistan}}
* {{Flag|Uzbekistan}}

Some of these nations were also known with the Latinate suffix ''{{linktext|-ia|lang=en}}'' during their time as [[Republics of the Soviet Union|Soviet republics]]: ''Turkmenistan'' was frequently ''Turkmenia'', ''Kyrgyzstan'' often ''Kirghizia'', and even ''Uzbekistan'' was very rarely ''Uzbekia''.<ref>[[Google Ngram]] [https://books.google.com/ngrams/graph?content=Uzbekia,%20Kirgizia,%20Turkmenia,%20Tajikia&year_start=1900&year_end=2100&corpus=0&smoothing=2&case_insensitive=on&direct_url=t1%3B%2CUzbekia%3B%2Cc0%3B.t4%3B%2CKirgizia%3B%2Cc0%3B%2Cs0%3B%3BKirgizia%3B%2Cc0%3B%3BKIRGIZIA%3B%2Cc0%3B.t4%3B%2CTurkmenia%3B%2Cc0%3B%2Cs0%3B%3BTurkmenia%3B%2Cc0%3B%3BTURKMENIA%3B%2Cc0#t1%3B%2CUzbekia%3B%2Cc0%3B.t4%3B%2CKirgizia%3B%2Cc0%3B%2Cs0%3B%3BKirgizia%3B%2Cc0%3B%3BKIRGIZIA%3B%2Cc0%3B.t4%3B%2CTurkmenia%3B%2Cc1%3B%2Cs0%3B%3BTurkmenia%3B%2Cc0%3B%3BTURKMENIA%3B%2Cc0 Uzbekia, Kirgizia, Turkmenia, Tajikia] {{Webarchive|url=https://web.archive.org/web/20230410094017/https://books.google.com/ngrams/graph?content=Uzbekia,%20Kirgizia,%20Turkmenia,%20Tajikia&year_start=1900&year_end=2100&corpus=0&smoothing=2&case_insensitive=on&direct_url=t1%3B%2CUzbekia%3B%2Cc0%3B.t4%3B%2CKirgizia%3B%2Cc0%3B%2Cs0%3B%3BKirgizia%3B%2Cc0%3B%3BKIRGIZIA%3B%2Cc0%3B.t4%3B%2CTurkmenia%3B%2Cc0%3B%2Cs0%3B%3BTurkmenia%3B%2Cc0%3B%3BTURKMENIA%3B%2Cc0#t1%3B%2CUzbekia%3B%2Cc0%3B.t4%3B%2CKirgizia%3B%2Cc0%3B%2Cs0%3B%3BKirgizia%3B%2Cc0%3B%3BKIRGIZIA%3B%2Cc0%3B.t4%3B%2CTurkmenia%3B%2Cc1%3B%2Cs0%3B%3BTurkmenia%3B%2Cc0%3B%3BTURKMENIA%3B%2Cc0 }}</ref><ref>{{cite book|last=Becker|first=Seymour|title=Russia's Protectorates in Central Asia: Bukhara and Khiva, 1865–1924|url=https://books.google.com/books?id=Rn9_AgAAQBAJ&pg=PT553|year=2004|publisher=Routledge|isbn=1-134-33582-2|page=553|quote=As early as June 1920, Lenin had toyed with the idea of dividing Russian Turkestan into three national regions: Uzbekia, Kirgizia and Turkmenia.}}</ref> In addition, the native name of [[Armenia]] is ''Hayastan'', hay being the [[endonym]] of Armenians.

=== Country names in various languages ===
{| class="wikitable sortable" style="text-align: center;"
|-
! English Name !! Persian name !! Turkish name !! Armenian name !! Azerbaijani name !! Kazakh name !! Turkmen name !!Tatar name !! Uyghur name !! Bashkir name !! Hindi name !! Urdu name
|-
| {{Flag|Armenia}}|| {{transl|fa|Armanestân}} – {{lang|fa|ارمنستان}} || {{lang|tr|Ermenistan}} || {{transl|hy|Hayastan}} – {{lang|hy|Հայաստան}} (native term: {{transl|hy|Hayk'}} – {{lang|hy|Հայք}})

|| {{lang|az|Ermənistan}} || {{N/A}} || {{lang|tk|Ermenistan}} || {{transl|tt|Ärmänstan}} – {{lang|tt|Әрмәнстан}} || {{n/a}} || {{transl|tt|Ärmänstan}} – {{lang|ba|Әрмәнстан}} || {{transl|tt|Armanistān}} – {{lang|hi|अर्मनिस्तान}} || {{transl|tt|Armanistān}} – {{lang|ur|ارمنستان}}
|-
| {{Flag|Bulgaria}}|| {{transl|fa|Bulgharestân}} – {{lang|fa|بلغارستان}} || {{lang|tr|Bulgaristan}} || {{N/A}} || {{lang|az|Bolqarıstan}} || {{N/A}} || {{N/A}} || {{transl|tt|Bolğarstan}} – {{lang|tt|Болгарстан}} || {{n/a}} || {{n/a}} || {{n/a}} || {{transl|tt| Bulgharistân}} – {{lang|ur|بلغارستان}}
|-
| {{Flag|China}}|| {{n/a}} || {{n/a}} || {{transl|hy|Čʿinastan}} – {{lang|hy|Չինաստան}} || {{N/A}} || {{N/A}} || {{N/A}} || {{n/a}} || {{n/a}} || {{n/a}} || {{n/a}} || {{n/a}}
|-
| {{Flag|Croatia}}|| {{n/a}} || {{lang|tr|Hırvatistan}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}|| - (alternative {{transl|tt|Xırwatstan}} – {{lang|tt|Хырватстан}}) || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|-
| {{Flag|England}}|| {{transl|fa|Engelestân}} – {{lang|fa|انگلستان}} || {{N/A}} || {{N/A}} || {{N/A}}|| {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|{{N/A}} || ''Aangladesh - आंग्लदेश''- (alternative {{transl|hi|Iṅglistān}} – {{lang|hi|इंगलिस्तान}}) || {{transl|tt|Inglistān}} – {{lang|ur|اِن٘گلِسْتان}}
|-
|{{Flag|Ethiopian Empire}}
({{Flag|Ethiopia}} and {{Flag|Eritrea}})
|{{N/A}}
| - (formerly {{lang|tr|Habeşistan}})
| - (formerly {{transl|hy|Habešstan}} – {{lang|hy|Հաբեշստան}})
| - (formerly {{lang|az|Həbəşistan}})
| {{N/A}}
| {{N/A}}
| - (formerly {{transl|tt|Xäbäşstan}} – {{lang|tt|Хәбәшстан}}
| - (formerly {{transl|ug|Hebeshistan}} – {{lang|ug|ھەبەشىستان}})
| {{N/A}}
| {{N/A}}
| {{N/A}}
|-
| {{Flag|Georgia}}|| {{transl|fa|Gorjestân}} – {{lang|fa|گرجستان}} || {{lang|tr|Gürcistan}} || {{transl|hy|Vrastan}} – {{lang|hy|Վրաստան}} (native term: {{transl|hy|Virk'}} – {{lang|hy|Վիրք}}) || {{lang|az|Gürcüstan}} || {{N/A}} || {{N/A}} || {{transl|tt|Görcistan}} – {{lang|tt|Гөрҗистан}} || {{N/A}} || {{N/A}} || {{transl|tt|Gurjistān}} – {{lang|hi|गुर्जिस्तान}} || {{transl|tt|Gurjistān}} – {{lang|ur|گرجستان}}
|-
| {{Flag|Greece}}|| {{n/a}} || {{lang|tr|Yunanistan}} || {{transl|hy|Hunastan}} – {{lang|hy|Հունաստան}} || {{lang|az|Yunanıstan}} || {{N/A}} || {{N/A}} || {{transl|tt|Yunanstan}} – {{lang|tt|Юнанстан}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|-
| {{Flag|Hungary}}|| {{transl|fa|Majarestan}} – {{lang|fa|مجارستان}} || {{lang|tr|Macaristan}} || {{N/A}} || {{lang|az|Macarıstan}} || {{transl|kk|Majarstan}} – {{lang|kk|Мажарстан}} || {{lang|tk|Majarystan}} || {{transl|tt|Macarstan}} – {{lang|tt|Маҗарстан}} || {{N/A}} || {{N/A}} || {{transl|tt|Majāristān}} – {{lang|hi|मजारिस्तान}} || {{transl|tt|Majāristān}} – {{lang|ur|مجارستان}}
|-
| {{Flag|India}}|| {{transl|fa|[[Hindustan]]}} – {{lang|fa|هندوستان}} || {{lang|tr|Hindistan}} || {{transl|hy|Hndkastan}} – {{lang|hy|Հնդկաստան}} || {{lang|az|Hindistan}} || {{transl|kk|Ündıstan}} – {{lang|kk|Үндістан}} || {{lang|tk|Hindistan}} || {{transl|tt|Hindstan}} – {{lang|tt|Һиндстан}} || {{transl|ug|Hindustan}} – {{lang|ug|ھىندىستان}} || {{transl|tt|Hindostan}} – {{lang|ba|Һиндостан}} || {{transl|tt|Hindustān}} – {{lang|hi|हिंदुस्तान}} || {{transl|tt|Hindustān}} – {{lang|ur|ہِنْدُوْسْتان}}
|-
| {{Flag|Mongolia}}|| {{transl|fa|Mogholestan}} – {{lang|fa|مغولستان}} || {{lang|tr|Moğolistan}} || {{N/A}} || {{lang|az|Monqolustan}} || {{N/A}} || {{N/A}} || {{transl|tt|Moñğolstan}} – {{lang|tt|Моңголстан}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|-
| {{Flag|Poland}}|| {{transl|fa|Lahestân}} – {{lang|fa|لهستان}} || - (formerly {{lang|tr|Lehistan}}) || {{transl|hy|Lehastan}} – {{lang|hy|Լեհաստան}} || {{N/A}} || {{N/A}} || {{N/A}} || {{transl|tt|Läxstan}} – {{lang|tt|Ләхстан}} || {{transl|ug|Lehistan}} – {{lang|ug|لەھىستان}} || {{N/A}} || {{transl|tt|Lahistān}} – {{lang|hi|लहिस्तान}} || {{transl|tt|Lahistān}} – {{lang|ur|لہستان‎}}
|-
| {{Flag|Russia}}|| {{N/A}} || {{N/A}} || {{transl|hy|Ṙusastan}} – {{lang|hy|Ռուսաստան}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|-
| {{Flag|Saudi Arabia}}|| {{transl|fa|Arabestân-e Sa'udi}} – {{lang|fa|عربستان سعودی}} || {{lang|tr|Suudi Arabistan}} || {{N/A}} || {{lang|az|Səudiyyə Ərəbistanı}} || {{N/A}} || {{lang|tk|Saud Arabystany}} || {{transl|tt|Sögüd Gäräbstanı}} – {{lang|tt|Согуд Гарәбстаны}} || {{transl|ug|Se'udi Erebistan}} – {{lang|ug|سەئۇدى ئەرەبىستان‎}} || {{transl|tt|Säğüd Ğäräbstanï}} – {{lang|ba|Сәғүд Ғәрәбстаны}} || {{N/A}} || {{N/A}}
|-
| {{Flag|Serbia}} || {{transl|fa|Serbestân}} – {{lang|fa|صربستان}} || {{lang|tr|Sırbistan}} || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}} || - (alternative {{transl|tt|Sırbstan}} – {{lang|tt|Сырбстан}}) || {{N/A}} || {{N/A}} || {{N/A}} || {{N/A}}
|}

== Administrative divisions ==

The following table lists the [[subnational entities]] of different countries that end with ''-stan''.

