National Museum, New Delhi

2021-06-25T12:54:43Z

99.244.63.49:

{{Short description|Museum of India}}

{{Use dmy dates|date=October 2018}}
{{Use Indian English|date=October 2018}}
{{Infobox museum
| name = National Museum, New Delhi
| logo =
| image = National Museum New Delhi.jpg
| imagesize = 200px
| map_type = India Delhi
| map_caption =
| coordinates = {{coord|28.611811|77.219262|display=inline}}
| former_name =
| established = 15 August 1949
| dissolved =
| key_holdings = {{Collapsible list
|framestyle=border:none; padding:0; 
| expand = yes
|bullets= on
|1=[[Dancing Girl (sculpture)|Dancing Girl]] |2=[[Ivory Carved Dashavtar]] |3=[[Ivory carved tusk depicting Buddha life stories]] |4=[[Jade Collection of the National Museum, New Delhi|Jade collection]] |5= Some of the [[Akota Bronzes]] |6= [[Carved wood vahanas in National Museum|Carved wood vahanas]]
}}
| collection = 206,000 objects
| location = Janpath, New Delhi, India
| type =
| visitors =
| director =
| ceo = Shri Raghvendra Singh
| architect = Ganesh Bikaji Deolalikar
| owner = Indian Government
| publictransit = Delhi Metro: [[Udyog Bhawan metro station|Udyog Bhawan]]
| website = {{url|http://www.nationalmuseumindia.gov.in}}
}}

The '''National Museum''' in [[New Delhi]], also known as the '''National Museum of India''', is one of the [[list of largest art museums in the world|largest]] museums in [[India]]. Established in 1949, it holds a variety of articles ranging from pre-historic era to modern works of art. It functions under the [[Ministry of Culture (India)|Ministry of Culture]], [[Government of India]]. The museum is situated on [[Janpath]].<ref>{{Cite web |url=http://nationalmuseumindia.gov.in/about_us.html |title=About us |access-date=18 May 2010 |archive-url=https://web.archive.org/web/20100414113849/http://www.nationalmuseumindia.gov.in/about_us.html |archive-date=14 April 2010 |url-status=dead }}</ref> The blue–print of the National Museum had been prepared by the Gwyer Committee set up by the Government of [[India]] in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years.

It also houses the National Museum Institute of History of Art, Conservation and Museology on the first floor which was established in 1983 and has been to be a university since 1989, and runs Masters and Doctoral level courses in [[art history]], [[conservation-restoration|conservation]] and [[museology]].<ref>[http://nmi.gov.in/ National Museum Institute of History of Art, Conservation and Museology, website]</ref>

==History==
In 1946, the idea of building a National Museum for India was proposed by the Gwyer Committee. Sir [[Maurice Gwyer]], the former Chief Justice of India and Vice Chancellor of Delhi University, headed the Committee. One of the members of the Committee was Sir [[Mortimer Wheeler]], then heading the [[Archaeological Survey of India]] (ASI), who is often cited as chief initiators of the National Museum as he advocated for the museum's development although reports indicate that he was concerned with unifying ASI site museums under the umbrella of a Museum's branch rather than setting up a new museum.<ref name=":7">{{Cite book|title=A Museum for the Nation: Publics and Politics at the National Museum of India (PhD)|last=Phillips|first=Kristina|year=2006|location=Minnesota}}</ref>

The roots of the National Museum begin with an exhibition of Indian art and artefacts organized by the [[Royal Academy of Arts|Royal Academy of Arts, London.]]<ref name="NMH">
{{cite web
|url=http://www.nationalmuseumindia.gov.in/about-history.asp?lk=ab1
|title=History of the National Museum
|access-date=19 December 2013}}</ref> The Exhibition went on display in the galleries of [[Burlington House]] during the winter months of 1947-48.<ref>{{Cite web|url=http://museumsofindia.gov.in/repository/museum/nat_del|title=National Museum, New Delhi|website=National Portal and Digital Repository for Indian Museums|access-date=29 October 2019}}</ref> This Exhibition of The Art of India and [[Pakistan]] in London was arguably the first exhibition sponsored by the British government which gave Indian artefacts the status of high art.<ref name=":1">{{Citation|last=Singh|first=Kavita|chapter=The Museum is National|date=2017-07-05|pages=107–131|publisher=Routledge|isbn=9781315090481|doi=10.4324/9781315090481-7|title=No Touching, No Spitting, No Praying}}</ref> Before its return to India, with [[Jawaharlal Nehru]]'s support, it was decided that these important collections should be showcased here upon their return so that they could be enjoyed and appreciated by the people of India. At the close of the exhibit, requests were released to the loaning museums and collectors, urging them to surrender object ownership to what was to become the National Museum.<ref>{{Cite journal|last=Buck|first=Tracy|date=2008|title=Confronting the Other in the Nationalist Art History Narratives and National Museum of India|journal=NaMu Conference}}</ref> When the decision was taken to make a permanent National Museum, the exhibits were first displayed in the State Rooms of the [[Rashtrapati Bhavan]] (then called the Government House) on August 15, 1949 and the rooms were formally inaugurated by [[C. Rajagopalachari|C. Rajgopalachari]], Governor General of India.<ref>National Museum- Bulletin No. 12</ref> Until the mid-1950s, it essentially remained a permanent version of the temporary exhibit – consisting of the same pieces, and remaining in the state rooms. In 1955 building began on the new current location of the National Museum at Janpath.<ref name=":0">{{Cite book|title=Confronting the Other in the Nationalist Art History Narratives and National Museum of India|last=Buck|first=Tracy|year=2007}}</ref> However, when the National Museum was ready in 1960, the statue of Buddha and the ''Rampurva Bull'' were retained at the [[Rashtrapati Bhavan]] on the request of [[Jawaharlal Nehru]].<ref>{{Cite web|url=https://rashtrapatisachivalaya.gov.in/rbtour/circuit-1/durbar-hall|title=Durbar Hall {{!}} Rashtrapati Bhavan|website=rashtrapatisachivalaya.gov.in|access-date=2019-10-29}}</ref>

Since its inception, the National Museum owed much of its original structure and organization to example of the [[Indian Museum, Kolkata]] as some of its first curators were former employees of the [[Indian Museum, Kolkata|Indian Museum]], such as [[C. Sivaramamurti]] even though the National Museum aspired to displace the historic position the [[Indian Museum, Kolkata|Indian Museum]] had come to acquire as the largest and grandest museum in India.<ref name=":7" /> The National Museum encouraged the scholars and the public to think differently about the objects on display by placing the objects within a broad historical context and allowing the objects to speak for a larger representation outside of itself.<ref name=":7" />

