Raazi

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Raazi
File:Raazi - Poster.jpg
Theatrical release poster
Directed byMeghna Gulzar
Produced by
Written by
Based onCalling Sehmat
by Harinder Sikka
Starring
Music byShankar–Ehsaan–Loy
CinematographyJay I. Patel
Edited byNitin Baid
Production
company
Distributed by
Release date
  • 11 May 2018 (2018-05-11)[1]
Running time
140 minutes
CountryIndia
LanguageHindi
Budget₹35–40 crore[2]
Box officeest. ₹197 crore[3][4][5][6]

Raazi (transl.Agree) is a 2018 Indian Hindi-language spy thriller film[7] directed by Meghna Gulzar and produced by Vineet Jain, Karan Johar, Hiroo Yash Johar and Apoorva Mehta under the banners of Junglee Pictures and Dharma Productions. It stars Alia Bhatt in the lead role and features Vicky Kaushal, Rajit Kapur, Shishir Sharma, and Jaideep Ahlawat in supporting roles.[8][9] The film is an adaptation of Harinder Sikka's 2008 novel Calling Sehmat, a true account of an Indian Research and Analysis Wing (RAW) agent who, upon her father's request, is married into a family of military officers in Pakistan to relay information to India, prior to the Indo-Pakistani War of 1971.[10][11][8][12][13] Principal photography of Raazi began in July 2017 in Mumbai and was completed on 27 October 2017.[14] It was shot across several locations including Patiala, Nabha, Malerkotla and Doodhpathri.[15]

Raazi was released on 11 May 2018.[1] Made on a budget of 350 million (US$4.9 million), Raazi went on to gross 1.96 billion (US$27 million) worldwide,[6][5] emerging as one of the highest-grossing Indian films featuring a female protagonist.[16] It was also a critical success,[17][18] with Meghna's direction and Bhatt's performance receiving praise.[19][20]

At the 64th Filmfare Awards,[21] Raazi received 15 nominations and won a leading 5 awards (tying with Andhadhun), including Best Film, Best Director (Gulzar) and Best Actress (Bhatt).[22]

Plot[edit]

Indian Army officer Lieutenant General Nikhil Bakshi addresses a group of Indian soldiers and officers including officer Samar Syed, aboard the INS Viraat, off the coast of Vishakapatnam, detailing a woman's exploits while serving as an undercover agent of the Research and Analysis Wing (RAW), India's external intelligence agency, in Pakistan.

The story flashes back to events preceding the Bangladeshi War of independence of 1971. Hidayat Khan is an Indian freedom fighter posing as an informant for the Indian government. He wishes to make his 20-year-old daughter Sehmat, a student at Delhi University, an agent and continue the family tradition of being in service to the country before his impending death from lung cancer. Sehmat agrees and is trained by senior RAW officer Mir and his assistant, a young Nikhil Bakshi. Khan uses his friendship with Brigadier Parvez Syed of the Pakistan Army to get Sehmat married to his younger son, Iqbal Syed, another military officer. After marriage she moves to their army home with Iqbal in Rawalpindi, which are also the Pakistan Army headquarters. In Pakistan Sehmat wins the trust of the entire family except Abdul, Syed's trusted servant. Brigadier Syed is promoted to Major General, which results in crucial documents and members of the country's defense forces passing through his house. Sehmat establishes communication channels with her handlers back in India and starts relaying information.