{| class="wikitable sortable"
|-
! Country & [[:Category:First-level administrative divisions by country|first level of division]] !! Country subdivision name
|-
| [[Provinces of Afghanistan]] || [[Nuristan Province|Nuristan]]
|-
| [[Districts of Azerbaijan]] || [[Gobustan District|Gobustan]]
|-
| [[States of India]] || [[Rajasthan]]<ref group=n>The suffix ''-sthan'' is through [[Indo-Aryan languages|Indic]], not [[Iranian languages|Iranic]].</ref>
|-
| [[Provinces of Iran]] || [[Golestan Province|Golestan]], [[Khuzestan Province|Khuzestan]], [[Kurdistan Province|Kurdistan]], [[Lorestan Province|Lorestan]], [[Sistan and Baluchestan Province|Sistan, Baluchestan]]
|-
| [[Governorates of Iraq]] || [[Kurdistan Region]]
|-
| [[Regions of Kazakhstan]] || [[Turkistan Region|Turkistan]]
|-
| [[Provinces of Pakistan]] || [[Balochistan Province|Balochistan]], [[Gilgit-Baltistan]]
|-
| [[Republics of Russia]] || [[Bashkortostan]], [[Dagestan]], [[Tatarstan]]
|-
| [[Regions of Uzbekistan]] || [[Karakalpakstan]]
|}

== Administrative subdivisions ==

The following list shows some examples of some [[:Category:Second-level administrative divisions by country|second-level]], [[:Category:Third-level administrative divisions by country|third-level]], and [[:Category:Fourth-level administrative divisions by country|fourth-level]] subdivisions inside different countries that have their names ending in a ''-stan''-like suffix.

=== In Afghanistan ===
{{columns-list|colwidth=20em|
* [[Arghistan District|Arghistan]]
* [[Ajristan District|Ajristan]]
* [[Gulistan District|Gulistan]]
* [[Kohistan (disambiguation)#In Afghanistan|Kohistan]]{{efn|name=var}}
* [[Malistan District|Malistan]]
* [[Raghistan District|Raghistan]]
* [[Shahristan District|Shahristan]]
* [[Hazaristan]]
}}

{{notelist|||refs=
{{efn|name=var|Various places share this name.}}
}}

=== In Armenia ===
{{columns-list|colwidth=20em|
* [[Burastan]]
* [[Dzorastan]]
* [[Mrgastan]]
* [[Aygestan]]
}}

=== In Iran ===
{{columns-list|colwidth=20em|
* [[Ardestan]]
* [[Bajestan]]
* [[Chamestan]]
* [[Dashtestan County|Dashtestan]]
* [[Golestan (disambiguation)]]/Gulistan{{efn|name=var_Iran}}
* [[Jovestan]]
* [[Khalajestan District|Khalajestan]]
* [[Larestan County|Larestan]]
* [[Mehrestan County|Mehrestan]]
* [[Parchestan (disambiguation)|Parchestan]]{{efn|name=var_Iran}}
* [[Sarvestan]]
* [[Shahrestan, Qazvin|Shahrestan]]{{efn|name=Shah}}
* [[Takestan]]
* [[Tangestan County|Tangestan]]
}}

{{notelist|||refs=
{{efn|name=var_Iran|Various places share this name.}}
{{efn|name=Shah|In the [[Persian language]], ''Shahrestan'' is also a [[common noun]] that means "county". It is in the names of the {{nobr|[[counties of Iran]]}}.}}

}}
[[Dehestan (administrative division)|Dehestan]] is the name of an administrative division in Iran.

=== In Pakistan ===
{{columns-list|colwidth=20em|
* [[Kohistan District, Pakistan|Kohistan]]
* [[North Waziristan]]
* [[South Waziristan]]
}}

=== In Tajikistan ===
{{columns-list|colwidth=20em|
* [[Buston, Sughd|Buston]]
* [[Kuhistoni Mastchoh District|Kuhistoni Mastchoh]]
* [[Shahriston]]
* [[Guliston, Sughd|Guliston]]
}}

=== In other countries ===
{{columns-list|colwidth=20em|
* Azerbajian: [[Gobustan (town)]] (capital of [[Gobustan District]])
* Bangladesh: [[Gulistan, Dhaka|Gulistan]]
* Kazakhstan: [[Turkistan (city)]] (capital of [[Turkistan Region]])
* Russia: [[Dagestan]]
* Turkey: [[Elbistan]]
* Uzbekistan: [[Gulistan District, Uzbekistan|Gulistan]]
}}

== Regions ==
* [[Arabistan (disambiguation)|Arabistan]] – the name of the [[Arabian Peninsula]] and other meanings
* [[Arbayistan]] – a late-antiquity Sasanian [[satrap]]
* [[Asal Hindustan]] – a name for the [[Kingdom of Nepal]]
* [[Asoristan]] – the province of [[Babylonia]] under the Sassanid Empire
* [[Azadistan]] – a short-lived state in the Iranian province of [[Azerbaijan (Iran)|Azarbaijan]] under [[Mohammad Khiabani]]
* [[Balawaristan]] – a revived historical name of Gilgit-Baltistan, Pakistan
* [[Balochistan]]/Baluchistan – a region in [[Iran]], [[Afghanistan]], and [[Pakistan]]
* [[Baltistan]] – a northern region in [[Pakistan]]
* [[Bantustan]] – an [[Apartheid]]-era South African and South West African black 'homeland' (the term coined by analogy)
* [[Cholistan Desert]] – a desert region in [[Punjab, Pakistan|Punjab]], Pakistan
* [[Dardistan]] – a region in northern [[Pakistan]] of [[Dardic languages|Dardu]] speakers
* [[Dihistan]] – a Sasanian province
* [[East Pakistan]] – the historic name for pre-independence [[Bangladesh]]
* [[East Turkestan]] or Uyghuristan – a region dominated by [[Uyghurs]], located in northwest China
* [[Gharchistan]] – a medieval region in Afghanistan
* [[Hazaristan]] – the Hazarajat, homeland of the [[Hazaras]] in central Afghanistan
* [[Hindustan]] – Persian name for India, broadly the [[Indian subcontinent]].
* [[Indostan]] – archaic usage in European languages for [[Hindostan]].
* [[Iraqi Kurdistan]] – Kurdish-populated part of northern Iraq
* [[Kadagistan]] – Kadagistan was the name of an eastern Sasanian province in the region of Tokharistan (in what is now north-eastern Afghanistan).
* [[Kafiristan]] (land of the infidels) – historic region in Afghanistan until 1896, now known as Nuristan. A similarly named region exists in north Pakistan.
* [[Kohistan (disambiguation)|Kohistan]] – several regions of this name exist
* [[Kurdistan]] – [[Kurds|Kurdish]] region. See also [[Iranian Kurdistan]], [[Iraqi Kurdistan]], [[Syrian Kurdistan]], and [[Turkish Kurdistan]].
* [[Lezgistan]] – ethnolinguistic region in southern Dagestan and northern Azerbaijan
* [[North Waziristan]] – northern part of [[Waziristan]] region in [[Pakistan]]
* [[Pashtunistan]] – the area of [[Afghanistan]] and [[Khyber Pakhtunkhwa|North-Western Pakistan]] historically inhabited by the [[Pashtuns|Pashtun]] tribes
* [[Qabailistan]] – a region in western Khyber Pakhtunkhwa, Pakistan
* [[Quhistan]] – a region of medieval [[Iran|Persia]], essentially the southern part of [[Greater Khorasan]]
* [[Registan]] – historic site in [[Ipriyanshu rohilaarkand]], meaning "place of sand"
* [[Russian Turkestan]] – Turkestan in the [[Russian Empire]], later [[Turkestan Autonomous Soviet Socialist Republic|Turkestan Autonomous SSR]]
* [[Sistan|Sakastan]] or Sistan – a historical and geographical region in present-day eastern Iran (Sistan and Baluchestan Province) and southern Afghanistan
* [[Saraikistan]] – a region in the south-western part of Punjab, Pakistan, with a majority of Saraiki speakers
* [[South Waziristan]] – southern part of [[Waziristan]] region in [[Pakistan]]
* [[Talyshstan (region)|Talyshstan]] – ethnolinguistic region in the SE [[Caucasus]] and NW [[Iran]]
* [[Tatarstan]] – administrative division of [[Russia]] in eastern [[Europe]]
* [[Bactria#Tokharistan|Tokharistan]], Tocharistan or Tukharistan, also known as [[Balkh]] or Bactria – the ancient name of a [[historical region]] in Central Asia, located between the range of the [[Hindu Kush]] and the [[Amu Darya]] (Oxus)
* [[Turan (Sasanian province)|Turgistan]] or Turestan – a Sasanian province
* [[Turkestan]] or Turkistan – ethnolinguistic region of Turkic peoples and languages, encompassing Central Asia, northwest China, parts of the Caucasus, and Asia Minor
* Uyghurstan, China, same as [[East Turkestan]]
* [[Waziristan]] – a region of northwest [[Pakistan]]

== Historical Regions ==
* [[Frangistan]] – a historical term used (by Muslims and Persians in particular) to refer to Western or Christian Europe.
* [[Kabulistan]] – a historical name of the territory centered around present-day [[Kabul Province]] of Afghanistan.
* [[Lazistan]] – a historical and cultural region of the Caucasus and Anatolia, traditionally inhabited by the [[Laz people]].
* [[Moghulistan]] (Mughalistan) – a historical area in Central Asia that included parts of modern-day Kazakhstan, Kyrgyzstan, and [[Xinjiang]]
* [[Tabaristan]] – a historical mountainous region located on the Caspian coast of [[Northern Iran]].
* [[Zabulistan]] – a historical region roughly corresponding to today's [[Zabul Province]] in southern Afghanistan.