[[Grace Morley]] was the first Director of the National Museum, New Delhi who earlier played instrumental role of the founding director (1935–58) of the San Francisco Museum of Art (now [[San Francisco Museum of Modern Art]]).<ref>{{Cite journal|last=Parra-Martinez|first=Jose|last2=Crosse|first2=John|title=Grace Morley, the San Francisco Museum of Art and the Early Environmental Agenda of the Bay Region (193X-194X)|url=http://rua.ua.es/dspace/handle/10045/85110|journal=Feminismo/S|issue=32|doi=10.14198/fem.2018.32.04|issn=1696-8166|year=2018|doi-access=free}}</ref> She joined the National Museum on the 8th of August, 1960 and continued to hold its charge for six more years.<ref>{{Cite web|url=http://www.ibiblio.org/radha/p_a084.htm|title=DR. GRACE MORLEY AS THE DIRECTOR OF THE NATIONAL MUSEUM, NEW DELHI (1960-1966)|last=Banerjee|first=Priyatosh|access-date=23 October 2019}}</ref> She was one of the advocates of cultural democracy who believed that art should be available to everyone—and held firm convictions about the crucial role that museums could play in this endeavour.<ref>{{Cite web|url=https://www.sfmoma.org/essay/grace-mccann-morley-and-modern-museum/|title=Grace McCann Morley and the Modern Museum · SFMOMA|website=www.sfmoma.org|language=en-US|access-date=2019-10-29}}</ref> In her installations for the National Museum, this desire for secularisation and democratisation was effected through the presentation of sculptures in classic white-cube spaces with minimal contextual information.<ref>{{Cite book|title=No touching, no spitting, no praying : the museum in South Asia|last=Mathur, Saloni, editor. Singh, Kavita, editor.|isbn=9780815373247|oclc=1002129018|date = 21 December 2017}}</ref> It was her ‘visual storage’ display system,<ref>{{Cite book|title=A Brief Guide to National Museum|last=Morley|first=Grace|pages=3}}</ref> minimalist teak pedestals, air-conditioning vents, track-lighting, and large glass cases with staggered risers for visual variety which led to the museum acquiring international recognition and the museum in its working still reflects her image. She instructed carpenters to build display cases and Eamesian-type couches, cabinets and cases that reflected modernist, uncluttered lines. Such elements produced the perfect streamlined stage for a performance of the modern by viewing audiences. Harmonious colour schemes, dramatic, dim lighting, cushions of space around eye-level objects, and the occasional leafy plant for a visual pause, all contributed to the creation of a modern museum.<ref>{{Citation|last=Phillips|first=Kristy|chapter=Grace McCann Morley and the national museum of India|date=2017-07-05|pages=132–147|publisher=Routledge|isbn=9781315090481|doi=10.4324/9781315090481-8|title=No Touching, No Spitting, No Praying}}</ref>

==Departments and collections==
[[File:National Museum, New Delhi main reception hall.jpg|thumb|Reception of Museum]]
[[File: Entrance gallery national museum india.JPG|thumb|The Entrance Corridor of the National Museum housing artefacts on both the sides]]

Presently, there are several departments in the National Museum.
* Pre-History Archaeology
* Archaeology
* Manuscripts
* Numismatics & Epigraphy
* Paintings
* Arms & Armour
* Decorative Arts
* Central Asian Antiquities
* Pre-Columbian Art
* Jewellery
* Anthropology
*Anubhav
* Education
* Public Relations
* Publication
* Conservation
* Display

The collections of the National Museum represents almost all disciplines of art: [[archaeology]] (sculptures in stone, bronze and terracota), [[Weapon|arms]], [[armour]],<ref>{{cite book|title=Indian Armours in the National Museum Collection - A catalogue|author1=Pant, GN |author2=K.K. Sharma |year=2001|publisher=National Museum, New Delhi}}</ref> [[decorative arts]], [[jewellery]], [[manuscript]]s, [[Miniature (illuminated manuscript)|miniature]]s and [[Tanjore]] [[paintings]], [[textiles]], [[numismatics]], [[epigraphy]], Central Asian antiquities, [[anthropology]], [[Pre-Columbian]] American and Western Art Collections.<ref name=co>{{Cite web |url=http://www.nationalmuseumindia.gov.in/collection.html |title=Collection |access-date=18 May 2010 |archive-url=https://web.archive.org/web/20100326032917/http://www.nationalmuseumindia.gov.in/collection.html |archive-date=26 March 2010 |url-status=dead }}</ref>

The museum has in its possession over 200,000 works of art, of both Indian and foreign origin. While the National Museum has over 200,000 exhibits, it currently displays six to seven percent of its collection. The remaining is exhibited on a rotational basis or in temporary exhibitions. The final phase of expansion will allow it to display another three to four percent of the treasures.<ref name=":5">{{Cite news|url=https://www.business-standard.com/article/current-affairs/the-national-museum-in-delhi-is-on-its-third-and-final-phase-of-expansion-119031501134_1.html|title=The National Museum in Delhi is on its third and final phase of expansion|last=Sharma|first=Ritwik|work=Business Standard|access-date=23 October 2019}}</ref>
The national museum of India is beautiful, and is worth a visit

==Building==
[[File:Building plan of National Museum, New Delhi.jpg|thumb|National Museum, Building Plan Outlay|right]]
[[File:Nm nd gallery inside 07.JPG|150px|Inside view of the Museum Building]]The current building of the National Museum was designed by the architect [[Ganesh Bhikaji Deolalikar|Ganesh Bikaji Deolalikar]] and the foundation stone was laid by Prime Minister [[Jawaharlal Nehru]] on May 12, 1955. Once the building was ready, the new museum was inaugurated by [[Sarvepalli Radhakrishnan|Dr. Sarvepalli Radhakrishnan]], Vice-President of India on December 18, 1960. It stands today on the plot of land earmarked in [[Edwin Lutyens|Edwin L. Lutyens]]' plan for the Imperial Museum and was occupied by a small Museum of Central Asian Antiquities that housed the important collection of the explorer [[Aurel Stein|Sir Aurel Stein]].<ref name=":1"/>

The National Museum building was planned to be built in phases to finally give it an octagonal shape. Its first phase was inaugurated in 1960 and the second was completed in 1989. For the third and final phase, a foundation stone was laid on December 18, 2017 and involves razing down of [[Archaeological Survey of India]] (ASI) building which has been moved to Dharohar Bhawan.<ref name=":5" /> As maps of the original plan suggest, roughly a quarter portion remains to be added for the completion of the building. The National Museum building has three floors with galleries radiating from a central garden court.<ref>{{Cite web|url=https://www.aaa.si.edu/download_pdf_transcript/ajax?record_id=edanmdm-AAADCD_oh_212030|title=Oral history interview with Grace Morley, 1982 Feb. 6-Mar. 24|last=McCray|first=Porter|date=1982|website=Archives of American Art}}</ref> The National Museum Institute, which is on the first floor of the museum and has a “deemed to be university” status, will be shifting to a new campus in Noida.<ref name=":5" />

== Collections ==

===Harappan Gallery===
[[File:Harappa gallery national museum india.JPG|thumb|left|A view of the Harappan Gallery]]
[[File:Harappn artefacts nm india 01.JPG|thumb|300px|A view of the pottery from the Harappan gallery]]
The museum has various artefacts from the [[Harappan Civilization]] also known as [[Indus Valley Civilization]]. It has the world's most representative collection of antiquities of the Harappan Civilization - over 3500 objects that are on permanent loan from the [[Archaeological Survey of India]] to the Museum.<ref name=":2">{{Cite book|title=Treasures|publisher=Niyogi Books|year=2015|isbn=978-93-83098-80-4|location=New Delhi}}</ref> Most famous among the objects is the ''Dancing Girl''<ref name="Google Cultural Institute">{{Cite news|url=https://artsandculture.google.com/exhibit/IAKyl2TieuDGKg|title=Treasures of National Museum, India - Google Arts & Culture|work=Google Cultural Institute|access-date=2018-11-11}}</ref> made in Bronze which belongs to the early Harappan period, Skeleton excavated from [[Rakhigarhi]] in [[Haryana]], Terracotta images of [[Mother Goddess]] and Clay Pottery. Apart from these the gallery has Sculptures in Bronzes & Terracotta, Bone Objects, Ivory, Steatite, Semi-Precious Stones, Painted Pottery and Jewellery items. Many seals are also on display which has been discovered during numerous excavations and were probably used for trading purposes. These seals depict bulls, elephants, unicorns, tigers, crocodiles, unknown symbols. On one of the seal, there is the depiction of Pasupati that has been interpreted as proto-Shiva. The gallery attempts to present the vibrancy of human civilization in India at par with the contemporary civilizations of [[Mesopotamia]], [[Egypt]] and [[China]].

