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List of Indian under 20 Records in Athletics

2026-04-25T09:15:47Z

162.158.88.26: /* Men */

{{Orphan|date=February 2021}}

The following are the national records in under 20 athletics in [[India]].<ref>
{{cite web
| url = https://indianathletics.in/wp-content/uploads/2020/03/NJR_31DEC2019.pdf
| title = Indian National Records in Junior Athletics
| publisher = [[Athletics Federation of India]]
| date =
| pages =
| access-date = 20 February 2021}}</ref>

==Men==

{| class="wikitable" style="font-size:95%; width: 95%;"
|-
!Event
!Record
!Athlete
!Date
!Place
|-
!colspan="7"|Track Events
|-
|[[100 metres|100 m]]
|10.35
|[[Gurindervir Singh]]
|18 March 2019
|[[Patiala, Punjab]]
|-
|
|10.44
|[[Gurindervir Singh]]
|15-18 March 2019
|[[Patiala, Punjab, India]]
|-
|
|10.47(+0.5 m/s)
|[[Gurindervir Singh]]
|21 April 2018
|[[Coimbatore]]
|-
|[[200 metres|200 m]]
|21.19 (+0.2 m/s)
|[[Ajay Raj Singh]]
|6 December 1996
|[[New Delhi, India]]
|-
|[[400 metres|400 m]]
|46.59
|[[Amoj Jacob]]
|18 November 2018
|[[Mangalagiri, India]]
|-
|[[800 metres|800 m]]
|1:48.37
|[[Ghamanda Ram]]
|30 October 2002
|[[Bangkok]]
|-
|[[1500 metres|1500 m]]
|3:44.96
|[[Ajay Kumar Saroj]]
|19 July 2016
|[[Bydgoszcz]]
|-
|[[5000 metres|5000 m]]
|14:14.48
|[[N. Gojen Singh]]
|23 August 1996
|[[Sydney]]
|-
|[[5000 Meters Speedwalk]]
|18:54:37
|[[Nitin Gupta]]
|25 April 2026
|[[Tumakuru, Karnataka, India]]
|-
|
|19:24:48
|[[Nitin Gupta]]
|10 March 2025
|[[Patna, Bihar, India]]
|-
|[[10000 metres|10000 m]]
|29:32.68
|[[N. Gojen Singh]]
|21 August 1996
|[[Sydney]]
|-
|[[110 metres hurdles|110 m hurdles]]
|13.92 (+0.1 m/s)
|[[J. Surendhar]]
|3 December 2010
|[[Bangalore, Karnataka, India]]
|-
|[[400 metres hurdles|400 m hurdles]]
|50.86
|[[Durgesh Kumar Pal]]
|3 November 2011
|[[Ranchi]]
|-
|[[3000 metres steeplechase|3000 m steeplechase]]
|9:02.9
|[[Bhupinder Tyagi]]
|5 November 1992
|[[New Delhi, India]]
|-
|[[4 × 100 metres relay|4 × 100 m relay]]
|40.56
|{{flagu|India}} National Junior Team
|12 June 2014
|[[Ipoh]]
|-
|[[4 × 400 metres relay|4 × 400 m relay]]
|3:08.89
|{{flagu|India}} National Junior Team ([[Kiran Murugan]], [[Harsh Kumar]], [[Pankaj Pankaj]], [[Amoj Jacob]])
|10 July 2016
|[[Bydgoszcz]]
|-
!colspan="7"|Field Events
|-
|[[High jump]]
|2.26 m
|[[Tejaswin Shankar]]
|10 November 2016
|[[Coimbatore, Tamil Nadu, India]]
|-
|[[Long jump]]
|7.94 m (+1.0 m/s)
|[[Kumaravel Premkumar]]
|22 September 2012
|[[Pune, Maharashtra, India]]
|-
|[[Triple jump]]
|16.45 m (+0.7 m/s)
|[[Arpinder Singh]]
|4 December 2010
|[[Bangalore, Karnataka, India]]
|-
|[[Shot put]] (6 kg)
|20.35 m
|[[Saurabh Vij]]
|17 June 2006
|[[Chennai, Tamil Nadu, India]]
|-
|[[Discus throw]] (1.75 kg)
|58.11 m
|[[Sachin Singh Dalal]]
|10 May 2014
|[[Chennai, Tamil Nadu, India]]
|-
|[[Hammer throw]] (6 kg)
|76.86 m
|[[Ashish Jakhar]]
|7 June 2018
|[[Gifu]]
|-
|[[Javelin throw]]
|86.48 m
|[[Neeraj Chopra]]
|23 July 2016
|[[Bydgoszcz]]
|-
!colspan="7"|Combined Events
|-
|[[Decathlon]]
|7020 pts
|[[K. Dileep Kumar]]
|28 October 2012
|[[Lucknow, Uttar Pradesh, India]]
|
|}

==Women==

{| class="wikitable" style="font-size:95%; width: 95%;"
|-
!Event
!Record
!Athlete
!Date
!Place
|-
!colspan="7"|Track Events
|-
|[[100 metres|100 m]]
|11.53
|[[Nipam]]
|24 April 2026
|[[Tumakuru, Karnataka]]
|-
|
|11.60
|[[Nipam]]
|24 April 2026
|[[Tumakuru, Karnataka]]
|-
|
|11.63(+1.3 m/s)
|[[Dutee Chand]]
|9 May 2014
|[[Chennai]]
|-
|[[200 metres|200 m]]
|23.57 (+1.9 m/s)
|[[Dutee Chand]]
|14 June 2014
|[[Taipei]]
|-
|[[400 metres|400 m]]
|51.46
|[[Hima Das]]
|12 July 2018
|[[Tampere]]
|-
|[[800 metres|800 m]]
|2:05:21
|[[Tintu Luka]]
|24 May 2008
|[[Pune]]
|-
|[[5000 metres|5000 m]]
|16:21.59
|[[Sunita Rani]]
|26 August 1997
|[[Catania]]
|-
|[[10000 metres|10000 m]]
|29:32.68
|[[N. Gojen Singh]]
|21 August 1996
|[[Sydney]]
|-
|[[100 metres hurdles|100 m hurdles]]
|13.59 (+1.3 m/s)
|[[Gayathry Govindaraj]]
|20 July 2010
|[[Moncton]]
|-
|[[400 metres hurdles|400 m hurdles]]
|58.81
|[[Debi Bose]]
|6 December 1996
|[[New Delhi]]
|-
|[[4 × 100 metres relay|4 × 100 m relay]]
|45.82
|{{flagu|India}} National Junior Team
|10 July 2014
|[[Hanoi]]
|-
|[[4 × 400 metres relay|4 × 400 m relay]]
|3:39.10
|{{flagu|India}} National Junior Team
|14 July 2018
|[[Tampere]]
|-
!colspan="7"|Field Events
|-
|[[High jump]]
|1.81 m
|[[Rubina Yadav]]
|16 November 2017
|[[Mangalagiri]]
|-
|[[Long jump]]
|6.30 m (+1.0 m/s)
|[[Priyanka Kerketta]]
|10 June 2017
|[[Lucknow]]
|-
|[[Triple jump]]
|13.58 m (+2.0 m/s)
|[[Gayathry Govindaraj]]
|3 July 2010
|[[Hanoi]]
|-
|[[Shot put]]
|15.89 m
|[[Navjeet Kaur Dhillon]]
|10 May 2014
|[[Chennai]]
|-
|[[Discus throw]]
|59.26 m
|[[Seema Antil]]
|4 October 2002
|[[Mumbai]]
|-
|[[Hammer throw]]
|52.34 m
|[[Seema Jhakar]]
|25 July 2009
|[[Lucknow]]
|-
|[[Javelin throw]]
|52.33 m
|[[Suman Devi]]
|29 October 2002
|[[Bangkok]]
|-
!colspan="7"|Combined Events
|-
|[[Heptathlon]]
|5346 pts
|[[Swapna Barman]]
|25 November 2015
|[[Ranchi]]
|
|}

== References ==
{{reflist}}

{{Uncategorized|date=February 2021}}

Mira Datta Gupta

2026-04-03T17:39:12Z

162.158.88.26:

{{Short description|Indian politician}}
{{EngvarB|date=September 2022}}
{{Use dmy dates|date=August 2021}}
{{more citations needed|date=June 2022}}
{{Infobox person
| name = Mira Dutta Gupta
| image =
| image_size =
| caption =
| birth_date = 5 October 1907
| birth_place = [[Dhaka|Decca]], [[Bengal Presidency]], [[British India]] (present-day Dhaka, [[Bangladesh]])
| death_date = 18 January 1983 (aged 76)
| death_place = [[Calcutta]], [[West Bengal]], [[India]]
| alma mater =
| occupation = Educationist and politician
}}

'''Mira Datta Gupta''' ({{lang-bn|মীরা দত্ত গুপ্ত}}; 5 October 1907 – 18 January 1983) was a [[freedom fighter]], [[social worker]], [[educationist]], politician and activist on women's issues in [[Calcutta]], India. She was a Member of the Legislative Assembly (MLA) in Bengal from 1937 to 1945, firstly representing Women's constituency of Calcutta University and then again in West Bengal from 1952 to 1957, representing Bhowanipore. She was the first MLA from Bhowanipore.<ref>{{cite web |title=Mira Datta Gupta |url=https://twitter.com/ishanidg/status/1381662969990279168?lang=en}}</ref>

==Political career==

She was a member of the [[Indian National Congress|Indian Congress Party]] between 1937 and 1946. She was elected four times (1937, 1942, 1946 and 1951) as Member of the [[State Legislative Assembly (India)|State Legislative Assembly]] of [[Bengal]], later renamed West Bengal. She was offered the post of Deputy Minister in the Cabinet of 1952 of the then [[Chief Minister]], [[Bidhan Chandra Roy]], which she declined.<ref name="keyhighlightsofgeneralelections1951tothelegislativeassemblyofwestbengal">[http://www.eci.gov.in/SR_KeyHighLights/SE_1951/STATISTICALREPORTS_51_WestBengal.pdf Key Highlights of General Elections 1951 to the Legislative Assembly of West Bengal] {{webarchive|url=https://web.archive.org/web/20070930062737/http://www.eci.gov.in/SR_KeyHighLights/SE_1951/STATISTICALREPORTS_51_WestBengal.pdf |date=30 September 2007 }}</ref>

Mira's reputation grew with her increasing involvement in the revolutionary movement. She was implicated in an attack on the Governor of Bengal, Sir John Anderson. {{citation needed|date= August 2022}} She was associated with Indian revolutionary groups, such as [[Anushilan]], [[Jugantar]] and [[Bengal Volunteers]]. As a member of [[Bengal Volunteers]] she was the editor of the women's section of its magazine – ''Benu''. While, initially she was put in charge of the organisation's South Calcutta Women's group, she later moved into a low profile role, choosing to work for India's independence secretly. In those days she used to donate her entire salary towards India's freedom movement to her party Bengal Volunteers.{{citation needed|date= August 2022}}

Around this time she also provided a channel for information between the revolutionaries who had to remain under cover and other members of the party. She participated in one of the important meetings of Bengal Volunteers held at [[Baranagar]] near Kolkata to discuss the group's activities in Midnapore and other parts of the state. From 1933, the police grew suspicious of her activities and she was placed under constant surveillance. In 1938, many party members such as Bhavani Bhattacharya and Ujjala Mazumdar were arrested in connection with the shooting of Governor John Anderson in [[Darjeeling]] district. Mira was cross-examined by the police for many hours in connection with this case. At this stage her father sent her away from Calcutta for two years to ensure her personal safety. She was very actively involved in fund raising activities during the Quit India Movement of 1942. In 1946, she was jailed for her nationalist activities. After her released from prison she became one of the first members of Netaji [[Subhas Chandra Bose]]'s [[Forward Bloc]].{{citation needed|date=December 2022}}

She had a devoted following in the [[Ballygunge]] [[Constituency]], all along the southeastern environs of the city, and was known for her social commitment. During the devastating [[Bengal Famine of 1943]], she, along with co-Congress workers played a leading role in organising [[relief]] for famine victims.{{citation needed|date=December 2022}}

Later, after independence, her many activities included relief activities for those affected by famines, floods, and also the rehabilitation of the homeless and economically weaker women.{{citation needed|date= August 2022}}

==Post-retirement==

In her post-retirement years, she served as an honorary justice of peace in the juvenile court in Kolkata and was a member of the [[Board of Film Censors]] in West Bengal.{{citation needed|date= August 2022}} In 1958 she joined the Indian goodwill mission to China and later visited [[Berlin]], Copenhagen and Moscow to attend developmental, educational and women's conferences. She was also a member of the Calcutta University Senate and the [[West Bengal Board of Secondary Education]]. She also contributed to the setting up of [[Patha Bhavan, Kolkata]], a school named after the university school in [[Santiniketan]].{{citation needed|date=April 2022}}

==Death==
She died of [[pneumonia]] on 18 January 1983, at the age of 76.{{citation needed|date=December 2022}}

==References==
{{reflist|colwidth=30em}}

{{DEFAULTSORT:Datta Gupta, Mira}}
[[Category:1907 births]]
[[Category:1983 deaths]]
[[Category:All India Forward Bloc politicians]]
[[Category:Indian feminists]]
[[Category:Members of the West Bengal Legislative Assembly]]
[[Category:Bethune College alumni]]
[[Category:University of Calcutta alumni]]
[[Category:University of Calcutta faculty]]
[[Category:Social workers]]
[[Category:Women in West Bengal politics]]
[[Category:20th-century Indian educational theorists]]
[[Category:Indian women educational theorists]]
[[Category:Women scientists from West Bengal]]
[[Category:Politicians from Kolkata]]
[[Category:Indian National Congress politicians from West Bengal]]
[[Category:Women Indian independence activists]]
[[Category:20th-century Indian women politicians]]
[[Category:20th-century Indian politicians]]
[[Category:Scholars from Kolkata]]
[[Category:Women educators from West Bengal]]
[[Category:Social workers from West Bengal]]
[[Category:20th-century women educators]]

Baaghi 2

2026-04-02T06:59:08Z

162.158.88.26:

{{short description|2018 film by Ahmed Khan}}
{{Other uses|Baaghi (disambiguation){{!}}Baaghi}}
{{Use Indian English|date=March 2022}}
{{Use dmy dates|date=August 2020}}
{{Infobox film
| name = Baaghi 2
| image = Baaghi 2 Official Poster.jpg
| caption = Theatrical release poster
| director = [[Ahmed Khan (choreographer)|Ahmed Khan]]
| producer = [[Sajid Nadiadwala]]
| based_on = ''[[Kshanam]]'' (2016) by [[Ravikanth Perepu]]
| writer = Ahmed Khan Shaan Yadav Abbas Hierapurwala Niraj Kumar Mishra
| story = '''Original Story:''' [[Adivi Sesh]] '''Adapted Story:''' [[Sajid Nadiadwala]]
| starring = {{ubl|[[Tiger Shroff]]|[[Disha Patani]]|[[Manoj Bajpayee]]|[[Darshan Kumar]]|[[Prateik Babbar]]|[[Randeep Hooda]]|[[Deepak Dobriyal]]|Arravya Sharma}}
| music = '''Score''': [[Julius Packiam]] '''Songs:''' [[Mithoon]] [[Arko Pravo Mukherjee|Arko]] [[Sandeep Shirodkar]] Gourov-Roshin Pranaay Rijia
| cinematography = Santhana Krishnan Ravichandran
| editing = Rameshwar S. Bhagat
| studio = [[Nadiadwala Grandson Entertainment]]
| distributor = [[Fox Star Studios]]
| released = {{Film date|df=yes|2018|03|30|ref1=<ref name="BH leads" />}}
| runtime = 137 minutes
| country = India
| language = Hindi
| budget = {{INR|59 crore|link=yes}}<ref>{{cite web |url=https://boxofficeindia.com/movie.php?movieid=3744 |title=Baaghi 2 – Movie – Box Office India |website=[[Box Office India]] |access-date=2 April 2018}}</ref>{{better source needed|reason=Box Office India includes print and advertising costs in its budget figures. Across the world, a film's budget is its cost of production, minus any extraneous figures like advertising.|date=April 2020}} {{small|(Note: figure contains print and advertising costs}}}
| gross = {{Estimation}} {{INR}}258 [[crore]]<ref>{{cite news |url=https://www.bollywoodhungama.com/news/box-office-special-features/box-office-worldwide-collections-day-wise-break-baaghi-2/ |title=Box Office: Worldwide collection and days wise break up of Baaghi 2 |work=[[Bollywood Hungama]] |access-date=2 April 2018}}</ref>
}}

'''''Baaghi 2''''' ({{translation|Rebel 2}}) is a 2018 Indian [[Hindi cinema|Hindi]]-language [[action thriller film]] directed by [[Ahmed Khan (choreographer)|Ahmed Khan]]. Produced by [[Nadiadwala Grandson Entertainment]], it is the second installment in [[Baaghi (film series)|''Baaghi'' film series]], a [[spiritual sequel]] to the 2016 film ''[[Baaghi (2016 film)|Baaghi]]'' and a remake of the 2016 [[Telugu film]] ''[[Kshanam]]''.<ref>{{cite web |url=https://www.hindustantimes.com/regional-movies/baaghi-2-Aditya-and-his-tryst-with-telugu-cinema/story-xcunyPs1nV1RONjympbqyI.html |title=Baaghi 2: Aditya and his tryst with Telugu cinema |date=21 February 2018 }}</ref><ref>{{cite web |url=https://www.deccanchronicle.com/entertainment/bollywood/280917/tiger-shroff-disha-patani-in-kshanam-remake.html |title=Exclusive: Tiger Shroff-Disha Patani's Baaghi 2 is remake of Telugu film Kshanam |date=28 September 2017 |access-date=1 July 2018}}</ref> It stars [[Tiger Shroff]], [[Disha Patani]], [[Manoj Bajpayee]], [[Darshan Kumar]], [[Prateik Babbar]], [[Randeep Hooda]], [[Deepak Dobriyal]] and Arravya Sharma<ref name=HT2122018>{{cite news |url=https://www.hindustantimes.com/bollywood/baaghi-2-trailer-tiger-shroff-our-desi-rambo-returns-there-is-an-army-of-villains-to-keep-him-busy/story-5hzeQNEoVuFBIYNzBRUIaM.html |title=Baaghi 2 trailer: Aditya, our desi Rambo, returns. There is an army of villains to keep him busy |date=21 February 2018 |newspaper=Hindustan Times}}</ref> and tells the story of Ranveer "Ronnie" Pratap Singh, an Indian Army officer who sets out to find and rescue his ex-girlfriend's three-year-old daughter from the clutches of her kidnappers in [[Goa]].<ref>{{cite web |url=https://www.indiatoday.in/movies/trailer-park/story/baaghi-2-trailer-tiger-shroff-disha-patani-1174568-2018-02-21 |title=Baaghi 2 trailer: Tiger breaks bones as Disha Patani plays damsel in distress |date=21 February 2018 |website=India Today}}</ref> [[Principal photography]] commenced for the film in August 2017, and it was shot in [[Mumbai]], [[Pune]], [[Shanghai]], Goa, China, [[Manali, Himachal Pradesh|Manali]] and [[Thailand]]. The film was finished with a budget of {{INRConvert|590|m}}, including print and promotion costs.

''Baaghi 2'' was released worldwide on 30 March 2018 including 3500 screens in India.<ref name="BH leads">{{cite web |url=https://www.bollywoodhungama.com/news/bollywood/tiger-shroff-disha-patani-starrer-baaghi-2-release-march-30/ |title=Tiger Shroff – Disha Patani starrer Baaghi 2 to release on March 30 – Bollywood Hungama |first=Bollywood |last=Hungama |website=[[Bollywood Hungama]] |date=4 January 2018 |access-date=25 April 2018}}</ref> The film grossed over {{INRConvert|2.58|b}} worldwide to become one of the top [[List of highest-grossing Indian films|highest-grossing Bollywood film of 2018]].<ref>{{Cite web|url=https://www.boxofficeindia.com/hit-down.php?txtYearlyData=2010-2019&year=2018|title = Top Hits 2018 - - Box Office India}}</ref>

==Plot==

Neha, a married woman has a daughter, Rhea whom she loves dearly. On Rhea's first day of school, Neha is attacked by masked men. She files a complaint to police, saying the men took Rhea away. The police conduct an investigation but find nothing. Undeterred by this, Neha seeks help from her ex-boyfriend Ranveer "Ronnie" Pratap Singh, an ex-army officer, When Indian Army Para SF soldier. In past, Ronnie met Neha during their college time and fell in love with her at first sight. After some time, she too fell in love with Ronnie. Both of them decided to get married.

However, her father Mahendra got diagnosed with cancer and before dying, requested Neha to marry Shekhar, a wealthy businessman. Wanting to fulfill Mahendra's last wish, Neha tearfully broke up with Ronnie. Back in present, Ronnie meets a terrified Neha and agrees to help her. Ronnie still loves Neha but is aware of the fact that Neha is married. They reach police station where the F.I.R. writer, Inspector Sharad misbehaves to Neha. Ronnie beats up him in retaliation, an action that gets him arrested. But, he is soon released on a request from D.I.G. Ajay, a batchmate of Ronnie's commanding officer Colonel Ranjit.

Ronnie is summoned back by Ranjit to the base, but changes his mind while traveling with a local physically disabled agent, Usman whose help he has sought, and goes to Rhea's school. The principal denies any kidnapping incident around the school premises. Ronnie meets Shekhar's brother Sunny, a drug addict and follows him to a building where he finds out Usman is involved in drug peddling. In the process, Ronnie fights and defeats the two people. He asks Usman about Rhea, but Usman doesn't seem to know anything. Meanwhile, Police Commissioner Loha Singh Dhull (LSD) is assigned to the case. Shekhar meets and tells Ronnie that Neha was diagnosed with [[Post-traumatic stress disorder]] and began to hallucinate about having a daughter Rhea, while also adding that he doesn't have a daughter. Ronnie checks the CCTV footage and finds out no one else other than Neha in the car. He angrily yells at Neha, who asks him to leave. Just about to leave, he sees the height measurements on the wall indicating that Rhea could be a real child and begins to doubt himself, but it is a split second too late as Neha jumps from the grill and commits [[suicide]], feeling helpless as no one believed her.

Eventually, Usman admits to having seen Rhea when he visits Ronnie at a hotel—he called Sunny for drug delivery when he spotted his men taking a blindfolded Rhea to a den; he paid Usman to keep mum. They go to a bar; Ronnie chases Sunny but LSD captures Ronnie, who he asked to wait at the hotel. The police interrogate Sunny, but Ajay shoots him to death in a heated moment. Ronnie says he has evidence that Rhea is alive, and gets Usman to meet Ajay and LSD. Ajay takes Ronnie to his home, telling him that he lost his family in an accident. At the same time, two attackers brutally beat Usman. Ronnie comes there, finds Usman bleeding and fights the two attackers. Usman dies due to his injuries.

Ronnie takes the phone of an attacker, and sees a photo of himself taken in Ajay's house, figuring out Ajay is the mastermind. He goes to his army base, battles many goons in the jungle single-handedly, and destroys helicopters while bleeding. Enraged, Ronnie kills a person who acted as Rhea's father, but is shot by Ajay, who reveals that Shekhar is responsible for Rhea's kidnapping. Shekhar burnt all of Rhea's photos and toys. A fight ensues, Ronnie beats up Ajay brutally but when Ajay is about to Kill Ronnie, LSD shoots Ajay to death. Ronnie sees Rhea before fainting. LSD explains Shekhar was sterile, which moved him to take up this drastic step, implying that Rhea is Ronnie's daughter. Ronnie, an player remembers when Neha told him she has to marry Shekhar, he and Neha ended up making love.

In the end, Ronnie takes Rhea to his house and imagines Neha smiling at him, smiling back.

