Teesri Kasam

2021-06-03T12:07:50Z

2409:4053:81F:356:59E3:35CB:E16A:3F32:

{{Use dmy dates|date=October 2014}}
{{Infobox film
| name = Teesri Kasam
| image = Teesri Kasam.jpg
| caption = Poster
| director = [[Basu Bhattacharya]]
| producer = [[Shailendra (lyricist)|Shailendra]]
| writer =
| screenplay = [[Nabendu Ghosh]] [[Phanishwar Nath Renu]] (Dialogue)
| story =
| based_on = {{based on|''Teesri Kasam Urf Maare Gaye Gulfam''|[[Phanishwar Nath Renu]]}}
| starring = [[Raj Kapoor]] [[Waheeda Rehman]]
| narrator =
| music = [[Shankar-Jaikishen]] [[Shailendra (lyricist)|Shailendra]] (Lyrics) [[Hasrat Jaipuri]] (Lyrics)
| cinematography = [[Subrata Mitra]]
| editing =
| studio = Image Makers
| distributor =
| released = 1966
| runtime = 159 min
| language = Hindi
| country = India
| budget =
| gross =
}}

'''''Teesri Kasam''''' ({{Translation|''The Third Vow''}}) is a 1966 [[Hindi|Hindi language]] drama film directed by [[Basu Bhattacharya]] and produced by lyricist [[Shailendra (lyricist)|Shailendra]]. It is based on the short story ''Mare Gaye Gulfam'', by the [[Hindi]] novelist [[Phanishwarnath Renu]]. The film stars [[Raj Kapoor]] and [[Waheeda Rehman]]. The duo [[Shankar-Jaikishan]] composed the film's score. The film's [[cinematography]] was done by [[Subrata Mitra]]. Dialogues were written by [[Phanishwarnath Renu]] and the screenplay by [[Nabendu Ghosh]].

''Teesri Kasam'' is an unconventional film that portrays rural [[India]]n society. It is the story of a naive bullock cart driver Hiraman, who falls in love with Hirabai, a dancer at a ''[[nautanki]]''. The film also deals with the issue of exploitation of women in the performing arts, especially in travelling folk theatre.{{Sfn|Singh|2007|p=60}} Although the film fared poorly at the box office, it won the [[National Film Award for Best Feature Film]] at the [[14th National Film Awards]].

==Synopsis==
After nearly getting arrested, Hiraman promises to himself that he will never assist any black-marketeer nor transport bamboo. This incident does cost him his bullock-cart but he did manage to get his two oxen away in time. He manages to save enough money to buy another cart, and is hired to take a female on a 30-hour ride to a Mela. He subsequently finds that his passenger is an attractive woman, Hira Bai, and he falls in love with her - little knowing that she is a traveling courtesan - and it is this attraction that will get him into a physical altercation as well as in the bad books of Thakur Vikram Singh.

== Plot ==
Hiraman ([[Raj Kapoor]]) is a rustic villager, a bullock cart driver, from a remote village in [[Bihar]]. Hiraman takes two vows based on difficult situations in his life. He then meets and befriends Hirabai, a ''[[nautanki]]'' dancer. In the end, Hiraman takes a third vow.

Hiraman has traditional and conservative values. While smuggling illegal goods on his bullock cart and narrowly escaping the police, Hiraman takes a vow (the first ''kasam'') to never again carry illegal goods. Subsequently, while transporting bamboo for a timber trader, Hiraman's load upsets the horses of two men. The two men then beat Hiraman. After this, Hiraman takes a second vow (the second ''kasam'') to never again carry bamboo in his cart.

One night, Hiraman is asked to carry Hirabai ([[Waheeda Rehman]]), a nautanki dancer, as a passenger to a village fair forty miles away. As they travel together, Hiraman sings to pass the time and tells Hirabai the story of the legend of Mahua. As the journey progresses, Hirabai is mesmerized by Hiraman's innocence and his simple philosophy of life. Hiraman sees Hirabai as an angel of purity.

Once they reach the village fair, Hiraman joins his band of bullock cart drivers and Hirabai joins the nautanki company. Hirabai asks Hiraman to stay at the village fair for a few days to see her dance. Hirabai arranges free passes for Hiraman and his friends to see the nautanki on every night for the duration of the fair.