When one of the major sites of the Harappan civilization, [[Mohenjo-daro|Mohenjo Daro]] was excavated in the 1920s, archaeologists deposited its important finds first in the [[Lahore Museum]], and then these were moved to Delhi by [[Mortimer Wheeler]] in anticipation of the construction of a Central Imperial Museum there. At the time of [[Partition of India|Partition]], the issue of ownership of these objects arose and eventually the two countries agreed to share all the collections equally, although this was sometimes interpreted in literal sense, with several necklaces and girdles taken apart with half the beads sent to [[Pakistan]] and half retained in India.<ref name=":1"/> In the words of [[Nayanjot Lahiri]], ‘the integrity of these objects were compromised in the name of equitable division’.<ref>{{Cite journal|last=Sengupta|first=Anwesha|date=October 2014|title=Breaking up: Dividing assets between India and Pakistan in times of Partition|journal=The Indian Economic & Social History Review|volume=51|issue=4|pages=529–548|doi=10.1177/0019464614550767|issn=0019-4646}}</ref> Of the two most celebrated sculpted figures found in Mohenjo Daro, [[Pakistan]] asked for and received the steatite figure of a bearded male, dubbed the 'Priest King', while the National Museum of India retained the bronze statuette of the 'Dancing Girl', a nude bejeweled female.<ref name=":1" /> Considering that the major sites like Mohenjo Daro and Harappa belonged to Pakistan post- Partition, the collections in this gallery also grew out of the discoveries of the excavations made after the Indian independence in 1947 such as Daimabad, Rakhigarhi, Dholavira etc.

Key highlights of the collection include:<ref name=":2" />

* Mother Goddess (2700–2100 BC)
* Toy Cart (2700–2100 BC)
* Bull (2700–2100 BC)
* Pasupati Seal (2700–2100 BC)
* Climbing Monkey (2700–2100 BC)
* Dancing Girl (2700–2100 BC)

<br /><gallery class="center">
File:Dancing girl.jpg|[[Dancing Girl (sculpture)|Dancing Girl]]
Image:Mohenjodaro toy 001.jpg|Toy cart from [[Mohenjo-daro]]
File:Harrappan artefacts 01.JPG|Perforated Jar
File:Harrappan artefacts 02.JPG|Mother Goddess
File:Harappa seals nm india 02.JPG|Seals
File:Harappa arms.JPG|Arms from Harappan Civilization
File:Harrappan artefacts 10.JPG|Bowl
File:Skeleton harappa.JPG|One of 11 skeletons found from [[Rakhigarhi]]
</gallery>

===Maurya, Shunga and Satvahana Arts Gallery===
[[File:Gallery1 national museum india.JPG|thumb|300px|Maurya, Shunga and Satvahana Arts Gallery Artefacts]]

The gallery has objects from the 4th century BCE to the 1st century BCE. It has objects spanning three major dynasties; The [[Mauryas]], the [[Sunga Empire|Shungas]] and the [[Satavahana dynasty|Satvahanas]]. Objects in the gallery have Greek influence characterized by mirror like finishing. The gallery also houses fragments of railings from various ancient [[Stupas]] that are carved on with episodes from Buddha's Life. A major object is the one showing Sage Asita's visit to baby [[Gautama Buddha|Siddharta]] and the [[Bharhut]] railings that depicts the story related to the [[Relics associated with Buddha]] by the sage Drona. A typical feature of the period to which objects in the gallery belongs to is that the sculpture do not depict Buddha in the physical form. He is always shown using symbols like the ''Dharmachakra'', the ''Bodhi tree'', empty throne, footprints, etc.

<gallery class="center">
Male heads, Maurya artefact 01, National Mueum, New Delhi.jpg|Male Heads (Maurya Period)
Child learning Brahmi Alphabets, Shunga era 2nd Century BCE, National Mseum, New Delhi.jpg|A Child Learning Brahmi Script, [[Srughna]], 2nd century BCE
A women in grief, Shunga Period, National Museum, New Delhi.jpg|Woman in Grief (Shunga Period)
Railing from Barhut stupa showing, Maurya artefact 04, National Museum, New Delhi.jpg|Railig from Barhut Stupa showing the Last Episode of Buddha's Life
Asita's visit to bless Siddharta, Maurya artefact 05, National Museum, New Delhi.jpg|[[Asita]] visiting King [[Suddhodana]] (Satvahana Period)
Maurya artefact 06 nm nd.JPG|Different Symbols of Buddha
</gallery>

===Kushana Gallery===
{{see also|Kushan art}}
[[File:Gallery2 national museum india.JPG|thumb|300px|Kushana Gallery Artefacts]]
[[File:Amaravati Maha Stupa relief at National Museum, Delhii, India, 1st-2nd century CE. 2004.jpg|thumb|Amaravati Maha Stupa relief at National Museum, Delhii, India, 1st-2nd century CE. 2004]]
This gallery has art objects from the [[Kushan]] period (1st - 3rd century CE). The major school of arts were the [[Gandhara]] School of Art and the [[Greco-Buddhist art#Art of Mathura|Mathura School of Art]]. The Gandhara school had huge influence of Greek [[Iconography]] and the themes were mainly Buddhist. Most prominent among the objects is the ''[[Standing Buddha]]'', made in Grey [[schist]] stone in Gandhara School of Arts and it belongs to the 2nd century CE. This period was the first time when Buddha was shown in physical form. The Mathura school of arts had primary themes of Buddhism, [[Jainism]] and [[Brahmanism]] while the Gandhara Arts were primarily of Buddhist themes. Other sculptures include the [[Kubera|''Kuber'']] (Hindu god of Fortune) from [[Ahichchhatra]],<ref>http://museumsofindia.gov.in/repository/record/nat_del-59-530-2-4854/National Portal and Digital Repository</ref> the [[Lingam|''Chattramukhi Shivlinga'']], the ''[[Bodhisattva]]'', and the Jain votive plaques.

<gallery class="center">
File:Buddha, 1st century CE Kushana artefacts National Museum, New Delhi 01.jpg|Buddha (Human Figure)
File:Red sandstone made Kuber, Kushana artefacts, National Museum, New Delhi 02.jpg|Kuber (God of Wealth)
File:Spotted red sandstone Bodhisattwa, Mathura Art, Kusha 2nd Cent CE at National Museum New Delhi.jpg|Boddhisatva
File:Jain Votive Plaque made in spotted red sandstone, Kushana artefacts, National Museum, New Delhi 03.jpg|[[Ayagapata]], Jain Votive Plaque
File:Laughing boy JN 16 F.25-876 (1).jpg|"Laughing boy", stucco from Gandhara, 2nd-3rd century CE
</gallery>

===Gupta Gallery===
[[File:Gallery3 national museum india.JPG|thumb|300px|Gupta Gallery Artefacts]]

As the name suggests, this gallery exhibits artefacts from the Gupta Dynasty (4th-6th centuries CE). The art of the Gupta period presents a high watermark in Indian art.<ref name=":7" /> Mathura and Sarnath were the main centres of artistic activity. Under the patronage of Gupta rulers, sculptures attained a perfection of form that set the standard for artistic beauty for the coming centuries. Major developments in iconography took place during this period as the Kushan sculptures seem to be further perfected and some of the sculptures of this period are considered unsurpassed for the proportioned figures with clear features.

*Sculptures depicting scenes from the epics of Ramayana and Mahabharata
<gallery class="center">
File:Mahabharat, Gupta artefacts 03, National Museum, New Delhi.jpg|Scenes from [[Mahabharata]]
File:Rama redeeming Ahalya, Gupta artefacts 05, National Museum, New Delhi.jpg|Rama redeeming Ahilya (Ramayana)
File:Gupta artefacts 06.JPG|Laxman cutting the nose of Surpanakha (Ramayana)
</gallery>
*Sculptures
<gallery>
File:Vishnu, Gupta artefacts 07, National Museum, New Delhi.jpg|[[Vishnu]]
File:Gupta artefacts 04.JPG|Mother Goddess
File:Ekmukha Shivlinga.jpg|[[Mukhalinga]] of [[Shiva]], 5th century CE
</gallery>

===Medieval Arts Gallery===
The sculptures from the Medieval Period are divided into two categories: Early and Late. The artefacts from the respective periods are divided into two galleries.