Sehmat relays information on planning of an offensive against India. The information points to the planned attack on the Indian aircraft carrier INS Vikrant, then deployed in the Bay of Bengal. Sehmet steals the red file from Parvez Syed, her father-in-law, but in doing so almost gets caught. As she left her communication tools in the bathroom, Abdul discovers her identity and she runs him down with a car. This takes a heavy emotional toll on her. Mehboob Syed, Iqbal's elder army officer brother, suspects foul play as Abdul says Sehmat's name in the hospital before dying, and starts to investigate. Before he could go to Islamabad to the National Agency for further investigations, Sehmat reluctantly kills him by injecting him with poison. She is distraught at having widowed Munira, Mehboob's wife, and saves her from police interrogation. Mir visits Sehmat and Iqbal disguised and conveys to her an escape plan from Pakistan. Iqbal finds a piece of Sehmat's anklet, which he had gifted to her, in Abdul's room after finding the communication tools she planted and realizes she killed Abdul. She is eventually discovered by Iqbal, who is heartbroken. He confronts her but Sehmat makes away with a child at gunpoint. Sehmat arrives in Burkha at the agreed rendezvous point with Mir and his undercover RAW team but is cornered by ISI agents and Iqbal, and seeing no way out the RAW team throws a grenade and make away, in which Iqbal and presumably Sehmat are killed. It is then revealed that Sehmat is still alive; the woman Iqbal confronted was actually another burqa-clad agent who switched places with Sehmat and died in the blast along with Iqbal. Shocked by her husband's death and the fact that Mir was even ready to kill her, Sehmat realizes the insignificance of relationships and humanity in this line of work. Broken by the destruction of a family, she returns with the RAW team to India and discovers that she is pregnant with Iqbal's child, which she decides to raise as a single mother and moves to Ambala.

With Sehmat's findings, the INS Rajput sinks the Pakistani submarine Template:PNS off Visakhapatnam's coast.[lower-alpha 1] India wins the eventual battle and liberates Bangladesh while annexing Lahore for a limited period, with Pakistan's surrender.

Nikhil Bakshi concludes his speech, with Samar Syed revealed to be Iqbal and Sehmat's son, present among the officers. The film ends with an aged Sehmat living alone, staring out of the window in her home in Ambala.

Cast[edit]

Cameo appearances[edit]

Production[edit]

Development[edit]

Since 2014, Priti Sahani, president of Junglee Pictures, was trying to acquire the film rights to Harinder S. Sikka's 2008 novel Calling Sehmat, which details the true story of an Indian woman secret agent married to a Pakistani army officer to provide the Research and Analysis Wing (RAW) with confidential information prior to the Indo-Pakistani War of 1971.[25] During the production of Talvar (2015), she got in touch with Meghna Gulzar and enquired if she was interested in directing a film adaptation of the novel.[25] Meghna agreed but was informed a few months later that the film didn't materialize.[25] In February 2016, she was approached by another producer to adapt the same novel, and she agreed again, thinking it was "a tad serendipitous" to be offered the same project twice.[25]

When talks on that proposal also fell through, Meghna decided she had "a karmic connection"[26] with Calling Sehmat given that Sikka had approached her father Gulzar to direct the film adaptation when the novel was released; she had developed a rapport with Sikka during previous meetings while discussing the production and told the author that they approach Sahani again for the film adaptation.[25] The talks were successful, and in December 2016, Meghna announced the project as her next film.[25] Meghna was drawn to the story as it was "an ordinary girl's extraordinary feat" and was "not chest-thumpingly anti-Pak, pro-India, pro-war sloganeering", and it being a true account "makes [the film] that much more powerful".[25] She tried to remain as true to the story as possible during production.[25]

Even though the film was set in the backdrop of the Indo-Pakistani War of 1971, it didn't feature action scenes unlike other films under the same backdrop since the story leads to the beginning of the war and not the actual conflict.[25] Meghna had heard stories of the war from her family members, having been born after the war was over.[25] She felt it was "an important milestone in [Indian] history" and was motivated to make the film as the story is important in present times when neighboring countries have non-cordial relationships.[25] Meghna said: "The human element makes it timeless. From my father’s friends in Pakistan, I understand that the lines are on paper and brought up politically but at the end of the day, we’re similar in our clothes, cuisine, and culture."[25]

In December 2016, it was being speculated that Alia Bhatt had been offered the lead role in the film,[27] a news which was confirmed to be true in April 2017.[28][29] Karan Johar's production house Dharma Productions came on board to co-produce the film along with Junglee Pictures in April 2017.[30] The casting of Vicky Kaushal was officially announced in June 2017.[31][32]