As Hiraman attends the nautanki, he becomes aware that other people see Hirabai as a prostitute and this disturbs him. He tries to shield and protect her from society. As the days pass, the bond between Hirabai and Hiraman grows stronger. When Hiraman becomes involved in fights with local people who disparage Hirabai and her profession, Hirabai tries to make him understand that it is the harsh reality of her life. Hiraman asks Hirabai to leave her profession and to start living a respectable life. Hirabai refuses to leave. Feeling depressed, Hiraman leaves the village fair and returns to his village.

Hirabai meets Hiraman and tells him her secret that she had been sold and she was not a virgin beauty and then leaves. Hiraman then takes a third vow (''teesri kasam'') that he will never again carry a nautanki company dancer in his cart.

== Cast ==
* [[Raj Kapoor]], Hiraman
* [[Waheeda Rehman]], Hirabai
* [[Dulari (actress)|Dulari]], Hiraman's ''bhabhi'' (sister in law)
* [[Iftekhar]], Thakur Vikram Singh
* [[Keshto Mukherjee|Keshto Mukherji]], Shivratan
* [[A.K. Hangal]], Hiraman's older brother
* [[Asit Sen (actor)|Asit Sen]],mela announcer
* [[C. S. Dubey]],birju
* [[Shailendra (lyricist)|Shailendra]]

== Production ==
[[Phanishwarnath Renu]] who wrote the original short story ''Mare Gaye Gulfam'' in 1954, also wrote the script.{{Sfn|Chatterjee|2003|p=335}} The screenplay was written by [[Nabendu Ghosh]], whose works include ''[[Devdas (1955 film)|Devdas]]'' (1955), ''[[Sujata (1959 film)|Sujata]]'' (1959) and ''[[Bandini (film)|Bandini]]'' (1963). [[Basu Bhattacharya]] directed the film with a sense of realism and natural style. He felt it was important for the film that Raj Kapoor should avoid his usual "simple man" mannerisms.{{Sfn|Rehman|2014|p=94}}

The film took many years to complete. Most of the film was made at Aurahi Hingna, a village in [[Araria district]] and [[Bina Etawa|Bina]], a town near [[Bhopal]], Madhya Pradesh.<ref>{{cite news|date=25 September 2016|title=यहां हुई थी फिल्म 'तीसरी कसम' की शूटिंग, रिलीज को हुए 50 साल पूरे|work=Manohar Kumar|publisher=[[Dainik Bhaskar]]|location=[[Purnia]]|url=http://m.bhaskar.com/news/BIH-PAT-HMU-shooting-of-film-teesri-kasam-in-bihar-news-hindi-5425226-PHO.html|access-date=1 December 2016}}</ref><ref>{{cite web|date=January 15, 2011|title=Maila Anchal inspirer dead|url=https://www.telegraphindia.com/1110115/jsp/bihar/story_13440502.jsp|access-date=2017-08-14|work=The Telegraph - Calcutta (Kolkata)}}</ref> A few scenes were filmed at [[Powai Lake]] and at Mohan Studios in Mumbai. {{Sfn|Rehman|2014|p=95}}{{Sfn|Hangal|1999|p=95}} Subrata Mitra, the cinematographer on Satyajit Ray's early films, had moved to Mumbai for a brief period to make [[Merchant Ivory]] films.{{Sfn|Srivastava|1988|p=178}}{{Sfn|Sinha|2005|p=131-132}} The theatre actor [[A. K. Hangal]], knew Shailender from [[Indian People's Theatre Association|IPTA]] theatre group days, and agreed to play the small role of Hiraman's elder brother. However, eventually much of his role was cut in the final editing to reduce the length of the film.{{Sfn|Hangal|1999|p=95}}

== Crew ==
* [[Basu Bhattacharya]], director
* [[Phanishwar Nath Renu]], story and dialogue
* [[Nabendu Ghosh]], screenplay
* [[Shailendra (lyricist)|Shailendra]], producer
* [[G. G. Mayekar]], editor
* [[Subrata Mitra]], cinematographer
* Desh Mukherjee, artistic director
* Pandit Shivram, costume
* [[Lachhu Maharaj]], choreographer
* [[Shankar Jaikishan]], director of music
* [[Hasrat Jaipuri]], [[Shailendra (lyricist)|Shailendra]], lyricist
* [[Asha Bhosle]], [[Manna Dey]], [[Suman Kalyanpur]], [[Lata Mangeshkar]], [[Mubarak Begum]], [[Mukesh (singer)|Mukesh]], Shambhu-Shankar (qawwal), playback singers.