====Early Medieval Artefacts====
[[File:Gallery4 national museum india.JPG|thumb|300px|Early Medieval artefacts]]

This gallery has sculptures ranging from the 7th to 10th centuries. After the fall of the [[Gupta empire]], the Indian subcontinent was divided and it was controlled by different dynasties in different parts of India like
*[[Pala Empire|Palas]] in the East
*[[Middle kingdoms of India#The Maitrakas|Maitrakas]] in the West
*Vardhanas and [[Gurjara-Pratihara|Pratiharas]] in the North
*[[Pallava dynasty|Pallavas]], [[Chola dynasty|Cholas]] and [[Chalukya dynasty|Chalukyas]] in the South
There was a general decline in the artistic quality because of the limited number of master craftsmen and the large number of temples being built.

<gallery class="center">
File:Medieval Yogini Statue, National Museum, New Delhi.jpg|[[Yogini]] (Mother Goddess)
File:Vishnu from Kanchipuram.jpg|Vishnu (Pallava Dynasty)
</gallery>

====Late Medieval Artefacts====
[[File:Gallery5 national museum india.JPG|thumb|300px|Late Medieval Artefacts]]

This gallery has sculptures ranging from the 10th to 13th centuries. The country was further sub divided into a number of separate principalities during this period.
*[[Hoysala]]s and Nayakas in the South
*[[Paramara dynasty|Paramars]] and [[Chandela]]s in the North
*[[Gajapati Kingdom|Gajapatis]] and [[Sena dynasty|Senas]] in the East
*[[Chahamanas of Shakambhari|Chahamanas]] (Chauhans) in the West

The main artefacts in this gallery are:
*[[Surya|Sun God]]
*[[Saraswati]], the Goddess of Music, Learning and Intelligence. Carved in Marble, the statue from Pallu, Rajasthan is a highly sophisticated and delicate work.
<gallery class="center">
File:Surya God from Konark, Orissa displayed in National Museum, New Delhi.jpg|[[Surya]] (From [[Sun Temple, Konarak]])
File:Neminath, National Museum, New Delhi.jpg|[[Neminatha]] (22nd Jain [[Tirthankar]]), 11th Century
File:Parsvanatha, National Museum, New Delhi.jpg|Parsvanatha (23rd Tirthankar), 10th Century
File:Stone Made Parvati from Rajasthan displayed at National Museum, New Delhi.jpg|[[Saraswati]] (Chauhan Dynasty)
National Museum - Ambika.jpg|Goddess [[Ambika (Jainism)|Ambika]], 10th Century
File:I@a_06.JPG|Jain Chaumukha Sculpture, 12th century
J@w 01.JPG|[[Parsvanatha]] (23rd Tirthankar), Chola Dynasty, 11th Century
</gallery>

===Decorative Arts Gallery===
The Decorative Arts collection at the National Museum is a reflection of lifestyles of the Indian people from the 16th to the 20th century. Decorative Arts refer to Arts concerned with the design and decoration of objects that are prized for their utility, rather than for their purely aesthetic qualities These include both utilitarian and decorative objects hand crafted by master-craftsmen. They help in understanding the social, religious, economical, commercial and technological development of Indian society.<ref name=":3">National Museum -Bulletin, Number 10 (June–December 2013)</ref> [[Ceramic art|Ceramics]], [[Pottery]], [[Furniture]], [[Textile]]s, [[Glassware]], [[Cutlery|Metalware]] and [[Jewellery]] are a few included under Decorative Arts. The Decorative Arts section is divided into 2 galleries.

====Decorative Arts Gallery 1====
[[File:Gallery9 national museum india.JPG|thumb|300px|Decorative Arts gallery 1]]
This gallery gives a glimpses of three collections of the museum - [[Ivory]], [[Jade]] and Ceramics. The Ivory group has several Hindu and Christian religious figures. The Jade section showcases the utilitarian objects, while the glazed tiles and blue-white pottery are in the Ceramic group.
The Gallery also has two interesting themes – Thrones of India, and Games and Leisure in the Past. The theme of thrones shows the evolution of the seat of power. From the low flat seats of antiquity to the modern armed chair, the journey of the throne is a fascinating story. An intricately carved Home Shrine and some metal Hindu and Jain {{transl|hi|pitikas}} (small seats for keeping idols for home shrines) are also present. The Jewel studded throne of the King of Varanasi is one of the best examples to show Power.
The Games section has Rattles, Yo-Yo, Gamesman of Chess and Chaupar. Tops made of different materials with different designs are also exhibited. These artifacts combine the aesthetic and artistic elements to everyday objects used for games. [[Jade Collection of the National Museum, New Delhi|The Jade Collection]] of the museum has interesting objects from the Mughal period.

<gallery class="center">
File:Dashavtar Ivory Carving.jpg|Main Article: [[Ivory Carved Dashavtar|Ivory Carved Dashavatara Shrine]].
File:Jahangirs huqqa close national museum india.JPG|[[Jahangir]]'s Jade ''[[hookah]]''.
File:Surahi national Museum India.JPG|Jade Surahi (flask) from Mughal era
File:Gyan Chaupar National Museum India.JPG|[[Gyan chauper|Gyan Chauper]].
File:Throne national museum india.JPG|Throne of the [[Benares State|Raja of Varanasi]]
</gallery>

====Decorative Arts Gallery 2====
[[File:Gallery8 national museum india.JPG|thumb|300px|Decorative Arts gallery 2]]

This gallery has artifacts from the [[protohistory|proto-historic]] period to the present day. The variety, quality and media did increase with the taste and status of different generations and the process is on even today. This gallery exhibits Metalware, Jewellery and Wooden objects. Most notable among the wooden objects are the Vahana on display.

<gallery class="center">
File:Garuda by Hyougushi in Delhi.jpg|Wooden [[Garuda]] [[Vahana|Vahana (mount)]] from [[Tamil Nadu]]
File:Museum artefacts 15 nm.JPG|Wooden Horse (Vahana from Tanjore)
File:Dwarpala, National Museum, New Delhi.jpg|Dwarpala
</gallery>

===Miniature Paintings Gallery===

[[File:Gallery6 national museum india.JPG|thumb|300px|View of the Mughal Miniature paintings section]]
Miniature paintings, on paper, cloth, bark, wood and ivory, forms one of the National Museum’s most prestigious collections, and the world’s largest. There are over 17,000 paintings in the Department of Painting in the National Museum, spanning 900 years and most stylistic formats to be found in India: Pala, early Jain style, Sultanate, the indigenous styles of Malwa, Mewar, Bundelkhand, Raghogarh, Mughal, Deccani, later Rajasthani, Pahari, Sikh, Jammu, Tanjore and Mysore, and the Company School paintings.<ref name=":2" />

====Mughal Miniature Paintings====

Miniature painting flourished during Mughal rule.<ref name="Google Cultural Institute"/> Emperor [[Jahangir]] and [[Shahjahan]] were great patrons of art. In their courts, the painters adopted themes ranging from portraitures to landses, durbar scenes and processions for their works. The Deccani style was a fusion of Islamic idiom with indigenous art styles and of local classical traditions with elements of Persian and European Renaissance.

<gallery class="center">
File:Miniature painting showing the marriage procession of Dara Shikoh National Museum India.jpg|Marriage procession of [[Dara Shikoh]]
File:Delhi-National Museum-Babur inspecting the Gwailor Fort-20131006.jpg|[[Babur]] inspecting Gwalior fort.
File:Painting of Akbar Mughal Period, National Museum, New Delhi.jpg|Portrait of [[Akbar]]
File:Nature study, Mughal era, National Museum, New Delhi.jpg|Nature Study (Early Mughal)
File:Mughal Painting, Jahangir, National Museum, New Delhi.jpg|Jahangir holding a picture of Madonna
</gallery>

====Central India Miniature Paintings====
[[File:Nm nd gallery inside 01.JPG|thumb|A view of the Central India Paintings Sections]]
Paintings from Central India include miniatures from Malwa and Bundelkhand.