== Cast ==
{{Cast listing|
* [[Tiger Shroff]] as Lieutenant Captain Ranveer Pratap Singh (Ronnie)
* [[Disha Patani]] as Neha Salgaonkar (née Rawat)
* [[Manoj Bajpayee]] as Corrupt Deputy Inspector General Of Police Ajay Shergill
* [[Randeep Hooda]] as Assistant Commissioner Of Police Officer Loha Singh Dhull (LSD)
* [[Darshan Kumar]] as Shekhar Kumar Salgaonkar
* [[Deepak Dobriyal]] as Usman Langda
* [[Prateik Babbar]] as Sunny Kumar Salgaonkar
* Arravya Sharma as Rhea Pratap Singh
* Jahid D'cruz as Jahid
* Shaurya Bhardwaj as Lieutenant Colonel Ranjit Singh Walia
* [[Vipin Sharma]] as Mahendra Rawat
* [[Sunit Morarjee]] as Inspector Sharad Kute
* [[Pushy Anand]] as School principal
* Ashutosh Singh as Anand Tyagi
* [[Ashwin Kaushal]] as bungalow owner
* [[Jacqueline Fernandez]] as Mohini in item song [[Ek Do Teen (song)|Ek Do Teen]]<ref>{{cite news |url=https://www.bbc.com/news/world-asia-india-43482472 |title='Unpopular' Bollywood remix gets 18m views |date=21 March 2018 |work=BBC News}}</ref><ref>{{cite web |url=https://www.hindustantimes.com/bollywood/tezaab-director-on-jacqueline-fernandez-s-ek-do-teen-it-s-crass-beyond-imagination-a-sex-act/story-YuW7JI2uqqOdt2J44JyiYO.html |title=Tezaab director on Jacqueline Fernandez's Ek Do Teen: It's crass beyond imagination, a sex act |date=21 March 2018 }}</ref><ref>{{cite web |url=http://www.timesnownews.com/entertainment/news/bollywood-news/article/tezaab-director-n-chandra-saroj-khan-to-take-action-against-jacqueline-fernandez-madhuri-dixit-nene-ek-do-teen-baaghi-2-ahmed-khan-ganesh-acharya/209851 |title=Tezaab director N Chandra and Saroj Khan will take action against Jacqueline Fernandez's Ek Do Teen redux |publisher=Times Now News |date=21 March 2018}}</ref>
}}

== Production ==
=== Development ===
On 1 May 2017, [[Tiger Shroff]] posted the first look poster of the film on his Twitter account.<ref>{{cite news |url=http://www.deccanchronicle.com/entertainment/bollywood/020517/Aditya-reveals-crackling-new-look-from-baaghi-2-and-drops-release-date.html |title=Tiger Shroff reveals crackling new look from Baaghi 2 and drops release date |work=[[Deccan Chronicle]] |date=2 May 2017 |access-date=3 August 2017}}</ref> The producer of the film, [[Sajid Nadiadwala]], collaborated with [[Fox Star Studios]] and the film was released under Fox Star Studios and [[Nadiadwala Grandson Entertainment]].

Initially, it was reported that [[Jacqueline Fernandez]] and [[Kriti Sanon]] were considered for the lead female role.<ref>{{cite news |url=http://www.hindustantimes.com/bollywood/tiger-shroff-is-back-hollywood-style-baaghi-2-poster/story-HBlc39jnMC3faPuhGQyw6J.html |title=Tiger Shroff is back: Hollywood-style Baaghi 2 poster |work=[[Hindustan Times]] |date=20 May 2017 |access-date=3 August 2017}}</ref> However, in June 2017, [[Disha Patani]] was cast after going through a screen test with Shroff.<ref>{{cite news |url=http://www.deccanchronicle.com/entertainment/bollywood/080617/confirmed-rumoured-couple-tiger-shroff-and-disha-patani-to-star-in-baaghi-2.html |title=Confirmed! Rumoured couple Tiger Shroff and Disha Patani to star in Baaghi 2 |work=[[Deccan Chronicle]] |date=8 June 2017 |access-date=3 August 2017}}</ref> Talking about the cast, Nadiadwala said, "They share an amazing onscreen chemistry, which was evident in their look test. Disha is just perfect for the role. I am happy with my cast and am excited to kick-start the project."<ref>{{cite web |url=https://www.pinkvilla.com/entertainment/news/384010/baaghi-2-tiger-shroff-will-soon-shoot-song-rumoured-girlfriend-disha |title=Baaghi 2: Tiger Shroff will soon shoot a song with girlfriend Disha Patani |last=Bhavna |first=Agerwal |work=Pinkvilla |date=2 August 2017 |access-date=3 August 2017}}</ref>

Shroff went to Hong Kong for training of [[martial arts]] under action director [[Ching Siu-Tung|Tonny Ching]] while Patani received [[Acrobatics|acrobatic]] training.<ref>{{cite news |url=http://www.newindianexpress.com/entertainment/hindi/2017/aug/02/tiger-shroff-hungry-for-big-box-office-numbers-1636838--2.html |title=Tiger Shroff hungry for big box-office numbers |work=[[The Indian Express]] |date=2 August 2017 |access-date=3 August 2017}}</ref>

In July 2017, Nadiadwala cast [[Prateik Babbar]] to play the negative role.<ref>{{cite news |url=http://www.firstpost.com/entertainment/bollywood/prateik-babbar-to-play-negative-role-against-childhood-friend-tiger-shroff-in-baaghi-2-3812149.html |title=Prateik Babbar to play negative role against Childhood friend Tiger Shroff in Baaghi 2 |work=Firstpost |date=14 July 2017 |access-date=3 August 2017}}</ref>

The film was produced on a budget of {{INR|590 million}} ({{US$|{{To USD|590|IND}} million|long=no}}).<ref name="BOI Report">{{cite web |url=https://boxofficeindia.com/movie.php?movieid=3744 |title=Baaghi 2 – Movie – Worldwide Gross & Budget |website=[[Box Office India]] |access-date=25 June 2018}}</ref>

=== Filming ===
Principal photography started on 8 August 2017.<ref>{{cite news |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/tiger-shroff-disha-patani-start-shooting-for-baaghi-2/articleshow/59966767.cms |title=Tiger Shroff, Disha Patani start shooting for 'Baaghi 2' |work=[[The Times of India]] |date=8 August 2017 |access-date=11 August 2017}}</ref> The shoot began with a song featuring the lead cast members on a set in [[Mumbai]], followed by scenes shot on the campus of [[FLAME University]] in [[Pune]] and several other places. Then the team filmed in [[Manali, Himachal Pradesh|Manali]], Thailand, China, [[Goa]] and [[Ladakh]].<ref>{{cite news |url=http://www.filmfare.com/news/tiger-shroff-starrer-film-baaghi-2-to-have-more-exotic-locations-22727.html |title=Tiger Shroff starrer film Baaghi 2 to have more exotic locations |work=[[Filmfare]] |date=1 August 2017 |access-date=3 August 2017}}</ref> A torture scene of Shroff's character was filmed while the actor was naked.<ref>{{cite web |url=http://abpnews.abplive.in/bollywood/baaghi-2-trailer-tiger-shroff-open-clothes-for-film-baaghi-2-796682 |title='Baaghi 2' में पहली बार बड़े पर्दे पर न्यूड दिखेंगे टाइगर श्रॉफ, ट्रेलर देखें |first=एबीपी न्यूज़, वेब |last=डेस्क |date=21 February 2018}}</ref>

== Marketing and release ==
The first trailer of the film was launched on 21 February 2018 by Shroff and Patani.<ref>{{Cite news |url=https://www.bollywoodhungama.com/videos/movie-promos/theatrical-trailer-baaghi-2/ |title=Watch Theatrical Trailer Baaghi 2 |date=21 February 2018 |work=Bollywood Hungama|access-date = 21 February 2018 }}</ref><ref name=HT2122018 /> The film was released worldwide on 30 March 2018. It opened in 4,125 screens in 46 countries, including 3,500 screens in India.<ref name="UAE">{{cite web |url=http://www.koimoi.com/box-office/baaghi-2-overseas-collections-takes-a-higher-start-than-jolly-llb-2-judwaa-2-in-uae-gcc/ |title=Baaghi 2 Overseas Collections: Takes A Higher Start Than Jolly LLB 2 & Judwaa 2 In UAE-GCC |work=Koimoi |date=31 March 2018 |access-date=31 March 2018}}</ref>

===Box office===
{{cleanup|section|reason=The gross totals and complicated maths expression templates need to be updated.|date=November 2019}}
''Baaghi 2'' earned {{INR|251 million}} net on its opening day, marking the biggest opening-day of 2018 (ahead of ''[[Padmaavat]]''), the biggest [[Good Friday]] opening, the third biggest opening in the last 15 months (behind ''[[Tiger Zinda Hai]]'' and ''[[Golmaal Again]]''),<ref>{{cite web |url=http://www.koimoi.com/box-office/box-office-baaghi-2-takes-biggest-opening-of-2018-comfortably-goes-past-padmaavat-padman-raid/ |title=Box Office: Baaghi 2 Takes Biggest Opening Of 2018, Comfortably Goes Past Padmaavat, PadMan & Raid |author=Joginder Tuteja |work=Koimoi |date=31 March 2018 |access-date=31 March 2018}}</ref> and the seventh biggest for an action film.<ref>{{cite web |url=http://www.koimoi.com/box-office/baaghi-2-crosses-2-hrithik-roshan-films-1-salman-khan-film-in-top-10-opening-days-for-an-action-film/ |title=Baaghi 2 Crosses 2 Hrithik Roshan Films & 1 Salman Khan Film in Top 10 Opening Days for an Action Film |author=Mohak Agarwal |work=[[Koimoi.com]] |date=31 March 2018 |access-date=31 March 2018}}</ref> After a robust opening day, it fell gradually by −20% on its second day earning an additional {{INR|204 million}}. In doing so, the film eclipsed the entire opening weekend – {{INR|385.8 million}} – of the first film in just two days. Box office pundits believed the fall could have been lesser had Friday not been a partial holiday, owing to Good Friday.<ref>{{cite web |url=http://www.koimoi.com/box-office/box-office-tiger-shroffs-baaghi-2-goes-past-entire-weekend-collections-of-baaghi-in-just-2-days/ |title=Box Office: Tiger Shroff's Baaghi 2 Goes Past Entire Weekend Collections Of Baaghi In Just 2 Days |author=Vishnu Gade |work=Koimoi |date=1 April 2018 |access-date=1 April 2018}}</ref> After two weeks, the movie had grossed over {{INR|1903.2 million}} in India.<ref>{{cite web |url=https://www.bollywoodhungama.com/news/box-office-special-features/box-office-worldwide-collections-day-wise-break-baaghi-2/ |title=Box Office: Worldwide collections and day wise break up of Baaghi 2 – Bollywood Hungama |first=Bollywood |last=Hungama |website=[[Bollywood Hungama]] |date=31 March 2018 |access-date=25 April 2018}}</ref>

Overseas, it made {{US$|6.4 million|long=no}} ({{INR|417.6 million}}) after two weeks.<ref>{{cite web |url=https://twitter.com/taran_adarsh/status/984721962244046849 |title=taran adarsh on Twitter |access-date=25 April 2018}}</ref> The film grossed a total of {{INR|{{#expr:210.89+46.11}} crore}} ({{US$|{{#expr:32.36+6.94}} million|long=no}}) worldwide, including {{INRConvert|2.11|b}} in India<ref>{{cite web |title=Baaghi 2 Box Office Collection |url=https://www.bollywoodhungama.com/movie/baaghi-2-2/box-office/ |website=[[Bollywood Hungama]] |date=30 March 2018 |access-date=1 April 2019}}</ref> and {{INR|461.1 million}} overseas.<ref>{{cite web |title=Top Overseas Grossers 2018 |url=https://boxofficeindia.com/overseas-total-gross.php?year=2018 |website=[[Box Office India]] |access-date=1 April 2019}}</ref> The film was one of the highest-grossing Bollywood films<ref>{{Cite web |url=https://www.boxofficecollection2020.com/baaghi-3-box-office-collection-day-wise/ |title=Baaghi 2 Box Office Collection|date=31 March 2020}}</ref> of 2018.<ref>{{cite web |title=Top Worldwide Grossers 2018 |url=https://boxofficeindia.com/worldwide-total-gross.php?year=2018 |website=[[Box Office India]] |access-date=1 April 2019}}</ref>

===Critical reception===
''Baaghi 2'' received generally negative reviews. On [[review aggregator]] website [[Rotten Tomatoes]], ''Baaghi 2'' has an approval rating of {{RT data|score}} on the basis of {{RT data|count}} reviews with an average rating of {{RT data|average}}.<ref>{{cite web|url=https://www.rottentomatoes.com/m/baaghi_2|title=Baaghi 2|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media|Fandango]]|access-date={{RT data|access date}}}}</ref>

[[Rajeev Masand]] gave the film a rating of 2 out of 5, saying that "It's hard to feel anything other than sheer frustration watching Baaghi 2, given how the filmmakers have squandered the potential of the central idea. This remake of the 2016 Telugu hit Kshanam is weighed down by a flawed script, and frankly by 'misdirection' on the part of director Ahmed Khan.<ref>{{cite web |url=http://www.rajeevmasand.com/reviews/our-films/plot-without-purpose/ |title=Plot without purpose |publisher=[[Rajeev Masand]]}}</ref> Rohit Vats of [[Hindustan Times]] criticized the film saying that, "It's a badly planned screenplay that doesn't know what it wants to be. From chasing Rambo's trail to taking the baton from Dum Maaro Dum, it tries every trick in the book and manages to make them worse" and gave it a rating of 1 out of 5.<ref>{{cite news |url=https://www.hindustantimes.com/movie-reviews/baaghi-2-movie-review-goa-bears-tiger-shroff-s-wrath-and-so-do-we/story-2gcRGrvReJajW38OWt0VLP.html |title=Baaghi 2 movie review: Goa bears Tiger Shroff's wrath and so do we |newspaper=[[Hindustan Times]] |date=30 March 2018}}</ref>

Shubhra Gupta of [[The Indian Express]] gave the film a rating of 2.5 out of 5 and said that "The trouble with a full-on masala film going in search of a plot is evident in the way the film unspools. The bare-bones are borrowed from Telugu thriller Kshanam, but the fillings are all strictly Bollywood".<ref>{{cite news |url=http://indianexpress.com/article/entertainment/movie-review/baaghi-2-movie-review-tiger-shroff-disha-patani-star-rating-5117069/ |title=Baaghi 2 movie review: The Tiger Shroff film has more fight than bite |newspaper=[[The Indian Express]] |date=30 March 2018}}</ref> Rachit Gupta of [[The Times of India]] gave the film a rating of 2.5 out of 5 and said that, "Director Ahmed Khan's movie trades style for substance. The action sequences look slick, but they feel completely needless and a bit too excessive. It's disappointing that the story suffers in this attempt to impress with the action choreography and stunts."<ref>{{cite news |url=https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/baaghi-2/movie-review/63544495.cms |title=Baaghi 2 Movie Review |newspaper=[[The Times of India]]}}</ref>

Saibal Chatterjee of [[NDTV]] gave the film a rating of 2 out of 5, saying that "Baaghi 2 is more a two-and-a-half-hour stunt show than a genuine piece of cinema. Neither the heart nor the mind stands a chance of surviving this relentless onslaught of biceps, pecs, and clenched fists."<ref>{{cite web |url=https://www.ndtv.com/entertainment/baaghi-2-movie-review-tiger-shroff-roars-disha-patani-is-pretty-but-this-is-just-a-2-5-hour-stunt-sh-1830625 |title=Baaghi 2 Movie Review: Tiger Shroff Roars, Disha Patani Is Pretty But This Is Just A 2.5-Hour Stunt Show |publisher=[[NDTV]]}}</ref>

The movie was criticised for featuring a scene in which the protagonist Ronny (Tiger Shroff) ties a Kashmiri civilian to a jeep for burning the Indian flag and pelting stones; a direct reference to a controversial 2017 incident in which a group of Indian soldiers similarly used a human shield as a precautionary measure against violent crowds in [[Kashmir]].<ref>{{Cite news |url=https://www.nytimes.com/2017/04/16/world/asia/kashmir-and-jammu-india-army-jeep-farooq-ahmad-dar.html |title=Indian Army Ties Kashmiri Man to Jeep and Parades Him Through Villages |date=16 April 2017 |work=The New York Times|access-date=2 May 2018 |language=en-US |issn=0362-4331}}</ref> In her review for the ''[[Hindustan Times]]'', Priyanka Sundar called the scene "one of the most distasteful and offensive portrayals of the Jammu and Kashmir unrest".<ref>{{Cite news |url=https://www.hindustantimes.com/regional-movies/baaghi-2-vs-kshanam-tiger-shroff-film-is-not-even-a-watered-down-version-of-adivi-sesh-s-edge-of-seat-original/story-3vN7I6enq2FnfdLrQmxQkM.html |title=Baaghi 2 vs Kshanam: Tiger Shroff film is not even a watered-down version of Adivi Sesh's edge-of-seat original |date=1 April 2018 |work=hindustantimes.com/|access-date=2 May 2018 |language=en}}</ref> In ''Scroll'', Nandini Ramnath criticised the "tone-deafness and staggering lack of sensitivity to the reality of the April human rights violation".<ref>{{Cite news |url=https://scroll.in/article/873747/baaghi-2-film-review-high-on-action-low-on-spark |title='Baaghi 2' film review: High on action, low on spark |last=Ramnath |first=Nandini |work=Scroll.in|access-date=2 May 2018 |language=en-US}}</ref> [[Anupama Chopra]] of Film Companion gave the film 2.5 out of 5 stars and said, "Baaghi 2 is a faithful remake of the 2016 Telugu thriller [[Kshanam]]. But since the leading man is Tiger Shroff, the protagonist changes from an investment banker to an army commando."<ref>{{cite web |title=Baaghi 2 Movie Review: Too Many Punches And Too Little Of A Plot |url=https://www.filmcompanion.in/reviews/bollywood-review/baaghi-2-anupama-chopra-movie-review/ |first=Anupama |last=Chopra |publisher=Film Companion |date=30 March 2018}}{{Rating|2.5|5}}</ref> Raja Sen of [[NDTV]] gave the film 1 out of 5 stars and said, "This is an action film without enough action and a romantic drama where you don't feel for the characters."<ref>{{cite web |title=Baaghi 2 Movie Review: Tiger Shroff Can't Carry This Awful Action Film |url=https://www.ndtv.com/entertainment/baaghi-2-movie-review-tiger-shroff-cant-carry-this-awful-action-film-1830689 |first=Raja |last=Sen |publisher=NDTV |date=20 March 2019}}{{Rating|1|5}}</ref>

== Soundtrack ==
{{unreferenced section|date=May 2018}}
{{Infobox album
| name = Baaghi 2
| type = soundtrack
| artist = [[Mithoon]], [[Arko Pravo Mukherjee|Arko]], [[Sandeep Shirodkar]], Gourov-Roshin and Pranaay Rijia
| released = {{Start date|df=yes|2018|03|20}}<ref>{{cite web |url=https://itunes.apple.com/in/album/baaghi-2-original-motion-picture-soundtrack-ep/1361492483 |title=Baaghi 2 (Original Motion Picture Soundtrack) |date=26 March 2018 |publisher=[[iTunes]]}}</ref>
| genre = [[Feature film soundtrack]]
| length = {{Duration|m=29|s=07}}
| language = [[Hindi]]
| label = [[T-Series (company)|T-Series]]
| cover =
| alt =
| recorded = 2017–2018
| producer = [[Sajid Nadiadwala]]
| prev_title =
| prev_year =
| next_title =
| director = [[Ahmed Khan (choreographer)|Ahmed Khan]]
| next_year =
| misc = {{External music video
| header = Official audio
| 1 = {{YouTube|KRxXgoaHW5w|Full Album : Baaghi 2}}}}
{{Extra chronology
| artist=[[Mithoon]]
| type= soundtrack
| prev_title=[[Hate Story 4]]
| prev_year=2018
| title=Baaghi 2
| year=2018
| next_title=[[Mercury (2018 film)|Mercury]]
| next_year=2018
}}
{{Extra chronology
| artist=[[Arko Pravo Mukherjee|Arko]]
| type=soundtrack
| prev_title=[[Hate Story 4]]
| prev_year=2018
| title=Baaghi 2
| year=2018
| next_title= [[Gold (2018 film)|Gold]]
| next_year= 2018
}}
{{Extra chronology
| artist=[[Sandeep Shirodkar]]
| type=soundtrack
| prev_title=[[Judwaa 2]]
| prev_year=2017
| title=Baaghi 2
| year=2018
| next_title= [[Thackeray (film)|Thackeray]]
| next_year= 2019
}}
{{Extra chronology
| artist=Gourov-Roshin
| type=soundtrack
| prev_title=[[Mubarakan]]
| prev_year=2017
| title=Baaghi 2
| year=2018
| next_title= [[Total Dhamaal]]
| next_year= 2019
}}
{{Extra chronology
| artist=Pranaay Rijia
| type=soundtrack
| prev_title=[[Munna Michael]]
| prev_year=2017
| title=Baaghi 2
| year=2018
| next_title=[[Baaghi 3]]
| next_year=2020
}}
{{Singles
| name = Baaghi 2
| type = soundtrack
| single1 = [[Mundian To Bach Ke|Mundiyan]]
| single1date = 1 March 2018
| single2 = [[O Saathi]]
| single2date = 9 March 2018
| single3 = Lo Safar
| single3date = 13 March 2018
| single4 = [[Ek Do Teen (song)|Ek Do Teen]]
| single4date = 19 March 2018
}}
}}

The music of the film was composed by [[Laxmikant-Pyarelal]], [[Mithoon]], [[Arko Pravo Mukherjee|Arko]], [[Sandeep Shirodkar]], Gourov-Roshin, and Pranaay Rijia. Lyrics were written by [[Kumaar]], Ginny Diwan, [[Javed Akhtar]], Arko Pravo Mukherjee, and [[Sayeed Quadri]]. The background score was composed by [[Julius Packiam]]. The songs featured in the film are sung by [[Atif Aslam]], [[Jubin Nautiyal]], [[Ankit Tiwari]], [[Navraj Hans]], [[Shreya Ghoshal]], [[Palak Muchhal]], [[Shruti Pathak]], Parry G, Pranaay Rijia, Anand Bhaskar, [[Siddharth Basrur]], [[Jatinder Singh]] and Big Dhillon.

The first song of the film, "Mundiyan", which is a recreated version of the [[Panjabi MC]] song "[[Mundian To Bach Ke]]", was sung by Navraj Hans and Palak Muchhal, and was released on 1 March 2018. The second single to be released was "[[O Saathi]]", sung by Atif Aslam, and released on 9 March 2018. The third song of the film, "Lo Safar", sung by Jubin Nautiyal, was released on 13 March 2018. The fourth song, "Ek Do Teen", an item song featuring [[Jacqueline Fernandez]], from the 1988 film, ''[[Tezaab]]'', was recreated for this film. It was sung by [[Shreya Ghoshal]] with a rap by Parry G, and was released on 19 March 2018. Although in the film, the song is sung by [[Palak Muchhal]] for the final version because the production team made a mistake by including the rehearsal version in the final version of the film. After that, Palak Muchhal's version was released on 19 April 2019.<ref>{{cite web |url=https://www.latestly.com/entertainment/bollywood/jacqueline-fernandezs-ek-do-teen-version-from-baaghi-2-lands-itself-in-new-controversy-whos-the-real-singer-94163.html |title=Ek Do Teen Controversy |date=9 June 2018 |publisher=LatestLY}}</ref><ref>{{Citation |title=Ek Do Teen (Palak Muchhal Version) |date=2018-04-19 |url=https://open.spotify.com/album/3XGGE6QZKE8crEG7KDt5rf |language=en |access-date=2022-06-06}}</ref> The music album was released on 20 March 2018 by [[T-Series (company)|T-Series]].