==Music==
{{Track listing
| extra_column = Singer(s)
| all_lyrics = [[Shailendra (lyricist)|Shailendra]] & [[Hasrat Jaipuri]]
| all_music = [[Shankar-Jaikishan]]
| title1 = Aa Aa Bhi Jaa
| lyrics1 = Shailendra
| extra1 = [[Lata Mangeshkar]]
| length1 = 5:03
| title2 = Chalat Musafir
| lyrics2 = Shailendra
| extra2 = [[Manna Dey]]
| length2 = 3:04
| title3 = Duniya Bananewale
| lyrics3 = Hasrat Jaipuri
| extra3 = Mukesh
| length3 = 5:03
| title4 = Haye Ghazab Kahin Tara Toota
| lyrics4 = Shailendra
| extra4 = [[Asha Bhosle]]
| length4 = 4:13
| title5 = Maare Gaye Gulfaam
| lyrics5 = Hasrat Jaipuri
| extra5 = [[Lata Mangeshkar]]
| length5 = 4:00
| title6 = Paan Khaaye Saiyaan Hamaaro
| lyrics6 = Shailendra
| extra6 = Asha Bhosle
| length6 = 4:08
| title7 = Sajanwa Bairi Ho Gaye Hamaar
| lyrics7 = Shailendra
| extra7 = Mukesh
| length7 = 3:51
| title8 = Sajan Re Jhoot Mat Bolo
| lyrics8 = Shailendra
| extra8 = Mukesh
| length8 = 3:43
| title9 = Lali Lali Doliya Mein Lali Re
| lyrics9 = Shailendra
| extra9 = Asha Bhosle
| length9 = 3:11
| title10 = Kissa Hota Hai Shuru
| lyrics10 = Hasrat Jaipuri
| extra10 = [[Mubarak Begum]], Shankar-Shambhu
| length10 = 2:57
| all_writing =
| total_length =
}}

== Reception ==
''Teesri Kasam'' was well-received by critics and took the [[National Film Award for Best Feature Film]]; however, it proved to be a commercial failure at the box-office. Bhattacharya turned to [[Parallel cinema|middle cinema]] (a meeting of mainstream Bollywood and art house cinema). Over the years, the film came to be regarded as a classic. {{Sfn|Chatterjee|2003|p=532}}{{Sfn|Chatterjee|2003|p=330}}

Both Kapoor and Rehman received acclaim for their performances in the film. While critics felt that Raj Kapoor delivered one of the most sensitive performances of his career after ''[[Jagte Raho]]'' (1956),{{Sfn|Chatterjee|2003|p=83}} in 1977, Kapoor told to ''[[India Today]]'' that he did not like the film.<ref>{{cite news |last1=Sanghvi |first1=Vir |title=Raj Kapoor: Sex as an art form |url=https://www.indiatoday.in/magazine/cover-story/story/19771115-raj-kapoor-sex-as-an-art-form-823468-2014-09-05 |access-date=5 July 2020 |work=[[India Today]] |date=15 November 1977}}</ref>

A chapter titled '''Teesri Kasam Ke Shilpkar Shailendra''<nowiki/>' ("The Architect of Teesri Kasam Shailendra") (Devnagari: तीसरी कसम के शिल्पकार शैलेंद्र) which is based on the film is included in CBSE class 10 Hindi Course-B Textbook Sparsh (Bhag 2) ("Touch (Part 2)") (Devnagari : स्पर्श (भाग – 2)). Currently, this chapter is held defunct and is not in syllabus from 2019.<ref>{{Cite web|title=द्वितीय भाषा केरुप में ह िंदी (कोड सिं.– 085)|url=http://cbseacademic.nic.in/web_material/CurriculumMain21/Language-Secondary/Hindi_B_Sec_2020-21.pdf|access-date=26 June 2020|website=CBSE Academic|publisher=CBSE|language=hi}}</ref>