====Rajasthan Miniature Paintings====
[[File:Gallery7 national museum india.JPG|thumb|300px|A view of the Rajasthani Paintings Sections]]
Rajasthani Miniatures flourished mainly in [[Mewar]], [[Bundi]], [[Kota district|Kota]], [[Kishangarh]], [[Jaipur]], [[Jodhpur]] and [[Bikaner district|Bikaner]].

Mewar Miniatures are illustrating Hindu mythological themes. Bundi and Kota Miniatures excel in composition compactness. Hunting scenes are Kota's speciality. Bikaner excels in Portraiture. Kishangarh is known for its [[Bani Thani]], which portrays the model of an idealised and elegant woman.

====Pahari Miniature Paintings====
[[Pahari painting|Pahari schools]] flourished mainly at [[Basohli#Basohli painting|Basohli]], [[Chamba, Himachal Pradesh#Chamba miniature paintings|Chamba]], [[Haripur Guler#Guler Paintings|Guler]] and [[Kangra painting|Kangra]]. Under the patronage of Maharaja [[Sansar Chand]] in the late 18th and early 19th centuries, Kangra became the most prominent centre for the Pahari style.
<gallery>
File:Nanda and other cowherds moving to Vrindavana, Kangra style painting, National Museum, New Delhi.jpg|Nanda and other Cowherds moving to Vrindavana (Based on the story of the Bhagvata-Purana)
File:Guru Granth Sahib, 18th century illustration,National Museum, New Delhi.jpg|Illustration of Guru Granth Sahib
</gallery>

===Buddhist Artefacts Gallery===
[[File:Gautam Buddha's relics, National Museum, New Delhi.jpg|thumb|upright|Buddha's relics in the Museum]]
The Buddhist Art Section is mostly known for the Sacred Relics of [[Buddha]] (5th-4th century BC) unearthed from Piprahwa, [[Siddharthnagar district]] in [[Uttar Pradesh]],<ref name=co/> which yielded caskets with fragments of bone, along with ornaments, figures and precious stones. The inscription on a casket speaks of the relics of Buddha. The [[Archaeological Survey of India]] conducted further excavations at the site from 1971 to 1977, resulting in the discovery of two more caskets in [[soapstone]], containing more sacred bone relics. The site has been identified with ancient [[Kapilavastu (ancient city)|Kapilavastu]], the home town of Buddha Sakyamuni. Outstanding specimens of Buddhist Art is illustrated through exhibits in [[Stone]], [[Bronze]], [[Terracota]], [[Stucco]], Wooden [[Sculptures]] & Painted [[Scrolls]] or '''[[Thangka]]s''' from [[Nepal]], [[Tibet]], [[Central Asia]], [[Myanmar]], [[Java]] and [[Cambodia]] which represents the three principal Buddhist forms - [[Hinayana]], [[Mahayana]] and [[Vajrayana]]. These objects stimulate a sense of Devotion, Dedication and [[Love]] for Humanity.

Key highlights of the collection include:

* Adoration of Stupa, Nagarjunkonda, Pale Green Limestone, 3rd Century AD
* Standing Buddha, Kushana, Dark grey schist stone, 2nd–3rd century AD
* Laughing Boy Head, Kushana, Stucco, 3rd–4th century AD
* Scenes from Buddha’s Life, Gupta, Sarnath, Chunar sandstone, 5th century AD
* Buddha Head, Gupta, Sarnath, Buff Chunar sandstone, 5th century AD
* Standing Buddha, Pala, Nalanda, Bronze, 10th century AD
* Elephants carrying Buddha’s Relics, Sunga, Bharhut, Red sandstone, 2nd century BC
* Sacred Relics from Kapilavastu, Piprahwa, Spotted red sandstone, 5th–4th century BC

<br /><gallery>
File:Head of Buddha statue at National Museum, New Delhi.jpg|Head of [[Buddha]]
File:Holy Relics of Lord Buddha, National Museum, New Delhi.jpg|Buddha's relics, from a stupa built by Emperor [[Ashoka]] in the 3rd century BCE.
</gallery>

===Evolution of Indian Scripts & Coins Gallery===
In this gallery, there are many large sized well-lit transparencies on show which are narrating the development of various Indian [[writing system|Scripts]] and [[Coins]].

<gallery class="center">
File:Nm nd gallery inside 02.JPG|Inside the Galleries of National Museum, New Delhi
File:Nm nd gallery inside 03.JPG|Inside the Galleries of National Museum, New Delhi
File:Nm nd gallery inside 04.JPG|Inside the Galleries of National Museum, New Delhi
File:Nm nd gallery inside 05.JPG|Inside the Galleries of National Museum, New Delhi
</gallery>

===Bronze Gallery===
The Bronze Gallery, showcases pioneer works of bronze in Indian art and sculpture. Renovated to present information in a unique and accessible way, the gallery features a striking layout that juxtaposes the sculptures with detailed descriptions providing context, significance and production processes of the objects. The Gallery has been curated by Shri Tejpal Singh, Deputy Curator, Archaeology and designed by Ms.Matrika, [[Mumbai]] and executed by [[Central Public Works Department|CPWD]].<ref>National Museum Bulletin No.16</ref>

Four Buddha images from Phophnar, [[Madhya Pradesh]] known for their excellence are on display. The Pala bronzes from 8th to 10th century, mainly Buddhist in theme are from Nalanda in [[Bihar]]. The bronzes from the Himalayan region, especially those belonging to [[Kashmir]] and [[Himachal Pradesh]], represents bronzes of Northern India. Svachchhanda Bhairavi showcases the skill of the metal smith of Chamba and Vishnu Vaikuntha testifies to the high level of craftsmanship of Kashmiri artists. Selected Nepalese and Tibetan bronzes are also on view. The image of Vasudeva-Kamalja (half Vishnu and half Lakshmi) displayed here is a superb example of Nepalese bronze art and iconography.<ref>{{Cite web|url=http://www.nationalmuseumindia.gov.in/departments-archaeology.asp?lk=dp2|title=National Museum|access-date=23 October 2019}}</ref>

Key highlights of the collections include:

* Vishnu Vaikuntha, Kashmir, Bronze, 9th century AD
* Nataraja, Chola, Tamil Nadu, 12th century AD
* Kaliya-Mardan Krishna, Early Chola, 10th century AD
* Siva- Tripurantaka, Early Chola, 9th century AD
* Svachchhanda Bhairavi, Utpala Chamba, Himachal Pradesh, 10th century AD

<br /><gallery>
File:Nataraja01.jpg|Shiva dancing [[Nataraja]], [[Chola]] 12th century CE, Bronze
File:National Museum - Parsvanatha 9C.jpg|Parsvanatha, Maitraka, 9th Century, Akota, Gujarat
File:National Museum - Parsvanatha 11C.jpg|Parsvanatha, 1062 CE, Western India,
File:National Museum - Chaubisi of Kunthunatha.jpg|Chaubisi of Kunthunatha, 1465 CE, Western India
</gallery>

===Manuscripts Gallery===
[[File:Westindischer Maler von 1439 001.jpg|thumb|The birth of [[Jain]] [[Tirthankara]] [[Mahavira]], from the [[Kalpa Sutra]] ]]

The museum comprises over 14,000 manuscripts and texts, of which about 1000 are illustrated.<ref name=":2" /> The collection of manuscripts are in various languages and scripts covering a large number of subjects. They are written on different types of materials such as [[parchment]], birch [[Bark (botany)|bark]], palm leaf, cloth, [[paper]] and [[metals]]. All the manuscripts represent various religions and sects of the Indian Subcontinent covering the period from the 7th to the 19th centuries. Dated manuscripts elaborate the Indian history with authoritative authenticity.