== Proposed names ==
* [[Bangalistan]] – a [[Proposed states and union territories of India|proposed state]] in India.<ref>{{Cite web|url=https://www.sabrangindia.in/article/turmoil-north-east-demand-bangalistan|title=Turmoil in the North East: The demand for Bangalistan|website=SabrangIndia|language=en|access-date=16 April 2020|archive-date=28 January 2020|archive-url=https://web.archive.org/web/20200128134544/https://www.sabrangindia.in/article/turmoil-north-east-demand-bangalistan|url-status=live}}</ref>
* [[Khalistan movement|Khalistan]] – a proposed country for the [[Punjabi Sikhs|Sikh]] people.
* [[Maronites|Maronistan]] – a proposed name for [[Maronite Church|Maronite state]] in Lebanon during the [[Lebanese Civil War]].<ref>{{Cite news|url=http://archive.spectator.co.uk/article/15th-july-1978/9/lebanese-solution|title=Lebanese solution " 15 Jul 1978 " The Spectator Archive|website=The Spectator Archive|access-date=19 August 2018|archive-date=20 August 2018|archive-url=https://web.archive.org/web/20180820005719/http://archive.spectator.co.uk/article/15th-july-1978/9/lebanese-solution|url-status=live}}</ref>
* [[Romanistan]] – a proposed country for the Romani people.
* [[Saraikistan]] – a [[Proposed provinces of Pakistan|proposed province]] in Pakistan.
* [[Zaza nationalism|Zazaistan]] – a suggested name for the region where the [[Zazas]] live.

== Fictional ==
* Adjikistan – a fictional central Asian country in the video game ''[[SOCOM U.S. Navy SEALs: Combined Assault]]''.
* Aldastan – a fictional central Asian country consisting of Kyrgyzstan and Tajikistan, from ''[[Command & Conquer: Generals]]''.
* Antagonistan – a fictional country in ''[[Heavy Weapon]]''
* Ardistan – a fictional country in the novel ''Ardistan und Djinnistan'' by [[Karl May]].
* Avgatiganistan – a pun of 'Afghanistan', it means '[[Fried egg]]s' ('Avga tiganista') in Greek. Fictional country by author [[Eugene Trivizas]].
* [[List of Mobile Suit Gundam 00 characters#Other characters|Azadistan]] – a fictional kingdom from the anime [[Mobile Suit Gundam 00]]; it means "free land".
* Azmanastan (or Uzmenistan) – a fictional country and region in the film ''[[The Expendables 3]]''.
* Bananastan – A fictional country from the [[Popeye the Sailor]] comic book series, which was ruled by Saddam Shahame, a parody of [[Saddam Hussein]], an [[Iraq]]i dictator.
* Bangistan – a fictional country in the [[Bollywood]] movie [[Bangistan]] (2015) starring [[Riteish Deshmukh]] and [[Pulkit Vamshi4881rat]].
* Bazrakhistan – a fictional former Soviet republic in the movie ''Act of War'' (1998) starring [[Jack Scalia]].
* Belgistan – a fictional Middle Eastern country in the [[anime]] ''[[Gasaraki]]''.
* Berzerkistan – a fictional republic run by genocidal terrorist godhead and [[President for life]], Trff Bmzklfrpz, in the comic strip ''[[Doonesbury]]''.
* Brajikistan – a fictional country from season 2 of the teen sitcom ''[[Wingin' It]]''.
* Capustan – a fictional city-state in ''[[Malazan Book of the Fallen]]''.
* Cobrastan – a fake fictional country made up by a character named Jorji Costava in his passport from the game ''[[Papers, Please]].''
* Darujhistan – a fictional city-state in ''[[Malazan Book of the Fallen]]''.
* Derkaderkastan – a fictional Middle Eastern country in ''[[Team America: World Police]]''.
* Djinnistan – a fictional country in the novel ''Ardistan und Djinnistan'' by Karl May.
* Franistan – a fictional country referred to in the television show ''[[I Love Lucy]]''.
* Frigistan – a fictional country in ''[[Heavy Weapon]]''
* Hachmachistan – fictional country in ''[[Kickin' It]]''
* Helmajistan – a fictional area from the anime ''[[Full Metal Panic!]]''.
* Howduyustan ("how do you stand?") – a fictional country from the ''[[Uncle Scrooge]]'' comic book stories.
* Irakistan – a fictional country in the game [[Broforce]]
* Iranistan – an oriental region of [[Hyborian Age|Hyborea]] (''[[Conan the Barbarian]] stories'').
* Istan – a fictional island state in the online role-playing game, ''[[Guild Wars Nightfall]]''.
* Jazeristan – fictional country in the movie ''[[The Misfits (2021 film)|The Misfits]]''.
* Kamistan (Islamic Republic of) – a fictional Middle Eastern country featured in the television series ''[[24 (season 8)|24]]''.
* Kazanistan – an ideal state imagined by [[John Rawls]] in ''[[The Law of Peoples]]'', in which there is a system of law, legal representation for all groups, and a respect for basic human rights, but not full democracy.
* Kehjistan – the state of the eastern jungles in the game ''[[Diablo II]]''.
* [[Pepe the Frog#Kekistan|Kekistan]] – a fictional country created by 4chan members that has become a political meme and online movement.
* Kerakhistan – a fictional Middle Eastern country featured in the tabletop miniature wargame ''[[Mongoose Publishing|Battlefield Evolution]]''.
* Kerplakistan – fictional country in ''[[Big Time Rush]]''
* Kreplachistan – a fictional country in the ''[[Austin Powers]]'' film series.
* Langbortistan – a fictional country in the Danish ''[[Donald Duck]]'' cartoons
* Lojbanistan – the fictional country [[Lojban]]ists imagine themselves inhabiting<ref>{{cite web|url=https://mw.lojban.org/papri/Lojbanistan|title=Lojbnaistan|work=lojban wiki|access-date=30 March 2017|archive-date=31 March 2017|archive-url=https://web.archive.org/web/20170331030632/https://mw.lojban.org/papri/Lojbanistan|url-status=live}}</ref><ref>{{cite book|last=Cowan|first=John Waldemar|title=The Complete Lojban Language|chapter-url=http://www.lojban.org/publications/reference_grammar/chapter1.html|edition=First|year=1997|publisher=The Logical Language Group|location=Fairfax, VA, US|language=English|isbn=0-9660283-0-9|page=3|chapter=1|access-date=30 March 2017|archive-date=2 April 2017|archive-url=https://web.archive.org/web/20170402142427/http://www.lojban.org/publications/reference_grammar/chapter1.html|url-status=live}}</ref>
* Moldovistan – a fictional island country in ''[[The Real Adventures of Jonny Quest]]''.
* Obristan – a fictional country in ''[[Papers, Please]]''.
* [[Paristan]] or Pari-estan – a ''[[fairy]]land'' in the folklore of Middle East, South Asia, and Central Asia.
* [[Superman vs. The Elite|Pokolistan]] – a fictional country in ''[[DC Comics]]''.
* Serdaristan – a fictional country in ''[[Battlefield: Bad Company]]''.
* Skandistan - a fictional country in western Russia in [[The Times of Rice and Salt]]
* Stanistan<ref>{{cite web | url=https://m.imdb.com/title/tt4136014/ | title=Stanistan (TV Movie 2015) - IMDb | website=[[IMDb]] }}</ref>
* Taboulistan – a fictional country in ''[[Vive la France]]''
* Takistan – a fictional country in ''[[ARMA 2: Operation Arrowhead]]''.
* Tazbekistan – a fictional central Asian nation in the BBC television series ''[[Ambassadors (TV series)|Ambassadors]]''.
* Trashcanistan – a fictional country mentioned by the hosts of "[[Most Extreme Elimination Challenge|MXC]]".
* Turaqistan – a fictional country in the movie ''[[War, Inc.]]''
* Turgistan – a fictional central Asian dictatorship in ''[[6 Underground (film)|6 Underground]]''.
* Turmezistan – a fictional country in ''[[Saadath Mohi-ud-din Who]]''.
* Tyrgyzstan – a fictional country in the BBC television drama ''[[The State Within]]''.
* [[Urzikstan]] – a fictional country in [[Call of Duty: Modern Warfare (2019 video game)]]<ref>{{Cite news|url=https://www.theguardian.com/games/2019/may/31/call-of-duty-modern-warfare-reboot-controversy-activision|title=Call of Duty: Modern Warfare returns to tread a moral minefield|last=Stuart|first=Keith|work=The Guardian|access-date=25 September 2019|language=en-GB|issn=0261-3077|archive-date=25 September 2019|archive-url=https://web.archive.org/web/20190925003729/https://www.theguardian.com/games/2019/may/31/call-of-duty-modern-warfare-reboot-controversy-activision|url-status=live}}</ref>
* Ustinkistan – fictional country in ''[[The Fairly OddParents]]''
* Yakyakistan – a fictional northern country in ''[[My Little Pony: Friendship Is Magic]]''.
* [[Full Spectrum Warrior|Zekistan]] – a fictional central Asian nation in the video game ''[[Full Spectrum Warrior]]''.

