<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.bharatpedia.org/w/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=2401%3A4900%3A1C26%3A2FBA%3A2CD4%3AABF9%3AE64F%3A8544</id>
	<title>Bharatpedia - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=2401%3A4900%3A1C26%3A2FBA%3A2CD4%3AABF9%3AE64F%3A8544"/>
	<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/wiki/Special:Contributions/2401:4900:1C26:2FBA:2CD4:ABF9:E64F:8544"/>
	<updated>2026-08-13T12:46:47Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Raghunathabhyudayam&amp;diff=357897</id>
		<title>Raghunathabhyudayam</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Raghunathabhyudayam&amp;diff=357897"/>
		<updated>2022-10-31T11:49:18Z</updated>

		<summary type="html">&lt;p&gt;2401:4900:1C26:2FBA:2CD4:ABF9:E64F:8544: Correcting the fake information and baseless addition&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Use dmy dates|date=August 2019}}&lt;br /&gt;
{{Italic title}}&lt;br /&gt;
[[File:Tanjore Nayak Kingdom.jpg|thumb|Tanjore Nayak Kingdom]]&lt;br /&gt;
The &#039;&#039;&#039;&#039;&#039;Raghunāthābhyudayam&#039;&#039;&#039;&#039;&#039; (or &#039;&#039;Raghunāthā-bhyudayam&#039;&#039;, &#039;&#039;Raghunāthābhyudaya&#039;&#039;, &#039;&#039;Ragunatha Abhyudaya&#039;&#039;) by [[Rāmabhadrāmbā]], one of the wives of the [[Thanjavur Nayak]] king [[Raghunatha Nayak]] (r. 1600-34), is a Sanskrit &#039;&#039;[[Mahakavya|mahākāvya]]&#039;&#039; in twelve cantos. It was designed to valorise Raghunatha, situating his career as a type of the life of Rāma-Viṣṇu-Kṛṣṇa.&amp;lt;ref&amp;gt;Davesh Soneji, &#039;&#039;Performing Satyabhimi: Text, Context, Memory and Mimesis in Telugu-Speaking South India&#039;&#039; (unpublished PhD thesis, McGill University 2004), p. 53.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The first few cantos of the poem invoke Raghunatha, seeking his patronage and assistance, and praise his generosity, piety, and intellect. In &#039;&#039;Raghunāthābhyudaya&#039;&#039; Raghunadha Nayaka was praised as a Balija Vakkana. Canto 4 presents Raghunatha&#039;s ancestry and the subsequent cantos discuss his early life and military successes. He succeeds his father [[Achuthappa Nayak]] in canto 8 and continues with his military exploits. The last two cantos focus on the cultural activities and artistic achievements of his court, with a colophon in which Rāmabhadrāmbā emphasises her own merits.&lt;br /&gt;
&lt;br /&gt;
The poem was first brought to scholarly attention by [[S. Krishnaswami Ayyangar]] in 1919, after he found it in November 1916.&amp;lt;ref&amp;gt;Rāmabhadrāmbā, &#039;Raghunāthābhyudayam&#039;, in &#039;&#039;Sources of Vijayanagar History (Selected and Edited for the University)&#039;&#039;, ed. by S. Krishnaswami Ayyangar [and A. Rangaswami Sarasvati], The Madras University Historical Series, 1 (Madras: University of Madras, 1919), pp. 284-302 [no. 91] (p. 284), https://archive.org/details/sourcesofvijayan00krisrich.&amp;lt;/ref&amp;gt; The poem was fiercely criticised by an early reviewer of the first scholarly edition, who claimed that Rāmabhadrāmbā &#039;had thoroughly assimilated the art of composing a poem of surpassing tediousness and consisting of the most abject flattery of her royal patron&#039; and did not think the poem would have any interest to historians.&amp;lt;ref&amp;gt;J. C., review of &#039;&#039;Raghunāthābhyudaya of Rāmabhadrāmbā (A Historical Poem)&#039;&#039;. Edited by T. R. Chintamani. (Bulletins of the Sanskrit Department, No. 2.) pp. viii + 78. University of Madras, 1934. &#039;&#039;Bulletin of the School of Oriental and African Studies&#039;&#039;, 7 (1935), 961-62, doi:10.1017/S0041977X00086377&amp;lt;/ref&amp;gt; But it has since been identified as a significant source for the cultural history of seventeenth-century south India.&amp;lt;ref&amp;gt;Velcheru Narayana Rao, and David Shulman, &#039;History, Biography and Poetry at the Tanjavur Nayaka Court&#039;, &#039;&#039;Social Analysis&#039;&#039; 25 (1989), 115–130.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Rāmabhadrāmbā&#039;s Sanskrit &#039;&#039;Raghunāthābhyudayam&#039;&#039; is not to be confused with the identically named Telugu poem the &#039;&#039;Raghunāthābhyudayam&#039;&#039; and the similarly named &#039;&#039;Raghunāthanāyakabhyudayamu&#039;&#039;, both composed by Raghunatha&#039;s eldest son and successor, [[Vijaya Raghava Nayak|Vijayarāghava Nāyaka]].&amp;lt;ref&amp;gt;&#039;&#039;Raghunāthanāyakābhyudayamu and Raghunāthābhyudayamu&#039;&#039;, ed. by N. Venkataramanayya and M. Somasekhara Sarma, Madras: Government Oriental Series, 49/Tanjore Saraswathi Mahal Series, 32 (Madras, 1951).&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Editions and translations==&lt;br /&gt;
* Rāmabhadrāmbā, &#039;Raghunāthābhyudayam&#039;, in &#039;&#039;Sources of Vijayanagar History (Selected and Edited for the University)&#039;&#039;, ed. by S. Krishnaswami Ayyangar [and A. Rangaswami Sarasvati], The Madras University Historical Series, 1 (Madras: University of Madras, 1919), pp.&amp;amp;nbsp;284–302 [no. 91], https://archive.org/details/sourcesofvijayan00krisrich. [Abridged edition and translation.]&lt;br /&gt;
* &#039;&#039;Raghunāthābhyudayamahākāvyam: Rāmabhadrāmbāviracitam&#039;&#039;, ed. by Ti. Rā. Cintāmaṇiḥ, Bulletins of the Sanskrit Department, University of Madras, 2 ([Madras]: Madrapurīyaviśvavidyālayaḥ, 1934)&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian literature]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{poem-stub}}&lt;br /&gt;
{{India-lit-stub}}&lt;br /&gt;
{{en-Wikipedia}}&lt;/div&gt;</summary>
		<author><name>2401:4900:1C26:2FBA:2CD4:ABF9:E64F:8544</name></author>
	</entry>
</feed>