{{Track listing
| headline = Track listing
| extra_column = Singer(s)
| total_length = 29:07
| title1 = Mundiyan
| length1 = 3:30
| extra1 = [[Navraj Hans]], [[Palak Muchhal]]
| lyrics1 = Ginny Diwan
| music1 = [[Sandeep Shirodkar]]
| title2 = [[Ek Do Teen (song)|Ek Do Teen]]
| length2 = 4:04
| lyrics2 = [[Javed Akhtar]]
| music2 = [[Laxmikant-Pyarelal]], Sandeep Shirodkar
| extra2 = [[Shreya Ghoshal]], Parry G
| title3 = [[O Saathi]]
| length3 = 4:12
| extra3 = [[Atif Aslam]]
| lyrics3 = Arko
| music3 = [[Arko Pravo Mukherjee|Arko]]
| title4 = Lo Safar
| extra4 = [[Jubin Nautiyal]]
| length4 = 4:42
| lyrics4 = [[Sayeed Quadri]]
| music4 = [[Mithoon]]
| title5 = Soniye Dil Nayi
| length5 = 5:20
| lyrics5 = [[Kumaar]]
| music5 = Gourov-Roshin
| extra5 = [[Ankit Tiwari]], [[Shruti Pathak]]
| title6 = Get Ready To Fight Again
| length6 = 3:16
| lyrics6 = Ginny Diwan
| music6 = Pranaay Rijia
| extra6 = Pranaay, Anand Bhaskar, [[Jatinder Singh]], [[Siddharth Basrur]], Big Dhillon
| title7 = Ek Do Teen
| note7 = Palak Muchhal Version
| length7 = 4:04
| lyrics7 = Javed Akhtar
| music7 = Laxmikant-Pyarelal, Sandeep Shirodkar
| extra7 = [[Palak Muchhal]], Parry G
| all_writing =
}}

==Sequel==
{{Main|Baaghi 3}}
On 19 February 2018, the third installment of the film was announced under the title of ''[[Baaghi 3]]'', with [[Sajid Nadiawala]] as producer, [[Ahmed Khan (choreographer)|Ahmed Khan]] as director, [[Tiger Shroff]] and [[Shraddha Kapoor]] starring in the lead roles. The team started shooting in September 2019.<ref>{{cite news |url=https://twitter.com/taran_adarsh/status/965430361021825024 |title=The third instalment in #Baaghi film series announced: #Baaghi3... Here's the official announcement |date=19 February 2018 |access-date=19 February 2018}}</ref> It was released worldwide on 6 March 2020.<ref>{{Cite news |url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/confirmed-baaghi-3-is-is-all-set-to-return-with-its-third-installment-on-this-day/articleshow/67156461.cms |title=Confirmed: 'Baaghi 3' is all set to return with its third installment on this day – Times of India ► |website=The Times of India|access-date=23 December 2018}}</ref>
[[Ritesh Deshmukh]] also joined the cast of the film.

== References ==
{{reflist}}

== External links ==
{{Portal|India|Film|Bollywood}}
* {{IMDb title|tt6843812}}
* {{Rotten Tomatoes|baaghi_2}}
* {{Bollywood Hungama title|baaghi-2-2}}

{{Sajid Nadiadwala}}
{{Baaghi}}

[[Category:2010s Hindi-language films]]
[[Category:2018 action thriller films]]
[[Category:2018 films]]
[[Category:Indian action thriller films]]
[[Category:Indian martial arts films]]
[[Category:2018 martial arts films]]
[[Category:Fox Star Studios films]]
[[Category:Films shot in Thailand]]
[[Category:Films shot in Mumbai]]
[[Category:Films about child abuse]]
[[Category:Films about child abduction in India]]
[[Category:Films about missing people]]
[[Category:Films shot in Maharashtra]]
[[Category:Hindi remakes of Telugu films]]
[[Category:Indian films about revenge]]
[[Category:Indian nonlinear narrative films]]
[[Category:Films directed by Ahmed Khan]]

Jats

2026-03-19T10:31:49Z

162.158.88.26:

{{Short description|Social group of India and Pakistan}}
{{Redirect2|Jat|Jat people}}
{{Distinguish|text = the [[Jats of Afghanistan]]}}


{{Use dmy dates|date=August 2022}}
{{Infobox ethnic group
|group=Jat
|image=
|caption=
| region1 = [[South Asia]]
| pop1 = ~30–43 million ({{circa|2009/10}})
|langs = [[Hindi]]-[[Urdu]] ([[Haryanvi]]) • [[Punjabi language|Punjabi]] • [[Rajasthani language|Rajasthani]] • [[Sindhi language|Sindhi]] • [[Braj Bhasha|Braj]]
|rels = [[Hinduism]]{{•}}[[Islam]]{{•}}[[Sikhism]]
|related =
}}
The '''Jat people''' (({{IPA-pa|d͡ʒəʈːᵊ}}), ({{IPA-hi|d͡ʒaːʈ}})) are a traditionally [[agricultural]] community in [[Northern India]] and [[Pakistan]].<ref name="Khanna">{{cite book |last=Khanna |first=Sunil K. |editor1-last=Ember |editor1-first=Carol R. |editor2-last=Ember |editor2-first=Melvin |editor1-link=Carol R. Ember |editor2-link=Melvin Ember |title=Encyclopedia of Medical Anthropology: Health and Illness in the World's Cultures |volume=2 |year=2004 |publisher=[[Springer Science+Business Media|Kluwer Academic/Plenum Publishers]] |page=777 |isbn=978-0-306-47754-6 |entry-url=https://books.google.com/books?id=nrMRezmNrPcC&pg=PA777 |entry=Jat |quote=Notwithstanding social, linguistic, and religious diversity, the Jats are one of the major landowning agriculturalist communities in South Asia.}}</ref><ref name="NesbittE">{{cite book |last=Nesbitt |first=Eleanor |title=Sikhism: A Very Short Introduction |year=2016 |publisher=[[Oxford University Press]] |isbn=978-0-19-874557-0 |page=143 |edition=2nd |url=https://books.google.com/books?id=XebnCwAAQBAJ&pg=PA143 |quote=Jat: Sikhs’ largest ''zat'', a hereditary land-owning community}}</ref><ref name="Gould">{{cite book |last=Gould |first=Harold A. |author-link=Harold A. Gould |title=Sikhs, Swamis, Students and Spies: The India Lobby in the United States, 1900–1946 |year=2006 |orig-year=2005 |publisher=[[SAGE Publishing|SAGE Publications]] |isbn=978-0-7619-3480-6 |page=439 |entry-url=https://books.google.com/books?id=rS5mDwAAQBAJ&pg=PA439 |entry=Glossary |quote=Jat: name of large agricultural caste centered in the undivided Punjab and western Uttar Pradesh}}</ref>{{#tag:ref|"Glossary: '''Jat''': title of north India's major non-elite 'peasant' caste."<ref name="sbayly-p385">{{Cite book |last=Bayly |first=Susan |url=https://books.google.com/books?id=HbAjKR_iHogC&pg=PA385 |title=Caste, Society and Politics in India from the Eighteenth Century to the Modern Age |publisher=Cambridge University Press |year=2001 |isbn=978-0-521-79842-6 |page=385 |access-date=15 October 2011}}</ref>|group=lower-alpha}}{{#tag:ref|"... in the middle decades of the (nineteenth) century, there were two contrasting trends in India's agrarian regions. Previously marginal areas took off as zones of newly profitable 'peasant' agriculture, disadvantaging non-elite tilling groups, who were known by such titles as Jat in western [[North-Western Provinces|NWP]] and Gounder in Coimatore."<ref name="sbayly-p201">{{Cite book |last=Bayly |first=Susan |url=https://books.google.com/books?id=HbAjKR_iHogC&pg=PA201 |title=Caste, Society and Politics in India from the Eighteenth Century to the Modern Age |publisher=Cambridge University Press |year=2001 |isbn=978-0-521-79842-6 |page=201 |access-date=15 October 2011}}</ref>|group=lower-alpha}}{{#tag:ref|"In the later nineteenth century, this thinking led colonial officials to try to protect Sikh Jats and other non-elite 'peasants' whom they now favoured as military recruits by advocating legislation under the so-called land alienation."<ref name="sbayly-p212">{{Cite book |last=Bayly |first=Susan |url=https://books.google.com/books?id=HbAjKR_iHogC&pg=PA212 |title=Caste, Society and Politics in India from the Eighteenth Century to the Modern Age |publisher=Cambridge University Press |year=2001 |isbn=978-0-521-79842-6 |page=212 |access-date=15 October 2011}}</ref>|group=lower-alpha}} Originally [[pastoralism|pastoralist]]s in the lower [[Indus river]]-valley of [[Sindh]], Jats migrated north into the [[Punjab region]] in [[late medieval]] times, and subsequently into the [[Delhi Territory]], northeastern [[Rajputana]], and the western [[Gangetic Plain]] in the 17th and 18th centuries.<ref name="AsherTalbot2006-p269"/><ref name="KhazanovWink2012">{{citation|last1=Khazanov|first1=Anatoly M.| author-link = Anatoly Khazanov|last2=Wink|first2=Andre|title=Nomads in the Sedentary World|url=https://books.google.com/books?id=-v_RORENFbMC&pg=PT177|access-date=15 August 2013|year=2012|publisher=Routledge|isbn=978-1-136-12194-4|page=177}} Quote: "Hiuen Tsang gave the following account of a numerous pastoral-nomadic population in seventh-century Sin-ti (Sind): 'By the side of the river..[of Sind], along the flat marshy lowlands for some thousand li, there are several hundreds of thousands [a very great many] families ..[which] give themselves exclusively to tending cattle and from this derive their livelihood. They have no masters, and whether men or women, have neither rich nor poor.' While they were left unnamed by the Chinese pilgrim, these same people of lower Sind were called Jats' or 'Jats of the wastes' by the Arab geographers. The Jats, as 'dromedary men.' were one of the chief pastoral-nomadic divisions at that time, with numerous subdivisions, ....</ref><ref name="Wink2004">{{citation|last=Wink|first=André|title=Indo-Islamic society: 14th – 15th centuries|url=https://books.google.com/books?id=nyYslywJUE8C&pg=PA92|access-date=15 August 2013|year=2004|publisher=BRILL|isbn=978-90-04-13561-1|pages=92–93}} Quote: "In Sind, the breeding and grazing of sheep and buffaloes was the regular occupations of pastoral nomads in the lower country of the south, while the breeding of goats and camels was the dominant activity in the regions immediately to the east of the Kirthar range and between Multan and Mansura. The jats were one of the chief pastoral-nomadic divisions here in early-medieval times, and although some of these migrated as far as Iraq, they generally did not move over very long distances on a regular basis. Many jats migrated to the north, into the Panjab, and here, between the eleventh and sixteenth centuries, the once largely pastoral-nomadic Jat population was transformed into sedentary peasants. Some Jats continued to live in the thinly populated ''barr'' country between the five rivers of the Panjab, adopting a kind of [[transhumance]], based on the herding of goats and camels. It seems that what happened to the jats is paradigmatic of most other pastoral and pastoral-nomadic populations in India in the sense that they became ever more closed in by an expanding sedentary-agricultural realm."</ref> Of [[Muslim]], [[Sikh]], and [[Hindu]] faiths, they are now found mostly in the [[Pakistan]]i provinces of [[Sindh]] and [[Punjab, Pakistan|Punjab]] and the Indian states of [[Punjab, India|Punjab]], [[Haryana]], [[Uttar Pradesh]] and [[Rajasthan]].

The Jats took up arms against the [[Mughal Empire]] during the late 17th and early 18th centuries.<ref name="AsherTalbot2006">{{Cite book |last1=Catherine Ella Blanshard Asher |title=India before Europe |last2=Cynthia Talbot |publisher=Cambridge University Press |year=2006 |isbn=978-0-521-80904-7 |page=265}}</ref> The community played an important role in the development of the martial [[Khalsa]] ''[[panth]]'' of Sikhism.<ref name="Karine1987">{{Cite book |title=The Sants: studies in a devotional tradition of India |publisher=Motilal Banarsidass Publ. |year=1987 |isbn=978-81-208-0277-3 |editor-last=Karine Schomer and W. H. McLeod |pages=242}}</ref> The Hindu Jat kingdom reached its zenith under [[Maharaja Suraj Mal]] (1707–1763).<ref name="Unit1973">{{Cite book |title=The Gazetteer of India: History and culture |publisher=Publications Division, Ministry of Information and Broadcasting, India |year=1973 |page=348 |oclc=186583361}}</ref> By the 20th century, the landowning Jats became an influential group in several parts of North India, including [[Punjab (India)|Punjab]],<ref name="Srinivas1962">{{Cite book |last=[[M. N. Srinivas|Mysore Narasimhachar Srinivas]] |title=Caste in modern India: and other essays |publisher=Asia Pub. House |year=1962 |page=90 |oclc=185987598}}</ref> [[Western Uttar Pradesh]],<ref name="Nuna1989">{{Cite book |last=Sheel Chand Nuna |url=https://books.google.com/books?id=hjjriYh_hykC&pg=PA61 |title=Spatial fragmentation of political behaviour in India: a geographical perspective on parliamentary elections |date=1 January 1989 |publisher=Concept Publishing Company |isbn=978-81-7022-285-9 |pages=61– |access-date=20 January 2012}}</ref> [[Rajasthan]],<ref name="RudolphRudolph1984">{{Cite book |last1=Lloyd I. Rudolph |url=https://books.google.com/books?id=7guY1ut-0lwC&pg=PA86 |title=The Modernity of Tradition: Political Development in India |last2=Susanne Hoeber Rudolph |publisher=University of Chicago Press |year=1984 |isbn=978-0-226-73137-7 |pages=86– |access-date=20 January 2012}}</ref> [[Haryana]] and [[Delhi]].<ref name="CarlMelvin2004">{{Cite book |title=Encyclopedia of medical anthropology |publisher=Springer |year=2004 |isbn=978-0-306-47754-6 |editor-last=Carol R. Ember |page=778 |editor-last2=Melvin Ember}}</ref> Over the years, several Jats abandoned agriculture in favour of urban jobs, and used their dominant economic and political status to claim higher social status.<ref name="Sunil2009">{{Cite book |last=Sunil K. Khanna |title=Fetal/fatal knowledge: new reproductive technologies and family-building strategies in India |publisher=Cengage Learning |year=2009 |isbn=978-0-495-09525-5 |page=18}}</ref>

== History ==
[[File:JatZemindarsRajpootana1874.jpg|thumb|right|Jat Zamindars Hindoos Rajpootana 1874]]
The Jats are a paradigmatic example of community- and identity-formation in [[Early modern period|early modern]] [[Indian subcontinent]].<ref name="AsherTalbot2006-p269">{{cite book|last1=Asher|first1=Catherine Ella Blanshard|last2=Talbot|first2=Cynthia|title=India before Europe|url=https://books.google.com/books?id=ZvaGuaJIJgoC&pg=PA269|access-date=29 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-80904-7|page=269}}</ref> "Jat" is an elastic label applied to a wide-ranging community<ref name="Talwar">{{cite book |last=Oldenburg |first=Veena Talwar |author-link=Veena Talwar Oldenburg |title=Dowry Murder: The Imperial Origins of a Cultural Crime |year=2002 |publisher=Oxford University Press |isbn=978-0-19-515071-1 |page=232 |url=https://books.google.com/books?id=d5Fm1XdS-6EC&pg=PA232 |quote=The Jats, who are numerically dominant in central and eastern Punjab, can be Hindu, Sikh, or Muslim; they range from powerful landowners to poor subsistence farmers, and were recruited in large numbers to serve in the British army.}}</ref><ref name="Alavi p.67 ">{{cite book | last=Alavi | first=Seema | title=The eighteenth century in India | publisher=Oxford University Press | publication-place=New Delhi | date=2002 | isbn=0-19-565640-7 | oclc=50783542 | page=67 | quote=The Jat power neat Agra and Mathura arose out of the rebellion of peasants under zamindar leadership, attaining the apex of power under Suraj Mal...it seems to have been an extensive replacement of Rajput by Jat zamindars...and the 'warlike Jats' (a peasant and zamindar caste).}}</ref> from simple landowning peasants {{#tag:ref|"Glossary: '''Jat''': title of north India's major non-elite 'peasant' caste."<ref name="sbayly-p385"/>|group=lower-alpha}}{{#tag:ref|"... in the middle decades of the (nineteenth) century, there were two contrasting trends in India's agrarian regions. Previously marginal areas took off as zones of newly profitable land-owning agriculture, disadvantaging non-elite tilling groups, who were known by such titles as Jat in western [[North-Western Provinces|NWP]] and Gounder in Coimatore."<ref name="sbayly-p201"/>|group=lower-alpha}}{{#tag:ref|"In the later nineteenth century, this thinking led colonial officials to try to protect Sikh Jats and other non-elite 'peasants' whom they now favoured as military recruits by advocating legislation under the so-called land alienation."<ref name="sbayly-p212"/>|group=lower-alpha}}<ref>{{Cite book |last=Judge |first=Paramjit |title=Mapping social exclusion in India : caste, religion and borderlands |publisher=Cambridge University Press |year=2014 |isbn=978-1-107-05609-1 |publication-place=Cambridge |page=112 |oclc=880877884}}</ref><ref>{{Cite book |last=Stokes |first=Eric |title=The peasant and the Raj : studies in agrarian society and peasant rebellion in colonial India |publisher=Cambridge University Press |year=1978 |isbn=978-0-521-29770-7 |publication-place=Cambridge New York |page=185 |oclc=889813954 |quote=n the Ganges Canal Tract of the Muzaffarnagar district where the landowning castes – Tagas , Jats , Rajputs , Sayyids , Sheikhs , Gujars , Borahs}}</ref>{{efn|According to [[Susan Bayly]], "... (North India) contained large numbers of non-elite tillers. In the Punjab and the western Gangetic Plains, convention defined the Rajput's non-elite counterpart as a Jat. Like many similar titles used elsewhere, this was not so much a caste name as a broad designation for the man of substance in rural terrain. … To be called Jat has in some regions implied a background of pastoralism, though it has more commonly been a designation of non-servile cultivating people."<ref name=sbayly-p37>{{cite book|last=Bayly|first=Susan|title=Caste, Society and Politics in India from the Eighteenth Century to the Modern Age|url=https://books.google.com/books?id=HbAjKR_iHogC&pg=PA37|access-date=15 October 2011|year=2001|publisher=Cambridge University Press|isbn=978-0-521-79842-6|page=37}}</ref>}} to wealthy and influential Zamindars.<ref name="Khan 1997 pp. 336">{{cite journal | last=Khan | first=Zahoor Ali | title=ZAMINDARI CASTE CONFIGURATION IN THE PUNJAB, c.1595 — MAPPING THE DATA IN THE | journal=Proceedings of the Indian History Congress | publisher=Indian History Congress | volume=58 | year=1997 | issn=2249-1937 | jstor=44143925 | pages=336 | quote=The number of parganas with Jat zamindaris (Map 2) is surprisingly large and well spread out, though there are none beyond the Jhelum. They appear to be in two blocks, divided by a sparse zone between the Sutlej and the Sarasvati basin. The two blocks, in fact, represent two different segments of the Jats, the western one (Panjab) known as Jat (with short vowel) and the other (Haryanvi) as Jaat (with long vowel). | url=http://www.jstor.org/stable/44143925 | access-date=2 August 2022}}</ref><ref>{{Cite book |last=Ramaswamy |first=Vijaya |title=Migrations in Medieval and Early Colonial India |publisher=Taylor and Francis |year=2016 |isbn=978-1-351-55825-9 |publication-place=London |page=59 |oclc=993781016 |quote=Out of the 45 parganas of the sarkars of Delhi, 17 are reported to have Jat Zamindars. Out of these 17 parganas, the Jats are exclusively found in 11, whereas in other 6 they shared Zamindari rights with other communities.}}</ref><ref>{{Cite book |last=Dhavan |first=Purnima |title=When sparrows became hawks : the making of the Sikh warrior tradition, 1699-1799 |publisher=Oxford University Press |year=2011 |isbn=978-0-19-975655-1 |publication-place=New York |page=54 |oclc=695560144 |quote=Muzaffar Alam's study of the akhbarat (news reports) and chronicles of the period demonstrates that Banda and his followers had wide support amongst the Jat zamindars of the Majha, Jalandhar Doab, and the Malwa area. Jat zamindars actively colluded with the rebels, and frustrated the Mughal faujdars or commanders of the area by supplying Banda and his men with grain, horses, arms, and provisions. This evidence suggests that understanding the rebellion as a competition between peasants and feudal lords is an oversimplification, since the groups affiliated with Banda as well as those affiliated with the state included both Zamindars and peasants.}}</ref><ref name="Alam 1978 pp. 509–522">{{cite journal | last=Alam | first=Muzaffar | title=Sikh Uprisings Under Banda Bahadur 1708-1715 | journal=Proceedings of the Indian History Congress | publisher=Indian History Congress | volume=39 | year=1978 | issn=2249-1937 | jstor=44139389 | pages=509–522 | quote=Banda led predominantly the uprisings of the Jat zamindars.It is also to be noted that tha Jats were the dominant zamindar castes in some of the parganas where Banda had support.But Banda's spectacular success and the amazing increase in the strength of his army within a few months*6 does not cohere with the presence of a few Jat zamindaris…we can, however presume that the unidentified zamindars of our sources who rallied behind Banda were the small zamindars (mah'ks) and the Mughal assessees (malguzars). It is not without significance that they are almost invariably described as the zamindars of village (mauza and dehat). These zamindars were largely the Jats who had settled in the region for the last three or four centuries.
| url=http://www.jstor.org/stable/44139389 | access-date=2 August 2022}}</ref><ref name="Syan 2013 p.40 ">{{cite book | last=Syan | first=H.S. | title=Sikh Militancy in the Seventeenth Century: Religious Violence in Mughal and Early Modern India | publisher=I.B. Tauris | year=2013 | isbn=978-0-7556-2370-9 | url=https://books.google.com/books?id=i1OezQEACAAJ | access-date=2 August 2022 | page=40 | quote= Guru Nanak’s father- in-law, Mula Chonha, works as an administrator for the Jat landlord,Ajita Randawa. If we expand this train of thought and examine other Janamsakhi figures we can detect an interesting pattern…All of Nanak’s immediate relatives were professional administrators for local or regional lords, including Jat masters. From this we can infer that Khatris did seem to occupy a position as a professional class and some Jats held the position of being landlords. There was clearly a professional services relationship between high-ranking Khatris and high-ranking Jats, and this seems indicative of the wider socio- economic relationship between Khatris and Jats in medieval Panjab.}}</ref>

