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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Asavari_(thaat)&amp;diff=184331</id>
		<title>Asavari (thaat)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Asavari_(thaat)&amp;diff=184331"/>
		<updated>2021-04-29T04:36:08Z</updated>

		<summary type="html">&lt;p&gt;73.97.123.210: /* Description */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{for|the raga of the same name|Asavari}}&lt;br /&gt;
{{Hindustani Classical Music}}&lt;br /&gt;
&#039;&#039;&#039;Asavari&#039;&#039;&#039; ({{IAST3|Āsāvari}}) is one of the ten basic [[thaat]]s of [[Hindustani music]] from the [[Indian subcontinent]]. It is also the name of a [[raga]] within this [[thaat]].&amp;lt;ref&amp;gt;{{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=3 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Description==&lt;br /&gt;
Adding a Komal Dhaivat to [[Kafi (thaat)|Kafi Thaat]] results in the Asavari thaat. Raga Asavari is full of &#039;&#039;tyag&#039;&#039;, the mood of renunciation and sacrifice as well as pathos. It is best suited for late morning. However important evening/night raga-like Darbari and Adana also use notes of Asavari thaat with different styles, stress points and ornamentation.&lt;br /&gt;
&lt;br /&gt;
Ragas in Asavari Thaat: &lt;br /&gt;
#[[Asavari]]&lt;br /&gt;
#[[Desi (raga)|Desi]]&lt;br /&gt;
#[[Darbari]]&lt;br /&gt;
# Kaunsi Kanada&lt;br /&gt;
#[[Adana (raga)|Adana]] &lt;br /&gt;
#[[Jaunpuri (raga)|Jaunpuri]]&lt;br /&gt;
# Devgandhar&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindustani music theory]]&lt;/div&gt;</summary>
		<author><name>73.97.123.210</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Kalyan_(thaat)&amp;diff=125833</id>
		<title>Kalyan (thaat)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Kalyan_(thaat)&amp;diff=125833"/>
		<updated>2021-04-29T04:11:40Z</updated>

		<summary type="html">&lt;p&gt;73.97.123.210: /* Ragas */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{for2|the [[Hindustani music|Hindustani]] raga also known by this name|[[Yaman (raga)]]|the similar [[Carnatic music|Carnatic]] ragam|[[Kalyani (raga)]]}}&lt;br /&gt;
{{Hindustani Classical Music}}&lt;br /&gt;
&#039;&#039;&#039;Kalyan&#039;&#039;&#039; ({{IAST3|Kalyāṇ}}) is one of the ten basic [[thaat]]s of [[Hindustani music]] from the [[Indian subcontinent]].&amp;lt;ref&amp;gt;{{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=3 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en}}&amp;lt;/ref&amp;gt; It is also the name of a [[raga]] (more popularly known as [[Yaman (raga)|Yaman]]) within this thaat.&amp;lt;ref&amp;gt;http://www.tanarang.com/english/yaman_eng.htm&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Description==&lt;br /&gt;
Kalyan thaat consists of an important group of evening ragas. Characterised by the teevra Madhyam, this thaat literally means good luck. Ragas of this thaat are considered to be a blessing-seeking and soothing. As a result, they are performed in the evening at the beginning of a concert. These ragas create a feeling of the unfolding of an evening.{{cn|date=August 2018}}&lt;br /&gt;
&lt;br /&gt;
The Hindustani Classical Thaats are defined in their relation with the Bilawal Thaat, which has all shuddha(pure) notes. &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! !! Bilaawal Thaat !! Kalyan Thaat &lt;br /&gt;
|-&lt;br /&gt;
| Definition || All shuddha(pure) notes || Ma is {{lang|hi-Latn|tivra}} or sharp Ma&#039;&lt;br /&gt;
|-&lt;br /&gt;
| Indian Sargam Notes || Sa Re Ga Ma Pa Dha Ni Sa || Sa Re Ga Ma&#039; Pa Dha Ni Sa&lt;br /&gt;
|-&lt;br /&gt;
| Notes in scale of C || C D  E F  G A  B C || C D  E F#  G A   B C&lt;br /&gt;
|-&lt;br /&gt;
| Whole/Half Steps  || W-W-H-W-W-W-H || W-W-W-H-W-W-H&lt;br /&gt;
|-&lt;br /&gt;
| Degrees  || 1 2 3 4 5 6 7 || 1 2 3 ♯4 5 6 7&lt;br /&gt;
|-&lt;br /&gt;
| Western Equivalent  || [[Ionian Mode]] or [[Major Scale]] || [[Lydian Mode]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Ragas==&lt;br /&gt;
&lt;br /&gt;
Ragas in Kalyan Thaat: &lt;br /&gt;
[[Yaman (raga)|Yaman]],&lt;br /&gt;
[[Bhupali]],&lt;br /&gt;
[[Hindol]], &lt;br /&gt;
[[Kedar (raga)|Kedar]], &lt;br /&gt;
[[Shuddha Kalyan]], &lt;br /&gt;
[[Shyam Kalyan]],&lt;br /&gt;
[[Yaman Kalyan]], &lt;br /&gt;
Khem Kalyan,&lt;br /&gt;
Savani Kalyan&lt;br /&gt;
[[Chhayanat (raga)|Chhayanat]],&lt;br /&gt;
[[Hameer]],&lt;br /&gt;
[[Gaud Sarang]],&lt;br /&gt;
Kamod,&lt;br /&gt;
Maru Bihag,&lt;br /&gt;
Nand,&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindustani music theory]]&lt;/div&gt;</summary>
		<author><name>73.97.123.210</name></author>
	</entry>
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