Key highlights of the collections include:

* Asthasahasrika Prajnaparamita, Sanskrit, Palm Leaf, 12th century AD
* Baburnama, Persian, Paper, AD 1598
* Balabodhini, Sanskrit, Birch-bark manuscript, 12th century AD
* Gita Govinda of Jayadeva, Sanskrit, Palm leaf; 14 folios in accordion format, 18th century AD
* [[Jain]] [[Kalpa sutra]]s, Prakrit, Paper, 15th century AD

===Coins Gallery===
[[File:Gallery10 national museum india.JPG|thumb|300px|Coins Gallery]]
The Coins Gallery of the National Museum, New Delhi has over 1,30,000 coins in its reserve with some of the rarest coins, ranging from sixth century BC, when coins are believed to have first appeared in the country.<ref>{{Cite web|url=https://www.dnaindia.com/delhi/report-delhi-national-museum-without-a-numismatist-2593024|title=Delhi National Museum without a numismatist|last=Kapoor|first=Cheena|date=2018-03-12|website=DNA India|language=en|access-date=2019-10-28}}</ref> The gallery displays 1669 coins along with five replicas of coins, five measuring vessels and some ''couries'' and ''ratties'' that were used in ancient times as weights and measures. It has almost all Indian coins from the earliest bent bar, punch-marked coins to those of Indian Pot with Seated Monkey States, British India and post-independence coins. The entire history of Indian coinage from about 6th century BCE to the beginning of the 21st century is exhibited. There are various dioramas depicting various techniques of coin production. These coins can be considered rich and authentic source of information on various aspects of Ancient, Medieval and Modern Indian History.<ref name=":2" />

<gallery class="center">
File:Coinsgallery 1 nm india.JPG|View of the different methods over time
File:Coinsgallery 2 nm india.JPG|View of the Coins Gallery
File:Copper vase nm india.JPG|This is the Copper Vase which contained the 1821 gold Coins of the [[Gupta period|Gupta era]] found at [[Bayana]], District Bharatpur, Rajasthan
File:Gupta era gold Coin showing the Marriage of Chandragupta, National Museum, New Delhi.jpg|Chandragupta with his Wife
File:Gupta era gold coin, National Museum, New Delhi.jpg|[[Chandragupta I]]
File:Coins from Gupta Periods, Samudragupta's rule, National Museum, New Delhi.jpg|[[Samudragupta]]
File:Coins from Gupta Era, National Museum, New Delhi.jpg|Samudragupta playing Veena
File:Coins from Gupta Period, National Museum, New Delhi.jpg|[[Ashvamedha]] Coins
File:Coins from Mughal Period Jahangir's rule, National Museum, New Delhi.jpg|[[Jahangir]]'s Coins
File:18th Century Coins, British Raj, National Museum, New Delhi.jpg|[[British Indian coins]], 18th century CE
</gallery>

===Central Asian Gallery===
[[File:Gallery11 national museum india.JPG|thumb|300px|Artefacts in the Central Asian Gallery]]
The vast and varied collection of this gallery was excavated, explored and collected by [[Sir Aurel Stein]], one of the major archaeological explorers of early 20th century. He collected these cultural materials from more than 100 Ancient Cities along the [[Silk Route]] during three major expeditions carried out by him in 1900-1901, 1906-1908 and 1913-1916. The collection consists of wall paintings, painted silk banners, sculptures in wood, stucco and terracotta, coins, porcelain and pottery objects, leather, grass and fiber, precious items of gold and silver, religious and secular documents.

<gallery class="center">
File:Buddha statue nm india.JPG|Buddha in Dharmachakra Mudra
File:Buddha c.asia nm india.JPG|Buddha in the Central Asian Arts Gallery
File:Kharoshti script on a wooden plate, National Museum, New Delhi 01.jpg|A tablet containing [[Kharoshti]] Script
File:Buddha with his disciples, wall painting from a stupa in China displayed at National Museum, New Delhi .jpg|Part of a wall painting showing Buddha with his disciples
</gallery>

===Maritime Heritage Gallery===
<gallery class="center">
File:Museum artefacts 01 nm.JPG|A view of the Maritime Gallery
File:Statue of Varuna, National Museum, New Delhi.jpg|Inside the Gallery
File:Museum artefacts 02 nm.JPG|Different objects exhibited
File:Diorama showing maratha naval tactics, National Museum, New Delhi (cropped).jpg|A diorama showing [[Maratha]] naval tactics
</gallery>

===Tanjore and Mysore Paintings Gallery===
[[File:Museum artefacts 04 nm.JPG|thumb|300px|Tanjore & Mysore paintings gallery]]
This gallery exhibits the paintings from the two famous schools of South India - [[Tanjore painting|Tanjore]] and [[Mysore painting|Mysore]]. The important themes of Tanjore and Mysore schools include paintings of [[Vaishnavism]] portraying images of Hindu Gods Krishna, Rama, Vishnu and his other incarnations and [[Shaivism]] portraying various forms of Shiva, Parvati, Kartikeya, Ganesha and other Shaiva deities; and portraits of various kings, saints and royal patrons.

Tanjore paintings, named after the ancient town of Tanjavur in [[Tamil Nadu]] employ real gold and silver foil, precious and semiprecious stones, beads, mirrors, and powdered metals besides the use of primary colours- red, green, blue, black and white to depict key figures. The Mysore school of painting sprang in south Karnataka in the reign of Maharaja Mummudi [[Krishnaraja Wadiyar III|Krishnaraja Wadiyar]] present a wide variety, from murals to stylistic Mysore paintings on cloth, paper and wood. 88 paintings have been put on show at the gallery and some of the masterpieces include ''Navaneeta'' Krishna with Tanjore King Shivaji II (1830 CE), ''Nataraja'' Shiva early 19th century, Rama ''Pattabhisheikha'' early 19th century, Durbar of Serfoji II (1798-1833) and the Marriage ceremony of Shiva -Parvati and Sita-Rama end of18th century.<ref name=":3" />

<gallery class="center">
Museum artefacts 05 nm.JPG|View of the Gallery
File:Coronation of Rama, National Museum, New Delhi.jpg|Rama Darbar (Coronation of [[Rama]] at [[Ayodhya]])
</gallery>

===Textiles Gallery===

The Textiles Gallery exhibits the collection of Indian traditional textiles of the Later Mughal period. Cotton, Silk and Woolen textiles which are woven, printed, dyed and embroidered are exhibited in the gallery.

<gallery>
File:Gallery12 national museum india.JPG|View of the Textiles Gallery
File:Gallery13 national museum india.JPG|Another view of the Textiles Gallery
File:Gallery 23 nm india.JPG|A view of the shawls in the Textiles Gallery. The shawls are from [[Kashmir]]
File:Pichwai painting, made in net, National Museum, New Delhi.jpg|Pichwai on Net
File:Handcerchief, Kalam Kaari technique, Mughal Era, National Museum, New Delhi.jpg|Rumal made by Kalam Kaari Technique
File:Harappn artefacts nm india 04.JPG|Pitara Box in the Textiles Gallery
</gallery>
* Royal Chamber: It is the particular area which exhibits the use of Textiles in Royal Style. The chamber has embroidered Silk Carpet on the floor. A Cloth Ceiling and printed Wall Clothes cover most of the area. The cover of Pillows have very minute zari and [[Zardozi]] work on them.
<gallery>
File:Gallery28 national museum india.JPG|Use of Textiles in the tent of Rajas
File:Gallery29 national museum india.JPG|Another view of Use of Textiles in the tent of Rajas
</gallery>

===Pre-Columbian and Western Arts Gallery===
The collection of Pre Columbian art donated by Mr & Mrs Heeramaneek represents the principal cultures of the Pre- Columbian world. The Olmec culture from Mexico is characterized by huge stone sculptures representing human heads, as well as small sculptures in jade and other stones
0.<ref>{{Cite web|title = Heeramaneck, Dealer-Collector, Gives Pre-Columbian Art to India|url = http://timesmachine.nytimes.com/timesmachine/1966/12/23/82977932.html?pageNumber=23|access-date = 2015-10-25|work = New York Times|date = 1966-12-03|last = Glueck|first = Grace}}</ref> The objects are primarily from [[Pre-Columbian era|before Christopher Columbus's discovery of North and South America]], including objects from [[Mexico]], [[Peru]], [[Maya civilization|Maya]], [[Inca]], North-West coast of America, [[Panama]], [[Costa Rica]] and [[El Salvador]].