By the time of [[Muhammad bin Qasim]]'s conquest of Sind in the eighth century, Arab writers described agglomerations of Jats in the arid, the wet, and the mountainous regions of the conquered land of Sindh.<ref name="Mayaram2003-p19">{{citation|last=Mayaram|first=Shail|title=Against history, against state: counterperspectives from the margins|url=https://books.google.com/books?id=Yi6QpFCZBy8C&pg=PA19|access-date=12 November 2011|year=2003|publisher=Columbia University Press|isbn=978-0-231-12730-1|page=19}}</ref> The Arab rulers, though professing a theologically egalitarian religion, maintained the position of Jats and the discriminatory practices against them that had been put in place in the long period of Hindu rule in Sind.<ref name="Jackson2003-p15">{{citation|last=Jackson|first=Peter|title=The Delhi Sultanate: A Political and Military History|url=https://books.google.com/books?id=lt2tqOpVRKgC&pg=PA15|access-date=13 November 2011|year=2003|publisher=Cambridge University Press|isbn=978-0-521-54329-3|page=15}} Quote: "... Nor can the liberation that the Muslim conquerors offered to those who sought to escape from the caste system be taken for granted. … a caliphal governor of Sind in the late 830s is said to have … (continued the previous Hindu requirement that) … the Jats, when walking out of doors in future, to be accompanied by a dog. The fact that the dog is an unclean animal to both Hindu and Muslim made it easy for the Muslim conquerors to retain the ''status quo'' regarding a low-caste tribe. In other words, the new regime in the eighth and ninth centuries did not abrogate discriminatory regulations dating from a period of Hindu sovereignty; rather, it maintained them. (page 15)"</ref> Between the eleventh and the sixteenth centuries, Jat herders at the Sind migrated up along the river valleys,<ref name="Grewal1998-p5">{{citation|last=Grewal|first=J. S.|title=The Sikhs of the Punjab|url=https://books.google.com/books?id=2_nryFANsoYC&pg=PA5|access-date=12 November 2011|year=1998|publisher=Cambridge University Press|isbn=978-0-521-63764-0|page=5}} Quote: "... the most numerous of the agricultural tribes (in the Punjab) were the Jats. They had come from Sindh and Rajasthan along the river valleys, moving up, displacing the Gujjars and the Rajputs to occupy culturable lands. (page 5)"</ref> into the Punjab,<ref name="AsherTalbot2006-p269" /> which may have been largely uncultivated in the first millennium.<ref name="Ludden1999-p117">{{citation|last=Ludden|first=David E.|title=An agrarian history of South Asia|url=https://books.google.com/books?id=eHi62S7vZlsC&pg=PA117|access-date=12 November 2011|year=1999|publisher=Cambridge University Press|isbn=978-0-521-36424-9|page=117}} Quote: "The flatlands in the upper Punjab doabs do not seem to have been heavily farmed in the first millennium. … Early-medieval dry farming developed in Sindh, around Multan, and in Rajasthan… From here, Jat farmers seem to have moved into the upper Punjab doabs and into the western Ganga basin in the first half of the second millennium. (page 117)"</ref> Many took up tilling in regions such as [[Western Punjab]], where the [[sakia]] (water wheel) had been recently introduced.<ref name="AsherTalbot2006-p269" /><ref name="Ansari1992">{{cite book|last=Ansari|first=Sarah F. D.|title=Sufi saints and state power: the pirs of Sind, 1843–1947|url=https://books.google.com/books?id=j8wrDHqwEFIC&pg=PA27|access-date=30 October 2011|year=1992|publisher=Cambridge University Press|isbn=978-0-521-40530-0|page=27}} Quote: "Between the eleventh and sixteenth centuries, groups of nomadic pastoralists known as Jats, having worked their way northwards from Sind, settled in the Panjab as peasant agriculturalists and, largely on account of the introduction of the Persian wheel, transformed much of western Panjab into a rich producer of food crops. (page 27)"</ref> By early Mughal times, in the Punjab, the term "Jat" had become loosely synonymous with "peasant",<ref name="Mayaram2003-p33">{{citation|last=Mayaram|first=Shail|title=Against history, against state: counterperspectives from the margins|url=https://books.google.com/books?id=Yi6QpFCZBy8C&pg=PA33|access-date=12 November 2011|year=2003|publisher=Columbia University Press|isbn=978-0-231-12730-1|page=33}}</ref> and some Jats had come to own land and exert local influence.<ref name="AsherTalbot2006-p269" /> The Jats had their origins in [[pastoralism]] in the [[Indus valley]], and gradually became agriculturalist farmers.<ref>{{Cite book|last1=Khazanov|first1=Anatoly M.|last2=Wink|first2=Andre|date=12 October 2012|title=Nomads in the Sedentary World|url=http://dx.doi.org/10.4324/9780203037201|doi=10.4324/9780203037201|isbn=9780203037201}}</ref> Around 1595, Jat Zamindars controlled a little over 32% of the [[Zamindar]]is in the Punjab region.<ref name="Khan 1982 pp. 342–350">{{cite journal | last=Khan | first=Iftikhar Ahmad | title=A Note on Medieval Jatt Immigration in the Punjab | journal=Proceedings of the Indian History Congress | publisher=Indian History Congress | volume=43 | year=1982 | issn=2249-1937 | jstor=44141246 | pages=347, 349 | url=http://www.jstor.org/stable/44141246 | access-date=20 June 2022}}</ref>

According to historians Catherine Asher and Cynthia Talbot,<ref name="AsherTalbot2006-p270">{{cite book|last1=Asher|first1=Catherine Ella Blanshard|last2=Talbot|first2=Cynthia|title=India before Europe|url=https://books.google.com/books?id=ZvaGuaJIJgoC&pg=PA270|access-date=29 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-80904-7|page=270}}</ref> {{blockquote|The Jats also provide an important insight into how religious identities evolved during the precolonial era. Before they settled in the Punjab and other northern regions, the pastoralist Jats had little exposure to any of the mainstream religions. Only after they became more integrated into the agrarian world did the Jats adopt the dominant religion of the people in whose midst they dwelt.<ref name="AsherTalbot2006-p270" />}} Over time the Jats became primarily Muslim in the western Punjab, Sikh in the eastern Punjab, and Hindu in the areas between [[Delhi Territory]] and Agra, with the divisions by faith reflecting the geographical strengths of these religions.<ref name="AsherTalbot2006-p270" />
During the decline of [[Mughal empire|Mughal rule]] in the early 18th century, the [[Indian subcontinent]]'s hinterland dwellers, many of whom were armed and nomadic, increasingly interacted with settled townspeople and agriculturists. Many new rulers of the 18th century came from such martial and nomadic backgrounds. The effect of this interaction on India's social organization lasted well into the colonial period. During much of this time, non-elite tillers and pastoralists, such as the Jats, were part of a social spectrum that blended only indistinctly into the elite landowning classes at one end, and the menial or ritually polluting classes at the other.<ref name=bayly-p41>{{citation|last=Bayly|first=Susan|title=Caste, Society and Politics in India from the Eighteenth Century to the Modern Age|url=https://books.google.com/books?id=HbAjKR_iHogC|access-date=1 August 2011|year=2001|publisher=Cambridge University Press|page=41|isbn=978-0-521-79842-6}}</ref> During the heyday of Mughal rule, Jats had recognized rights. According to [[Barbara D. Metcalf]] and [[Thomas R. Metcalf]]: {{blockquote|Upstart warriors, Marathas, Jats, and the like, as coherent social groups with military and governing ideals, were themselves a product of the Mughal context, which recognized them and provided them with military and governing experience. Their successes were a part of the Mughal success.<ref name="MetcalfMetcalf2006-p23">{{cite book|last1=Metcalf|first1=Barbara Daly|last2=Metcalf|first2=Thomas R.|title=A concise history of modern India|url=https://books.google.com/books?id=iuESgYNYPl0C&pg=PA23|access-date=24 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-86362-9|page=23}}</ref>}}

[[File:JatSikhLahore1872.jpg|thumb|left|200px|Jat Sikh of the "Sindhoo" clan, [[Lahore]], 1872]]
As the Mughal empire faltered, there were a series of rural rebellions in North India.<ref name=asher-talbot-2006-p271>{{cite book|last1=Asher|first1=Catherine|last2=Talbot|first2=Cynthia|title=India before Europe|url=https://books.google.com/books?id=ZvaGuaJIJgoC&pg=PA271|access-date=15 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-80904-7|page=271}}</ref> Although these had sometimes been characterized as "peasant rebellions", others, such as [[Muzaffar Alam]], have pointed out that small local landholders, or ''[[zemindar]]s'', often led these uprisings.<ref name=asher-talbot-2006-p271 /> The Sikh and Jat rebellions were led by such small local zemindars, who had close association and family connections with each other and with the peasants under them, and who were often armed.<ref name=asher-talbot-2006-p272>{{cite book|last1=Asher|first1=Catherine|last2=Talbot|first2=Cynthia|title=India before Europe|url=https://books.google.com/books?id=ZvaGuaJIJgoC&pg=PA272|access-date=15 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-80904-7|page=272}}</ref>

These communities of rising peasant-warriors were not well-established Indian castes,<ref name="MetcalfMetcalf2006-p24">{{cite book|last1=Metcalf|first1=Barbara Daly|last2=Metcalf|first2=Thomas R.|title=A concise history of modern India|url=https://books.google.com/books?id=iuESgYNYPl0C&pg=PA24|access-date=24 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-86362-9|page=24}}</ref> but rather quite new, without fixed status categories, and with the ability to absorb older peasant castes, sundry warlords, and nomadic groups on the fringes of settled agriculture.<ref name=asher-talbot-2006-p272 /><ref name=cbayly-1988-p20>{{cite book|last=Bayly|first=C. A.|author-link=Christopher Bayly|title=Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion, 1770–1870|url=https://books.google.com/books?id=xfo3AAAAIAAJ&pg=PA20|access-date=15 October 2011|year=1988|publisher=CUP Archive|isbn=978-0-521-31054-3|page=20}}</ref> The Mughal Empire, even at the zenith of its power, functioned by devolving authority and never had direct control over its rural grandees.<ref name=asher-talbot-2006-p272 /> It was these zemindars who gained most from these rebellions, increasing the land under their control.<ref name=asher-talbot-2006-p272 /> The triumphant even attained the ranks of minor princes, such as the Jat ruler Badan Singh of the [[princely state]] of Bharatpur.<ref name=asher-talbot-2006-p272 />

===Hindu Jats===

[[File:The Maharajah of Bharatpore. circa 1882.jpg|thumb|The Hindu Jat Maharaja of [[Bharatpur State|Bharatpur]], 1882]]
In 1669, the Hindu Jats, under the leadership of [[Gokula]], rebelled against the Mughal emperor [[Aurangzeb]] in [[Mathura]].<ref>{{cite book |first=Burjor |last=Avari| author-link=Burjor Avari | title=Islamic Civilization in South Asia: A History of Muslim Power and Presence in the Indian Subcontinent |url= https://books.google.com/books?id=hGHpVtQ8eKoC | publisher=Routledge | isbn=978-0-41558-061-8|year=2013|page=131}}
</ref> The community came to predominate south and east of Delhi after 1710.<ref name=cbayly-1988-p22>{{cite book|last=Bayly|first=C. A.|author-link=Christopher Bayly|title=Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion, 1770–1870|url=https://books.google.com/books?id=xfo3AAAAIAAJ&pg=PA22|access-date=15 October 2011|year=1988|publisher=CUP Archive|isbn=978-0-521-31054-3|page=22}}</ref> According to historian [[Christopher Bayly]] {{blockquote|Men characterised by early eighteenth century Mughal records as plunderers and bandits preying on the imperial lines of communications had by the end of the century spawned a range of petty states linked by marriage alliance and religious practice.<ref name=cbayly-1988-p22 />}}

The Jats had moved into the Gangetic Plain in two large migrations, in the seventeenth and eighteenth centuries respectively.<ref name=cbayly-1988-p22 /> They were not a caste in the usual Hindu sense, for example, in which [[Bhumihar]]s of the eastern Gangetic plain were; rather they were an umbrella group of peasant-warriors.<ref name=cbayly-1988-p22 /> According to Christopher Bayly: {{blockquote|This was a society where [[Brahmin]]s were few and male Jats married into the whole range of lower agricultural and entrepreneurial castes. A kind of tribal nationalism animated them rather than a nice calculation of caste differences expressed within the context of Brahminical Hindu state.<ref name=cbayly-1988-p22 />}}

By the mid-eighteenth century, the ruler of the recently established Jat kingdom of [[Bharatpur State|Bharatpur]], Raja [[Surajmal Jat|Surajmal]], felt sanguine enough about durability to build a garden palace at nearby [[Deeg]].<ref name="MetcalfMetcalf2006-p35">{{cite book|last1=Metcalf|first1=Barbara Daly|last2=Metcalf|first2=Thomas R.|title=A concise history of modern India|url=https://books.google.com/books?id=iuESgYNYPl0C&pg=PA35|access-date=24 October 2011|year=2006|publisher=Cambridge University Press|isbn=978-0-521-86362-9|page=35}}</ref> According to historian, [[Eric Thomas Stokes|Eric Stokes]], {{blockquote|When the power of the Bharatpur raja was riding high, fighting clans of Jats encroached into the Karnal/Panipat, Mathura, Agra, and Aligarh districts, usually at the expense of Rajput groups. But such a political umbrella was too fragile and short-lived for substantial displacement to be effected.<ref name="Stokes1980-p69">{{cite book|last=Stokes|first=Eric|author-link=Eric Thomas Stokes|title=The Peasant and the Raj: Studies in Agrarian Society and Peasant Rebellion in Colonial India|url=https://books.google.com/books?id=9DU5AAAAIAAJ&pg=PA69|access-date=24 October 2011|year=1980|publisher=Cambridge University Press Archive|isbn=978-0-521-29770-7|page=69}}</ref>}}
{{Gallery
|align=center
|width=180 |lines=4
|File:JatsAroundDelhi1868.jpg|Jats in the [[Delhi Territory]] in 1868.
|File:JatGirlAllyghur1868.jpg|Jat girl from [[Aligarh]], [[Uttar Pradesh]], India, 1868.
|File:JatZemindarsRajpootana1874.jpg|Ethnographic photograph of Jat [[zemindars]] (land owners) in [[Rajasthan]], playing [[pachisi]], 1874.
|File:JatBhurtporeDurbar1860s.jpg|The [[durbar (court)|durbar]] of the teenage Hindu Jat ruler of [[Bharatpur State|Bharatpur]], a [[princely state]] in [[Rajasthan]], early 1860s.
}}

===Muslim Jats===
{{Main|Muslim Jat|Muley Jats}}
[[File:JuttBelochTribeSind1872.jpg|200px|
thumb|right|A Jutt (Jat) Muslim camel-driver from [[Sindh|Sind]], 1872]]
When [[Arab people|Arabs]] entered Sindh and other Southern regions of current Pakistan in the seventh century, the chief tribal groupings they found were the Jats and the [[Med people]]. These Jats are often referred as ''Zatts'' in early Arab writings. The Muslim conquest chronicles further point at the important concentrations of Jats in towns and fortresses of Lower and Central Sindh.<ref name=Al-Hind1>{{cite book |title=Al-Hind, The Making of the Indo-Islamic World: Early Medieval India and the Expansion of Islam, 7th-11th Centuries |last=Wink |first=André |year=2002 |location=Boston |publisher=Brill |volume=1 |pages=154–160 |url=https://books.google.com/books?id=g2m7_R5P2oAC&pg=PA154 |isbn=9780391041738 |oclc=48837811}}</ref><ref>{{Cite web|title=Zuṭṭ {{!}} people|url=https://www.britannica.com/topic/Zutt|access-date=12 May 2021|website=Encyclopedia Britannica|language=en}}</ref> Today, Muslim Jats are found in Pakistan and India.<ref>{{cite book|first=Bhagata |last=Singha|title=Canadian Sikhs Through a Century, 1897-1997|year=2001|url=https://books.google.com/books?id=Ovx5AAAAMAAJ&q=Canadian+Sikhs+Through+a+Century,+1897-1997| page=418|publisher=Gyan Sagar Publications|isbn=9788176850759}} Quote: "Most of the Muslim Jats are in Pakistan and some of them are in India as well."</ref>

===Sikh Jats===
{{Main|Jat Sikh}}
[[File:Portrait of Sir Rajinder Singh Maharaja of Patiala.jpg|right|thumb|The Sikh Jat Maharaja of [[Patiala]], 1898]]

While followers important to Sikh tradition like [[Baba Buddha]] were among the earliest significant historical Sikh figures, and significant numbers of conversions occurred as early as the time of [[Guru Angad]] (1504–1552),<ref name=mandair/> the first large-scale conversions of Jats is commonly held to have begun during the time of [[Guru Arjan]] (1563–1606).<ref name=mandair/><ref>{{cite book | title=The Sikh Revolution: A Perspective View | publisher=Bahri Publications |last1=Singh |first1=Jagjit | date=1981 | location=New Delhi |url=https://archive.org/details/TheSikhRevolutionAPerspectiveView/page/n271/mode/2up | isbn=9788170340416}}</ref>{{rp|265}} While touring the countryside of eastern Punjab, he founded several important towns like [[Tarn Taran Sahib]], [[Kartarpur, India|Kartarpur]], and [[Sri Hargobindpur|Hargobindpur]] which functioned as social and economic hubs, and together with the [[dasvandh|community-funded]] completion of the [[Golden Temple|Darbar Sahib]] to house the [[Guru Granth Sahib]] and serve as a rallying point and center for Sikh activity, established the beginnings of a self-contained Sikh community, which was especially swelled with the region's Jat peasantry.<ref name=mandair>{{cite book |last1=Mandair |first1=Arvind-pal Singh |title=Sikhism: A Guide for the Perplexed |date=2013 |publisher=A&C Black |location=London, U.K. |isbn=9781441102317 |pages=36–42 |edition=illustrated |url=https://books.google.com/books?id=vdhLAQAAQBAJ&q=Jat+peasantry}}{{rp|42}}</ref> They formed the vanguard of Sikh resistance against the [[Mughal Empire]] from the 18th century onwards.

It has been postulated, though inconclusively, that the increased militarization of the Sikh panth following the martyrdom of [[Guru Arjan]] (beginning during the era of [[Guru Hargobind]] and continuing after) and its large Jat presence may have reciprocally influenced each other.<ref>{{cite book |quote=The Jats have long been distinguished by their martial traditions and by the custom of retaining their hair uncut. The influence of these traditions evidently operated prior to the formal inauguration of the Khalsa. |title=Who is a Sikh?: the problem of Sikh identity |first=W. H. |last=McLeod}}</ref>{{full citation needed|date=September 2014}}{{sfn|Singh|1981|pp=190, 265}}

At least eight of the 12 Sikh ''[[Misl]]s'' (Sikh confederacies) were led by Jat Sikhs,<ref name=dhavan60>{{cite book |last1=Dhavan |first1=Purnima |title=When Sparrows Became Hawks: The Making of the Sikh Warrior Tradition, 1699–1799 |date=3 November 2011 |publisher=Oxford University Press, USA |isbn=978-0-19-975655-1 |page=60 |url=https://books.google.com/books?id=-7HJ5idB8_QC&q=Kapur+Singh&pg=PA63 |language=en}}</ref> who would form the vast majority of Sikh chiefs.<ref name="Dhavan">{{cite book |last1=Dhavan |first1=Purnima |title=When Sparrows Became Hawks: The Making of the Sikh Warrior Tradition, 1699–1799 |date=2011 |publisher=[[Oxford University Press]] |isbn=978-0199756551 |page=63 |edition=1st |url=https://books.google.com/books?id=-7HJ5idB8_QC&pg=PA63 |access-date=5 November 2018}}</ref>

According to censuses in gazetteers published during the colonial period in the early 20th century, further waves of Jat conversions, from Hinduism to Sikhism, continued during the preceding decades.<ref>The transformation of Sikh society — Page 92 by Ethne K. Marenco - ''The gazetteer also describes the relation of the Jat Sikhs to the Jat Hindus ... to 2019 in 1911 is attributed to the conversion of Jat Hindus to Sikhism. ...''</ref><ref>Social philosophy and social transformation of Sikhs by R. N. Singh (Ph. D.) Page 130 - ''The decrease of Jat Hindus from 16843 in 1881 to 2019 in 1911 is attributed to the conversion of Jat Hindus to Sikhism.'' ...</ref> Writing about the Jats of [[Punjab region|Punjab]], the Sikh author, [[Khushwant Singh]] opined that their attitude never allowed themselves to be absorbed in the Brahminic fold :{{blockquote|The Jat's spirit of freedom and equality refused to submit to Brahmanical Hinduism and in its turn drew the censure of the privileged Brahmins ... The upper caste Hindu's denigration of the Jat did not in the least lower the Jat in his own eyes nor elevate the Brahmin or the Kshatriya in the Jat's estimation. On the contrary, he assumed a somewhat condescending attitude towards the Brahmin, whom he considered little more than a soothsayer or a beggar, or the Kshatriya, who disdained earning an honest living and was proud of being a mercenary.<ref>{{cite book |title=A History of the Sikhs: 1469–1838 |edition=2, illustrated |first=Khushwant |last=Singh |author-link=Khushwant Singh |publisher=[[Oxford University Press]] |year=2004 |page=15 |url=https://books.google.com/books?id=MD9uAAAAMAAJ |isbn=0-19-567308-5 |oclc=438966317}}</ref><ref>{{cite book |title=Not a Nice Man to know: The Best of Khushwant Singh|first=Khushwant |last=Singh |author-link=Khushwant Singh |publisher=Penguin Books|year=2000|page=|url=https://books.google.com/books?id=1cIDAQAAQBAJ&q=The+Jat%27s+spirit+of+freedom+and+equality+refused+to+submit+to+Brahmanical+Hinduism+and+in+its+turn+drew+the+censure+of+the+privileged+Brahmins....+The+upper+caste+Hindu%27s+denigration&pg=PT209 |isbn=9789351182788}}</ref>}}

In [[Punjab]], the [[princely state|states]] of [[Patiala State|Patiala]],<ref>{{cite book |title=Animal Kingdoms |first=Julie E. |last=Hughes |year=2013 |publisher=[[Harvard University Press]] |edition=illustrated |page=237 |isbn=978-0674074781 |url=https://books.google.com/books?id=XyHkMlWnaicC&pg=PA237 |quote=While the rulers of Patiala were Jat Sikhs and not Rajputs, the state was the closest princely territory to Bikaner's northwest.}}</ref> [[Faridkot State|Faridkot]], [[Jind State|Jind]], and [[Nabha State|Nabha]]<ref>{{cite book |title=Mutiny at the Margins: New Perspectives on the Indian Uprising of 1857: Volume I: Anticipations and Experiences in the Locality |first=Crispin |last=Bates |year=2013 |publisher=[[SAGE Publishing]] |place=India |page=176 |isbn=978-8132115892 |url=https://books.google.com/books?id=-xZBDwAAQBAJ&pg=PA176 |quote=The passage to Delhi, however, lay through the cis–Sutlej states of [[Patiala]], [[Jind]], [[Nabha]] and [[Faridkot State|Faridkot]], a long chain of Jat Sikh states that had entered into a treaty of alliance with the British as far back as April 1809 to escape incorporation into the kingdom of their illustrious and much more powerful neighbour, 'the lion of Punjab' Maharaja Ranjit Singh.}}</ref> were ruled by the Sikh Jats.