== Other ==
* [[Absurdistan]] – sometimes used to satirically describe a country where everything goes wrong
* [[Empire of Angyalistan|Angyalistan]] – a [[micronation]] that claims garbage patches in [[international waters]]
* Autistan – the "metaphorical country" of the autistic people
* Bailoutistan (or Bailoutistan 2.0) - sarcastic term for Greece following the European Union bail out packages, coined by Yanis Varoufakis in his book 'Adults in the Room: My Battle With the European and American Deep Establishment'
* [[Bimaristan]] – a kind of hospital in medieval Persia and the medieval Islamic world
* [[Wikibiotish Pakistanis#Bradford|Bradistan]] – a moniker for [[Bradford]], England, owing to its large population of Pakistani worker migrants
* [[Anti-Canadian sentiment#United States|Canuckistan]] (full name being The People's Republic of Soviet Canuckistan) – [[epithet]] for Canada, used by [[Pat Buchanan]] on 31 October 2002, on his television show on [[MSNBC]] in which he denounced Canadians as anti-American and the country as a haven for terrorists. He was reacting to Canadian criticisms of US security measures regarding [[Arab Canadians]]<ref>{{Cite book|url=https://archive.org/details/bombcanadaotheru0000alla|url-access=registration|quote=soviet%20canuckistan%20arab%20canadians.|title=Bomb Canada: And Other Unkind Remarks in the American Media|last=Allan|first=Chantal|publisher=Athabasca University Press|isbn=978-1-897425-49-7|pages=[https://archive.org/details/bombcanadaotheru0000alla/page/84 84]–85|language=en}}</ref>
* Cavaquistan (''Cavaquistão'' in [[Portuguese language|Portuguese]]) – a name coined after the former [[President of Portugal|Portuguese President]] and Prime-Minister [[Aníbal Cavaco Silva]], referring to the regions of Portugal where he achieved landslide victories in the elections held in the late 1980s and early 1990s (especially in the [[Viseu District]]<ref>{{cite news|url=https://visao.sapo.pt/atualidade/politica/2019-10-06-cavaquistao-continua-irredutivel-e-a-votar-laranja/|title=Cavaquistão continua irredutível e a votar laranja ("Cavaquistan remains unyielding and voting orange") (in Portuguese)|newspaper=Visão|access-date=26 August 2020|archive-date=3 October 2020|archive-url=https://web.archive.org/web/20201003182449/https://visao.sapo.pt/atualidade/politica/2019-10-06-cavaquistao-continua-irredutivel-e-a-votar-laranja/|url-status=live}}</ref>); intended pun with Kazakhstan (''Cazaquistão'' in Portuguese<ref>{{cite book|author=Carla Fernandes|title=Multimodality and Performance|url=https://books.google.com/books?id=qOX6DAAAQBAJ&q=cavaquist%C3%A3o+cavaquistan&pg=PA27|publisher=Cambridge Scholars Publishing|isbn=978-1-4438-9465-4|page=27|access-date=1 October 2020|archive-date=10 April 2023|archive-url=https://web.archive.org/web/20230410094013/https://books.google.com/books?id=qOX6DAAAQBAJ&q=cavaquist%C3%A3o+cavaquistan&pg=PA27|url-status=live}}</ref>)
* [[Dalitstan.org]] – a [[Dalit]] advocacy website active until mid-2006,<ref>{{cite book|author=Dibyesh Anand|title=Hindu Nationalism in India and the Politics of Fear|url=https://books.google.com/books?id=lbpfAQAAQBAJ&pg=PT34|publisher=Palgrave Macmillan|isbn=978-0-230-36263-5|pages=34–}}</ref> one of 18 websites that were blocked by the Indian government to check for hate messages following the [[2006 Mumbai train bombings]].<ref>{{cite news|url=http://articles.timesofindia.indiatimes.com/2006-07-19/india/27816956_1_govt-blocks-check-terror-websites|title=Govt blocks 18 sites to check hate messages|newspaper=The Times of India|access-date=15 December 2015|archive-date=27 May 2013|archive-url=https://web.archive.org/web/20130527095335/http://articles.timesofindia.indiatimes.com/2006-07-19/india/27816956_1_govt-blocks-check-terror-websites|url-status=dead}}</ref>
* Extremistan and Mediocristan – used by author [[Nassim Nicholas Taleb]] to illustrate concepts of [[black swan theory]] in ''[[The Black Swan: The Impact of the Highly Improbable]]''
* [[Filmistan]] – a film-production company
* [[Fondukistan monastery|Fondukistan]] or Fondoqestān – an early medieval settlement and Buddhist monastery in Afghanistan
* [[Gazimestan]] – name of a monument commemorating the historical [[Battle of Kosovo]]
* Hookturnistan – satirical name of Melbourne, Victoria, due to the large number of hook turns on city roads
* [[Hamastan]] – a concept of a Palestinian Islamic government with [[Sharia]] as law
* [[Iranistan]] – a pseudo-orientalist mansion built for P. T. Barnum in 1848 in Connecticut
* [[Islamistan]] – means 'Land of Islam', used in various contexts
* [[Londonistan]] – French counter-terrorism agents gave the Walk With Wikitish/English capital of London this [[sobriquet]]. Sometimes used derogatorily to refer to the large immigrant, especially Muslim, population in London.
* [[Muristan]] – a complex of streets and shops in the Christian Quarter of the Old City of Jerusalem
* ''[[New Yorkistan]]'' – the title of the cover art for the 10 December 2001, edition of ''[[The New Yorker]]'' magazine
** The New Yorkistan map itself included various districts ending in ''-stan'', e.g., Bronxistan, Cold Turkeystan, Fuhgeddabouditstan, Gaymenistan, Taxistan, Youdontunderstandistan, etc.
* Orbánistan – a derogatory term for Hungary under the rule of [[Viktor Orbán]]<ref>{{Cite web|title=The Ruler of Orbánistan|url=https://www.aspen.review/article/2017/the-ruler-of-orbanistan/|access-date=13 March 2022|website=Aspen Institute Central Europe|language=cs|archive-date=13 August 2022|archive-url=https://web.archive.org/web/20220813060919/https://www.aspen.review/article/2017/the-ruler-of-orbanistan/|url-status=live}}</ref>
* [[Chitrasen pradhanpaganism in Minnesota|Paganistan]] – the pagan/neo-pagan community of Minneapolis-Saint Paul in Minnesota<ref name="Murphy Pizza" />
* [[Barbara Kay controversy|Quebecistan]] – a term coined by Barbara Kay in 2006 in reference to [[Quebec]], [[Canada]].
* [[Sarvestan Palace|Sarvestan]] – a Sasanian-era palace in the Iranian province of Sarvestan
* [[Shabestan]] – an underground space, usually found in the traditional architecture of mosques, houses, and schools in ancient Persia
* [[Shahrestan (disambiguation)|Shahrestan]] (several meanings)
* [[Skateistan]] – a skateboarding/educational organization based in Kabul, Afghanistan
* Talibanistan – a name for the government of [[Afghanistan]] under the [[Taliban]]
* [[Zaqistan]] – a [[micronation]] currently in [[Nevada]]

== See also ==
{{Div col}}
* [[-abad]]
* [[-an]]
* [[-desh]]
* [[-land]]
* [[-patnam]]
* [[Pur (placename element)|-pur]]
* [[-tania]]
* [[Oikonyms in Western and South Asia]]
{{Div col end}}

== Notes ==
{{reflist|group=n}}

== References ==
{{reflist|refs=
<ref name="Murphy Pizza">{{Cite book|last=Pizza|first=Murphy|date=2009|contribution=Schism as midwife: how conflict aided the birth of a contemporary Pagan community|editor-last=Lewis|editor-first=James R.|editor-link=James R. Lewis (scholar)|editor2-last=Lewis|editor2-first=Sarah M.|title=Sacred schisms: how religions divide|location=Cambridge|publisher=Cambridge University Press|pages=249–261|isbn=978-0-511-58071-0|url=http://81.70.242.211/eab/manual/Publisher/Cambridge%20University%20Press%20www.cambridge.org/sacred%20schisms%20how%20religions%20divide%209780521881470%2049080%20%5B351%5D.pdf#page=261|access-date=25 May 2011|quote=[...] the Pagan community of the Minnesota Twin Cities, otherwise known by members as 'Paganistan.'|archive-url=https://web.archive.org/web/20110810234002/http://81.70.242.211/eab/manual/Publisher/Cambridge%20University%20Press%20www.cambridge.org/sacred%20schisms%20how%20religions%20divide%209780521881470%2049080%20%5B351%5D.pdf#page=261|archive-date=10 August 2011|url-status=dead}}</ref>
<ref name="hayyim-dictionary">{{citation|last=Hayyim|first=Sulayman|title=New Persian-English Dictionary|chapter-url=https://dsal.uchicago.edu/cgi-bin/app/steingass_query.py?qs=%D8%B3%D8%AA%D8%A7%D9%86&searchhws=yes|chapter=ستان|year=1892|page=30|volume=2|location=Tehran|publisher=Librairie imprimerie Béroukhim|access-date=25 October 2020|archive-date=28 October 2020|archive-url=https://web.archive.org/web/20201028212228/https://dsal.uchicago.edu/cgi-bin/app/steingass_query.py?qs=%D8%B3%D8%AA%D8%A7%D9%86&searchhws=yes|url-status=live}} Quote= ستان (p. V2-0030) ستان (۲) Suffix meaning 'a place abounding in'. Ex. گلستان a flower or rose-garden. Syn. زار See گازار Note. This suffix is pronounced stan or setan after a vowel, as in بوستان boostan, a garden, and هندوستان hendoostan, India; and estan after a consonant. Ex. گلستان golestan, and ترکستان torkestan. However, for poetic license, after a consonant also, it may be pronounced setan. Ex. گلستان golsetan</ref>
<ref name="steingass-dictionary">{{citation|last=Steingass|first=Francis Joseph|title=A Comprehensive Persian-English Dictionary|chapter-url=https://dsal.uchicago.edu/cgi-bin/app/hayyim_query.py?qs=%D8%B3%D8%AA%D8%A7%D9%86&searchhws=yes|chapter=ستان|page=655|quote=stān (after a vowel), istān (after a consonant), Place where anything abounds, as ḵẖurmāstān, A palm-grove, gulistān, A flower-garden, &c.|access-date=25 October 2020|archive-date=28 October 2020|archive-url=https://web.archive.org/web/20201028214620/https://dsal.uchicago.edu/cgi-bin/app/hayyim_query.py?qs=%D8%B3%D8%AA%D8%A7%D9%86&searchhws=yes|url-status=live}}</ref>
}}

== Sources ==
* {{cite book|title=Sasanian Persia: The Rise and Fall of an Empire|year=2014|publisher=I.B.Tauris|last=Daryaee|first=Touraj|author-link=Touraj Daryaee|pages=1–240|isbn=978-0857716668|url=https://books.google.com/books?id=LU0BAwAAQBAJ}}
* {{EI3|last=Ghereghlou|first=Kioumars|title=Bādūsbānids|year=2018|url=https://referenceworks.brillonline.com/entries/encyclopaedia-of-islam-3/badusbanids-COM_25087?s.num=3&s.f.s2_parent=s.f.book.encyclopaedia-of-islam-3&s.q=Gilan}}

== Further reading ==
* Maciuszak, Kinga. ''[http://info.filg.uj.edu.pl/zhjij/sec/store/sec-13.pdf#page=119 The Persian Suffix -(e)stān 'The Land Of']'' ''Studia Etymologica Cracoviensia'' 13 (2008): 119–140.