Filming[edit]

The filming process of Raazi began in July 2017[33] and the first schedule which took place in Mumbai was wrapped up by mid-August 2017.[34] Originally, the first schedule of Raazi was supposed to be held in Kashmir but due to the state of unrest in the valley, the makers decided to shift the shooting location to Mumbai where all the indoor scenes were filmed at a set created inside Film City.[35][36] The second schedule of the film took place in Punjab, where filming was done in Patiala and Malerkotla during August and September 2017.[37] The shooting in Patiala was stalled for a few days due to the violence that erupted after the conviction of Dera Sacha Sauda chief Gurmeet Ram Rahim Singh on 25 August 2017 and the curfew that was imposed as a consequence of which.[38][39][40] After completing the Punjab schedule,[41] the production team of Raazi arrived in Kashmir on 17 September 2017 for a ten-day schedule where filming was done at Pahalgam, Shiv Pora in Srinagar and Doodhpathri in Budgam district.[42][43] The final schedule of shooting was supposed to take place in Punjab, but was completed in Delhi instead due to the unrest caused by Gurmeet Ram Rahim Singh's arrest.[44][45] Filming came to an end on 27 October 2017.[46]

Costumes for the film were designed by Maxima Basu.

Controversy[edit]

Amidst a heated atmosphere of public anger and discussion during July 2020, Sikka alleged that Meghna changed the title of the film without his permission and he was not shown the director's cut of the film which was part of the contract. He also alleged that Gulzar and her father took a pro-Pakistani stand in the film, and that producers Jain and Johar attempted to discredit him.[47][48]

The author also claimed that Meghna Gulzar "tweaked" the story to demean RAW and praised the Pakistan Army.[49]

Soundtrack[edit]

Raazi
Soundtrack album by
Released18 April 2018[50]
StudioPurple Haze, Mumbai, India[51]
GenreFeature film soundtrack
Length18:58
LanguageHindi
LabelZee Music Company
Producer
  • Abhay Rumde
  • Sreejith Padmakumar
Shankar–Ehsaan–Loy chronology
Rock On 2
(2016)
Raazi
(2018)
Soorma
(2018)
External audio
Audio Jukebox at YouTube

The music and background score of the film is composed by Shankar–Ehsaan–Loy while the lyrics are penned by Gulzar. The songs featured in the film are sung by Arijit Singh, Harshdeep Kaur, Vibha Saraf, Shankar Mahadevan and Sunidhi Chauhan. The song "Ae Watan (Female)" also contains the lyrics of Allama Iqbal's nazm "Lab Pe Aati Hai Dua", that is the national prayer of Pakistan being offered during school assemblies. The soundtrack was officially released on 18 April 2018 by Zee Music Company.

Vipin Nair of The Hindu gave the soundtrack 4/5 stating that it's "a gem of a soundtrack" and "wish the soundtrack were longer".[52][53] The Times of India's Debarati Sen, in her review, said the album is "definitely one to be heard on the loop". She further added that it is a "must for music lovers and Gulzar fans".[54]

Track listing
No.TitleSinger(s)Length
1."Ae Watan"Arijit Singh3:43
2."Dilbaro"Harshdeep Kaur, Vibha Saraf, Shankar Mahadevan5:14
3."Raazi"Arijit Singh6:30
4."Ae Watan (Female)"Sunidhi Chauhan3:31
Total length:18:58

Release and reception[edit]

The first poster of Raazi was released on 9 April 2018[55] through the official Twitter handle of the film, while the trailer of the film was launched on 10 April 2018.[56] The film was released on 11 May 2018.

