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		<title>Malaipaṭukaṭām</title>
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		<summary type="html">&lt;p&gt;157.51.99.215: &lt;/p&gt;
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&lt;div&gt;{{Use dmy dates|date=August 2019}}&lt;br /&gt;
{{Sangam literature}}&lt;br /&gt;
{{italic}}&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Malaipaṭukaṭām&#039;&#039;&#039;&#039;&#039; ({{lang-ta|மலைபடுகடாம்}}) is an ancient [[Tamil language|Tamil]] poem in the &#039;&#039;[[Pattuppāṭṭu]]&#039;&#039; anthology of the [[Sangam literature]].{{sfn|Kamil Zvelebil|1974|pp=24–25}} Authored by Perunkunrur Perunkaucikanar, it consists of 583{{refn|group=note|Zvelebil states it has 583 lines.{{sfn|Kamil Zvelebil|1973|p=59}}{{sfn|JV Chelliah|1946|pp=283–284}} Other scholars such as Fred Clothey state that the &#039;&#039;Malaipaṭukaṭām&#039;&#039; has many more lines.&amp;lt;ref name=&amp;quot;Clothey2019&amp;quot;&amp;gt;{{cite book|author=Fred W. Clothey|title=The Many Faces of Murukan: The History and Meaning of a South Indian God. With the Poem Prayers to Lord Murukan|url=https://books.google.com/books?id=PC2aDwAAQBAJ&amp;amp;pg=PA34 |year=2019| publisher=Walter De Gruyter| isbn=978-3-11-080410-2|page=34}}&amp;lt;/ref&amp;gt; According to Chellaih, the poem has 763 lines.{{sfn|JV Chelliah|1946|pp=325}}}} lines that describe the nature scenes, the people and the culture of mountain countryside under king [[Nannan]].{{sfn|Kamil Zvelebil|1973|p=59}}{{sfn|JV Chelliah|1946|pp=283–284}} The poem is dated approximately to 210 CE by Kamil Zvelebil – a Tamil literature scholar.{{sfn|Kamil Zvelebil|1974|p=25}}&lt;br /&gt;
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The title of the poem &#039;&#039;Malaipatukatam&#039;&#039;, also spelled &#039;&#039;Malaipadukadam&#039;&#039;,{{sfn|JV Chelliah|1946|pp=283–284}} is found in lines 347–348 of the poem in the context of &amp;quot;roaring elephants in rut&amp;quot;.{{sfn|JV Chelliah|1946|pp=283–284}} The title has been interpreted in two ways. Some scholars translate it as &amp;quot;the secretion oozing from the mountains&amp;quot;, while others as &amp;quot;the sound of &#039;&#039;katam&#039;&#039; which arises in the mountains&amp;quot;. Either is metonymically interpreted as &amp;quot;the Echo of the Mountains&amp;quot;.{{sfn|Kamil Zvelebil|1974|pp=24–25}}{{sfn|Kamil Zvelebil|1973|p=59}} The poem is also known as &#039;&#039;&#039;&#039;&#039;Kūttarāṟṟupaṭai&#039;&#039;&#039;&#039;&#039; (Kuttararruppatai), &#039;&#039;lit.&#039;&#039; &amp;quot;Guide to the Dancing Minstrels&amp;quot;, a title that suggests that it is an &#039;&#039;arruppatai&#039;&#039;-genre poem.{{sfn|Kamil Zvelebil|1974|pp=24–25}}&lt;br /&gt;
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The &#039;&#039;Malaipatukatam&#039;&#039; is known for its similes, some of which are also found in other Sangam poems.{{sfn|Kamil Zvelebil|1974|pp=24–25}} It paints a vivid picture of the hilly region (near [[Chengam]], then called Chenkama), the people, the troupes of actors and their musical instruments.{{sfn|JV Chelliah|1946|pp=283–284}} The poem describes the beauty of the female singers and dancers. Other lines present the valor of virtues king Nannan.{{sfn|JV Chelliah|1946|pp=283–284}} His capital city is described, along with a long catalog-like description of the birds, animals, trees, flowers, and fruits found in the hilly kingdom.{{sfn|JV Chelliah|1946|pp=283–284}} &lt;br /&gt;
&lt;br /&gt;
The guide outlines some natural dangers faced by troupes as they travel from one performance site to another, and the generous hospitality they will receive from villagers along their way.{{sfn|JV Chelliah|1946|pp=283–284}} It mentions servings of alcohol made from rice that is aged in bamboos, a meal of rice, buttermilk, &#039;&#039;avarai&#039;&#039; beans and tamarind gravy.&amp;lt;ref&amp;gt;{{cite book|author1=Rayson K. Alex|author2=S. Susan Deborah|title=Ecodocumentaries: Critical Essays |url=https://books.google.com/books?id=CdaCDQAAQBAJ&amp;amp;pg=PA196 |year=2016|publisher=Palgrave Macmillan |isbn=978-1-137-56224-1|page=196}}&amp;lt;/ref&amp;gt; A few lines in the &#039;&#039;Malaipatukatam&#039;&#039; mention the shepherds, the fishermen and the farmers along the [[Cheyyar River]] (Seyaru).