== External links ==
* {{OEtymD|-stan}}

{{DEFAULTSORT:Stan}}

{{#seo:
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|description=-stan has the meaning of a place abounding in or a place where anything abounds as a suffix. It originated in the Persian language, but is ...
}}

[[Category:Suffixes]]
[[Category:Place name element etymologies]]
[[Category:Persian words and phrases]]
[[Category:Bengali words and phrases]]
[[Category:English suffixes]]
[[Category:Nepali words and phrases]]

*astTECS

2023-07-15T04:25:59Z

MetaBOT: Added clean description and keywords using script

{{short description|Indian telecom company}}
{{Use dmy dates|date=January 2020}}
{{Use Indian English|date=January 2020}}
{{Advert|date=October 2019}}

{{Infobox company
| name = *astTECS
| logo = AstTECS Logo.jpg
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| founded = {{Start date and age|df=yes|2010}}
| founder = Dr. Devasia Kurian
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'''*astTECS''' is an Indian [[telecom company]], which provides enterprise telecom products and [[Asterisk]] based [[Open Source]] communication solution,<ref>{{cite news |title=*astTECS To Offer Asterisk Based Telephony Solutions |url=https://www.firstpost.com/business/biztech/asttecs-to-offer-asterisk-based-telephony-solutions-1867717.html |publisher=[[First Post]] |date=31 January 2017}}</ref><ref>{{cite news |title=The Many Telecom Applications of Asterisk |url=https://www.pressreader.com/india/opensource-for-you/20150310/283884456559145 |publisher=[[PressReader]] |date=10 March 2015}}</ref> headquartered in [[Bangalore]], India.<ref>{{cite news |title=AstTECS launches mobile cloud telephony for contact centres |url=https://cio.economictimes.indiatimes.com/news/enterprise-services-and-applications/sttecs-launches-mobile-cloud-telephony-for-contact-centres/62616124 |publisher=[[The Economic Times]] |date=23 January 2018}}</ref> The company is [[ISO 9001:2008]] and ISO 9001:2015 certified.<ref name=siliconindia/><ref name=CIO>{{cite journal |title=*astTECS: Leveraging Open Source Technology to Simplify Communication |journal=CIO Magazine (Indian Edition) |issue=March 2016 |url=https://www.cioreviewindia.com/magazine/astTECS-Leveraging-Open-Source-Technology-to-Simplify-Communication--LOYY361843905.html |publisher=CIO Review India}}</ref> In 2013, *astTECS was featured in [[Red Herring (magazine)|Red Herring]] Global Top 100 Winners List<ref>{{cite news |title=2013 Red Herring Global: Top 100 Winners |url=https://www.redherring.com/events/red-herring-global/rhg2013winners/ |publisher=[[Red Herring (magazine)|Red Herring]]}}</ref><ref name=RedHerring/> and Asia Top 100 Winners.<ref name=RedHerringTop100>{{cite news |title=2013 Red Herring Asia Top 100 Winners |url=https://www.redherring.com/events/red-herring-asia/2013-red-herring-asia-top-100-winners/ |access-date=15 October 2018 |publisher=[[Red Herring (magazine)|Red Herring]]}}</ref>

== History and overview ==
The company was founded in 2010 and developed its first open source IP PBX system.<ref name=siliconindia>{{cite news |title=*astTECS: Cost Effective Telephony Solutions |url=https://www.siliconindia.com/magazine-articles-in/astTECS_Cost_Effective_Telephony_Solutions_-CVGQ792295891.html |publisher=Silicon India |date=2 January 2017}}</ref> The company is specialised in [[open source]] [[asterisk]] based [[VoIP]] solution.<ref name=CIO/>

In 2012, *astTECS launched NTP 2012 Policy compliant [[IP PBX]] series with [[video conferencing]] facility.<ref>{{cite journal |title=*astTECS NTP-2012 offers IP-PBX with Video conferencing |website=SMEChannel.com |volume=3 |issue=August 2012 |page=12 |url=https://issuu.com/smechannels.com/docs/aug_2012issue}}</ref><ref>{{cite news |title=*astTECS launches video conferencing solution integrated in *astTECS IP-PBX |url=https://www.telecomlead.com/information/asttecs-launches-video-conferencing-solution-integrated-in-asttecs-ip-pbx-10684 |publisher=Telecomlead |date=5 August 2012}}</ref> In October, 2012, the company expanded its operation in [[South Africa]] and [[Middle East]] through partners.<ref>{{cite news |title=*astTECS expands operations in South Africa |url=https://www.telecomlead.com/enterprise-communications/asttecs-expands-operations-in-south-africa-20905 |publisher=Telecomlead |date=9 October 2012}}</ref> In September, 2014 *astTECS also appointed as partner in [[Fiji]] and started its operation in many parts of India like [[New Delhi]], [[Pune]], [[Indore]], [[Cochin]], [[Mumbai]] and [[Coimbatore]].<ref>{{cite news |title=astTECS expands its India presence |url=http://www.dqweek.com/asttecs-expands-india-presence/ |publisher=DQ Week |date=2 June 2014}}</ref> It launched ''*astTECS IP PBX'' solution for the hospitality industry in June 2014<ref>{{cite news |title=astTECS launches advanced telecom solutions for hospitality industry |url=https://www.infotechlead.com/mobility/asttecs-launches-advanced-telecom-solutions-hospitality-industry-23950 |publisher=Infotechlead |date=30 June 2014}}</ref> and ''*astTECS IP PBX'' solution for educational institutions in June 2016.<ref>{{cite news |last1=Sanjeeb Kumar |first1=Sahoo |title=AstTECS launches telecom solution for educational institutions |url=http://www.voicendata.com/asttecs-launches-telecom-solution-for-educational-institutions/ |publisher=Voicedata |date=15 June 2016}}</ref> As of August 2016, it has offices in [[Ghana]] and [[Botswana]].<ref>{{cite news |last1=Singh |first1=Jagmeet |last2=Sharma |first2=Aashima |title=Asttecs expands global footprint with new offices in Africa |url=https://opensourceforu.com/2016/08/asttecs-gets-expanded-africa/ |publisher=Opensourceforu.com |date=1 August 2016}}</ref><ref>{{cite news |title=*astTECS Expands Operations in Africa |url=http://www.biztechafrica.com/article/asttecs-expands-operations-africa/11597/ |publisher=Biztechafrica |date=1 August 2016}}</ref><ref>{{cite news |title=Bangalore based *astTECS expands operations in African markets |url=https://cio.economictimes.indiatimes.com/news/corporate-news/bangalore-based-asttecs-expands-operations-in-african-markets/53485150 |publisher=[[The Economic Times]] |date=1 August 2016}}</ref>

In June, 2017, *astTECS announced the launch of *astPG 30 and *astPG 60 PRI Gateway.<ref>{{cite news |title=*astTECS Launches High-Performance PRI Gateway a Carrier Grade Solution |url=http://www.digitalterminal.in/news/asttecs-launches-high-performance-pri-gateway-a-carrier-grade-solution/9884.html |publisher=Digitalt Erminal |date=21 June 2017}}</ref> In July 2017, It launched [[IP PBX]] for [[small and medium-sized businesses]].<ref>{{cite news |title=*astTECS Launches IP PBX for Small and Medium Businesses |url=https://www.dqindia.com/asttecs-launches-ip-pbx-for-small-and-medium-businesses/ |publisher=DQ India |date=7 July 2017}}</ref> The company started providing cloud-based [[voice logging]] solution since November 2017.<ref>{{cite news |title=*astTECS Introduces Cloud-based Voice Logging Solution for Stock Brokers |url=https://www.pcquest.com/asttecs-introduces-cloud-based-voice-logging-solution-stock-brokers/ |publisher=[[PC Quest (magazine)|PC Quest]] |date=30 November 2017}}</ref> In May 2018, *astTECS launched *astTRAC – a location tracking CRM system and *astDial - mobile cloud telephony for contact centres.<ref>{{cite news |title=astTECS Announces CRM With Location Tracking |url=https://www.teleanalysis.com/enterprise-2/mobility/asttecs-announces-crm-with-location-tracking-28384 |publisher=Tele Analysis |date=24 May 2018 |access-date=28 November 2018 |archive-date=28 November 2018 |archive-url=https://web.archive.org/web/20181128164757/https://www.teleanalysis.com/enterprise-2/mobility/asttecs-announces-crm-with-location-tracking-28384 |url-status=dead }}</ref>

== Product & services ==
{{Div col|colwidth=30em}}
* [[IP PBX]]
* Call Center Dialer
* [[Voice logger]]
* [[Interactive voice response]]
* [[Video conference]]
* [[Gateway (telecommunications)|Gateways]]
* [[Network interface controller|Interface cards]]
* [[IP Phones]]
* [[Customer-relationship management|CRM]] Solution
* [[Session border controller|SBC]]
* Open Source Technology - [[Asterisk]], [[Elastix]], A2Billing, Vicidial
* Training on [[Asterisk]] - *astTECS Academy<ref>{{cite journal |title=To lead in Open Source platform |journal=SME Channels |date=September 2013 |volume=04 |issue=7 |pages=54, 55 |url=https://issuu.com/smechannels.com/docs/sme_sep_2013/54}}</ref>
{{Div col end}}