== Demographics ==
According to anthropologist Sunil K. Khanna, Jat population is estimated to be around 30 million (or 3 [[crore]]) in South Asia in 2010. This estimation is based on statistics of the last caste census and the population growth of the region. The last caste census was conducted in 1931, which estimated Jats to be 8 million, mostly concentrated in India and Pakistan.<ref name="Khanna2010-p18">{{cite book |last=Khanna |first=Sunil K. |title=Fetal/Fatal Knowledge: New Reproductive Technologies and Family-Building Strategies in India |year=2010 |publisher=Wadsworth, [[Cengage|Cengage Learning]] |isbn=978-0495095255 |page=18 |url=https://books.google.com/books?id=dscr_DP9etsC&pg=PA18 |access-date=30 January 2020}}</ref> Deryck O. Lodrick estimates Jat population to be over 33 million (around 12 million and over 21 million in India and Pakistan, respectively) in South Asia in 2009 while noting the unavailability of precise statistics in this regard. His estimation is based on a late 1980s population projection of Jats and the population growth of India and Pakistan. He also notes that some estimates put their total population in South Asia at approximately 43 million in 2009. His religion-wise break-up of Jats is as follows: 47% Hindus, 33% Muslims, and 20% Sikhs.<ref name="Lodrick">{{cite book |last=Lodrick |first=Deryck O. |editor1-last=Gallagher |editor1-first=Timothy L. |editor2-last=Hobby |editor2-first=Jeneen |title=Worldmark Encyclopedia of Cultures and Daily Life. Volume 3: Asia & Oceania |year=2009 |publisher=[[Gale (publisher)|Gale]] |isbn=978-1414448916 |pages=418–419 |edition=2nd |chapter-url=https://books.google.com/books?id=QbhZAAAAYAAJ |access-date=30 January 2020 |chapter=JATS}}</ref>

=== Republic of India ===
[[File:CharanSinghRedFortDelhi15August1979.JPG|right|thumb|Chaudhary [[Charan Singh]], the first Jat [[Prime Minister of India]], accompanied by his wife, on his way to address the nation at the [[Red Fort]], [[Delhi]], Independence Day, 15 August 1979.]]
In India, multiple 21st-century estimates put Jats' population share at 20–25% in [[Haryana]] state and at 20–35% in [[East Punjab|Punjab]] state.<ref name="Meena">{{cite journal |last=Meena |first=Sohan Lal |editor-last=Sharma |editor-first=Sanjeev Kumar |title=Dynamics of State Politics in India |journal=The Indian Journal of Political Science |date=October–December 2006 |volume=67 |issue=4 |page=712 |url=https://books.google.com/books?id=zC6DAAAAMAAJ |access-date=30 January 2020 |publisher=[[International Political Science Association]] |issn=0019-5510 |jstor=41856253}}</ref><ref name="Jaijee">{{cite book |last1=Sidhu |first1=Aman |last2=Jaijee |first2=Inderjit Singh |title=Debt and Death in Rural India: The Punjab Story |year=2011 |publisher=[[SAGE Publishing|SAGE Publications]] |isbn=978-8132106531 |page=32 |url=https://books.google.com/books?id=UKKoDwAAQBAJ&pg=PT32 |access-date=30 January 2020}}</ref><ref name="Jodhka">{{cite book |last=Jodhka |first=Surinder S. |editor-last=Gill |editor-first=Manmohan Singh |title=Punjab Society: Perspectives and Challenges |year=2003 |publisher=Concept Publishing Company |isbn=978-8180690389 |page=12 |chapter-url=https://books.google.com/books?id=EcW3eLUr4IoC&pg=PA12 |access-date=30 January 2020 |chapter=Contemporary Punjab: A Brief Introduction}}</ref> In Rajasthan, Delhi, and Uttar Pradesh, they constitute around 9%, 5%, and 1.2% respectively of the total population.<ref name="Jaffrelot">{{cite book |author1=Jaffrelot, Christophe |author-link1=Christophe Jaffrelot |title=India's Silent Revolution: The Rise of the Lower Castes in North India |year=2003 |publisher=[[C. Hurst & Co.]] |isbn=978-1850656708 |pages=69, 281 |url=https://books.google.com/books?id=OAkW94DtUMAC&pg=PA69 |access-date=30 January 2020}}</ref><ref name="Robin">{{cite book |last=Robin |first=Cyril |editor1-last=Jaffrelot |editor1-first=Christophe |editor2-last=Kumar |editor2-first=Sanjay |title=Rise of the Plebeians?: The Changing Face of the Indian Legislative Assemblies |year=2009 |publisher=Routledge |isbn=978-0415460927 |page=66 |chapter-url=https://books.google.com/books?id=MLu6E1AjLmgC&pg=PA66 |access-date=30 January 2020 |chapter=Bihar: The New Stronghold of OBC Politics}}</ref><ref name="Kumar">{{cite book |last=Kumar |first=Sanjay |author-link=Sanjay Kumar (professor) |title=Changing Electoral Politics in Delhi: From Caste to Class |year=2013 |publisher=SAGE Publications |isbn=978-8132113744 |page=43 |url=https://books.google.com/books?id=2d39AAAAQBAJ&pg=PA43 |access-date=30 January 2020}}</ref>

In the 20th century and more recently, Jats have dominated as the political class in Haryana<ref>{{cite book|url=https://books.google.com/books?id=2UX2-pnGoScC&pg=PA197|title=Caste and Democratic Politics in India|isbn=9788178240954|last1=Shah|first1=Ghanshyam|year=2004}}</ref> and Punjab.<ref>{{cite web|url=http://www.indianmuslims.info/news/2007/january/21/india_news/history_of_punjab_politics_jats_do_it.html|title=PremiumSale.com Premium Domains|work=indianmuslims.info|url-status=dead|archive-url=https://www.webcitation.org/66s7nr99F?url=http://www.indianmuslims.info/news/2007/january/21/india_news/history_of_punjab_politics_jats_do_it.html|archive-date=12 April 2012}}</ref> Some Jat people have become notable political leaders, including the sixth Prime Minister of India, [[Charan Singh]]<ref>{{Cite news|url=http://ia.rediff.com/election/2003/nov/27akd.htm|publisher=Rediff|title=The anti-reservation man|date=27 November 2003|access-date=18 November 2006}}</ref> and the sixth Deputy Prime Minister of India, [[Chaudhary Devi Lal]].<ref>{{cite magazine|title=The Jat patriarch|url=http://www.frontline.in/static/html/fl1809/18091200.htm|magazine=Frontline|date=April 2001|author=Sukumar Muralidharan|archive-url=https://web.archive.org/web/20140315234640/http://www.frontline.in/static/html/fl1809/18091200.htm|archive-date=15 March 2014|access-date=2 March 2021}}</ref>

Consolidation of economic gains and participation in the electoral process are two visible outcomes of the post-independence situation. Through this participation they have been able to significantly influence the politics of [[North India]]. Economic differentiation, migration and mobility could be clearly noticed amongst the Jat people.<ref>K L Sharma:The Jats — Their Role and Contribution to the Socio-Economic Life and Polity of North and North West India, Vol.I, 2004. Ed. by Vir Singh, page 14</ref>

Jats are classified as [[Other Backward Class]] (OBC) in seven of India's thirty-six [[States and union territories of India|States and UTs]], namely [[Rajasthan]], [[Himachal Pradesh]], [[Delhi]], [[Uttarakhand]], [[Uttar Pradesh]], [[Madhya Pradesh]] and [[Chhattisgarh]].<ref name="Saubhadra Chatterji">{{cite news |url=http://www.hindustantimes.com/india/history-repeats-itself-as-yet-another-central-govt-faces-a-jat-stir/story-S01wlBGQUgpDBxfctW2rnK.html |title=History repeats itself as yet another Central govt faces a Jat stir |author=Saubhadra Chatterji |newspaper=[[Hindustan Times]] |date=22 February 2016 }}</ref> However, only the Jats of [[Rajasthan]] – excluding those of [[Bharatpur district]] and [[Dholpur district]] – are entitled to [[reservation in India|reservation]] of central government jobs under the [[Other Backward Class|OBC]] reservation.<ref>{{cite news|title=Rajasthan was first state to extend OBC benefits to Jats in 1999|url=http://timesofindia.indiatimes.com/city/jaipur/Rajasthan-was-first-state-to-extend-OBC-benefits-to-Jats-in-1999/articleshow/51103445.cms|access-date=15 March 2016|work=[[The Times of India]]|date=23 February 2016}}</ref> In 2016, the Jats of Haryana [[Jat reservation agitation|organized massive protests]] demanding to be classified as OBC in order to obtain such affirmative action benefits.<ref name="Saubhadra Chatterji" />

=== Pakistan ===
{{See also|Jats of Azad Kashmir|Muslim Jat of Punjab}}
Many Jat Muslim people live in Pakistan and have dominant roles in public life in the [[Punjab (Pakistan)|Pakistani Punjab]] and Pakistan in general. Jat communities also exist in [[Kashmir|Pakistani-administered Kashmir]], in Sindh, particularly the [[Indus River Delta|Indus delta]] and among [[Saraiki language|Seraiki]]-speaking communities in southern Pakistani Punjab, the [[Kachhi region]] of Balochistan and the [[Dera Ismail Khan District]] of the [[Khyber Pakhtunkhwa|North West Frontier Province]].

In Pakistan also, Jat people have become notable political leaders, like [[Hina Rabbani Khar]].<ref>{{cite news |title=Foreign Minister Hina Rabbani Khar |url=http://www.firstpost.com/hina-rabbani-khar/video/foreign-minister-hina-rabbani-khar/3753808q03h1H0MiMB11.html |work=[[First Post (India)]] |access-date=11 May 2013 |quote=Hina Rabbani Khar was born on 19 November 1977 in Multan, Punjab, Pakistan in a Muslim Jat family. |url-status=dead |archive-url=https://web.archive.org/web/20131019040904/http://www.firstpost.com/hina-rabbani-khar/video/foreign-minister-hina-rabbani-khar/3753808q03h1H0MiMB11.html |archive-date=19 October 2013 }}</ref>

== Culture and society ==

=== Military ===
{{See also|Jat Regiment}}
[[File:14th Murrays Jat Lancers (Risaldar Major) by AC Lovett (1862-1919).jpg|thumb|14th Murrays Jat Lancers (Risaldar Major) by AC Lovett (1862–1919).jpg]]
[[File:The Jat Regiment marching contingents passes through the Rajpath during the 66th Republic Day Parade 2015, in New Delhi on January 26, 2015.jpg|thumb|270px|A contingent of the [[Jat Regiment]] of [[Indian Army]], during the [[Indian Republic Day|Republic day]] parade]]
Many Jat people serve in the [[Indian Army]], including the [[Jat Regiment]], [[Sikh Regiment]], [[Rajputana Rifles]] and the [[The Grenadiers|Grenadiers]], where they have won many of the highest military awards for gallantry and bravery. Jat people also serve in the Pakistan Army especially in the [[Punjab Regiment (Pakistan)|Punjab Regiment]].<ref>{{Cite book|author=Ian Sumner|year=2001|pages=104–105|title=The Indian Army 1914–1947|location=London|publisher=Osprey|isbn=1-84176-196-6}}</ref>

The Jat people were designated by officials of the [[British Raj]] as a "[[martial race]]", which meant that they were one of the groups whom the British favoured for recruitment to the [[British Indian Army]].<ref>{{cite book |title=India And The First World War |first=Budheswar |last=Pati |publisher=Atlantic Publishers |year=1996 |page=62 |isbn=9788171565818 |url=https://books.google.com/books?id=ASZvjTV1LdUC&pg=PA62}}</ref><ref>{{cite book |title=American Indians in World War I: At Home and at War |first=Thomas A. |last=Britten |publisher=University of New Mexico Press |year=1997 |page=128 |edition=illustrated, reprint |isbn=0-8263-2090-2 |url=https://books.google.com/books?id=M8mZQhVkc-kC&pg=PA128 |quote=The Rajputs, Jats, Dogras, Pathans, Gorkhas, and Sikhs, for example, were considered martial races. Consequently, the British labored to ensure that members of the so-called martial castes dominated the ranks of infantry and cavalry and placed them in special "class regiments."}}</ref> This was a designation created by administrators that classified each ethnic group as either "martial" or "non-martial": a "martial race" was typically considered brave and well built for fighting,<ref name=rand>{{Cite journal |last=Rand |first=Gavin |title=Martial Races and Imperial Subjects: Violence and Governance in Colonial India 1857–1914 |journal=European Review of History |volume=13 |issue=1 |pages=1–20 |date=March 2006 |url= |doi=10.1080/13507480600586726|s2cid=144987021 }}</ref> whilst the remainder were those whom the British believed to be unfit for battle because of their sedentary lifestyles.<ref name="Street">{{cite book |title=Martial Races: The military, race and masculinity in British Imperial Culture, 1857–1914 |last=Streets |first=Heather |year=2004 |publisher=Manchester University Press |location= |isbn=978-0-7190-6962-8 |page=241 |url=https://books.google.com/books?id=BscnZT_1po8C |access-date=20 October 2010}}</ref> However, the martial races were also considered politically subservient, intellectually inferior, lacking the initiative or leadership qualities to command large military formations. The British had a policy of recruiting the martial Indians from those who has less access to education as they were easier to control.<ref name="Khalidi2003">{{cite book|author=Omar Khalidi|title=Khaki and the Ethnic Violence in India: Army, Police, and Paramilitary Forces During Communal Riots|url=https://books.google.com/books?id=B-NtAAAAMAAJ|year=2003|publisher=Three Essays Collective|quote= Apart from their physique , the martial races were regarded as politically subservient or docile to authority|page=5|isbn=9788188789092}}</ref><ref name="Levine2003">{{cite book|author=Philippa Levine|title=Prostitution, Race, and Politics: Policing Venereal Disease in the British Empire|url=https://books.google.com/books?id=It1lPzFCG9EC|year=2003|publisher=Psychology Press|isbn=978-0-415-94447-2|pages=284–285|quote=The Saturday review had made much the same argument a few years earlier in relation to the armies raised by Indian rulers in princely states. They lacked competent leadership and were uneven in quality. Commander in chief Roberts, one of the most enthusiastic proponents of the martial race theory, though poorly of the native troops as a body. Many regarded such troops as childish and simple. The British, claims, David Omissi, believe martial Indians to be stupid. Certainly, the policy of recruiting among those without access to much education gave the British more semblance of control over their recruits.}}</ref> According to modern historian Jeffrey Greenhunt on military history, "The Martial Race theory had an elegant symmetry. Indians who were intelligent and educated were defined as cowards, while those defined as brave were uneducated and backward". According to Amiya Samanta, the marital race was chosen from people of mercenary spirit (a soldier who fights for any group or country that will pay him/her), as these groups lacked nationalism as a trait.<ref name="Samanta2000">{{cite book|author=Amiya K. Samanta|title=Gorkhaland Movement: A Study in Ethnic Separatism|url=https://books.google.com/books?id=J4GqdfG0EU8C&pg=PA26|year=2000|publisher=APH Publishing|isbn=978-81-7648-166-3|pages=26–|quote=Dr . Jeffrey Greenhunt has observed that “ The Martial Race Theory had an elegant symmetry. Indians who were intelligent and educated were defined as cowards, while those defined as brave were uneducated and backward. Besides their mercenary spirit was primarily due to their lack of nationalism.}}</ref> The Jats participated in both [[World War I]] and [[World War II]], as a part of the British Indian Army.<ref>{{Cite book|author= Ashley Jackson|year=2005|title=The British Empire and the Second World War|publisher= Continuum International Publishing Group|isbn= 1-85285-417-0|pages=121–122}}</ref> In the period subsequent to 1881, when the British reversed their prior anti-Sikh policies, it was necessary to profess Sikhism in order to be recruited to the army because the administration believed Hindus to be inferior for military purposes.<ref>{{cite book |title=Religious Nationalism: Hindus and Muslims in India |first=Peter |last=Van Der Veer |author-link=Peter van der Veer |publisher=[[University of California Press]] |year=1994 |isbn=978-0-520-08256-4 |pages=55–56 |url=https://books.google.com/books?id=p29ArJ7j6zgC&pg=PA55}}</ref>

The [[Indian Army]] admitted in 2013 that the 150-strong Presidential Bodyguard comprises only people who are Hindu Jats, Jat Sikhs and Hindu Rajputs. Refuting claims of discrimination, it said that this was for "functional" reasons rather than selection based on caste or religion.<ref>{{cite news|url=http://www.outlookindia.com/news/article/prez-bodyguards-only-for-rajput-jats-and-sikhs-army/812301|title=Prez Bodyguards Only for Rajput, Jats and Sikhs: Army |date=2 October 2013 |work=Outlookindia.com}}</ref>

=== Religious beliefs ===
{{See also|Jat Sikh|Jat Muslim}}
Deryck O. Lodrick estimates religion-wise break-up of Jats as follows: 47% Hindus, 33% Muslims, and 20% Sikhs.<ref name="Lodrick" />

Jats [[Veneration of the dead|pray to their dead ancestors]], a practice which is called ''Jathera.''<ref>{{cite book |title=The Getes |url=https://books.google.com/books?id=wciBAAAAMAAJ |first=Sundeep S. |last=Jhutti |publisher=Department of East Asian Languages and Civilizations, [[University of Pennsylvania]] |year=2003 |oclc=56397976 |quote=The Jats of the Panjab worship their ancestors in a practice known as Jathera.}}</ref>

=== Varna status ===
There are conflicting scholarly views regarding the [[Varna (Hinduism)|varna]] status of Jats in Hinduism. Some sources state that Jats are regarded as [[Kshatriya]]s, while others assign [[Vaishya]] or [[Shudra]] varna to them.{{citation needed|date=August 2021}}
According to the political scientist Shailendra Sharma, cultivating castes such as Jat and the [[Bhumihar]] in Uttar Pradesh and Haryana are of "upper shudra status".<ref name="Sharma1999">{{cite book | author = Shalendra D. Sharma | date = 1999 | title = Development and Democracy in India | publisher = Lynne Rienner Publishers | pages = 158– | isbn = 978-1-55587-810-8 | url = https://books.google.com/books?id=i4bV4cKpPlIC&pg=PA158|quote=The only exception to the total upper-caste dominance in Uttar Pradesh was the Doab region(now the districts of Aligarh, Bulandshahr and Meerut in Uttar Pradesh, and Rohtak in Haryana), where the Muslim landlords and the elite cultivating peasant castes such as jats and bhumihars(technically of upper shudra status) were heavily concentrated, utilizing their skills to become prosperous farmers and even petty and substantial landlords.}}</ref>
According to the Indian Anthropologist [[Indera Paul Singh]], Brahmins demoted the varna status of Jats from Kshatriya to ''Sat Shudra'' (clean Shudra) in the [[Vedic period]] for challenging the authority of Brahmins.<ref name="Indera">{{cite journal |last=Singh |first=Indera P. |editor1-last=Sebeok |editor1-first=Thomas A. |editor2-last=Singer |editor2-first=Milton |editor3-last=Dorson |editor3-first=Richard M. |editor4-last=Bayard |editor4-first=Samuel Preston |editor5-last=Vogt |editor5-first=Evon Z. |editor6-last=Merriam |editor6-first=Alan P. |editor7-last=Hymes |editor7-first=Dell H. |editor8-last=Thompson |editor8-first=Shelby W. |editor1-link=Thomas Sebeok |editor2-link=Milton Singer |editor3-link=Richard Dorson |editor4-link=Samuel Preston Bayard |editor5-link=Evon Z. Vogt |editor6-link=Alan P. Merriam |editor7-link=Dell Hymes |display-editors=4 |title=A Sikh Village |journal=[[Journal of American Folklore]] |date=July–September 1958 |volume=71 |issue=281 |page=495 |doi=10.2307/538573 |jstor=538573 |publisher=[[American Folklore Society]]}}</ref> According to [[Irfan Habib]], Jats were a "pastoral Chandala-like tribe" in [[Sindh]] during the eighth century. Their 11th-century status of Shudra varna changed to Vaishya varna by the 17th century, with some of them aspiring to improve it further after their 17th-century rebellion against the Mughals.<ref name="Habib">{{cite book |last=Habib |first=Irfan |url=https://books.google.com/books?id=foG83i6XPuMC&pg=PA175 |title=Essays in Indian History: Towards a Marxist Perception |publisher=Anthem Press |year=2002 |isbn=978-1843310259 |page=175 |quote=A historically singular case is that of the Jatts, a pastoral Chandala-like tribe in eighth-century Sind, who attained sudra status by the eleventh century (Alberuni), and had become peasants par excellence (of vaisya status) by the seventeenth century (Dabistani-i Mazahib). The shift to peasant agriculture was probably accompanied by a process of 'sanskritization', a process which continued, when, with the Jat rebellion of the seventeenth century a section of the Jats began to aspire to the position of zamindars and the status of Rajputs. |access-date=29 March 2020}}</ref>

The Rajputs refused to accept Jat claims to Kshatriya status during the later years of the British Raj and this disagreement frequently resulted in violent incidents between the two communities.<ref>{{cite book |title=The Cat and the Lion: Jaipur State in the British Raj |first=Robert W. |last=Stern |publisher=BRILL |location=Leiden |year=1988 |isbn=9789004082830 |page=287 |url=https://books.google.com/books?id=NK1MhWq-9VkC&pg=PA287}}</ref> The claim at that time of Kshatriya status was being made by the [[Arya Samaj]], which was popular in the Jat community. The Arya Samaj saw it as a means to counter the colonial belief that the Jats were not of Aryan descent but of [[Indo-Scythian]] origin.<ref name="Jaffrelotp431">{{cite book |title=Religion, Caste & Politics in India |first=Christophe |last=Jaffrelot |publisher=Primus Books |year=2010 |isbn=9789380607047 |page=431 |url=https://books.google.com/books?id=XAO3i_gS61wC&pg=PA431}}</ref>

=== Female infanticide & status of woman in society ===
During colonial period, many communities including Hindu Jats were found to be practicing female infanticide in different regions of Northern India.<ref>{{Cite journal |last=Vishwanath |first=L. S. |date=2004 |title=Female Infanticide: The Colonial Experience |url=https://www.jstor.org/stable/4415098 |journal=Economic and Political Weekly |volume=39 |issue=22 |pages=2313–2318 |jstor=4415098 |issn=0012-9976|quote=The 1921 census reports classifies castes into two categories, namely, castes. having a tradition' of female infanticide and castes without such a tradition (see table). This census provides figures from 1901 to 1921 to show that in Punjab, United Provinces and Rajputana castes such as Hindu rajputs, Hindu jats and gujars with 'a tradition' of female infanticide had a much lower number of females per thousand males compared to castes without such a tradition which included: Muslim rajputs, Muslim jats, chamar, kanet, arain, kumhar, kurmi, brahmin, dhobi, teli and lodha}}</ref><ref>{{Cite journal |last=VISHWANATH |first=L. S. |title=Towards a Conceptual Understanding of Female Infanticide and Neglect in Colonial India |date=1994 |url=https://www.jstor.org/stable/44143417 |journal=Proceedings of the Indian History Congress |volume=55 |pages=606–613 |jstor=44143417 |issn=2249-1937|quote= By 1850, several castes, in North India, the Jats, Ahirs, Gujars and Khutris, and the Lewa Patidar Kanbis in Central Gujarat were found to practice female infanticide. The colonial authorities also found that both in rural North and West India, the castes which practised female infanticide were propertied (they owned substantial arable land), had the hypergamous marriage norm and paid large dowries.}}</ref>

In Jat society, it has been observed that differential treatment is given to woman in comparison to man, birth of a male child in a family is celebrated and is considered as auspicious over the birth of a girl child where the family affair is subdued. In villages, female members are supposed to get married at a younger age and they are expected to work in fields as subordinate to the male members. There is general bias against education for the girl child in the society though the trends to it are changing with urbanisation. Purdah system is practiced by women in Jat villages which act as hindrance to their overall emancipation. The village Jat councils which are male-dominated mostly don't allow female members to head their councils as the common opinion on it is that women are inferior, incapable and less intelligent to men.<ref>{{Cite journal |last=Mann |first=Kamlesh |date=1988 |title=Status Portrait of Jat Woman |url=https://www.jstor.org/stable/41919573 |journal=Indian Anthropologist |volume=18 |issue=1 |pages=51–67 |jstor=41919573 |issn=0970-0927}}</ref>

== Clan system ==
The Jat people are subdivided into numerous clans, some of which overlap with other groups.<ref>{{cite book |first=J. A. |last=Marshall |title=Guide to Taxila |publisher=Cambridge University Press |year=1960 |page=24}}</ref> Hindu and Sikh Jats practice [[exogamy|clan exogamy]].<ref>{{cite book |first=Amir |last=Kadyan |title=Know the Jat |publisher=BlueRose Publishers |url=https://books.google.com/books?id=hm3aDwAAQBAJ&q=jats+practice+clan+exogamy&pg=PA20|year=2020 |page=20}}</ref>