<gallery class="center">
File:Gallery14 national museum india.JPG|View of the Gallery containing artefacts from the Pre-Columbian Times
</gallery>

== Anthropology Department ==
The Anthropology Department of National Museum has a collection of objects of ethnographic interest that has been acquired over the years through exploratory expeditions as well as valuable gifts from private collections. The Ethnic Art gallery exhibits examples of tribal and folk art as part of a larger heritage.<ref name=":3" />

===Tribal Lifestyle of North East India Gallery===
This gallery is dedicated to the states of North-East India. The Eight States of North East are Called ''[[Northeast India#Seven Sister States|Seven Sisters]] and One Brother ([[Sikkim]]) States''. The Eight States have a wealth of Cultural Handicraft, Performing Arts and Unique Traditions. This gallery exhibits traditional artefacts such as dresses, apparels, headgears, ornaments, paintings, basketry, wood carvings, smoking pipes and articles of personal adornments of various tribal groups.
<gallery>
File:Different types of masks from North-east Tribals, National Museum, New Delhi.jpg|A View of the Different Masks Present in the NorthEast Tribal Lifestyle Gallery
File:Northeast 2 nm india.JPG|A View of the North East Tribal Lifestyle Gallery
File:Northeast 3 nm india.JPG|A View of the Different Headgears in the Tribal Lifestyle Gallery
File:Coat from Arunachal Pradesh, National Museum, New Delhi.jpg|Coat made up of Fibre, Human Hair and Cotton
</gallery>

===Sharan Rani Bakliwal Musical Instruments Gallery===
The collection on display in the Musical Instrument Gallery was donated to the museum by Padamshree (Late) Mrs. Sharan Rani Backliwal, India's Sarod Maestro. This gallery has a collection of musical instruments in tribal, folk and classical groups. There are also a few 19th-century Western instruments. The collection is divided into three parts such as [[Wind Instruments]], [[String Instruments]] and [[Percussion Instruments]]. This gallery also has a sculpture made in bamboo of Goddess Saraswati playing the [[Veena]].
<gallery class="center">
File:Gallery15 national museum india.JPG|View of the Musical Instruments
File:Gallery16 national museum india.JPG|Larger view of the Gallery
</gallery>

==Wood Carving Gallery==
[[File:Gallery17 national museum india.JPG|thumb|300px|A View of the Wood Carving Gallery]]
The Wood Carving Gallery of the museum not only exhibits artefacts from India, but also from [[Nepal]], Central India and [[Tibet]]. This gallery gives glimpses of India's wood carving tradition mainly belonging from 17th to 19th centuries illustrating the different styles of wood carvings from [[Rajasthan]], [[Gujarat]], [[Odisha]] and South India. Collections on display include decorative and utilitarian objects, architectural elements and sculptures. A square pillar with a capital of five feet height dated 9th century is the earliest wood carving specimen in National Museum. The gallery has been curated by Anamika Pathak, Curator, National Museum.<ref>{{Cite web|url=http://www.nationalmuseumindia.gov.in/pdfs/NM-Bulletin-Final-13.pdf|title=National Museum Bulletin No. 10|website=National Museum- New Delhi|access-date=23 October 2019}}</ref>

<gallery class="center">
File:Wooden mandap nm india.JPG|The Mandap kept in the Wood Carving gallery
File:Wood mandap nm india.JPG|Inner view of the Wooden Mandap
File:Wood mandap2 nm india.JPG|Inner view of the Wooden Mandap
File:Nm artefacts 12.JPG|Carved Door from Gujarat
</gallery>

==Arms and Armour Gallery==
[[File:Gallery18 national museum india.JPG|thumb|300px|A view of the Gallery]]
This gallery exhibits arms from the [[Stone Age]] up to the [[Modern Age]]. The collection comprises edged weapons, projectiles, smashing weapons, sacrificial and ritual weapons, fire arms, armour for men and animals, ornamental and war accessories. The collection is predominantly Mughal in addition to [[Maratha]], [[Sikh]], [[Rajput]] arms which are also well represented.
<gallery class="center">
File:Stone Age arms, National Museum, New Delhi.jpg|Arms from Stone & Bronze Age
File:Body Armour of Aurangzeb, Mughal Period, National Museum, New Delhi.jpg|Body Armour of [[Aurangzeb]]
File:Bow and Arrow of Bahadur Shah Zafar 2, Sword and Dagger of Aurangzeb and battle Axe of Nadir Shah, National Museum, New Delhi.jpg|Bow & Arrow of [[Bahadur Shah Zafar II]], Sword & Dagger of Aurangzeb and [[Battle axe#Persia|Battle Axe]] of [[Nadir Shah]]
File:Shield of Maharana Sangram Singh, National Museum, New Delhi.jpg|Shield of Maharana [[Sangram Singh II]]
</gallery>

==Tradition, Art and Continuity==

A Gallery with over 200 objects ranging from a wide geographical and social spectrum, acquired from private collectors was added to the museum on 6 February 2014. Various objects on display are a palanquin from the [[Santhal people|Santhal]] community, scroll paintings from West Bengal, textiles such as [[Phulkari]]s from [[Punjab]] and bronze sculptures from [[Bastar district|Bastar]], besides terracotta works and basketry. The gallery is a rich representation of art from various parts of India.<ref>[http://www.vancouverdesi.com/lifestyle/new-gallery-at-national-museum/713520/ New gallery at National Museum | Vancouverdesi.com]</ref><ref>[http://www.newstrackindia.com/newsdetails/2014/02/06/244--New-gallery-at-National-Museum-.html New gallery at National Museum]</ref>

== Anubhav ==
The National Museum, in collaboration with UNESCO, National Platform for the Rights of the Disabled (NPRD) and Saksham, launched a new permanent gallery for Persons with Disabilities in the year 2015 which features tactile replicas of 22 objects from the collections of the Museum as well as an audio guide, ramps and descriptive labels in Braille; the gallery encourages visitors to 'touch' and feel the objects on display. 'Anubhav: A Tactile Experience' ensures a conducive space and exposure to the objects for the differently-abled. The Gallery was conceived and developed by Rige Shiba, Assistant Curator under the overall guidance of Dr. Vijay Kumar Mathir, Curator with assistance from Vasundhra Sangwan. The Replicas exhibited in the space have been made by the National Museum Modeling department headed by Hemant Tomar and his colleagues and the gallery has been designed by Amardeep Labana,<ref name=":6" /> with a special emphasis on dimensions. For instance, one can have a sensory experience of a mid-19th century coin from the Awadh region which has been recreated in 23-inch diameter and 2-inch thickness.<ref>{{Cite web|url=https://indianexpress.com/article/india/india-news-india/at-national-museum-exhibition-for-those-who-cant-see/|title=At National Museum, exhibition for those who can't see|date=2015-12-26|website=The Indian Express|language=en-IN|access-date=2019-10-28}}</ref>