== Exhibitions ==
Some of its products has been demonstrated and exhibited in India Electronics Week,<ref name=iew/> Open Source India,<ref>{{cite news |last1=Kumar |first1=Nimees |title=*astTECS to Display Enterprise Communication and Collaboration Solutions at Open Source India 2018 |url=https://opensourceforu.com/2018/10/asttecsdisplay-enterprise-communication-and-collaboration/ |publisher=Opensourceforu.com |date=3 October 2018}}</ref> [[CommunicAsia]],<ref>{{cite news |title=astTECS to Demonstrate Leading-edge Enterprise Telecom Solution at CommunicAsia 2018 |url=https://www.communicationstoday.co.in/asttecs-to-demonstrate-leading-edge-enterprise-telecom-solution-at-communicasia-2018/ |publisher=Communications Today |date=20 June 2018}}</ref> [[GITEX]]<ref>{{cite news |title=*astTECS Products |url=https://www.gitex.com/exhibitor-products/asttecs-products |publisher=[[GITEX]] |date=21 September 2018 |access-date=28 November 2018 |archive-date=28 November 2018 |archive-url=https://web.archive.org/web/20181128123010/https://www.gitex.com/exhibitor-products/asttecs-products |url-status=dead }}</ref> Convergence India,<ref>{{cite news |title=*astTECS ready with advanced enterprise communication solution |url=https://www.pressreader.com/india/opensource-for-you/20180310/281586651110586 |publisher=[[PressReader]] |date=10 March 2018}}</ref><ref>{{cite web |title=List of Participants - 2018 |url=http://www.convergenceindia.org/exhibitors-and-participants-convergence-india.aspx |website=Convergenceindia.org |access-date=15 October 2018}}</ref> [[CeBIT]]<ref>{{cite news |title=*astTECS to showcase Communication Solution at CeBIT India |url=http://www.smechannels.com/asttecs-to-showcase-communication-solution-at-cebit-india/ |publisher=SMEchannels.com |date=5 October 2015}}</ref> and GES.<ref>{{cite news |title=*astTECS to Showcase Futuristic Enterprise Communication Solution at GES 2018 |url=https://m.dailyhunt.in/news/india/english/voice+and+data-epaper-voicdata/asttecs+to+showcase+futuristic+enterprise+communication+solution+at+ges+2018-newsid-87296380 |agency=Voice&Data |publisher=[[Dailyhunt]] |date=7 May 2018}}</ref>

== Accreditations ==
It is independently accredited and assesses a wide range of standards and other specifications including:
* [[ISO 9001:2008]]
* ISO 9001:2015
<ref name=siliconindia/>

== Awards & recognition==
* [[Red Herring (magazine)|Red Herring]] 's Top 100 Global Award, 2013.<ref name=RedHerring>{{cite news |title=*astTECS wins Red Herring 2013 Top 100 global award |url=https://telecom.economictimes.indiatimes.com/news/enterprise/enterprise-services/asttecs-wins-red-herring-2013-top-100-global-award/26504701 |publisher=[[The Economic Times]] |date=28 November 2013}}</ref>
* [[Red Herring (magazine)|Red Herring]] 's Asia Top 100 Winners, 2013.<ref name=RedHerringTop100/>
* Listed amongst the Top 20 Most promising Open Source Solutions Service Providers, 2015.<ref>{{cite journal |title=Top 20 Most Promising Open Source Solutions Service Providers |journal=ERP Insights |issue=June 2015 |url=http://www.theerpinsights.com/magazine/20-most-promising-open-source-solutions-and-services-providers-PADP350754920.html}}</ref>
* Brand of the Year 2016 by Silicon India Magazine.<ref name=RedHerringTop100/><ref>{{cite news |title=Brand of the Year 2016 |url=https://special.siliconindiamagazine.com/ranking/brand-of-the-year-2016-rid-52.html |access-date=16 October 2018 |publisher=Silicon India Magazine |archive-date=28 November 2018 |archive-url=https://web.archive.org/web/20181128164554/https://special.siliconindiamagazine.com/ranking/brand-of-the-year-2016-rid-52.html |url-status=dead }}</ref>
* Listed among the Top 20 Most Promising Call Center Technology Solution Providers, 2016 by CIO Review.<ref>{{cite journal |title=20 Most Promising Call Center Technology Solution Providers 2016 |journal=CIO Review |issue=March 2016 |url=https://www.cioreviewindia.com/magazine/issue/march-2016-4.html}}</ref>
* Listed amongst the Top 10 Made in India Brands 2017 by SME Channel Magazine.<ref name=iew>{{cite book |title=India Electronic Week 2017 |pages=25 |url=https://efy-i.com/wp-content/uploads/2018/09/IEW2017_Show%20Directory_PDFisation-S.pdf |access-date=28 November 2018 |archive-date=28 November 2018 |archive-url=https://web.archive.org/web/20181128164810/https://efy-i.com/wp-content/uploads/2018/09/IEW2017_Show%20Directory_PDFisation-S.pdf |url-status=dead }}</ref>

== See also ==
{{portal|Companies|India}}
* [[List of telecom companies in India]]
* [[Telecommunications in India]]

==References==
{{Reflist}}

== External links ==
* [https://www.asttecs.com/ Official website]
* [https://www.teleanalysis.com/resources/interview/interview-with-asttecs-ceo-devasia-kurian-28752 Interview With *astTecs CEO Devasia Kurian] {{Webarchive|url=https://web.archive.org/web/20181128164635/https://www.teleanalysis.com/resources/interview/interview-with-asttecs-ceo-devasia-kurian-28752 |date=28 November 2018 }} (''Teleanalysi'')

{{DEFAULTSORT:astTECS}}

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|description=astTECS is an Indian telecom company, which provides enterprise telecom products and Asterisk based Open Source communication solution, ...
}}

[[Category:Telecommunications companies of India]]
[[Category:Indian companies established in 2010]]
[[Category:Telecommunications companies established in 2010]]
[[Category:Companies based in Bangalore]]
[[Category:2010 establishments in Karnataka]]

(Untitled) Blue Lady

2023-07-15T04:25:48Z

MetaBOT: Added clean description and keywords using script

{{Infobox artwork
|title=Navjot's Untitled
|artist=[[Navjot Altaf]]
|medium=carved [[teakwood]], metal, and [[indigo]]
|image_file=(Untitled) The Blue Lady Sculpture.jpg
|caption=(Untitled) The Blue Lady Sculpture
}}
'''''Untitled''''', more commonly referred to as '''''The Blue Lady''''', 1999–2002, is a carved [[teak]]wood, metal, and indigo [[sculpture]] by [[Mumbai]]-based artist Navjot Altaf.<ref name="blog">[http://blog.rom.on.ca/2011/05/bright-oriental-star-south-asian-video/ "Last Chance to See Bright Oriental Star"]{{Dead link|date=August 2018 |bot=InternetArchiveBot |fix-attempted=yes }}, ''Royal Ontario Museum''. May 20, 2011. Retrieved on 18 February 2013.</ref><ref>Posner, Michael. [https://www.theglobeandmail.com/arts/potential-crystallizes/article957937/ "Potential crystallizes"], ''[[The Globe and Mail]]''. February 13, 2008. Retrieved on 18 February 2013.</ref> The artwork represents a goddess of [[fertility]] and is painted bright blue, a traditional [[Hindu]] colour symbolizing [[divinity]].<ref name="rom">[http://www.rom.on.ca/en/collections-research/rom-channel/iconic-blue-lady "Iconic: Blue Lady (Video)"], ''Royal Ontario Museum''. Retrieved on 18 February 2013.</ref> The larger than life sculpture is also an illustration of the "challenges faced by women who try to claim recognition for their knowledge in parts of [[India]]."<ref name="blog" /> This contemporary [[South Asian]] work can be seen in the Sir Christopher Ondaatje South Asian Gallery of The [[Royal Ontario Museum]] in [[Toronto]], [[Ontario]], Canada. Notably, the sculpture is listed as one of the ROM's iconic treasures<ref name="rom" /> and has been considered to be one of the most important pieces in the museum's collection of South Asian art.<ref name="nuktaartmag">Mitra, Srimoyee and Siddiqui, Ambereen. [http://www.nuktaartmag.com/Nukta/GeneralContent/View/144 "Scratching the Surface: Talking About Contemporary South Asian Art in Toronto"] {{Webarchive|url=https://web.archive.org/web/20150109090648/http://www.nuktaartmag.com/Nukta/GeneralContent/View/144 |date=2015-01-09 }}, ''[[Nukta Art Magazine]]''. Retrieved on 18 February 2013.</ref>

In 2003, (Untitled) ''The Blue Lady'' was exhibited at [[Talwar Gallery]] in [[New York City]], which currently represents Altaf, in her first solo exhibition in the [[United States]] entitled ''In Response To...''. The sculpture was installed alongside other human figures, similar in their monumental scale and brilliant [[indigo]] color, in what was an almost theatre-like setting; together, the solid, confident female figures became iconic presences, whose insistent physicality worked to "subvert...the narrative of patriarchal dominance and transcending the modes of art practices."<ref>"Navjot Altaf: In Response To...", Talwar Gallery, http://talwargallery.com/navjotresponse-pr/.</ref> The exhibition was instrumental in illuminating the gender-based concerns of Altaf's work, which questions the accepted language of eroticism, sexuality, and domesticity through the creation of figures, like (Untitled) ''The Blue Lady'', of anomalous femininity.

== Description ==
The sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries of South Asia. The buxom female form is also seen readily in historical South Asian arts. Through the combination of the handcrafted and industrial, the past and present are brought together and contrasted without a recognizable resolution.<ref name="rom" />

Among the influences cited for this sculpture are, "village witch-trials, fertility goddesses, and the indigo trade."<ref>[http://www.rom.on.ca/en/exhibitions-galleries/galleries/world-cultures/sir-christopher-ondaatje-south-asian-gallery "Sir Christopher Ondaatje South Asian Gallery: Level 3"], ''Royal Ontario Museum''. Retrieved on 19 February 2013.</ref> The sculpture is also referred to as "Kunti", after a woman in the Adivasi community in Bastar, [[India]] that was part of Altaf's inspiration for the artwork.<ref name="blog" /> In this case, the woman was declared a witch and put on display to be humiliated in public.<ref name="nuktaartmag" /> Altaf describes this real-life woman, Kunti, as a normal, confident woman, who was dehumanized for possessing knowledge.<ref name="rom" />

Altaf started off by drawing the figure, then used clay to model it. The final sculpture, based on the clay model, is carved out of [[teak]]wood. Since it was not possible to carve the entire sculpture from one piece of wood, Altaf carved the torso and head as one piece, while the arms and legs have been carved separately.<ref name="rom" /> The body of the sculpture is not clothed, but bare. Her hands are stretched in [[mudra]]; one fist clenched, thumb outside fist, and the other hand open.<ref>Lal, Preeti Verma. [http://www.indiapost.com/india-found-in-torontos-museums/ "India found in Toronto’s museums"], ''[[India Post]]''. July 27, 2012. Retrieved on 19 February 2013.</ref> This symbolizes that she has knowledge in the grasped hand, and has the ability to receive more, while also dispersing information with the other open hand.<ref name="rom" /> ''The Blue Lady'' sits atop a vintage bottle drying rack; the inspiration for which Altaf drew from artist [[Marcel Duchamp]]'s [[Readymades of Marcel Duchamp|readymades]], specifically his first [[Readymades of Marcel Duchamp|readymade]], the bottle drying rack.<ref name="rom" />

== References ==
{{Reflist}}

== External links ==
* [http://talwargallery.com/navjotresponse-pr/ Talwar Gallery, ''Navjot Altaf: In Response To...'']