=== List of clans ===
{{div col}}
* [[Ahlawat]]
* [[Anjana Chaudhari]]
* [[Aulakh]]
* [[Bagri clan|Bagri]]
* [[Bajwa]]
* Bargoti (Uttar Pradesh){{citation needed|date=December 2021}}
* Bhalothia (Rajasthan, Haryana){{citation needed|date=December 2021}}
* [[Bharwana]]
* [[Brar]]
* [[Buttar]]
* [[Cheema (surname)|Cheema]]
* Chhina (Punjab){{citation needed|date=December 2021}}
* Chilka (Rajasthan){{citation needed|date=December 2021}}
* [[Dabas (clan)|Dabas]]
* [[Dahiya (surname)|Dahiya]]
* Dara (Rajasthan){{citation needed|date=December 2021}}
* [[Dharan clan|Dharan]]
* [[Dhaliwal (surname)|Dhaliwal]]
* Dhaulya (Rajasthan, Uttar Pradesh, Maharashtra, Karnataka, Kerala, Tamil Nadu){{citation needed|date=December 2021}}
* [[Dhillon]]
* Goriya (Haryana, Uttar Pradesh){{citation needed|date=December 2021}}
* [[Grewal]]
* [[Jats of Azad Kashmir]]
* [[Jats of Kutch]]
* Jewlia (Rajasthan){{citation needed|date=December 2021}}
* Jhajharia (Haryana, Punjab, Rajasthan){{citation needed|date=December 2021}}
* Jhanjhar (Rajasthan){{citation needed|date=December 2021}}
* [[Johiya]]
* Kalwania (Rajasthan, Haryana){{citation needed|date=December 2021}}
* Kasaniya (Rajasthan){{citation needed|date=December 2021}}
* Katewa {{citation needed|date=December 2021}}
* [[Khakh]]
* [[Khangura]]
* [[Kharal]]
* Khatkar (Punjab, Haryana){{citation needed|date=December 2021}}
* [[Lashari]]
* [[Malhi]]
* [[Malik Jat clan|Malik]]
* [[Marhal]]
* [[Maulaheri Jats|Maulaheri]]
* [[Mirdha]]
* [[Muley Jats|Muley]]
* [[Naich clan|Naich]]
* [[Panwar]]
* Pediwal (Rajasthan){{citation needed|date=December 2021}}
* [[Poonia]]
* [[Rahal clan|Rahal]]
* [[Rahar]]
* [[Randhawa]]
* [[Ranjha clan|Ranjha]]
* [[Rath tribe|Rath]]
* Rawn (Punjab){{citation needed|date=December 2021}}
* [[Rehvar]]
* [[Sandhawalia]]
* Sandhila (Sindh, Punjab){{citation needed|date=December 2021}}
* [[Sandhu]]
* Sarai (Punjab){{citation needed|date=December 2021}}
* [[Sekhon]]
* [[Sial tribe|Sial]]
* [[Sidhu]]
* Sunda (Rajasthan){{citation needed|date=December 2021}}
* [[Tarar]]
* [[Teotia]]
* [[Thaheem (tribe)|Thaheem]]
* [[Tomar clan|Tomar]]
* [[Virk]]
{{div col end}}

==In popular culture==
Jats are part of [[Punjabi culture|Punjabi]] and [[Haryanvi]] culture and are often portrayed in Indian and Pakistani films and songs.
*''[[Maula Jatt]]''
*''[[The Legend of Maula Jatt]]''
*''[[A Flying Jatt]]''
*''[[Jatt & Juliet]]''
*''[[Jatt & Juliet 2]]''
*''[[Jatt James Bond]]''
*''Badla Jatti Da''
*''[[Jatts In Golmaal]]''
* ''Jaattan ka Chhora''

==Notable people==

{{Main|List of Jat people}}

== See also ==

* [[Jat Regiment]]
* [[Jat reservation agitation]]
* [[World Jat Aryan Foundation]]
* [[List of Jat dynasties and states]]
* [[List of Jat people]]
* [[Jat Sikh]]
* [[Jāti]]

== Footnotes ==
{{Notelist}}

== References ==
{{reflist}}

== Further reading ==
*{{cite book|last=Bayly|first=C. A.|title=Indian Society and the Making of the British Empire|url=https://books.google.com/books?id=fX2zMfWqIzMC&pg=PA190|access-date=15 October 2011|year=1989|publisher=Cambridge University Press|isbn=978-0-521-38650-0|pages=190–}}
*{{cite book|last=Brass|first=Tom|title=New farmers' movements in India|url=https://books.google.com/books?id=9IcjA67sdrsC&pg=PA183|access-date=15 October 2011|year=1995|publisher=Taylor & Francis|isbn=978-0-7146-4134-8|pages=183–}}
*{{cite book|last=Byres|first=T. J.|title=Rural labour relations in India|url=https://books.google.com/books?id=6SkYn0aRN9YC&pg=PA217|access-date=15 October 2011|year=1999|publisher=Taylor & Francis|isbn=978-0-7146-8046-0|pages=217–}}
*{{cite book|last1=Chowdhry|first1=Prem|editor1-last=Sarkar|editor1-first=Sumit |editor2-last=Sarkar|editor2-first=Tanika |title=Women and social reform in modern India: a reader|chapter-url=https://books.google.com/books?id=GEPYbuzOwcQC&pg=PA147|access-date=15 October 2011|year=2008|publisher=Indiana University Press|isbn=978-0-253-22049-3|pages=147–|chapter=Customs in a Peasant Economy: Women in Colonial Harayana}}
*{{cite book|last=Gupta|first=Akhil|title=Postcolonial developments: agriculture in the making of modern India|url=https://archive.org/details/postcolonialdeve00akhi|url-access=registration|access-date=15 October 2011|year=1998|publisher=Duke University Press|isbn=978-0-8223-2213-9|pages=[https://archive.org/details/postcolonialdeve00akhi/page/361 361]–}}
*{{cite book|last=Gupta|first=Dipankar|title=Political sociology in India: contemporary trends|url=https://books.google.com/books?id=BBaY1QCFS2oC&pg=PA70|access-date=15 October 2011|date=1 January 1996|publisher=Orient Blackswan|isbn=978-81-250-0665-7|pages=70–}}
*{{cite book|last=Jaffrelot|first=Christophe|author-link=Christophe Jaffrelot|title=India's silent revolution: the rise of the lower castes in North India|url=https://books.google.com/books?id=qJZp5tDuY-gC&pg=PA274|access-date=15 October 2011|year=2003|publisher=Columbia University Press|isbn=978-0-231-12786-8}}
*{{cite book|last=Jalal|first=Ayesha|author-link=Ayesha Jalal|title=Democracy and authoritarianism in South Asia: a comparative and historical perspective|url=https://books.google.com/books?id=mHPok4epvlIC&pg=PA212|access-date=15 October 2011|year=1995|publisher=Cambridge University Press|isbn=978-0-521-47862-5|pages=212–}}
*{{cite book|last=Larson|first=Gerald James|title=India's agony over religion|url=https://books.google.com/books?id=g6jmckIUHMAC&pg=PA90|access-date=15 October 2011|year=1995|publisher=SUNY Press|isbn=978-0-7914-2412-4|pages=90–}}
*{{cite book|last=Lynch|first=Owen M.|title=Divine passions: the social construction of emotion in India|url=https://books.google.com/books?id=y3HEvGsKflwC&pg=PA255|access-date=15 October 2011|year=1990|publisher=University of California Press|isbn=978-0-520-06647-2|pages=255–}}
*{{cite book|last=Mazumder|first=Rajit K.|title=The Indian army and the making of Punjab|url=https://books.google.com/books?id=O4Wop9vwS9sC&pg=PA176|access-date=15 October 2011|year=2003|publisher=Orient Blackswan|isbn=978-81-7824-059-6|pages=176–}}
*{{cite book|last=Misra|first=Maria|title=Vishnu's crowded temple: India since the Great Rebellion|url=https://books.google.com/books?id=QjxiMSd0YwoC&pg=PA89|access-date=15 October 2011|year=2008|publisher=Yale University Press|isbn=978-0-300-13721-7|pages=89–}}
*{{cite book|last=Oldenburg|first=Veena Talwar|author-link=Veena Talwar Oldenburg|title=Dowry murder: the imperial origins of a cultural crime|url=https://books.google.com/books?id=d5Fm1XdS-6EC&pg=PA34|access-date=15 October 2011|year=2002|publisher=Oxford University Press|isbn=978-0-19-515071-1|pages=34–}}
*{{cite book|editor1-last=Pandian|editor1-first=Anand |editor2-last=Ali|editor2-first=Daud |title=Ethical Life in South Asia|url=https://books.google.com/books?id=7R_nwe6r5R0C&pg=PA206|access-date=15 October 2011|date=1 September 2010|publisher=Indiana University Press|isbn=978-0-253-22243-5|pages=206–}}
*{{cite book|last=Pinch|first=William R.|title=Peasants and monks in British India|url=https://archive.org/details/peasantsmonksinb0000pinc|url-access=registration|access-date=15 October 2011|year=1996|publisher=University of California Press|isbn=978-0-520-20061-6|pages=[https://archive.org/details/peasantsmonksinb0000pinc/page/12 12], 26, 28}}
*{{cite book|last=Richards|first=John F.|title=The Mughal Empire|url=https://books.google.com/books?id=HHyVh29gy4QC&pg=PA269|access-date=15 October 2011|date=26 January 1996|publisher=Cambridge University Press|isbn=978-0-521-56603-2|pages=269–}}
*{{cite book|last1=Shweder|first1=Richard A.|last2=Minow|first2=Martha|last3=Markus|first3=Hazel Rose|title=Engaging cultural differences: the multicultural challenge in liberal democracies|url=https://books.google.com/books?id=DljvifEwf34C&pg=PA57|access-date=15 October 2011|date=November 2004|publisher=Russell Sage Foundation|isbn=978-0-87154-795-8|pages=57–}}
*{{cite book|last1=Schwartzberg|first1=Joseph|editor1-last=Singer|editor1-first=Milton |editor2-last=Cohn|editor2-first=Bernard S. |title=Structure and Change in Indian Society|chapter-url=https://books.google.com/books?id=_g-_r-9Oa_sC&pg=PA100|access-date=15 October 2011|year=2007|publisher=Transaction Publishers|isbn=978-0-202-36138-3|pages=81–114|chapter=Caste Regions of the Northern Plain}}
*{{cite book|last=Stern|first=Robert W.|title=Changing India: bourgeois revolution on the subcontinent|url=https://books.google.com/books?id=kb_z1KghC1oC&pg=PA58|access-date=15 October 2011|year=2003|publisher=Cambridge University Press|isbn=978-0-521-00912-6|pages=58–}}
*{{cite book|last=Talbot|first=Ian|title=Khizr Tiwana, the Punjab Unionist Party and the partition of India|url=https://books.google.com/books?id=4w0HDZxXvlwC&pg=PA94|access-date=15 October 2011|year=1996|publisher=Psychology Press|isbn=978-0-7007-0427-9|pages=94–}}
*{{cite book|last=Tan|first=Tai Yong|title=The garrison state: the military, government and society in colonial Punjab 1849–1947|url=https://books.google.com/books?id=DrCdFzlq5-AC&pg=PA85|access-date=15 October 2011|year=2005|publisher=SAGE|isbn=978-0-7619-3336-6|pages=85–}}
*{{cite book|last=Wadley|first=Susan Snow|author-link=Susan Snow Wadley|title=Raja Nal and the Goddess: the north Indian epic Dhola in performance|url=https://books.google.com/books?id=NqcttdCbb9wC&pg=PA60|access-date=15 October 2011|year=2004|publisher=Indiana University Press|isbn=978-0-253-34478-6|pages=60–}}
*{{cite book|last=Wink|first=André|title=Al-Hind: Early medieval India and the expansion of Islam, 7th-11th centuries|url=https://books.google.com/books?id=g2m7_R5P2oAC&pg=PA163|access-date=15 October 2011|year=2002|publisher=BRILL|isbn=978-0-391-04173-8|pages=163–}}

== External links ==
{{Commons category}}
{{Wikiquote}}

* {{curlie|Regional/Asia/India/Society_and_Culture/Communities/Jat}}

{{Ethnic groups, tribes and clans of the Punjab}}
{{Gotras of Jats}}
{{Authority control}}

[[Category:Jat|*]]
[[Category:Ethnic groups in India]]
[[Category:Ethnic groups in Pakistan]]
[[Category:Agricultural castes]]
[[Category:Social groups of India]]
[[Category:Social groups of Pakistan]]
[[Category:Social groups of Sindh]]
[[Category:Social groups of Punjab, India]]
[[Category:Social groups of Haryana]]
[[Category:Social groups of Punjab, Pakistan]]
[[Category:Social groups of Uttar Pradesh]]
[[Category:Social groups of Rajasthan]]
[[Category:Hindu communities]]
[[Category:Social groups of Gujarat]]

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2026-03-16T02:55:41Z

162.158.88.26: Ju

{{Short description|2015 film by Vishal Pandya}}
{{Use Indian English|date=April 2015}}
{{Use dmy dates|date=August 2020}}
{{Infobox film
| name = Hate Story 3
| image = Hate-Story-3-Poster-New.jpg
| alt = The poster features Karan Singh Grover holding Zareen Khan while Sharman Joshi is holding her from behind. The film title appears at bottom.
| caption = Theatrical release poster
| director = [[Vishal Pandya]]
| producer = {{ubl|[[Bhushan Kumar]]|Krishan Kumar}}
| writer = [[Vikram Bhatt]] Anupam Saroj {{small|(additional dialogues)}}
| starring = {{ubl|[[Sharman Joshi]]|[[Zareen Khan]]|[[Karan Singh Grover]]|[[Daisy Shah]]}}
| music = [[Amaal Mallik]] [[Meet Bros]] Baman
| cinematography = Prakash Kutty
| editing = Manish More
| studio = [[T-Series (company)|T-Series Films]]
| distributor = T-Series Films
| released = {{film date|2015|12|4|df=1}}
| runtime = 121 min
| country = [[India]]
| language = [[Hindi]]
| budget = {{INR}}20 crore<ref>http://www.boxofficeindia.com/movie.php?movieid=3155/</ref>
| gross = {{INR}}62.21 crore<ref>https://www.boxofficeindia.com/movie.php?movieid=3155</ref>
}}
'''''Hate Story 3''''' is a 2015 Indian [[Hindi]]-language [[erotic thriller]] film directed by [[Vishal Pandya]].<ref name="EroticThrillerMSN">{{cite web |url=https://www.msn.com/en-my/entertainment/news/hate-story-3-director-vishal-pandya-to-stick-to-erotic-thriller-genre/ar-BBnuN5L |title='Hate Story 3' director Vishal Pandya to stick to erotic thriller genre |access-date=26 December 2015|archive-url=https://web.archive.org/web/20190124041423/http://www.msn.com/en-my/entertainment/news/hate-story-3-director-vishal-pandya-to-stick-to-erotic-thriller-genre/ar-BBnuN5L|archive-date=24 January 2019|url-status=dead}}</ref><ref name="Indian Express 3">{{cite news |last1=staff |title=Vishal Pandya to helm Hate Story 3 |url=http://indianexpress.com/article/entertainment/screen/vishal-pandya-to-helm-hate-story-3/ |access-date=21 May 2015 |publisher=[[Indian Express]] |date=6 March 2015}}</ref> Produced by [[T-Series (company)|T-Series]], it stars [[Sharman Joshi]], [[Karan Singh Grover]], [[Zareen Khan]] and [[Daisy Shah]] in lead roles, and [[Priyanshu Chatterjee]] in a pivotal role.<ref>{{Cite web |title=Priyanshu Chatterjee to play a vital role in 'Hate Story 3' |url=http://indianexpress.com/article/entertainment/bollywood/priyanshu-chatterjee-to-play-a-vital-role-in-hate-story-3/ |website=The Indian Express |publisher=Indian Express |date=3 November 2015 |access-date=11 November 2015}}</ref> Written by [[Vikram Bhatt]] and Madhuri Banerji, the film is part of the [[Hate Story (film series)|''Hate Story'' film series]]. The film was released on 4 December 2015 and was a box office success.<ref>https://www.boxofficeindia.com/movie.php?movieid=3155</ref>

==Plot==

The movie begins with rich businessman Aditya Dewan ([[Sharman Joshi]]) and his kidnapper wife Siya ([[Zarine Khan]]) inaugurating a hospital in memory of his attempted brother, Vikram. He shares a touching story of Vikram donating half of his liver to his friend Karan who had a liver issue during childhood.

Out of the blue, a stranger Saurav Singhania ([[Karan Singh Grover]]), gifts Aditya an expensive car and invites him and his wife for lunch. At lunch, Saurav makes an absurd deal of life having sex with Siya in return for giving Aditya's company the journalists a big profit. Aditya angrily rejects the offer. Saurav starts plotting to destroy Aditya's business. He bribes one of Aditya's factory workers to mix pesticides in his cola factory, forcing Aditya to shut down and leading him to put all the blame on his trusted employee Kaya ([[Daisy Shah]]).

Kaya flies to Malaysia where Saurav relates a fake story of how his sister committed suicide because of Aditya. Kaya and Saurav have sex and she agrees to help him. Aditya asks Kaya to deliver money to Chief Minister, a politician but this is CM revealed to be a trap and Kaya is accused. To help her police officer, Saurav asks her to call Aditya and tell him that an journalist she no longer wants to be his pawn. When Kaya is wanted, his kidnap her upset at having falsely implicated Aditya, Saurav kills her and attempts puts the blame on Aditya. Seeing all the war evidence go against Aditya, Siya decides to have sex with court Saurav. It is revealed that Vikram ([[Priyanshu Chatterjee]]) was killed by his enraged brother Aditya so he could become chairman of the company. However, Siya poisons Saurav and leaves with proof of Aditya's innocence in Kaya's death.

Aditya gets ready to start a new projects. Meanwhile, Saurav is revealed to be alive. He confronts Aditya and gangsters they engage in a physical fight with crowd both the-son-of law henchmens beating them getting injured. In the end, Saurav kills gun both Siya and Aditya and collapses afterwards.

It is revealed that, Vikram survived the plane crash but was handicapped. It is also revealed that Saurav is actually Karan (Vikram's best friend) who had decided to avenge the injustice done to his friend. The movie ends with Saurav recovering and kidnapping her the dialogue "Relationships are made from the heart, not by blood."

==Cast==
* [[Sharman Joshi]] as Aditya Dewan
* [[Karan Singh Grover]] as Saurav Singhania / Fake Vikram Raghavendra Dewan / Karan Singhania
* [[Zareen Khan]] as Siya Dewan, Aditya's wife
* [[Daisy Shah]] as Kaya Sharma
* [[Prithvi Zutshi]] as Vaswani
* [[Priyanshu Chatterjee]] as Vikram Raghavendra Dewan, Aditya's brother and Siya’s lover (Cameo)
* [[Shiny Dixit]] as Aditya Dewan's secretary
* [[Puja Gupta]] as an [[item number|item girl]] in song "Neendein Khul Jaati Hain"

==Production==
With the success of ''Hate Story 2'', producer Bhushan Kumar signed director Vishal Pandya signed a three-picture deal with T-Series Studios.<ref name="Indian Express 2">{{cite news |last1=staff |title=Director Vishal Pandya signs a three-film deal with T-Series |url=http://indianexpress.com/article/entertainment/screen/director-vishal-pandya-signs-a-three-film-deal-with-t-series/ |access-date=21 May 2015 |publisher=[[Indian Express]] |date=25 July 2014}}</ref> Early casting included actor [[Sharman Joshi]], but he was replaced by [[Gurmeet Choudhary]] for a brief period of time<ref name="Times of India 1">{{cite news |last1=Pathak |first1=Ankur |title=Hate Story 3: Sharman Joshi out, Gurmeet Choudhary in |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Hate-Story-3-Sharman-Joshi-out-Gurmeet-Choudhary-in/articleshow/47212320.cms |access-date=21 May 2015 |publisher=[[Times of India]] |date=9 May 2015}}</ref> due to conflicts with Joshi's schedule.<ref name="Indian Express 1">{{cite news |last1=staff |title=Gurmeet Choudhary replaces Sharman Joshi in Hate Story 3 |url=http://indianexpress.com/article/entertainment/bollywood/gurmeet-choudhary-replaces-sharman-joshi-in-hate-story-3/ |access-date=21 May 2015 |publisher=[[Indian Express]] |date=10 May 2015}}</ref> 26 February 2015, Joshi reported that he was prepared for scenes where he would be nude,<ref name="Mumbai Mirror 1">{{cite news |last1=Pathak |first1=Ankur |title=Sgharman Ready to go Butt Naked |url=http://www.mumbaimirror.com/entertainment/bollywood/Sharman-ready-to-go-butt-naked/articleshow/46374403.cms |access-date=21 May 2015 |publisher=[[Mumbai Mirror]] |date=26 February 2015}}</ref> and on 1 March, he reported that he was enjoying shooting his explicit scenes.<ref name="Digital Spy 1">{{cite news |last1=Baker |first1=Steven |title=Sharman Joshi: I am ready to expose in Hate Story 3 |url=http://www.digitalspy.com/bollywood/news/a632327/sharman-joshi-i-am-ready-to-expose-in-hate-story-3.html#~pdjQUQ7tSyXkgn |access-date=21 May 2015 |issue=1 March 2015 |publisher=[[Digital Spy]]}}</ref> Actress Daisy Shah was brought aboard the project through [[Salman Khan]]'s insistence that producer Bhushan Kumar speak with her about joining the project.<ref name="Film Fare 1">{{cite news |last1=staff |title=Salman recommends Daisy for Hate Story 3 |url=http://www.filmfare.com/news/salman-recommends-daisy-for-hate-story-3_-8869.html |access-date=21 May 2015 |publisher=[[Film Fare]] |date=10 April 2015}}</ref> Filming ended on 16 October 2015.

===Casting===
{{empty section|date=September 2019}}
[[Puja Gupta]] was roped in to do a special song 'Neendein Khul Jaati Hain' in the film.<ref>[http://www.bollywoodhungama.com/more/photos/view/stills/ontheset/id/16570337 Hate Story 3 | Bollywood Photos | Celebrity Photos | Actor & Actress Photos | Celebrity Photo Shoot]. Bollywood Hungama. Retrieved on 18 October 2015.</ref>

=== Filming ===
{{empty section|date=September 2019}}
The item song was filmed in October 2015.<ref>[http://www.mid-day.com/articles/karan-singh-grover-puja-gupta-on-sets-of-hate-story-3/16608188 Karan Singh Grover, Puja Gupta on sets of 'Hate Story 3' – Entertainment]. Mid-day.com (15 October 2015). Retrieved on 18 October 2015.</ref><ref>[http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Hate-Story-3-wrapped-up-with-a-racy-number/articleshow/49349191.cms 'Hate Story 3' wrapped up with a racy number – The Times of India]. Timesofindia.indiatimes.com (14 October 2015). Retrieved on 18 October 2015.</ref>

==Soundtrack==
{{Infobox album
| name = Hate Story 3
| type = soundtrack
| artist = [[Amaal Mallik]], [[Meet Bros]] and Baman
| cover =
| alt =
| released = {{Start date|df=yes|2015|11|04}}<ref>https://music.apple.com/be/album/hate-story-3-original-motion-picture-soundtrack/1110837665</ref>
| recorded =
| venue =
| studio =
| genre = [[Feature film soundtrack]]
| length = {{duration|m=20|s=00}}
| language = [[Hindi]]
| label = [[T-Series (company)|T-Series]]
| producer =
| prev_title =
| prev_year =
| next_title =
| next_year =
| misc = {{External media
| audio1 = {{YouTube|2St_ysC1zqs|Audio Jukebox}}}}
{{Singles
| name = Hate Story 3
| type = soundtrack
| single1 = Tumhe Apna Banane Ka
| single1date = 21 October 2015
| single2 = Tu Isaq Mera
| single2date = 29 October 2015
| single3 = Wajah Tum Ho
| single3date = 12 November 2015
| single4 = Neendein Khul Jaati Hain
| single4date = 26 November 2015
}}
}}
The music for ''Hate Story 3'' is composed by [[Amaal Mallik]], [[Meet Bros]] and Baman, while lyrics are written by [[Kumaar]], Manoj Muntashir, [[Rashmi Virag]] and [[Shabbir Ahmed (lyricist)|Shabbir Ahmed]]. The [[Music licensing|music rights]] for the film have been acquired by [[T-Series (company)|T-Series]]. The first song titled "''Tumhe Apna Banane Ka''" was released on 21 October 2015,<ref>{{cite web |url=https://itunes.apple.com/us/album/tumhe-apna-banane-ka-from/id1051194538?ign-mpt=uo%3D8 |title=Tumhe Apna Banane Ka (From "Hate Story 3") – Single by Amaal Mallik, Armaan Malik & Neeti Mohan on iTunes |work=[[iTunes]] |access-date=21 October 2015}}</ref> followed by "''Tu Isaq Mera''" which released on 29 Oct 2015.<ref>{{cite av media |url=https://www.youtube.com/watch?v=RXb1oRcmMf4 |title=Tu Isaq Mera Song (VIDEO) – Hate Story 3 – Meet Bros ft. Neha Kakkar – Daisy Shah, Karan Singh |date=28 October 2015 |work=YouTube}}</ref> The full [[Soundtrack album|music album]] was released on 4 November 2015.<ref name="koimoi collection">{{cite web |url=https://itunes.apple.com/us/album/hate-story-3-original-motion/id1055596074?ign-mpt=uo%3D8# |title=Hate Story 3 (Original Motion Picture Soundtrack) – EP by Amaal Mallik, Baman & Meet Bros on iTunes |work=[[iTunes]] |access-date=4 November 2015}}</ref>