{{sfn|JV Chelliah|1946|pp=283–284}} The women in these regions, states the poem, sing songs as they pound and husk the grains.&amp;lt;ref&amp;gt;{{cite book|author=Vijaya Ramaswamy|title=Women and Work in Precolonial India: A Reader|url=https://books.google.com/books?id=TzxwDQAAQBAJ&amp;amp;pg=PT107|year=2016|publisher=SAGE Publications|isbn=978-93-5150-740-6|pages=107–108}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The lengthy poem mentions the Hindu god [[Vishnu]] primarily though there are also references to [[Shiva]], his son [[Murugan]] – the god of war (line 651),&amp;lt;ref name=&amp;quot;Clothey2019&amp;quot;/&amp;gt; and the king as Shiva&#039;s devotee. The poem alludes to the &amp;quot;great god&amp;quot; and &amp;quot;god who drank poison&amp;quot; (likely Shiva) and pillars that were worshipped (likely [[lingam]]).{{sfn|JV Chelliah|1946|pp=11, 284–286, 297, 326–327}}&amp;lt;ref&amp;gt;{{cite book|author=C. Vaittiyaliṅka_n|title=Fine Arts and Crafts in Pattuppāṭṭu and Eṭṭuttokai|url=https://books.google.com/books?id=HUcGAAAAMAAJ|year=1977|publisher=Annamalai University|page=235}}&amp;lt;/ref&amp;gt; The &#039;&#039;Malaipatukatam&#039;&#039; uses the word &#039;&#039;ool&#039;&#039; (Sanskrit: karma).{{sfn|JV Chelliah|1946|pp=284–286}} It also mentions the goddess of wealth, [[Lakshmi]] in lines 463–464 and the &amp;quot;god on whose breast she sits enthroned&amp;quot;.{{sfn|JV Chelliah|1946|pp=297, 326–327}}&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[Chera dynasty]]&lt;br /&gt;
* [[Sangam literature]]&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{reflist|group=note}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
===Bibliography===&lt;br /&gt;
{{ref begin|30em}}&lt;br /&gt;
*{{cite book|author= JV Chelliah|title= Pattupattu - Ten Tamil Idylls (Tamil Verses with Englilsh Translation)| year= 1946|url = https://archive.org/details/PattupattuTenTamilIdylls_20180715/page/n1| publisher= Tamil University (1985 print)}}&lt;br /&gt;
* {{cite book |author=Edward Jewitt Robinson |title=Tamil Wisdom: Traditions Concerning Hindu Sages and Selections from Their Writings |url=https://archive.org/details/tamilwisdomtradi0000robi|year=2001 |publisher=Asian Educational Services |location = New Delhi}}&lt;br /&gt;
* Mudaliyar, Singaravelu A., Apithana Cintamani, An encyclopaedia of Tamil Literature, (1931) - Reprinted by Asian Educational Services, New Delhi (1983)&lt;br /&gt;
* {{cite book|title=Tamil Literature|last=Pillai|first=M. S. Purnalingam|year=1994|pages=115|publisher=Asian Educational Services|url=https://books.google.com/books?id=QIeqvcai5XQC&amp;amp;pg=PA115|isbn=81-206-0955-7}}&lt;br /&gt;
* {{cite book|title=The archaeology of seafaring in ancient South Asia|last=Ray|first=Himanshu Prabha |year=2003|publisher=Press Syndicate of the University of Cambridge|location=Cambridge|url= https://books.google.com/books?id=iHHzP4uVpn4C |isbn=9780521011099}}&lt;br /&gt;
* Selby, Martha Ann (2011) Tamil Love Poetry: The Five Hundred Short Poems of the Aiṅkuṟunūṟu, an Early Third-Century Anthology. Columbia University Press, {{ISBN|9780231150651}}&lt;br /&gt;
*{{cite book|author=Takanobu Takahashi|title=Tamil Love Poetry and Poetics|url=https://books.google.com/books?id=wgCHuVGyZoEC|year=1995|publisher=BRILL Academic|isbn=90-04-10042-3}}&lt;br /&gt;
* {{cite book|author=Kamil Zvelebil|title=The Smile of Murugan: On Tamil Literature of South India|url=https://books.google.com/books?id=degUAAAAIAAJ|year=1973|publisher=BRILL|isbn=90-04-03591-5}}&lt;br /&gt;
* {{cite book|author=Kamil Zvelebil|title=Tamil Literature|url=https://books.google.com/books?id=OQ33i496MsIC|year=1974| publisher=Otto Harrassowitz Verlag|isbn= 978-3-447-01582-0}}&lt;br /&gt;
* {{cite book|title=Companion studies to the history of Tamil literature|last=Zvelebil|first=Kamil|author-link=Kamil Zvelebil|year=1992|pages=73|publisher=BRILL|url=https://books.google.com/books?id=qAPtq49DZfoC&amp;amp;pg=PA73|isbn=90-04-09365-6}}&lt;br /&gt;
{{refend}}&lt;br /&gt;
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{{Tamil language}}&lt;/div&gt;</summary>
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