{{Royal Ontario Museum iconic objects}}

{{DEFAULTSORT:Blue Lady (Untitled Sculpture)}}

{{#seo:
|keywords=Collections of the Royal Ontario Museum, Indian contemporary art, Sculptures of women
|description=Untitled, more commonly referred to as The Blue Lady, 1999–2002, is a carved teakwood, metal, and indigo sculpture by Mumbai-based artist Navjot ...
}}

[[Category:Collections of the Royal Ontario Museum]]
[[Category:Indian contemporary art]]
[[Category:Sculptures of women]]

'Prosperous' British India

2023-07-15T04:25:26Z

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{{Use dmy dates|date=July 2019}}

{{Infobox book
| name = 'Prosperous' British India: A Revelation from Official Records
| border = yes
| author = William Digby
| country = England
| language = English
| subject = 19th Century India
| publisher = T. Fisher Unwin
| pub_date = 1901
}}

'''''{{'}}Prosperous' British India''''', more completely titled '''''{{'}}Prosperous' British India: A Revelation from Official Records''''', was a book published in 1901 by [[British people|British]] author [[William Digby (writer)|William Digby]] that described the economic conditions prevailing in [[British India]] in the latter half of the nineteenth century under [[British Raj|British rule]].<ref name="digby1901">{{Citation | title='Prosperous' British India: A Revelation from Official Records | author=William Digby | year=1901 | publisher=Unwin | url=https://archive.org/details/ProsperousBritishIndiaARevelationWilliamDigby | quote=''... Thus England's unbounded prosperity owes its origin to her connection with India, whilst it has, largely, been maintained - disguisedly - from the same source, from the middle of the eighteenth century to the present time. 'Possibly, since the world began, no investment has ever yielded the profit reaped from the Indian plunder' ...''}}</ref> It used official government statistics to illuminate the falling incomes and increasing impoverishment in India under British administration during that period. The book was influential and, at the time, attracted attention due to the imprinting of the actual falling per-capita income statistics in gold on the spine of the book itself.<ref name="raychaudhuri1983">{{Citation | title=The Cambridge Economic History of India: Volume 2, C.1751-c.1970 | author =Tapan Raychaudhuri | author-link =Tapan Raychaudhuri | author2 =Irfan Habib | author3 =Dharma Kumar | year=1983 | publisher=Cambridge University Press | isbn=9780521228022 | url=https://books.google.com/books?id=9ew8AAAAIAAJ | quote=''... As Daniel Thorner has remarked, where can one find a more dramatic presentation of conclusions than that of William Digby, who had imprinted in gold on the spine of his book the per capita income of 'Prosperous' British India in 1850 as 2d, 1882 as {{frac|1|2}}d, and 1900 as less than {{frac|3|4}}d? ...''}}</ref> The book also used government statistics to demonstrate that the death-toll and frequency of catastrophic economic disasters in India, such as famines, was growing systematically under British rule.<ref name="vernon2009">{{Citation | title=Hunger: A Modern History | author=James Vernon | year=2009 | publisher=Harvard University Press | isbn=9780674044678 | url=https://books.google.com/books?id=ZPtV4cGU4LIC | page=51 | quote=''... Whereas Dutt used the Famine Commission Reports of 1880 and 1898 to catalogue a melancholy 'record of twenty-two famines within a period of 130 years of British rule in India,' Digby dug deeper into colonial records, to reveal not only that the toll — twenty-six famines in the century preceding 1900 — was even graver, but that the scale and frequency of famines had grown and accelerated ...''}}</ref>

==See also==
* [[William Digby (writer)]]
* ''[[The Poverty Problem in India]]''
* [[Poverty in India]]
* [[British Raj]]

==References==
{{reflist}}
{{Authority control}}

{{DEFAULTSORT:Prosperous British India}}

{{#seo:
|keywords=1901 non-fiction books, Books about India, Poverty in India
|description=Prosperous British India, more completely titled Prosperous British India: A Revelation from Official Records, was a book published in 1901 by ...
}}

[[Category:1901 non-fiction books]]
[[Category:Books about India]]
[[Category:Poverty in India]]

{{India-hist-book-stub}}

'Double Fish Hook' Strategy

2023-07-15T04:25:13Z

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{{Short description|Indian geo-political strategy}}

'''{{'}}Double fish hook' strategy''' is a speculated [[maritime strategy]] which India adopts to counter the [[String of Pearls (Indian Ocean)|String of Pearls]] strategy by China.<ref name=":0">{{Cite web|last=Jha|first=Prof Pankaj|date=2020-08-08|title=Countering Chinese String of Pearls, India's 'double Fish Hook' Strategy|url=https://moderndiplomacy.eu/2020/08/08/countering-chinese-string-of-pearls-indias-double-fish-hook-strategy/|access-date=2020-08-11|website=Modern Diplomacy|language=en-US}}</ref> This 'fish hook' strategy of India is expected to complement the 'fish hook' strategy undertaken by the [[United States|US]] along with its allies in the Pacific Ocean.

The 'double fish hook' involves a string of port developments and alliances that India has entered into. The eastern 'fish hook' covers the eastern Indian Ocean and begins in the [[Andaman and Nicobar Islands]] and ends at the US military base (Diego Garcia) in the [[Chagos Archipelago]].<ref name=":0" /> The Andaman and Nicobar Islands constitute the endpoint of the US 'fish hook' strategy.<ref>{{Cite web|title=Has India activated its 'Fish Hook' strategy in the Indian Ocean?|url=https://www.cescube.com/vp-has-india-activated-its-fish-hook-strategy-in-the-indian-ocean|access-date=2020-12-30|website=www.cescube.com}}</ref> The western 'fish hook' begins at the [[Al Duqm Port & Drydock|Duqm port]] through India's Maritime Transport Agreement with [[Oman]] and traverses [[Mauritius]], [[Seychelles]], and [[Madagascar]].<ref name=":0" /> India also develops maritime linkages with [[France]], which has security interests for its territories in the Indian Ocean region.<ref name=":0" />

==References==
{{reflist|}}
{{DEFAULTSORT:Double Fish Hook Strategy}}

{{#seo:
|keywords=Indian Navy, Geopolitical terminology, Indian Ocean, Indian Overseas Military bases, Theories, Military strategy, India–United States military relations, China–India military relations
|description=Double fish hook strategy is a speculated maritime strategy which India adopts to counter the String of Pearls strategy by China. This fish hook ...
}}

[[Category:Indian Navy]]
[[Category:Geopolitical terminology]]
[[Category:Indian Ocean]]
[[Category:Indian Overseas Military bases]]
[[Category:Theories]]
[[Category:Military strategy]]
[[Category:India–United States military relations]]
[[Category:China–India military relations]]

{{Mil-stub}}

'Abd al-Haqq al-Dehlawi

2023-07-15T04:24:56Z

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{{Short description|Islamic scholar}}
{{distinguish|Abdul Haq Azmi}}
{{Use dmy dates|date=October 2018}}
{{Use Indian English|date=October 2018}}
{{Infobox philosopher
| region = [[Islamic philosophy]]
| era =
| image_name =
| image_caption =
| name = 'Abd al-Haqq al-Dehlawi
| birth_date = 1551
| birth_place = [[Delhi]]
| death_date = 1642
| death_place = Delhi
| school_tradition = [[Hanafi]]
| main_interests = [[Hadith]]
| influences = {{hlist|Imam Abu Hanifa| Shaykh Abdul Qadir al-Jilani al-Baghdadi}}
| influenced = {{hlist|Pir Syed Mehr Ali Shah| }}
| notable_ideas =
}}

'''{{'}}Abd al-Haqq al-Dehlawi''' ({{lang-fa|شیخ عبدالحق محدث دهلوی}}) was an [[Islamic scholar]].<ref>{{cite web|url=http://www.raza.co.za/Aqeeda/Aqeeda_Loud+Zikr+in+Masjid.htm|title=raza.co.za|website=raza.co.za}}</ref>

==Biography==
He was born in 1551 (958 [[Hijra (Islam)|AH]]) in [[Delhi]], hence the suffix ''[[Dehlavi (name)|Dehlavi]]'' to his name. In 1587 (996 AH), he made the pilgrimage to [[Mecca]], where he stayed remained for the next three years studying a hadith and [[Sufism]] under various scholars. Upon his return to Delhi, he taught for half a century, and authored more than 100 works, including a history of Medina, a biography of Prophet [[Muhammad]], and a work on the lives of saints.<ref>{{Cite web|url=https://www.newageislam.com/islamic-personalities/ghulam-rasool-dehlvi-new-age-islam/shah-abdul-haque-muhaddith-dehlvi-a-sunni-sufi-scholar-of-india--glimpses-of-his-reflections-on-the-mystical-practices-in-islam/d/100778|title = Shah Abdul Haque Muhaddith Dehlvi, a Sunni Sufi Scholar of India: Glimpses of His Reflections on the Mystical Practices in Islam | Ghulam Rasool Dehlvi, New Age Islam}}</ref><ref>{{Cite web|url=https://iranicaonline.org/articles/abd-al-haqq-dehlavi|title=Welcome to Encyclopaedia Iranica}}</ref>

==Death==
He died in Delhi, in 1642 (1052 [[Hijri year|AH]]).<ref>[http://persian.packhum.org/persian/bio?anum=0004 ʿAbd al-Ḥaqq "Ḥaqqī" Dihlavī Buḫārī d. 1052/1642 Profile] {{Webarchive|url=https://web.archive.org/web/20080603152510/http://persian.packhum.org/persian/bio?anum=0004|date=3 June 2008}} [[Packard Humanities Institute]]</ref><ref name=bo>{{cite web|title=Perfection of Faith|url=https://www.darul-ishaat.co.uk/store/Perfection-of-Faith.html|access-date=28 July 2009|archive-url=https://web.archive.org/web/20110722120422/https://www.darul-ishaat.co.uk/store/Perfection-of-Faith.html|archive-date=22 July 2011|url-status=dead}}</ref>
His [[mausoleum]] exists at the edge of [[Hauz-i-Shamsi]] near [[Qutub Minar]], [[Mehrauli]], [[Delhi]].<ref>{{cite web|title=The Tomb of Shaikh 'Abdul Haq Dihlavi|url=http://www.bl.uk/onlinegallery/onlineex/apac/addorimss/t/019addor0005475u00078vrb.html|year=1843|work=Reminiscences of Imperial Delhi|publisher=[[British Library]]|access-date=28 July 2009}}</ref>

