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		<title>Vishnudas Bhave</title>
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		<summary type="html">&lt;p&gt;115.96.77.185: &lt;/p&gt;
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&lt;div&gt;[[File:Bhave vishnudas, Konkani vishvakosh.png|thumb|Vishnudas Bhave]]&lt;br /&gt;
&#039;&#039;&#039;Vishnudas Bhave&#039;&#039;&#039; (d. 9 August 1801) Born in [[Sangli]] and was the leading dramatist of [[Maharashtra]] in [[India]] and the pioneer of [[Marathi theatre]], as he staged the first [[Marathi-language]] play &#039;&#039;&#039;Sita Swayamvar&#039;&#039;&#039; in [[Sangli]] 1843.&amp;lt;ref name=Da1087&amp;gt;[[#Da|Datta, p. 1087]]&amp;lt;/ref&amp;gt; In this venture, Vishnudas Bhave was fully supported by [[Rajasaheb Chintamanrao Patwardhan]]. After the success of the play &#039;&#039;&#039;Sita Swayamvar&#039;&#039;&#039; Vishnudas Bhave staged plays on episodes of the [[Ramayana]]. He traveled a lot with his troupes for the plays. He also ventured into puppet shows. Vishnudas Bhave died on 9 August 1901.&lt;br /&gt;
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In Maharashtra the theatrical activity began in 1843 with Vishnudas Amrut Bhave&#039;s [[Sanglikar Natak Mandali]]. This drama company was influenced by the English plays. Vishnudas Bhave was an extremely gifted scholar - playwright, director and able organiser. A drama school was also set up in [[Sangli]]. Vishnudas Bhave came to [[Mumbai]] in 1853 and in the beginning he staged his &amp;quot;Khel-Akhyan&amp;quot; (play-narrations in verse) and plays in the wada of [[Shri Vishvanath Shimpi]] in the [[Girgaum]] locality of the city. The stories of his plays were rooted in [[Sanskrit]] mythological and religious literature. Songs and music were the strengths of Vishnudas Bhave&#039;s dramas. His play &#039;&#039;&#039;Sita Swayamvar&#039;&#039;&#039; became very popular and received much encomium. For the most part, Bhave&#039;s plays were one-man shows, with other cast playing strictly supporting and secondary roles only when their presence was needed. The tradition of full-fledged drama was revived much later in 1880 by [[Annasaheb Kirloskar]], who is credited more often than Bhave as the pioneer of Marathi theatre.&lt;br /&gt;
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[[The Maharaja of Sangli]] [[Chintamanrao Appa Saheb Patwardhan]] gave his patronage and much encouragement to Vishnudas Bhave, who had extended his drama activity from [[Mumbai]] to [[Pune]] also.&lt;br /&gt;
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The history of Marathi Theater records that &amp;quot;Bhave produced plays in [[Marathi language|Marathi]] with music composed on Karnataki base. His play was much admired by the Governor&#039;s Secretary... religious spirit, scientific singing by a sort of chorus in the midst of dialogues by other characters, crude dances and quaint costumes and make-up and certain skillful sword-play were their outstanding qualities. One has to remember that the audience was very devotional in character&amp;quot;.&lt;br /&gt;
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Besides Vishnudas Bhave&#039;s company other drama companies also came into existence, chief among them being [[Mumbaikar Natak Mandali]], [[Amarchand Wadikar Natak Mandali]], and [[Chaulwadi Hindu Natak Mandali]]. The plays by these drama companies attracted large audiences.&lt;br /&gt;
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Before 1843 in [[Tamil Nadu]], [[Tanjore Maratha]] king [[Raja Shahaji Bhonsle]] had written plays,{{Citation needed|date=May 2019}} which were performed in the court and the temple.&amp;lt;ref&amp;gt;{{Cite journal|title=the medieval history journal|doi=10.1177/097194581101400207|s2cid=162845441}}&amp;lt;/ref&amp;gt; &amp;lt;ref&amp;gt;{{Cite web|url=http://www.nias.res.in/event/nias-public-lecture-ganga-kaveri-samvad-multilingual-dance-dramas-and-cultural-pluralism|title=multilingual dance dramas in Tanjore courts|website=nias}}&amp;lt;/ref&amp;gt; &lt;br /&gt;
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It was after 1843 that the Marathi theater began to progress. University education had begun in Maharashtra. In 1868 Vinayak Kirti entered the Marathi Theater with his historical drama [[Madhavrao Peshwa]]. The plays by Vishnudas Bhave and later playwrights were distinguished by excessive prominence to songs and music but [[Vinayak Kirti]]&#039;s [[Madhavrao Peshwa]] had absolutely no songs or musical recitals; instead the whole drama was acted with dialogues which were totally in prose. Here the Marathi drama branches off in two directions - Prose Plays and Verse Plays. Now the Marathi Theater was on its un-interrupted march.&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
* {{cite book |title=The Encyclopaedia Of Indian Literature (Vol. 2)|author= Amaresh Datta|publisher=Sahitya Akademi|year= 2006|isbn=81-260-1194-7|url= https://books.google.com/books?id=zB4n3MVozbUC&amp;amp;pg=PA1089 |ref=Da }}&lt;br /&gt;
*http://bharatiyadrama.com/marathi.htm&lt;br /&gt;
* {{cite web |title=Prominent Personalities: Vishnudas Bhave |url=http://sangli.gov.in/htmldocs/prominet_personalities1.htm |date= |publisher=[[Sangli district]] Official website }}&lt;br /&gt;
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{{Marathi Theatre}}&lt;br /&gt;
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{{authority control}}&lt;br /&gt;
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{{DEFAULTSORT:Bhave, Vishnudas}}&lt;br /&gt;
[[Category:Indian male dramatists and playwrights]]&lt;br /&gt;
[[Category:1901 deaths]]&lt;br /&gt;
[[Category:Marathi people]]&lt;br /&gt;
[[Category:Marathi theatre]]&lt;br /&gt;
[[Category:People from Sangli district]]&lt;br /&gt;
[[Category:Year of birth missing]]&lt;br /&gt;
[[Category:Dramatists and playwrights from Maharashtra]]&lt;br /&gt;
[[Category:20th-century Indian dramatists and playwrights]]&lt;br /&gt;
[[Category:20th-century Indian male writers]]&lt;/div&gt;</summary>
		<author><name>115.96.77.185</name></author>
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