==Awards and nominations==
{| class="wikitable plainrowheaders sortable"
|-
!scope="col"| Year
!scope="col"| Award
!scope="col"| Category
!scope="col"| Nominee(s)
!scope="col"| Result
|-
| rowspan="6"|1967
| [[14th National Film Awards|National Film Awards]]
| [[National Film Award for Best Feature Film|Best Feature Film]]
| [[Shailendra (lyricist)|Shailendra]] and [[Basu Bhattacharya]]
| {{won}}
|-
| [[14th Filmfare Awards|Filmfare Awards]]
| [[Filmfare Award for Best Lyricist|Best Lyricist]]
| [[Shailendra (lyricist)|Shailendra]] ({{small|for ''Sajan Re Jhoot Mat Bolo''}})
| {{nom}}
|-
| [[5th Moscow International Film Festival|Moscow International Film Festival]]
| Grand Prix
| rowspan="2"|[[Basu Bhattacharya]]
| {{nom}}
|-
| rowspan="3"| [[Bengal Film Journalists' Association Awards]] (Hindi)
| [[Bengal Film Journalists' Association – Best Director Award (Hindi)|Best Director]]
| {{won}}
|-
| [[BFJA Award for Best Actor (Hindi)|Best Actor]]
| [[Raj Kapoor]]
| {{won}}
|-
| [[Bengal Film Journalists' Association Award for Best Actress (Hindi)|Best Actress]]
| [[Waheeda Rehman]]
| {{won}}
|-
|}

==References==
{{Reflist|2}}

==Bibliography==
* {{cite book|last1=Kaur|first1=Raminder|last2=Sinha|first2=Ajay J|title=Bollyworld: Popular Indian Cinema Through A Transnational Lens|url=https://books.google.com/books?id=glDZKHgyoAoC&pg=PA131|year=2005|publisher=SAGE Publications|isbn=978-0-7619-3321-2}}
* {{cite book|last=Hangal|first=A. K.|title=Life and Times of A.K. Hangal|url=https://books.google.com/books?id=ju51hH5wyFQC&pg=PA95|year=1999|publisher=Sterling Publishers|isbn=978-81-207-2163-0}}
* {{cite book|author1=Gulazāra|last2=Nihalani|first2=Govind|last3=Chatterjee|first3=Saibal|title=Encyclopaedia of Hindi Cinema|url=https://books.google.com/books?id=8y8vN9A14nkC&pg=PT556|year=2003|publisher=Popular Prakashan|isbn=978-81-7991-066-5}}
* {{cite book|last=Singh|first=Indubala|title=Gender Relations and Cultural Ideology in Indian Cinema: A Study of Select Adaptations of Literary Texts|url=https://books.google.com/books?id=lQVqy8f7q-sC&pg=PA58|year=2007|publisher=Deep & Deep Publications|isbn=978-81-7629-989-3}}
* {{cite book|last1=Banerjee|first1=Shampa|last2=Srivastava|first2=Anil|title=One Hundred Indian Feature Films: An Annotated Filmography|url=https://books.google.com/books?id=zX4GY37rG8kC&pg=PA178|year=1988|publisher=Taylor & Francis|isbn=978-0-8240-9483-6}}
* {{cite book|last=Patel|first=Bhaichand|title=Bollywood's Top 20: Superstars of Indian Cinema|url=https://books.google.com/books?id=RQL4dkVAnPIC&pg=PA97|year=2012|publisher=Penguin Books India|isbn=978-0-670-08572-9}}
* {{cite book|last1=Kabir|first1=Nasreen Munni|last2=Rehman|first2=Waheeda|title=Conversations with Waheeda Rehman|url=https://books.google.com/books?id=tqfzAgAAQBAJ&pg=PT94|year= 2014|publisher=Penguin Books Limited|isbn=978-93-5118-642-7}}

==External links==
*{{cite web | title = Teesri Kasam Synopsis and Review|publisher=[[Upperstall]]
| url = http://www.upperstall.com/films/1966/teesri-kasam }}
* {{IMDb title|0061072|Teesri Kasam}}

{{NationalFilmAwardBestFeatureFilm}}

[[Category:1966 films]]
[[Category:1960s Hindi-language films]]
[[Category:Indian films]]
[[Category:Films scored by Shankar Jaikishan]]
[[Category:Best Feature Film National Film Award winners]]
[[Category:Films based on short fiction]]
[[Category:Films set in Bihar]]
[[Category:Films shot in Madhya Pradesh]]
[[Category:Indian black-and-white films]]
[[Category:Films shot in Mumbai]]
[[Category:Films about musical theatre]]
[[Category:Films shot in Bihar]]
[[Category:Films directed by Basu Bhattacharya]]

[[new:तीसरी क़सम (सन् १९६६या संकिपा)]]

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Teesri Kasam