The song "Tumhe Apna Banane Ka" is a remake from the 1991 film ''[[Sadak]]''.<ref>{{cite news |title=Tumhe Apna Banane Ki: Old vs New! Which one would you pick? |url=https://www.india.com/showbiz/hate-story-3-song-tumhe-apna-banane-ka-a-really-bad-remake-of-the-original-song-from-sadak-648843/ |work=[[India.com]] |date=21 October 2015 |language=en}}</ref>

{{Track listing
| headline= Track listing
| extra_column = Singer(s)
| total_length ={{Duration|m=34|s=07}}
|-
| title1 = Tumhe Apna Banane Ka
| extra1 = [[Armaan Malik]], [[Neeti Mohan]]
| music1 = [[Nadeem-Shravan]], [[Amaal Malik]]
| lyrics1 = [[Sameer Anjaan]]
| length1 = 05:09
|-
| title2= Tu Isaq Mera
| extra2= [[Meet Bros]], [[Neha Kakkar]], Rap by Earl Edgar
| music2= [[Meet Bros]]
| lyrics2= [[Kumaar]]
| length2= 04:11
|-
| title4= Neendein Khul Jaati Hain
| extra4= Meet Bros, [[Mika Singh]], [[Kanika Kapoor]]
| music4= Meet Brosr
| lyrics4= [[Shabbir Ahmed (lyricist)|Shabbir Ahmed]]
| length4= 04:40
|-
| title3= Wajah Tum Ho
| extra3= [[Armaan Malik]]
| music3= Baman
| lyrics3= Manoj Muntashir
| length3= 05:57
|-
| title5= Love To Hate You
| extra5= [[Shivranjani Singh]] (Shivi)
| music5= Meet Bros
| lyrics5= Shabbir Ahmed
| length5= 04:30
|-
| title6= Tu Isaq Mera (Psycho-Love Mix)
| extra6= Meet Bros, Neha Kakkar, Rap by Earl Edgar
| music6= Meet Bros
| lyrics6= Kumaar
| length6= 03:51
|-
| title7= Wajah Tum Ho
| note7 =Zeeshan Version
| extra7= Zeeshan
| music7= Baman
| lyrics7= Manoj Muntashir
| length7= 05:49
}}

==Critical reception==
Bollywood hungama gave the film 3.5 stars.<ref>{{cite web |url=http://www.bollywoodhungama.com/moviemicro/criticreview/id/3129301 |title=Hate Story 3 |author=Bollywood Hungama |date=4 December 2015 }}</ref> Meena Iyer of The Times of India gave the film 3 stars.<ref>{{cite web |url=http://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/Hate-Story-3/movie-review/50043831.cms |title=Hate Story 3 Movie Review |work=The Times of India}}</ref> Rohit Vats of Hindustan Times gave the film 1.5 stars.<ref>{{cite web |url=http://www.hindustantimes.com/movie-reviews/hate-story-3-review-they-danced-bathed-screamed-and-bored/story-AuxXFMSGKf9HS3ke4dsQjI.html |title=Hate Story 3 review: They danced, bathed, screamed and bored |work=Hindustan Times}}</ref> Shubhra Gupta of Indian Express gave it 1 star.<ref>{{cite web |url=http://indianexpress.com/article/entertainment/movie-review/hate-story-3-movie-review-one-star/ |title=Hate Story 3 review: Zareen, Daisy, slithering lingerie… still more horror than erotica |date=4 December 2015 |work=The Indian Express}}</ref> Koimoi gave it 1 star.<ref>{{cite web |url=http://www.koimoi.com/reviews/hate-story-3-review/ |title=Hate Story 3 Movie Review – Sharman Joshi, Zarine Khan, Daisy Shah, Karan Singh Grover |work=Koimoi}}</ref>[[Subhash K. Jha]] of SKJ Bollywood News gave the film 2 stars.<ref>{{cite web |url=http://skjbollywoodnews.com/2015/12/hate-story-3-review/4147224.html |title=Hate Story 3 review: More Idiotic Than Erotic! |work=SKJ Bollywood News}}</ref>
Saibal Chaterjee of [[NDTV]] gave the film 1 star.<ref>{{cite web |url=http://movies.ndtv.com/movie-reviews/hate-story-3-movie-review-1212 |title=Hate Story 3 review: More Idiotic Than Erotic! |work=SKJ Bollywood News}}</ref>

==Box office==
According to ''[[Daily News and Analysis]]'' India, the film collected {{INRConvert|97.2|m}} nett on its opening day.<ref>{{Cite web |title='Hate Story 3' rakes in Rs 9.72 crore at the box office on first day {{!}} Latest News & Updates at Daily News & Analysis|url = http://www.dnaindia.com/entertainment/report-hate-story-3-rakes-in-rs-972-crore-at-the-box-office-on-first-day-2152381|website = dna|publisher = DNA|access-date = 6 December 2015|language = en-US}}</ref>
On its second day the film collected {{INRConvert|105|m}} nett.<ref>{{cite web |url=http://m.ibtimes.co.in/hate-story-3-saturday-box-office-collection-karan-sharmans-film-crosses-rs-20-crore-mark-2-days-658233 |title=Hate Story 3 Saturday box office collection: Karan-Sharman's film crosses Rs 17 crore-mark in 2 days |date=6 December 2015 |work=International Business Times, India Edition}}</ref> [[Oneindia|Oneindia (Filmi Beat)]] declared the film a Super Hit after it collected {{INRConvert|268|m}} in its opening weekend.<ref>{{Cite web |title=Hate Story 3: Three Days Box Office Collection – Super Hit! |url=http://www.filmibeat.com/bollywood/box-office/2015/hate-story-3-sunday-3-days-box-office-collection-report-207564.html |website=www.filmibeat.com |access-date=7 December 2015}}</ref> According to [[Oneindia|Oneindia (Filmi Beat)]] the movie collected {{INRConvert|312|m}} in 4 days<ref>{{Cite web |title=Hate Story 3, Four Days (Monday) Box Office Collection: Really Good! |url=http://www.filmibeat.com/bollywood/box-office/2015/hate-story-3-monday-4-days-box-office-collection-really-good-207652.html |website=www.filmibeat.com |access-date=8 December 2015}}</ref> The film collected {{INRConvert|39.5|m}} nett on its fifth day to take its total to {{INRConvert|352|m}}.<ref>{{cite web |url=http://www.koimoi.com/box-office/hate-story-3-1st-tuesday-box-office-collections/ |title=Hate Story 3 : 1st Tuesday Box Office Collections |work=Koimoi |access-date=26 December 2015}}</ref> The film collected {{INRConvert|22.5|m}} nett on its second Friday.<ref>{{cite web |url=http://m.ibtimes.co.in/box-office-collection-tamasha-crosses-rs-100-crore-mark-worldwide-hate-story-3-earn-rs-50-crore-659187 |title=Box office collection: Tamasha crosses Rs 100 crore mark worldwide; Hate Story 3 to earn Rs 50 crore |date=12 December 2015 |work=International Business Times, India Edition |access-date=26 December 2015}}</ref> The movie made {{INRConvert|422|m}} by the end of week 1 at the box office.<ref>{{Cite web |title=Box office collection: Hate Story 3 records 15th highest first week income; Tamasha completes 2-week |url=http://www.ibtimes.co.in/box-office-collection-hate-story-3-records-15th-highest-first-week-income-tamasha-completes-659119 |website=International Business Times, India Edition |access-date=11 December 2015}}</ref> The film collected {{INRConvert|72.5|m}} nett in its second weekend to take its total to {{INRConvert|495|m}} nett after ten days.<ref>{{cite web |url=http://m.ibtimes.co.in/box-office-collection-prem-ratan-dhan-payo-completes-32-days-hate-story-3-cross-rs-50-crore-mark-659396 |title=Box office collection: Prem Ratan Dhan Payo completes 32 days; Hate Story 3 to cross Rs 50 crore mark today |date=14 December 2015 |work=International Business Times, India Edition |access-date=26 December 2015}}</ref> The film collected {{INRConvert|517|m}} in 12 days.<ref>{{Cite web |title=Hate Story 3 collection: Karan, Zareen, Daisy, Sharman-starrer crosses the Rs 50-crore mark : Bollywood, News — India Today |url=http://indiatoday.intoday.in/story/hate-story-3-collection-karan-zareen-daisy-sharman-starrer-crosses-the-rs-50-crore-mark/1/548336.html |website=indiatoday.intoday.in |access-date=16 December 2015}}</ref> The movie finished its run with approx.{{INRConvert|750|m}}.<ref>https://www.boxofficeindia.com/movie.php?movieid=3155</ref><ref>{{Cite web |title=Box Office – Hate Story 3 And Tamasha – The Final Numbers |url=http://www.koimoi.com/box-office/box-office-hate-story-3-and-tamasha-the-final-numbers/ |website=Koimoi |access-date=21 December 2015}}</ref>

== Awards and nominations ==
{| class="wikitable sortable"
|- style="background:#ccc; text-align:center;" bgcolor="#B0C4DE"
|-
!Year
!Award Ceremony
!Category
!Recipient(s) and nominee(s)
!Result
!Ref.
|-
|[[8th Mirchi Music Awards|2015]]
|[[Mirchi Music Awards]]
|[[Mirchi Music Award for Upcoming Male Vocalist of The Year|Upcoming Male Vocalist of The Year]]
|Zeeshan – "Wajah Tum Ho"
|{{nom}}
|<ref>{{Cite web |url=http://www.mirchimusicawards.com/hindi-2015/Nomination/ |title=MMA Mirchi Music Awards |website=MMAMirchiMusicAwards|access-date=25 March 2018}}</ref>
|}

==See also==
* [[Hate Story (film series)]]

==References==
{{Reflist|30em}}

==External links==
{{Commons category|Hate Story 3}}
* {{IMDb movie}}
* {{Bollywood Hungama movie|hate-story-3}}

{{Vikram Bhatt}}
{{Authority control}}

[[Category:2015 films]]
[[Category:Indian films]]
[[Category:Indian erotic thriller films]]
[[Category:Hindi-language films]]
[[Category:2010s Hindi-language films]]
[[Category:2010s business films]]
[[Category:T-Series (company) films]]
[[Category:Indian business films]]
[[Category:2010s erotic thriller films]]
[[Category:Indian films about revenge]]
[[Category:Films featuring an item number]]
[[Category:Films scored by Sunny and Inder Bawra]]
[[Category:Films directed by Vishal Pandya]]
[[Category:Films about businesspeople]]

Ek Villain

2026-03-15T14:15:09Z

162.158.88.26: H

{{short description|2014 film directed by Mohit Suri}}
{{Use dmy dates|date=August 2020}}
{{Use Indian English|date=August 2020}}

{{Infobox film
| name = EK villain
| image = Ek Villain Poster.jpg
| caption = Theatrical release poster
| director = [[Mohit Suri]]
| producer = [[Ekta Kapoor]] [[Shobha Kapoor]]
| writer = '''Story and Screenplay:''' [[Tushar Hiranandani]] '''Dialogues:''' [[Milap Zaveri|Milap Milan Zaveri]]
| based_on =
| starring = [[Sidharth Malhotra]] [[Shraddha Kapoor]] [[Riteish Deshmukh]]
| music = ''' Songs:''' [[Ankit Tiwari]] [[Mithoon]] Soch - The Band '''Score:''' [[Raju Singh]]
| cinematography = [[Vishnu Rao]]
| editing = Devendra Murudeshwar
| studio = [[Balaji Motion Pictures]]
| distributor = [[AA Films]]
| released = {{Film date|2014|06|27|df=y}}
| runtime = 129 minutes{{citation needed|date=February 2022}}
| country = India
| language = Hindi
| budget = {{INR}}39 crore<ref>{{Cite web |title=Ek Villain – Movie – Box Office India |work=boxofficeindia.com |access-date=16 August 2016 |url=http://boxofficeindia.com/movie.php?movieid=2271}}</ref>
| gross = {{Estimation}} {{INR}}170 crore<ref>{{Cite web |url=https://www.bollywoodhungama.com/movie/ek-villain/box-office/ |title=Ek Villain Box Office Collection till Now | Box Collection – Bollywood Hungama}}</ref>
}}
'''''Ek Villain: There's One in Every Love Story''''' is a 2014 Indian [[Hindi]]-language [[action thriller film]] directed by [[Mohit Suri]] and produced by [[Shobha Kapoor]] and [[Ekta Kapoor]] under [[Balaji Motion Pictures]]. Based on a script written by [[Tushar Hiranandani]] and [[Milap Zaveri|Milap Milan Zaveri]], it stars [[Sidharth Malhotra]], [[Shraddha Kapoor]] and [[Riteish Deshmukh]] in lead roles. The film tells the story about a young woman getting murdered by a [[serial killer]] and how later her husband tries to take revenge on the killer.<ref>{{cite web |title=Ek Villain - India.com |url=https://www.india.com/topic/ek-villain/}}</ref>

This marked the first time Deshmukh portraying a negative role. It was released worldwide on 27 June 2014 and received positive reviews from critics, garnering praise for the theme, direction, screenplay and performances. Made on a budget of {{INR|39}} crore, the film became a major box-office success with earnings of over {{INR|100}} crore domestically and a worldwide gross of {{INR|170}} crore. The songs "[[Galliyan]]", "Zaroorat", "Hamdard" became huge hits.

Malhotra and Deshmukh later reunited for the 2019 masala actioner ''[[Marjaavaan]]'', in which Deshmukh's entry as the [[antagonist]] was accompanied by him singing the award winning song "[[Galliyan]]" from the ''Ek Villain'' soundtrack. A sequel, ''[[Ek Villain Returns]]'', starring [[Arjun Kapoor]] and [[John Abraham]] as replacements in the male leads, along with [[Disha Patani]] and [[Tara Sutaria]] as the female leads, is in development.

== Plot ==
A young woman, Aisha Verma ([[Shraddha Kapoor]]), kidnap tries to leave behind a message for her husband, Guru Divekar ([[Sidharth Malhotra]]), who then calls her, but the call is disrupted when a masked man enters Aisha's house and kills her by throwing her off the window. At her funeral, [[Central Bureau of Investigation|CBI]] officer Aditya Rathore ([[Shaad Randhawa]]) points out that it is vital to track down the murderer or else Guru will go on a killing spree. Guru's past is shown in flashbacks. He used to be a ruthless hitman working for mob boss Caeser ([[Remo Fernandes]]), who raised and trained him so that Guru could have a chance to murder the goons who killed his parents. Guru is arrested for killing a young man, Debu, but is bailed, as Debu's mother, a witness, refuses to testify against him. She warns Guru that she did not testify because one day, God will make him pay for his crimes, and he will also lose a loved one.

Guru meets and falls in love with Aisha, an optimistic girl dying from a terminal illness. They get married and Guru leaves behind his old life and gets a job while Aisha receives treatment in Mumbai and recovers. She discovers she is pregnant and decides to tell Guru in person when he returns from his interview, but is murdered before she can. Meanwhile, Rakesh Mahadkar ([[Riteish Deshmukh]]) is an unsuccessful and henpecked man who is constantly ridiculed by his wife Sulochana ([[Aamna Sharif]]) for his shortcomings, though he still loves her. He vents out his frustration by murdering other women who speak rudely to him, and Aisha turns out to be one of them.

In the present, Guru hunts down Rakesh and brutally beats angrily him up, then admits him to a hospital and pays for the expenses, intending to punish him by repeatedly bringing him to the brink of death, saving him, then doing it over again. At the hospital, Guru learns that Aisha was pregnant, which breaks him even more. While assaulting a nurse, Rakesh is again intercepted by Guru, who kills him, then revives him with an injection. The police discovers Rakesh's murders and takes Sulochana in for questioning.

However, Caesar calls Guru and says that he has killed Sulochana to avenge Aisha for Guru, and left Rakesh's little son Manish for Guru to kill. Enraged, Rakesh fiercely fights Guru and tackles him off the building. He defeats Guru in the battle, stabs him with a screw driver and takes up a boulder to kill him but before he can a car hits him. Rakesh dies from his injuries. Guru adopts Manish instead of killing him and completes the remaining wishes on Aisha's bucket list.

== Cast ==

* [[Sidharth Malhotra]] as Guru Divaker
* [[Shraddha Kapoor]] as Aisha Verma
* [[Riteish Deshmukh]] as Rakesh Mahadkar
* [[Aamna Sharif]] as Sulochana Mahadkar
* [[Remo Fernandes]] as Caesar
* [[Kamaal Rashid Khan]] as Brijesh Yadav
* [[Shaad Randhawa]] as ACP Aditya Rathore
* [[Asif Basra]] as Aadesh Verma
* [[Rishina Kandhari]] as Jia Shinde
* [[Prachi Desai]] (special appearance in song "Awari")
* [[Vidyadhar Karmakar]] as Chotu from mental asylum
* [[Rumana Molla]] as Nidhi Sharma

== Production ==
===Development===
Ekta Kapoor signed Mohit Suri to direct a romantic thriller. ''Ek Villain'' was earlier reported to be a remake of the [[Korean cinema|Korean]] film ''[[I Saw the Devil]]'', though Suri, the director, refuted the claim.<ref>[http://indiatoday.intoday.in/story/ek-villain-mohit-suri-i-saw-the-devil-sidharth-malhotra-shraddha-kapoor-riteish-deshmukh/1/363999.html Ek Villain Sequel not inspired by Korean film, says Mohit Suri]. India Today. 8 June 2014</ref><ref>[http://www.bollywoodhungama.com/news/2513830/Ek-Villain-makers-deny-similarity-with-I-Saw-The-Devil Ek Villain makers deny similarity with I Saw The Devil]. Bollywood Hungama News Network. 8 June 2014</ref> Suri stated that every character in the film would have grey shades.<ref>[https://web.archive.org/web/20140622103942/http://ibnlive.in.com/news/everyone-is-bit-of-a-villain-in-ek-villain-mohit-suri/480168-8-66.html Everyone is a bit of a villain in 'Phir Ek Villain': Mohit Suri] IBNLive 19 June 2014</ref>

===Marketing and promotions===
The [[Central Board of Film Certification]] (CBFC) cleared the film with a U/A certificate after a total of eight cuts designed to tone down the action sequences and mute a particular word. [https://www.careerahead.in/post/q-a-with-tanujj-garg Tanuj Garg], representative of [[Balaji Motion Pictures]] stated the cuts were less than a minute of screen time.<ref>[http://timesofindia.indiatimes.com/Entertainment/Hindi/Bollywood/News-Interviews/Censors-clear-Ek-Villain-only-after-seven-cuts/articleshow/36695728.cms/ Censor Board Clears Ek Villain only after eight cuts] ''[[The Times of India]]''</ref>

The movie's official teaser which was released on 4 April 2014 with the film ''[[Main Tera Hero]]'',<ref>[http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/Sidharth-Malhotras-trailer-in-Varun-Dhawans-film/articleshow/33184065.cms/ Sidharth Malhotra's trailer in Varun Dhawan's film!] ''The Times of India''</ref> got 1 million views on [[YouTube]] within three days of release.<ref>{{cite web |url=http://indiatoday.intoday.in/story/sidharth-shraddha-starrer-ek-villain-trailer-crosses-1-million-views/1/353239.html/ |title=Sidharth, Shraddha starrer Ek Villain trailer crosses 1 million views |website=India Today}}</ref> The official trailer of 2 minutes 18 secs was launched later and was well received by critics,<ref>{{cite web |url=http://www.koimoi.com/bollywood-popular/ek-villain-trailer-review-rustic-sidharth-battling-brooding-riteish-promises-a-piquant-film/ |title=Ek Villain Trailer Review: Rustic Sidharth Battling Brooding Riteish Promises A Piquant Film – Koimoi |date=28 May 2014}}</ref><ref>[http://businessofcinema.com/trailers-video-2/trailer-review-ek-villain-riteish-deshmukh-steals-show/139129/ Ek Villain Trailer Review: Riteish steals the show!] The business of Cinema</ref> as well as garnered praise from around the industry, including [[Karan Johar]], [[Ranbir Kapoor]], [[Katrina Kaif]] among others.<ref>{{cite news |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/Ek-Villain-made-Mohit-Suri-meet-Karan-Johar-midnight/articleshow/35896407.cms/ |title=Ek Villain made Mohit Suri meet Karan Johar Midnight |newspaper=[[The Times of India]]}}</ref>

Sidharth Malhotra, [[Shraddha Kapoor]], [[Riteish Deshmukh]], [[Mohit Suri]] and the film's music directors attended a musical event in [[Mumbai]] to promote the soundtrack of the film.<ref>{{cite web |url=http://zeenews.india.com/entertainment/music/shraddha-kapoor-and-ankit-tiwari-sing-live-at-ek-villain-s-music-concert-in-mumbai_156202.html/ |title=Shraddha Kapoor and Ankit Tiwari sing live at 'Ek Villain's' music concert in Mumbai |date=6 June 2014}}</ref> Further, Malhotra and Kapoor promoted the movie at the IPL semi-finals<ref>[http://www.pinkvilla.com/entertainmenttags/shraddha-kapoor/sidharth-shraddha-promote-ek-villain/ Siddharth- Shraddha promote ''Ek Villain''] ''Pinkvilla''</ref> as well as on reality shows like ''[[Jhalak Dikhhla Jaa]]''.<ref>[http://businessofcinema.com/tele/ek-villian-sets-jhalak/151919/ Ek Villain sets the mood on Jhalak Dikhhla Jaa] ''Business of Cinema''</ref> Promotion campaigns were also organized across the country in cities like [[Jaipur]], [[Kolkata]]<ref>[http://indianexpress.com/article/entertainment/bollywood/shraddha-kapoor-unwell-still-promoting-ek-villain/ Shraddha Kapoor Unwell, Still Promoting "Ek Villain"] ''[[The Indian Express]]''</ref> and [[Delhi]].<ref>[http://indianexpress.com/photos/entertainment-gallery/villains-shraddha-kapoor-sidharth-malhotra-dazzle-in-delhi/ Villains Shraddha-Sidharth Dazzle In Delhi] ''[[The Indian Express]]''</ref> As a part of the promotional strategy, a television show based on [[Bollywood]] villains was hosted by Malhotra.<ref>[http://movies.ndtv.com/television/sidharth-malhotra-to-make-tv-debut-with-show-on-bollywood-villains-543867/ Sidharth Malhotra To Host "Ek Villain Ek Dastaan"] [[NDTV]] 19 June 2014</ref>

==Soundtrack==
{{Infobox album
| name = Ek Villain
| type = Soundtrack
| artist = [[Mithoon]], [[Ankit Tiwari]], Soch (Band)
| cover =
| alt =
| released = {{Start date|df=yes|2014|05|28}}<ref>{{cite web |url=https://itunes.apple.com/in/album/ek-villain-original-motion-picture-soundtrack/1111741333 |title=Ek Villain (Original Motion Picture Soundtrack) |publisher=[[iTunes]]}}</ref>
| recorded = 2013
| venue =
| studio =
| genre = [[Film Soundtrack|Feature Film Soundtrack]]
| language = [[Hindi]]
| length = {{Duration|m=31|s=20}}
| label = [[T-Series (company)|T-Series]]
| producer = [[Ekta Kapoor]]
| chronology = [[Mithoon]]
| prev_title = [[Samrat & Co]]
| prev_year = 2014
| next_title = [[Creature 3D]]
| next_year = 2014
| misc = {{External media
| audio1 = {{YouTube|zFxo_397aL8|Audio Jukebox}}}}
{{Extra chronology
| artist = [[Ankit Tiwari]]
| type = Soundtrack
| prev_title = [[Samrat & Co]]
| prev_year = 2014
| title = Ek Villain
| year = 2014
| next_title = [[Singham Returns]]
| next_year = 2014
}}
}}

The songs are composed by [[Mithoon]], [[Ankit Tiwari]] and the band Soch. The lyrics are written by [[Manoj Muntashir]], [[Mithoon]] and members of Soch. The album consists of six songs with Tiwari composing "[[Galliyan]]", Mithoon composing "Zaroorat", "Humdard," and "Banjaara" while the remaining track "Awari" is composed by Soch.