==Works==
* ''Akhbar al Akhyar'', 16th Century. Urdu Edition 1990.<ref>{{cite web|url=http://www.islam786.org/makhdoomashraf.htm|title=SHAYKH AL ISLAM{{!}}JANASHEEN - MUHADDITH AL A'ZAM AL HIND|access-date=3 December 2006|url-status=dead|archive-url=https://web.archive.org/web/20070109113858/http://www.islam786.org/makhdoomashraf.htm|archive-date=9 January 2007}}</ref>
*''Sharh Mishkat Shareef'', known as Ashatul Lam'at <ref>{{cite book|url=https://archive.org/details/AshatulLumatFiSharahAlMishkatVol1
|title=Ashatul Lumat Fi Sharah al Mishkat Vol 1|date=2013-09-15}}</ref>
* ''Perfection of Faith'' (Translation), Adam Publishers.<ref name=bo/>
* ''[[Madarij-ul-Nabuwwah]]''
* ''Tārīh-i Haqqī'' (The History by Haqq). General history of South Asia from the time of the Ğūrids to the 42nd year of [[Mughal Emperor]] [[Akbar]]’s reign (1005/1596-7).
* ''Takmeel-Ul-Iman'' (Farsi) - Book regarding beliefs of Suni Muslims.<ref>{{cite book|url=https://archive.org/details/00491TakmeelUlImanFarsi|title=Takmeel ul Iman Farsi|via=Internet Archive}}</ref>
* ''Aashoora'' - A book containing 16-17 pages written on the day of Aashoora
* ''Taeede Hanafi Mazhab'' - book written on Hanafi Madhab
* ''Tohfa Ithna Ashari''<ref>{{cite news|url=https://islamicbookslibrary.wordpress.com/2010/09/21/tohfa-e-ithna-ashariya-urdu-by-sheikh-shah-abdul-aziz-dehlvi-r-a/|title=Tohfa e Ithna Ashariyya By Shaykh Shah Abdul Aziz Dehlvi (r.a) Urdu Translation By Shaykh Khalil ur Rahman Nomani Mazahiri|date=21 September 2010|access-date=14 January 2018|language=en-US}}</ref>
* ''Taaruf Fiqh o Tasawwuff''
* ''Zubdat-ul-Aasaar Talkhees Bahjat-ul-Asraar''<ref>{{cite news|url=https://www.thelibrarypk.com/zubdat-ul-asar-urdu/|title=Zubdat Ul Asar Urdu By Shaikh Abdul Haq Dehlvi Pdf - The Library PK|date=5 January 2017|work=The Library PK|access-date=14 January 2018|language=en-US}}</ref>
* ''Sharah Fatooh Ul Ghaib''<ref>{{cite news|url=https://www.thelibrarypk.com/sharah-fatooh-ul-ghaib-urdu/|title=Sharah Fatooh Ul Ghaib Urdu By Shaikh Abdul Haq Pdf - The Library PK|date=5 January 2017|work=The Library PK|access-date=14 January 2018|language=en-US}}</ref>
* ''Milad e Rasool e Azam''<ref>{{cite news|url=https://www.thelibrarypk.com/milad-e-rasool-e-azam-urdu/|title=Milad e Rasool e Azam Urdu By Shaikh Abdul Haq Pdf - The Library PK|date=5 January 2017|work=The Library PK|access-date=14 January 2018|language=en-US}}</ref>
* ''Tareekh e Madina''<ref>{{cite news|url=https://www.thelibrarypk.com/tareekh-e-madina-sheikh-abdul-haq-pdf/|title=Tareekh e Madina By Sheikh Abdul Haq Pdf - The Library PK|date=16 April 2016|work=The Library PK|access-date=14 January 2018|language=en-US}}</ref>

==See also==
*[[List of Islamic scholars]]

==References==
{{reflist|2}}

==Bibliography==
* {{cite thesis |last=Mohd |first=Aqeel |date= 2008 |title=Shaikh Abdul Haque's Contribution to the Science of Hadith |type=PhD |publisher=[[Aligarh Muslim University]] |url=http://ir.amu.ac.in/7745/ |access-date=7 February 2021}}

{{Hanafi scholars}}
{{Maturidi}}
{{Authority control}}

{{DEFAULTSORT:Abdul-Haqq Dehlavi}}

{{#seo:
|keywords=Hanafis, Maturidis, 16th-century Persian-language writers, Historians in the Mughal Empire, People from Delhi, Mughal Empire people, 17th-century Indian writers, 16th-century Indian writers, 16th-century jurists, 17th-century jurists, 1551 births, 1642 deaths, 17th-century Persian-language writers
|description=Abd al-Haqq al-Dehlawi () was an Islamic scholar. He was born in 1551 in Delhi, hence the suffix Dehlavi to his name. In 1587 , he made the ...
}}

[[Category:Hanafis]]
[[Category:Maturidis]]
[[Category:16th-century Persian-language writers]]
[[Category:Historians in the Mughal Empire]]
[[Category:People from Delhi]]
[[Category:Mughal Empire people]]
[[Category:17th-century Indian writers]]
[[Category:16th-century Indian writers]]
[[Category:16th-century jurists]]
[[Category:17th-century jurists]]
[[Category:1551 births]]
[[Category:1642 deaths]]
[[Category:17th-century Persian-language writers]]

'71 Er Ma Jononi

2023-07-15T04:23:21Z

MetaBOT: Added clean description and keywords using script

{{Expand language|topic=|langcode=bn|otherarticle=৭১ এর মা জননী|date=November 2022}}
{{Infobox film
| name = '71 Er Ma Jononi
| image =
| alt =
| caption =
| native_name = {{Infobox name module|language=bn|title='৭১ এর মা জননী}}
| director = Shah Alam Kiron
| producer = [[Faridur Reza Sagor]]
| story = [[Anisul Haque]]
| screenplay = Shah Alam Kiron
| starring = {{unbulleted list|
* [[Nipun Akter]]
* [[Agun]]
* [[Chitralekha Guho]]
}}
| music = {{plainlist|
* [[Shujeo Shyam]]
* [[Emon Saha]]
}}
| cinematography = [[Mahfuzur Rahman Khan]]
| editing = [[Mujibur Rahman Dulu]]
| distributor = [[Impress Telefilms]]
| runtime =
| released = {{Film date|2014|12|16|df=y}}
| country = Bangladesh
| language = [[Bengali language|Bengali]]
| budget =
| gross =
}}
''''''71 Er Ma Jononi''''' is a 2014 [[Bangladeshis|Bangladeshi]] drama film directed by Shah Alam Kiron, and starring [[Nipun Akter]]. The film is centered on the 1971 Bangladesh War of Independence.<ref>{{cite news |script-title=bn:’৭১-এর মা জননী’ মুক্তি পাচ্ছে ২০ মার্চ |trans-title='71 Er Maa Jononi to release 20 March |url=https://www.dailyjanakantha.com/details/article/109062/’৭১-এর-মা-জননী’-মুক্তি-পাচ্ছে-২০-মার্চ |newspaper=Daily Janakantha |date=8 February 2015 |language=bn |access-date=3 February 2022}}</ref><ref>{{cite news |script-title=bn:মার্চে মুক্তি পাচ্ছে না ‘৭১-এর মা জননী’ |trans-title=Release of '71 er Maa Jononi postponed from March |url=http://www.ntvbd.com/entertainment/3960/মার্চে-মুক্তি-পাচ্ছে-না-৭১-এর-মা-জননী |newspaper=NTV |date=16 March 2015 |language=bn |access-date=9 February 2022}}</ref> [[Chitralekha Guho]] was awarded Best Supporting Actress at the [[39th Bangladesh National Film Awards]].<ref>{{cite news |script-title=bn:‘জাতীয় চলচ্চিত্র পুরস্কার ২০১৪’ প্রদান আজ |title='National Film Awards 2014' presented today |url=https://www.banglatribune.com/entertainment/news/103795/%E2%80%98%E0%A6%9C%E0%A6%BE%E0%A6%A4%E0%A7%80%E0%A6%AF%E0%A6%BC-%E0%A6%9A%E0%A6%B2%E0%A6%9A%E0%A7%8D%E0%A6%9A%E0%A6%BF%E0%A6%A4%E0%A7%8D%E0%A6%B0-%E0%A6%AA%E0%A7%81%E0%A6%B0%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A6%BE%E0%A6%B0-%E0%A7%A8%E0%A7%A6%E0%A7%A7%E0%A7%AA%E2%80%99-%E0%A6%AA%E0%A7%8D%E0%A6%B0%E0%A6%A6%E0%A6%BE%E0%A6%A8-%E0%A6%86%E0%A6%9C |newspaper=Bangla Tribune |date=11 May 2016 |access-date=9 February 2022}}</ref>

== Soundtrack ==

{{Track listing
| extra_column = singer
| title1= Ekti Swadhin Desh
| extra1= [[Andrew Kishore]]
| music1= [[Shujeo Shyam]]
| lyrics1= Munshi Wadid
| length1=
| title2= '71 Er Maa Jononi Tumi
| extra2= [[Andrew Kishore]]
| music2= [[Shujeo Shyam]]
| lyrics2= Munshi Wadud
| length2=
}}

== Awards ==
'''[[39th Bangladesh National Film Awards]]'''
* '''Winner:''' Best Supporting Actress - [[Chitralekha Guha]]

== References ==
{{reflist}}

== External links ==
* {{IMDb title|5789652}}

{{Bangladesh National Film Award Best Supporting Actress}}

{{DEFAULTSORT:71 Er Maa Jononi}}

{{#seo:
|keywords=2014 films, Films scored by Shujeo Shyam, Bengali-language Bangladeshi films, Films scored by Emon Saha, Films based on the Bangladesh Liberation War, 2010s Bengali-language films, Government of Bangladesh grants films
|description=71 Er Ma Jononi is a 2014 Bangladeshi drama film directed by Shah Alam Kiron, and starring Nipun Akter. The film is centered on the 1971 Bangladesh ...
}}

[[Category:2014 films]]
[[Category:Films scored by Shujeo Shyam]]
[[Category:Bengali-language Bangladeshi films]]
[[Category:Films scored by Emon Saha]]
[[Category:Films based on the Bangladesh Liberation War]]
[[Category:2010s Bengali-language films]]
[[Category:Government of Bangladesh grants films]]

{{Bangladesh-film-stub}}