== Governance ==
On the basis of nature of grants and exercise of control, the National Museum comes within the purview of Central Government of India.<ref>{{Cite book|title=Modern museum : organisation and practice in India|last=Baxi, Smita J. Dwivedi, Vinod P.|date=1973|publisher=Abhinav|oclc=471579325}}</ref> It was initially looked after by the Director General of Archaeology until 1957, when the Ministry of Education, Government of India, declared it a separate institution and placed it under its own direct control, following this shift the museum began to significantly increase both its staff and its collections using funds from the Art Purchase Committee.<ref name=":0" /> At present, the National Museum is under the administrative control of the Ministry of Culture, Government of India.<ref>{{Cite web|url=http://www.nationalmuseumindia.gov.in/about-history.asp?lk=ab1|title=National Museum|access-date=23 October 2019}}</ref>

== Donors ==
The first wave of collecting for the National Museum started in 1948 and which lasted around 1952, drawing heavily on scholars like V. S. Agarwala, Moti Chandra, Rai Krishnadas, Karl Khandalavala and their personal relationships with private collectors. Funding for mass collecting was granted by Parliament from 1947 but this first acquisition period is marked by lack of descriptive detail, quantifiable data, parameters surrounding the criteria of selection. O. C. Gangoly (1881-1974) sold a group from his collection of paintings to the National Museum in whose foundation he states he played a role. He further avers that he encouraged other fellow collectors to bequeath their collections to the National Museum but was not always successful.<ref name=":4">{{Cite book|title=In pursuit of the past : collecting old art in modern India, circa 1875-1950|last=Pal, Pratapaditya|year=2015|isbn=9789383243099|location=Mumbai|pages=50–53, 135|oclc=927320600}}</ref> Collections of Burjor N. Treasurywalla (d. 1947) also resides in the National Museum, about which Gangoly says almost nothing except that it was large and important. He does emphasize how he was involved in the purchasing of the collection itself except that it was likely that Khandalavala, a relative of Treasurywallla, played a greater role.<ref name=":4" /> V. S. Agarwala was instrumental in securing extensive private collection of Ajit Ghose of Calcutta, Dickinson collection, Gulab Chand collection, Modi's collection and Medd's collection.

In recent years, according to a Standing Committee on Transport, Culture and Tourism query, the number of collections added to the National Museum was a total of 2269 objects during the period of 1994-2010. Out of this 1360 objects were purchased and remaining 906 objects were acquired through gifts etc. This small number was attributed to the Art Acquisition Committee of the National Museum being defunct since 1997.<ref>{{Cite web|url=http://ignca.gov.in/Asi_data/81453.pdf|title=One Hundred Sixty Seventh Report on the Functioning of National Museum|website=www.google.com|access-date=2019-11-03}}</ref>

==Auditorium==
Beside the galleries, the museum also has an auditorium with a seating capacity of 250 people. A brief film introducing the museum and its collections is screened in the auditorium regularly. Film shows on art, history and heritage are also screened.

== Digitization of Museum Collections ==

The National Museum has started a special project to digitize its collection of objects in order to make it available for visitors to see online. This process involves digitization and storage of museum collections in a collection management system named ‘JATAN’. JATAN is a virtual museum builder software, that enables creation of digital collection management system for Indian museums and is deployed in several national museums across India. Its objective is to make a digital imprint of all the objects preserved in museums and help researchers, curators and other people interested in the field which has been designed and developed by [[Centre for Development of Smart Computing]] (C-DAC) Pune.

The digital imprints (of preserved objects and monuments) created using the JATAN software are integrated in the national digital repository and portal for making them accessible to the public. The National portal and digital repository for museums of India provides an integrated access to theme based collections and artefacts (in terms of sculptures, paintings, manuscripts, weapons, coins and numerous other categories of artefacts) irrespective of the physical and geographical locations of museums. Centre for Development of Smart Computing has also developed “Darshak”, a mobile-based application aimed at improving the museum visit experience among the differently-abled. It allows real-time museum visitors gather all details about objects or artefacts simply by scanning a QR code placed near the object.<ref>{{Cite web|url=https://www.drishtiias.com/printpdf/jatan-virtual-museum-software|title=JATAN: Virtual Museum Software|access-date=23 October 2019}}</ref>

=== National Museum Collections on the Google Art Project ===
National Museum has volunteered objects from its collection on the Google Art Project which is a non- commercial initiative of Google through the [[Google Arts & Culture|Google Cultural Institute]]. More than hundred objects have been photographed and their descriptions are available on the Google Art Project website under the name of National Museum, New Delhi which has given a high reach to online visitors for the collection. The Google page of National Museum will be populated further by adding other pertinent collections from National Museum on it.<ref name=":6">National Museum- Bulletin No.11</ref>

== Controversy ==
In 2010, in the first study of its kind, [[UNESCO]] presented a report<ref>{{Cite news|url=https://www.outlookindia.com/magazine/story/exhibit-a-shame/266776|title=Exhibit 'A': Shame|last=Gahilote|first=Prarthna|access-date=23 October 2019}}</ref> which rated the National Museum along with other seven museums, as badly maintained, poorly lit and having incorrect signs. In a response by the then Minister of Social Justice and Empowerment and Tourism, Selja Kumari in a written reply to Parliament said that the ratings and findings of the report were invalid since the no. of surveyors was inadequate.<ref>{{Cite news|url=https://www.telegraphindia.com/india/delhi-lashes-museum-report-but-learns-not-calcutta-unesco-report-dismissed-as-inaccurate-by-minister-but-spurs-renovation/cid/403906|title=Calcutta - Unesco report dismissed as 'inaccurate' by minister but spurs renovation|last=VINCENT|first=PHEROZE|access-date=23 October 2019}}</ref>

== Future ==
Although in its early stages, another project for which the site proposed for redevelopment constitutes the most iconic part of India’s capital city,<ref>{{Cite web|url=https://www.telegraphindia.com/opinion/the-problem-with-the-proposed-redevelopment-of-lutyens-delhi-s-central-vista/cid/1706376|title=The problem with the proposed redevelopment of Delhi's central vista|last=Menon|first=A. G. K.|website=The Telegraph|access-date=23 October 2019}}</ref> [[Central Vista Redevelopment Project]], the National Museum is one of the buildings listed in the tender as some of these buildings approaching the end of their “structural lives” while those that are around a 100 years old, like North and South Blocks, are not “earthquake safe”.<ref>{{Cite news|url=https://scroll.in/article/937985/explainer-what-we-know-about-the-plan-to-renovate-or-demolish-new-delhi-s-iconic-buildings|title=Explainer: What we know about the plan to renovate or demolish New Delhi's iconic buildings|last=Lalwani|first=Vijayta|work=Scroll.in|access-date=23 October 2019}}</ref>

== See also ==

*[[Carved wood vahanas in National Museum]]
*[[Gyan chauper]]
*[[Ivory Carved Dashavtar]]
*[[Ivory carved tusk depicting Buddha life stories]]
*[[Jade Collection in National Museum]]

==References==
<references />

== External links ==
*[http://epgp.inflibnet.ac.in/epgpdata/uploads/epgp_content/S000829IC/P001546/M017785/ET/1493295681P15-M31-NationalMuseum-NewDelhi-ET.pdf "National Museum, New Delhi"], Pathshala PDF
{{commons category-inline}}
* [http://www.nationalmuseumindia.gov.in/ Homepage]

{{Museums in Delhi}}

{{Authority control}}

[[Category:National Museum, New Delhi| ]]
[[Category:National museums of India]]
[[Category:Buildings and structures in New Delhi]]
[[Category:Museums in Delhi]]
[[Category:Archaeological museums in India]]
[[Category:Art museums and galleries in India]]
[[Category:Decorative arts museums in India]]
[[Category:Art museums established in 1949]]
[[Category:1949 establishments in India]]
[[Category:Ministry of Culture (India)]]

Bharatpedia - User contributions [en]

National Museum, New Delhi