Raazi received universal critical acclaim.[17] The film holds a Template:RT data rating on review aggregator website Rotten Tomatoes based on Template:RT data reviews, with an average rating of Template:RT data.[18]

Anna M. M. Vetticad of Firstpost termed the film as a heart-stopping, heartbreaking espionage drama and gave it 4.5 stars out of 5.[57] The Times of India rated the film 4 out of 5 stars, stating that "Raazi rewrites the spy-thriller genre with emotions, instead of explosions."[58] Rohit Vats of Hindustan Times praised Alia Bhatt's performance and gave the film a rating of 4 out of 5 saying that, "Raazi is a sensibly written and finely performed film that takes a close look at the ordinary lives of extraordinary people. Not to miss."[19] Shalini Langer of The Indian Express praised director Meghna Gulzar for not allowing Raazi to become a "chest-thumping spectacle of jingoism" and gave the film a rating of 3.5 out of 5 saying that, "at a time when hate and anger are the currency of the subcontinent, a film like Raazi needs to be made."[20] Meena Iyer of Daily News and Analysis gave the film a rating of 4 out of 5, saying that, "Alia Bhatt-Vicky Kaushal starrer will blow your mind!"[59] Sukanya Verma of Rediff.com appreciated the acting performances of the film, its music composed by Shankar–Ehsaan–Loy, cinematography as well as editing, and gave the film a rating of 4 out of 5 saying that, "Raazi is a rarity. It is intense, riveting, clever, dark, sad, lyrical, heartfelt, relevant and understated."[60] Rajeev Masand of News18 gave the film a rating of 3.5, calling Bhatt the "beating heart of Raazi", and stated, "The film is admirable also because it's a measured, mostly intelligent thriller that asks us to consider concepts of patriotism and honor without spoon-feeding us with manipulative background music or provocative dialogue."[61] Bollywood Hungama gave the film a rating of 3.5 out of 5, saying that, "Raazi is an interesting thriller brilliantly narrated by Meghna Gulzar that makes for mature viewing. It is a film that celebrates nationalism that is devoid of the colors of religion."[62] Suhani Singh from India Today gave the film 2.5 out of 5 stars stating "Alia Bhatt steals the show in Meghna Gulzar's spy thriller".[63]

In a negative review, Kennith Rosario of The Hindu commented, "There's a lot going for Raazi yet there's a nagging lack of novelty – whether it is the film's plot, message or Bhatt's ability to cry."[64] Raja Sen of NDTV gave the film a rating of 3 out of 5 saying that, "There is a lot to like in Meghna Gulzar's spy movie, but Alia Bhatt makes it hard to take Raazi seriously."[65] Nandini Ramnath of Scroll.in said that, "Alia Bhatt shines in a muddled and improbable spy thriller."[66]

Box office[edit]

Raazi emerged as the tenth highest-grossing Hindi film of 2018.[67] It became the second film driven by a female lead to gross more than 100 crore nett in India, after Tanu Weds Manu Returns.[68] The film grossed more than 158 crore in India,[3] emerging as the highest-grossing film for Alia Bhatt, surpassing Badrinath Ki Dulhania.[69] Raazi has grossed a total of 2.07 billion (US$29 million) worldwide.[6][5]

Accolades[edit]