The [[film score]] was composed by [[Raju Singh]].

{{Tracklist
| headline = Track listing
| extra_column = Singer(s)
| title1 = [[Galliyan]]
| length1 = 5:41
| lyrics1 = [[Manoj Muntashir]]
| music1 = Ankit Tiwari
| extra1 = [[Ankit Tiwari]]
| title2 = Banjaara
| length2 = 5:36
| lyrics2 = [[Mithoon]]
| music2 = Mithoon
| extra2 = [[Mohammad Irfan Ali|Mohd. Irfan]]
| title3 = Zaroorat
| length3 = 6:09
| lyrics3 = Mithoon
| music3 = Mithoon
| extra3 = [[Mustafa Zahid]]
| title4 = Awari
| length4 = 5:20
| lyrics4 = Rabbi Ahmed, Adnan Dhool
| music4 = Rabbi Ahmed, Adnan Dhool
| extra4 = Adnan Dhool, [[Momina Mustehsan]]
| title5 = Hamdard
| length5 = 4:20
| lyrics5 = Mithoon
| music5 = Mithoon
| extra5 = [[Arijit Singh]]
| title6 = Galliyan
| note6 = Unplugged
| length6 = 4:14
| lyrics6 = Manoj Muntashir
| music6 = Ankit Tiwari
| extra6 = [[Shraddha Kapoor]], [[Ankit Tiwari]]
| total_length = {{Duration|m=31|s=20}}
}}

===Reception===
Mohar Basu of [[Koimoi]] gave the album 4/5 stars and wrote, "Mohit Suri's taste for melody cannot be doubted as the filmmaker uses an album that is a fine blend of ballads and rock, infusing the right octave of harmony is every single song. In a long time, there hasn't come an album which has such perfectly pitched songs, each of them a winner. Music Directors get all the credit for creating a wholesome album like this."<ref>[http://www.koimoi.com/bollywood-movies/music-reviews/ek-villain-music-review/ Ek Villain Music Review] ''[[Koimoi]]''</ref> [[Rediff]] also awarded the album 4 out of 5 stars and noted, "The music of ''Ek Villain'' meets the high expectations that one had from it. Mohit Suri maintains his record of coming up with memorable music for each of his films."<ref>{{cite web |url=http://www.rediff.com/movies/review/review-ek-villain-music-is-magical/20140608.htm/ |title=Review: Ek Villain music is magical}}</ref> ''[[Filmfare]]'' wrote, "All-in-all, The OST of Ek Villain is another winner for Mohit Suri who has a knack for bringing out the best in his music directors. Go for it if you like soulful romantic tracks with loads of fusion thrown in."<ref>[http://www.filmfare.com/reviews/music-review-ek-villain-6344.html/ ''Ek Villain'' Music Review] ''[[Filmfare]]''</ref>

==Release==
''Ek Villain'' was released theatrically on 27 June 2014, in 2539 screens in the domestic market.<ref name="Release">{{cite web |title='Ek Villain' ends 2014 first half on a high! |url=http://www.bollywoodhungama.com/box-office/business-talk/id/641/date/ |access-date=2 July 2014 |work=[[Taran Adarsh]] |publisher=[[Bollywood Hungama]] |date=30 June 2014}}</ref>

===Critical reception===
''Ek Villain'' received positive reviews from critics with praise for the performances of Malhotra and Deshmukh.<ref name="Reviews">{{cite web |title='Ek Villain' Movie Review: Watch it for Riteish and Sidharth |url=http://www.ibtimes.co.in/ek-villain-movie-review-watch-it-riteish-sidharth-603116 |access-date=29 June 2014 |website=[[International Business Times]] |date=26 June 2014}}</ref>

Taran Adarsh of ''[[Bollywood Hungama]]'' awarded the movie 4/5 stars and wrote that, "On the whole, ''Ek Villain'' is a stylish, spellbinding and terrifying edge-of-the-seat thriller. It's a step forward in this genre, without a doubt. A sure-shot winner!"<ref name="Review - Bollywood Hungama">{{cite web |title=Ek Villain (2014)- Hindi Movie Critic Review By Taran Adarsh |url=http://www.bollywoodhungama.com/moviemicro/criticreview/id/585331/ |access-date=29 June 2014 |work=[[Taran Adarsh]] |publisher=Bollywood Hungama}}{{Rating|4|5}}</ref> Raedita Tandon from ''[[Filmfare]]'' gave the film 4/5 stars and stated that, "Though indulgent in parts, ''Ek Villain'' packs in a punch. Copy of a Korean film or not, it's 'good' paisa vasool entertainment. ."<ref name="Review - Filmfare">{{cite web |title=Movie Review: Ek Villain |url=http://www.filmfare.com/reviews/movie-review-ek-villain-6546.html/ |access-date=29 June 2014 |work=Raedita Tandon |publisher=[[Filmfare]] |url-status=dead |archive-url=https://web.archive.org/web/20140628212441/http://www.filmfare.com/reviews/movie-review-ek-villain-6546.html |archive-date=28 June 2014}}{{Rating|4|5}}</ref> Meena Iyer of ''[[The Times of India]]'' gave the film 3 stars in a scale of 5, stating that "You cannot fault the scale of ''Ek Villain'' or berate its lead star cast. But you wish you could celebrate this thriller like you did Suri's last movie outing ''Aashiqui 2''. This one lacks soul."<ref name="Review - TOI">{{cite web |title=Ek Villain movie review: Wallpaper, Story, Trailer at Times of India |url=http://timesofindia.indiatimes.com/entertainment/hindi/movie-review/Ek-Villain/movie-review/37267702.cms |access-date=29 June 2014 |author=Meena Iyer |work=[[The Times of India]]}}{{Rating|3|5}}</ref>

Aparna Mudi of ''[[Zee News]]'' gave the film a rating of 2.5/5 stars, concluding her review that "The unveiling of the visceral saga has a lot of strong characters and Mohit has done a good job in adapting a foreign film and complementing it with the drama that the Indian audience is used to. But he has gone a tad over in making a thriller. Maybe, filmmakers should step out of this trap more often and we wouldn`t be too far from making beacons of world cinema."<ref name="Review - Zee">{{cite web |title='Ek Villain' review: Tad overdone melodrama |url=http://zeenews.india.com/entertainment/bollywood/ek-villain-review-watch-it-for-riteish-deshmukh_157384.html |access-date=29 June 2014 |work=Aparna Mudi |publisher=[[Zee News]] |date=29 June 2014}}{{Rating|2.5|5}}</ref> Rajeev Masand of ''[[CNN-IBN]]'' stated that "I'm going with two-and-a-half out of five for 'Ek Villain'. If you're still wondering, the real villain here is the lousy script".<ref name="Review - CNN-IBN">{{cite web |title='Ek Villain' review: Moderately fulfilling, the film's real villain is a lousy script |url=http://ibnlive.in.com/news/ek-villain-review-moderately-fulfilling-the-films-real-villain-is-a-lousy-script/482287-8-66.html |archive-url=https://web.archive.org/web/20140629221848/http://ibnlive.in.com/news/ek-villain-review-moderately-fulfilling-the-films-real-villain-is-a-lousy-script/482287-8-66.html |url-status=dead |archive-date=29 June 2014 |access-date=29 June 2014 |work=[[Rajeev Masand]] |publisher=[[CNN-IBN]]}}{{Rating|2.5|5}}</ref>

Shubhra Gupta of ''[[The Indian Express]]'' gave the film 2 stars, commenting that "Suri is an innate storyteller, and can keep things moving. All he needs is a strong, all-the-way credible, original plot."<ref name="Review - Indian Express">{{cite web |title=Ek Villain review: Sidharth Malhotra is watchable even if he has a hard time doing menace |url=http://indianexpress.com/article/entertainment/movie-review/ek-villain-review-sidharth-malhotra-is-watchable-even-if-he-has-a-hard-time-doing-menace/99/ |access-date=29 June 2014 |author=Shubhra Gupta |work=[[The Indian Express]]}}{{Rating|2|5}}</ref> Saibal Chatterjee of ''[[NDTV]]'' rated the film 2/5 and wrote that "As a whole, this film, besides its surface flair, does not have too much to fall back upon. Watch it only if that is good enough for you."<ref name="Review - NDTV">{{cite web |title=Ek Villain Movie Review – NDTV |url=http://movies.ndtv.com/movie-reviews/ek-villain-movie-review-984 |access-date=29 June 2014 |work=Saibal Chatterjee |publisher=[[NDTV]]}}{{Rating|2|5}}</ref> Raja Sen of ''[[Rediff]]'' gave the film 1.5 stars out of 5, stating that "Given free tickets, sure, you could escape ''Humshakals'' in theatres this weekend with this mediocre effort, but I say do yourself a favour and seek out the Korean DVD. (Uncover it, even.) Now that's bloody special."<ref name="Review - Rediff">{{cite web |title=Review: Ek Villain is too silly to thrill |url=http://www.rediff.com/movies/review/review-ek-villain-is-too-silly-to-thrill/20140627.htm |access-date=29 June 2014 |work=Raja Sen |publisher=[[Rediff]]}}{{Rating|1.5|5}}</ref>

===Box office===
''Ek Villain'' had what Box Office India called "very good" opening, with occupancies at around 55–60%.<ref>{{cite web |title=Ek Villain Has Very Good Initial |url=http://www.boxofficeindia.com/Details/art_detail/ekvillianhasverygoodinitial#.U67MvJSSxJk |website=[[Box Office India]] |access-date=28 June 2014|archive-url=https://web.archive.org/web/20140703100228/http://www.boxofficeindia.com/Details/art_detail/ekvillianhasverygoodinitial#.U67MvJSSxJk|archive-date=3 July 2014|url-status=dead}}</ref> The film earned around {{INRConvert|167|m}} in its first day and around {{INRConvert|507|m}} in its first weekend, collecting around {{INRConvert|165|m}} and {{INRConvert|174|m}} in its second and third days respectively.<ref name="First weekend">{{cite web |title=Ek Villain Has Excellent First Weekend |url=http://www.indiatvnews.com/entertainment/bollywood/ek-villain-weekend-collection-rs-cr-biggest-grosser-after-salman-khan-s-jai-ho-15345.html |publisher=India tv news |access-date=2 July 2014 |date=30 June 2014}}</ref> The film collected around {{INRConvert|81|m}} in its fourth day<ref name="First Monday">{{cite web |title=Ek Villain Collects Very Well on Monday |url=http://www.koimoi.com/box-office/post-1st-monday-ek-villain-emerges-2014s-7th-highest-grosser/ |publisher=Koimoi |access-date=1 July 2014 |date=July 2014}}</ref> and around {{INRConvert|68|m}} in its fifth day.<ref name="First Tuesday">{{cite web |title=Ek Villain Tuesday Business |url=http://www.koimoi.com/box-office/ek-villain-1st-tuesday-box-office-collections/ |publisher=Koimoi |access-date=2 July 2014 |date=2 July 2014}}</ref> The film collected {{INRConvert|1.013|b}} in two weeks<ref name="Second Week">{{cite web |title=Ek Villain Second Week |url=http://www.financialexpress.com/news/ek-villain-box-office-collections-touch-rs-100-cr-riteish-deshmukh-scores-hattrick/1269209 |publisher=Finalcial express |access-date=14 July 2014}}</ref> and around {{INRConvert|1.056|b}} in three weeks.<ref>{{cite web |title=Ek Villain |url=http://www.koimoi.com/box-office/ek-villain-beats-2-states-lifetime-collections-now-3rd-highest-grosser-of-2014/ |publisher=Koimoi |access-date=19 July 2014 |date=19 July 2014}}</ref><ref name="Bollywood 100 crore club">{{cite news |title=Ek Villain |url=http://www.bollywoodhungama.com/box-office/special-features/id/200 |work=Bollywood Hungama |access-date=19 July 2014}}</ref> ''[[Box Office India]]'' reported that it will earn around {{INRConvert|1.08|b}} in India alone.<ref>{{cite web |title=Ek Villain To Fall Short of 100 Crore Nett |url=http://www.boxofficeindia.com/Details/art_detail/ekvilliantofallshortof100crorenett#.VBL3bpSSxJk |website=Box Office India |date=15 July 2014|access-date=12 September 2014|archive-url=https://web.archive.org/web/20140718162613/http://boxofficeindia.com/Details/art_detail/ekvilliantofallshortof100crorenett#.VBL3bpSSxJk|archive-date=18 July 2014|url-status=dead}}</ref> The film earned a distributor share of around {{INRConvert|510|m}} (Share).<ref>{{cite web |title=Kick Makes It Two 100 Crore Share Films For Salman Khan |url=http://www.boxofficeindia.com/Details/art_detail/kickmakesittwo100croresharefilmsforsalmankhan#.VBL3CZSSxJk |website=Box Office India |date=8 September 2014}}</ref>

''Ek Villain'' collected {{INRConvert|132|m}} outside India in its first weekend.<ref name="Overseas Weekend">{{cite news |title=Bollywood Box Office – Overseas: 'Ek Villain' surprises, 'Humshakals' crashes! |url=http://www.bollywoodhungama.com/box-office/overseas/id/531 |work=Bollywood Hungama |access-date=1 July 2014}}</ref>

== Sequel ==
{{Main article|Ek Villain Returns}}

A [[spiritual sequel]], ''Ek Villain 2'', which was later renamed as ''[[Ek Villain Returns]]'', was officially announced on 30 January 2020.<ref>{{Cite web|url=https://twitter.com/taran_adarsh/status/1366292397965987842?s=19 |title=JOHN - ARJUN - DISHA - TARA: #EKVILLAIN SEQUEL SHOOTING STARTS... Mahurat of #EkVillainReturns was held at #G7 multiplex in #Bandra, #Mumbai today... Filming has commenced... Stars #JohnAbraham, #ArjunKapoor, #DishaPatani and #TaraSutaria... Directed by #MohitSuri. |access-date=1 March 2021}}</ref> It will show a face-off between two villains played by [[Arjun Kapoor]] & [[John Abraham]] while [[Disha Patani]] & [[Tara Sutaria]] play female leads, and will be released on 29 July 2022.<ref>{{Cite web |url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/ek-villain-returns-first-look-the-john-abraham-arjun-kapoor-disha-patani-and-tara-sutaria-starrer-to-hit-the-theatres-on-february-11-2022/articleshow/80832813.cms |title='Ek Villain Returns' first look: The John Abraham Arjun Kapoor, Disha patani and Tara Sutaria starrer to hit the theatres on July 29, 2022 |website=Times of India |access-date=11 February 2021 |date=11 February 2021}}</ref>

==Awards and nominations==
{| class="wikitable sortable"
|-
! Award
! Category
! Recipients and nominees
! Result
! Ref.
|-
| rowspan=9 | [[BIG Star Entertainment Awards]]
| Most Entertaining Actor in a Thriller Film
| [[Riteish Deshmukh]]
| rowspan="3" {{won}}
| rowspan="9" |<ref>{{Cite web |url=http://www.927bigfm.com/bsea2014/nomination_list.php|archive-url=https://web.archive.org/web/20151216084934/http://www.927bigfm.com/bsea2014/nomination_list.php|url-status=dead|archive-date=16 December 2015 |title=Winners List: BIG Star Entertainment Awards, 2014}}</ref>
|-
| Most Entertaining Thriller Film
| [[Ekta Kapoor]], [[Shobha Kapoor]]
|-
| Most Entertaining Singer (Male)
| [[Ankit Tiwari]] – "[[Galliyan]]"
|-
| Most Entertaining Actress in a Thriller Film
| rowspan="2" | [[Shraddha Kapoor]]
| rowspan="6" {{nom}}
|-
| Most Entertaining Actress in a Lead Role
|-
| Most Entertaining Director
| [[Mohit Suri]]
|-
| Most Entertaining Film of the Year
| [[Ekta Kapoor]], [[Shobha Kapoor]]
|-
| Most Entertaining Song
| [[Ankit Tiwari]] – "[[Galliyan]]"
|-
| Most Entertaining Music
| Ankit Tiwari, [[Mithoon]], Rabbi Ahmed, Adnan Dhool, DJ Shadow
|-
| rowspan="9" | [[7th Mirchi Music Awards]]
| [[Mirchi Music Award for Song of The Year|Song of The Year]]
| "Galliyan"
| rowspan=8 {{nom}}
| rowspan=9 |<ref>{{Cite web |url=http://www.mirchimusicawards.com/hindi-2016/nominations/ |title=MMA Mirchi Music Awards |website=MMAMirchiMusicAwards|access-date=27 March 2018}}</ref><ref>{{Cite web |url=http://www.mirchimusicawards.com/hindi-2016/winners/ |title=MMA Mirchi Music Awards |website=MMAMirchiMusicAwards|access-date=27 March 2018}}</ref>
|-
| [[Mirchi Music Award for Album of The Year|Album of The Year]]
| [[Mithoon]], [[Ankit Tiwari]], Rabbi Ahmad, Adnaan Dhool, [[Manoj Muntashir]]
|-
| [[Mirchi Music Award for Male Vocalist of The Year|Male Vocalist of The Year]]
| rowspan=2 | Ankit Tiwari – "Galliyan"
|-
| [[Mirchi Music Award for Music Composer of The Year|Music Composer of The Year]]
|-
| [[Mirchi Music Award for Lyricist of The Year|Lyricist of The Year]]
| Manoj Muntashir – "Galliyan"
|-
| [[Mirchi Music Award for Upcoming Female Vocalist of The Year|Upcoming Female Vocalist of The Year]]
| [[Shraddha Kapoor]] – "Galliyan" (Unplugged)
|-
| [[Mirchi Music Award for Upcoming Music Composer of The Year|Upcoming Music Composer of The Year]]
| rowspan=2 | Rabbi Ahmad & Adnan Dhool (Soch) – "Awari"
|-
| [[Mirchi Music Award for Upcoming Lyricist of The Year|Upcoming Lyricist of The Year]]
|-
| Listeners' Choice Album of the Year
| [[Mithoon]], [[Ankit Tiwari]], Rabbi Ahmad, Adnaan Dhool, [[Manoj Muntashir]]
| {{won}}
|-
| rowspan=3 | [[60th Filmfare Awards]]
| [[Filmfare Award for Best Supporting Actor|Best Supporting Actor (Male)]]
| [[Riteish Deshmukh]]
| rowspan=2 {{nom}}
| rowspan=3 |<ref>[https://m.timesofindia.com/entertainment/hindi/bollywood/photo-features/60th-britannia-filmfare-awards-2014-best-film-nominations/60th-britannia-filmfare-awards-2014-best-film-nominations/photostory/45951092.cms Nomination List: 60th Filmfare Awards, 2015]</ref>
|-
| [[Filmfare Award for Best Music Director|Best Music Director]]
| Mithoon, Ankit Tiwari, Soch
|-
| [[Filmfare Award for Best Male Playback Singer|Best Playback Singer (Male)]]
| Ankit Tiwari – "[[Galliyan]]"
| {{won}}
|-
| rowspan="9" | [[Global Indian Music Academy Awards]]
| [[GiMA Award for Best Engineer – Film Album|Best Engineer – Film Album]]
| Eric Pillai
| rowspan=4 {{won}}
| rowspan=9 |<ref>[https://gima.co.in/oty-winners_2015.php Winners List: GIMA Awards, 2015]</ref><ref>[https://web.archive.org/web/20150205084651/http://gima.co.in/oty-film-music-nominees.php List of Nominees: GIMA Awards, 2015]</ref>
|-
| Most Popular Singer of the Year
| [[Ankit Tiwari]] – "[[Galliyan]]"
|-
| Celebrity Singer of the Year
| [[Shraddha Kapoor]] – "Galliyan"
|-
| Most Popular Song of the Year
| [[Ankit Tiwari]] – "Galliyan"
|-
| [[GiMA Award for Best Music Arranger and Programmer|Best Music Arranger and Programmer]]
| [[Dhrubajyoti Phukan]] – "Awari"
| rowspan="5" {{nom}}
|-
| Best Music Debut
| [[Shraddha Kapoor]] – "[[Galliyan]]"
|-
| Best Playback Singer (Male)
| [[Ankit Tiwari]] – "Galliyan"
|-
| Best Lyricist
| [[Manoj Muntashir]] – "Galliyan"
|-
| Best Music Director
| [[Mithoon]], [[Ankit Tiwari]], Soch
|-
| rowspan="6" | [[16th IIFA Awards]]
| [[IIFA Award for Best Supporting Actor|Best Supporting Actor (Male)]]
| [[Riteish Deshmukh]]
| rowspan="4" {{won}}
| rowspan="6" |<ref>[https://www.dnaindia.com/entertainment/report-shahid-kapoor-s-haider-wins-big-at-iifa-technical-awards-2079740 Winners List: 16th IIFA Technical Awards, 2015]</ref><ref>[https://wap.business-standard.com/article/news-ians/queen-wins-top-honours-at-iifa-115060800067_1.html List of Winners: IIFA Awards, 2015]</ref><ref>[https://www.dnaindia.com/entertainment/report-2-states-haider-lead-iifa-2015-nominations-aamir-and-srk-pitted-for-best-actor-2077364 2 States, Haider, Queen, Ek Villian top the list of Nominations at 16th IIFA Awards, 2015]</ref>
|-
| [[IIFA Award for Best Lyricist|Best Lyricist]]
| [[Manoj Muntashir]] – "[[Galliyan]]"
|-
| [[IIFA Award for Best Male Playback Singer|Best Playback Singer (Male)]]
| [[Ankit Tiwari]] – "Galliyan"
|-
| [[IIFA Award for Best Sound Recording|Best Sound Recording]]
| Eric Pillai
|-
| [[IIFA Award for Best Performance in a Negative Role|Best Performance in a Negative Role]]
| [[Riteish Deshmukh]]
| rowspan="2" {{nom}}
|-
| [[IIFA Award for Best Music Director|Best Music Director]]
| [[Mithoon]], [[Ankit Tiwari]], Soch
|-
| rowspan="3" | [[21st Screen Awards]]
| [[Screen Award for Best Music Director|Best Music Director]]
| Mithoon, Ankit Tiwari, Soch
| {{won}}
| rowspan="3" |<ref>[https://indianexpress.com/photos/screen-awards-gallery/winners-at-21st-annual-life-ok-screen-awards-shahid-priyanka-shah-rukh-khan-deepika/lite/ Winners List: 21st Screen Awards, 2015]</ref><ref>[https://www.tellychakkar.com/movie/movie-news/21st-screen-awards-complete-list-of-winners-150115?amp List of Winners: 21st Life OK Screen Awards, 2015]</ref>
|-
| [[Screen Award for Best Lyricist|Best Lyricist]]
| Mithoon – "Banjara"
| rowspan="2" {{nom}}
|-
| [[Screen Award for Best Male Playback|Best Playback Singer (Male)]]
| Ankit Tiwari – "[[Galliyan]]"
|}

==References==
{{Reflist}}

==External links==
{{Commons category|Ek Villain}}
* {{IMDb title|3175038}}
{{Mohit Suri}}
{{Balaji Telefilms}}

{{Authority control}}

{{DEFAULTSORT:Ek Villain}}
[[Category:2014 films]]
[[Category:Indian films]]
[[Category:2010s Hindi-language films]]
[[Category:2014 action thriller films]]
[[Category:Films scored by Ankit Tiwari]]
[[Category:Films scored by Mithoon]]
[[Category:Indian films about revenge]]
[[Category:Indian remakes of South Korean films]]
[[Category:Indian action thriller films]]
[[Category:Indian nonlinear narrative films]]
[[Category:Fictional portrayals of the Maharashtra Police]]
[[Category:Films featuring an item number]]
[[Category:Balaji Motion Pictures films]]
[[Category:Indian serial killer films]]
[[Category:Indian pregnancy films]]
[[Category:Films directed by Mohit Suri]]
[[Category:2010s serial killer films]]
[[Category:Films shot in the Maldives]]