Award[lower-alpha 2] Date of ceremony[lower-alpha 3] Category Recipient(s) Result Ref.
Filmfare Awards 23 March 2019 Best Film Dharma ProductionsKaran Johar, Hiroo Yash Johar, Apoorva Mehta Won [70]
[71]
Best Film (Critics) Meghna Gulzar Nominated
Best Director Won
Best Actress Alia Bhatt Won
Best Actress (Critics) Nominated
Best Music Director Shankar–Ehsaan–Loy Nominated
Best Lyricist Gulzar – "Ae Watan" Won
Gulzar – "Dilbaro" Nominated
Best Male Playback Singer Arijit Singh – "Ae Watan" Won
Shankar Mahadevan – "Dilbaro" Nominated
Best Female Playback Singer Harshdeep Kaur, Vibha Saraf – "Dilbaro" Nominated
Sunidhi Chauhan – "Ae Watan" Nominated
Best Screenplay Bhavani Iyer and Meghna Gulzar Nominated
Best Editing Nitin Baid Nominated
Best Background Score Shankar–Ehsaan–Loy and Tubby Nominated
Indian Film Festival of Melbourne 10 August 2018 Best Film Raazi Nominated [72]
Best Director Meghna Gulzar Nominated
Best Actress Alia Bhatt Nominated
International Indian Film Academy Awards 18 September 2019 Best Film Raazi Won [73]
[74]
Best Director Meghna Gulzar Nominated
Best Actor Vicky Kaushal Nominated
Best Actress Alia Bhatt Won
Best Story Harinder Singh Sikka Nominated
Best Music Director Shankar–Ehsaan–Loy Nominated
Best Lyricist Gulzar – "Ae Watan" Nominated
Best Male Playback Singer Arijit Singh – "Ae Watan" Won
Best Female Playback Singer Harshdeep Kaur & Vibha Saraf – "Dilbaro" Won
Sunidhi Chauhan – "Ae Watan" Nominated
Mirchi Music Awards 16 February 2019 Lyricist of The Year Gulzar – "Ae Watan (Male)" Won [75]
[76]
Gulzar – "Dilbaro" Nominated
Song of The Year "Dilbaro" Nominated
"Ae Watan (Male)" Nominated
Album of The Year Shankar–Ehsaan–Loy, Gulzar, Allama Iqbal Nominated
Male Vocalist of The Year Arijit Singh – "Ae Watan (Male)" Nominated
Female Vocalist of The Year Harshdeep Kaur – "Dilbaro" Nominated
Sunidhi Chauhan – "Ae Watan (Female)" Nominated
Best Background Score Shankar–Ehsaan–Loy and Tubby Nominated
Listeners' Choice Album of the Year Shankar–Ehsaan–Loy, Gulzar, Allama Iqbal Nominated
NBT Utsav Awards 30 June 2018 Best Actress Alia Bhatt Won [77]
News18 Reel Movie Awards 26 March 2019 Won [78]
Best Lyricist Gulzar Won
Best Female Playback Singer Harshdeep Kaur, Vibha Saraf – "Dilbaro" Won
Best Editing Nitin Baid Won
Screen Awards 16 December 2018 Best Actress Alia Bhatt Won [79]
[80]
[81]
Best Male Playback Singer Arijit Singh (for the song "Ae Watan") Won
Best Female Playback Singer Harshdeep Kaur (for the song "Dilbaro") Won
Best Lyricist Gulzar (for the song "Ae Watan") Won
Best Production Design Amit Ray, Subrata Roy Won
Zee Cine Awards 19 March 2019 Best Film Vineet Jain, Hiroo Yash Johar, Karan Johar and Apoorva Mehta Won [82]
Best Director Meghna Gulzar Nominated
Best Actor – Female (Popular) Alia Bhatt Won
Best Actor – Female (Critics) Nominated
Best Supporting Actor – Male Jaideep Ahlawat Nominated
Best Music Director Shankar–Ehsaan–Loy Nominated
Best Lyrics Gulzar for "Dilbaro" Won
Gulzar for "Ae Watan" Nominated
Best Playback Singer – Male Arijit Singh for "Ae Watan" Nominated
Best Playback Singer – Female Harshdeep Kaur and Vibha Saraf for "Dilbaro" Won

See also[edit]

Notes[edit]

  1. India officially credits the INS Rajput for sinking Ghazi.[23] Pakistan rejects India's claim of sinking Ghazi as "false and utterly absurd".[24] The film mentions India's version of the sinking, and this has been included in the plot.
  2. Awards, festivals and organizations are in alphabetical order.
  3. Date is linked to the article about the awards held that year, wherever possible.

References[edit]

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External links[edit]

Template:Karan Johar

Template:Filmfare Award for Best Film Template:IIFA Award for Best Movie Template:Meghna Gulzar filmography

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